CCM Announces Kristy Swift as New Assistant Professor of Musicology

CCM Dean Stanley E. Romanstein has announced the addition of musicologist and organist Kristy Swift, PhD and DMA, to the college’s roster of distinguished faculty members. Swift’s appointment as Assistant Professor of Musicology – Educator begins on Aug. 15, 2020. A two-time alumna of CCM, Swift (DMA Organ, ’98; PhD Musicology, ’13) is currently a Visiting Assistant Professor of Musicology – Educator.

A portrait of new CCM faculty member Kristy Swift.Swift’s research interests include digital humanities, film music, historiography, identity and music, music history pedagogy, music of Cincinnati and opera. Her monograph Thinking About Music History: Textbooks and the Canon is forthcoming from Clemson University Press. She is a member of the CCM Cincinnati Sounds: Exploring a Musical City Through Digital Exhibits project team, which received the UC Strategic Collaborative Award.

Swift has presented her research at annual meetings of the American Musicological Society, Society for American Music, Music and the Moving Image and Music History Pedagogy Conferences. Her work has been published in the Journal of Music History Pedagogy, The Diapason and Music Research Forum. Swift has taught hybrid and traditional face-to-face courses in American opera, madness in opera, opera and disability, politics and opera, protest(ed) music, Copland, Handel, Verdi, Wagner, research and writing, and graduate and undergraduate music history surveys at CCM and at Miami University in Oxford, Ohio.

As soloist and accompanist, she has performed throughout the United States in venues ranging from local Cincinnati and Northern Kentucky sites to Carnegie Hall. She has also served as director of music and organist at churches in Ohio and Florida.

Swift earned a PhD in musicology and DMA in organ studying with Roberta Gary at CCM. She also received an MM in organ studying with William Bodine and BM in education from the University of Florida. She served on the organ committee at Newtown United Methodist Church in Cincinnati for the installation of the M. P. Rathke Opus 8 pipe organ.

“I am grateful to Musicology Search Committee Chair Jonathan Kregor and committee members Amy Beegle, Jenny Doctor, Scott Linford and Stephen Meyer for their collaborative effort on this successful search,” said Romanstein. “We look forward to welcoming Kristy Swift to her new position at CCM this fall.”

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

CCM’s world-class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-of-the-art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. Learn more at ccm.uc.edu

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CCM Announces Megan Steigerwald Ille as New Assistant Professor of Musicology

CCM Dean Stanley E. Romanstein has announced the addition of musicologist Megan Steigerwald Ille, PhD, to the college’s roster of distinguished faculty members. Steigerwald Ille’s appointment as Assistant Professor of Musicology – Educator begins on Aug. 15, 2020.

A portrait of new CCM faculty member Megan Steigerwald Ille.Steigerwald Ille is a musicologist whose research and teaching considers the intersections of operatic, popular and digital cultures in the 21st century in the United States and Canada. Her book-in-progress, Opera for Everyone: Experimenting with American Opera in the Digital Age, explores changing modes of spectatorship and performer labor in contemporary opera in the US through an in-depth ethnographic study of the LA-based experimental opera company called The Industry.

She has articles forthcoming in the Journal of the Society of American Music and The Opera Quarterly. Since 2018 she has served as a Postdoctoral Fellow of Digital Cultures in the American Culture Studies Program at Washington University in St. Louis.

Steigerwald Ille completed her PhD in Historical Musicology and a certificate in Ethnomusicology at the Eastman School of Music, University of Rochester.

“I am grateful to Musicology Search Committee Chair Jonathan Kregor and committee members Amy Beegle, Jenny Doctor, Scott Linford and Stephen Meyer for their work finding CCM’s next great musicology professor,” said Romanstein. “We look forward to welcoming Megan Steigerwald Ille to the CCM family.”

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

CCM’s world-class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-of-the-art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. Learn more at ccm.uc.edu

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CCM Announces Shelina Brown as New Assistant Professor of American Music

CCM Dean Stanley E. Romanstein has announced the addition of musicologist Shelina Brown to the college’s roster of distinguished faculty members. Brown’s appointment as Assistant Professor of American Music begins on Aug. 15, 2020.

A portrait of new CCM faculty member Shelina Brown.Brown holds an MA and PhD from UCLA’s Department of Musicology. Her primary research project centers on experimental vocal practices and cultural resistance within underground music scenes. Brown’s dissertation project, “Yoko Ono’s Experimental Vocality as Matrixial Borderspace: Theorizing Yoko Ono’s Extended Vocal Technique and her Contributions to the Development of Underground and Popular Vocal Repertoires, 1968-Present,” focused on Yoko Ono’s extended vocal techniques of the late 1960s and early 1970s that came to influence a range of counter-hegemonic vocalists throughout the late 20th century.

Brown’s methodological approach draws upon contemporary feminist psychoanalytical theories, adapting these for the purpose of musical analysis of vocality and gendered subjectivization. In this vein, her theoretical approach to music studies aims to bring feminist psychoanalysis into dialogue with posthuman thought, queer studies and critical race theory.

A Canadian national raised in Kyoto, Japan, Brown also holds a Master’s in Comparative Literature specializing in modern Japanese literature. Prior to commencing studies in musicology, Shelina was employed as a sessional lecturer of modern Japanese literature at the University of Alberta, Canada.

Brown’s article “Scream from the Heart: Yoko Ono’s Rock ’n’ Roll Revolution” has been published in Sheila Whiteley’s compilation, Countercultures and Popular Music (Ashgate, 2014). She is currently preparing an article, Of Insects and Interstices: Yoko Ono’s Experimental Short Film, Fly (1970) and the Synaesthetic Un-Mapping of the Abstract Female Nude,” which will be forthcoming in 2021. Brown has presented papers at annual meetings including SEM (Society for Ethnomusicology), IASPM (International Association for the Study of Popular Music), AAS (American Association for Asian Studies) and EMP (Experience Music Project).

A long-term participant in underground and independent music scenes, Brown has been active as a vocalist and instrumentalist in several new wave and garage rock bands over the past 10 years. She still maintains close ties to the Los Angeles underground, and looks forward to exploring music scenes across Ohio.

“I send my gratitude to our search committee comprised of Jonathan Kregor (chair), Stefan Fiol, Jeongwon Joe, Matthew Peattie and Shauna Steele for their work in finding CCM’s next great professor of American music,” said Romanstein. “We look forward to welcoming Shelina Brown this fall.”

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

CCM’s world-class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-of-the-art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. Learn more at ccm.uc.edu

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Scott Linford, incoming Assistant Professor of Ethnomusicology at CCM.

CCM Welcomes Scott Linford as Assistant Professor of Ethnomusicology

Scott Linford, incoming Assistant Professor of Ethnomusicology at CCM.

CCM Interim Dean bruce d. mcclung has announced the appointment of Scott Linford to the position of Assistant Professor of Ethnomusicology at CCM. Linford’s appointment will officially begin on Aug. 15, 2018.

A scholar, filmmaker and performing musician, Linford has conducted fieldwork in West Africa, Central America and the United States around themes of participation and musical experience, ethnicity, gender and politics. Raised in the San Francisco Bay Area, he holds an MA and PhD in Ethnomusicology from UCLA and most recently served as Assistant Professor of Liberal Arts (Music History) at the Berklee College of Music.

In addition to his dissertation, “Interweaving Worlds: Jola Music and Relational Identity in Senegambia and Beyond,” Linford’s work has appeared in Ethnomusicology Review and the Yearbook for Traditional Music. He has presented papers at annual meetings of the Society for Ethnomusicology and the African Studies Association, and has presented invited lectures at UCLA, Jiao Tong University in Shanghai, and Centro Nacional de las Artes in Mexico City.

A guitarist, bassist, fiddler and award-winning banjoist, he directed the UCLA Bluegrass and Old Time String Band, which won numerous awards at regional music festivals. Linford has also directed three documentary films focusing on musical communities.

On the announcement of Linford’s appointment, mcclung commented:

“CCM students will benefit from Linford’s expertise as an ethnographic researcher, documentarian and performer. He makes an excellent addition to our Composition, Musicology and Theory Division. I am grateful to Search Committee Chair Jonathan Kregor and committee members Jenny Doctor, Stefan Fiol, Jeongwon Joe, Stephen Meyer, Matthew Peattie and Stephanie Schlagel for their collaborative effort on this successful search.”

Please join us in welcoming Scott Linford to the CCM family!

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Two CCM professors honored in UC Faculty Awards

Sixteen distinguished faculty members were awarded in UC’s university-wide Faculty Awards Celebration on Tuesday, April 19. Each year, the university pays tribute to outstanding faculty members who go above and beyond for their students. They were each nominated by students, staff or other faculty members in December and given awards during Tuesday’s ceremony in Tangeman University Center’s Great Hall.

Along with the other award winners, two CCM professors were saluted in this year’s celebration: Kimberly Daniel de Acha, adjunct associate professor of Musical Theatre/Voice, and Jonathan Kregor,  professor within the Department of Composition, Musicology & Theory.

Visit the UC Magazine website to read profiles on each of the 16 awarded faculty members.

Kimberly Daniel de Acha – Outstanding Adjunct Faculty Award

Kimberly Daniel de Acha

Kimberly Daniel de Acha, adjunct associate professor of musical theater and voice, in studio at CCM. Photo by Andrew Higley.

The extraordinary success of Kimberly Daniel de Acha, CCM’s accomplished adjunct associate professor of musical theatre voice, is exemplified in her former students by their leading and supporting roles on Broadway and touring Broadway shows, as Tony Award nominees and as working professionals in theaters nationally.

In addition to her own success as an award-winning performer and theater professional,
de Acha’s outstanding musical theatre voice pedagogy successfully edifies the significance of developing a positive self-image, which her students say is key for rising to one’s full potential in the theater.

According to student testimony, de Acha’s tough-love teaching style is really not so tough. Instead, it is wrapped in a nurturing understanding of each of her student’s unique talents, encouraging them to carve a niche for their own success.

De Acha’s “claim what is yours” teaching mantra has fueled the passion in each of her students to build on their unique abilities, and to claim their place on the professional stage. By exemplifying this herself, she inspires this in her students.

De Acha sits on the CCM Power Board and co-directs and underwrites the costs of “Music for All Seasons at Historic Peterloon,” an annual four-concert music series that features CCM students, faculty and area professionals, and helps to bring community awareness to CCM. All proceeds are donated for student scholarships.

In de Acha’s 46th year as a performer and teacher, she refers to teaching at CCM as “the gift she gives herself.” And, her students and colleagues are unanimous in their praise for her unwavering commitment to community outreach and charitable efforts, but especially for her keen ability to recognize and enhance the distinctive best in each one of her students — which changes their lives forever.

Jonathan Kregor – George Rieveschl Jr. Award for Creative and/or Scholarly Works

Jonathon Kregor

Jonathan Kregor, professor of the department of composition, musicology and theory at CCM, leads an in-class discussion. Photo by Andrew Higley.

In moving from assistant to full professor of musicology in only eight short years, Jonathan Kregor’s career has followed a trajectory that might be referred to in musical terms as prestissimo.

Since coming to the College-Conservatory of Music in 2007, he has produced extensive publications and given numerous invited talks in North America and Europe that have brilliantly opened visual and acoustic windows into the lives, politics and musical activities and works of 19th-century classical composers — most particularly into the complex and fascinating life of the Hungarian composer-pianist Franz Liszt.

While Liszt’s own compositions form a central — albeit still controversial — part of today’s musical canon, Kregor has focused in depth on an overlooked part of Liszt’s musical activities: his transcriptions of other composers’ works. By detailing the significance of Liszt’s reproductions for the piano of orchestral and large-scale vocal compositions by Wagner, Mozart, Berlioz, Beethoven and others, Kregor’s scholarship sheds a unique light on the impact that Liszt and his contemporaries all had on the broader intellectual context of 19th-century Europe. And Dr. Kregor’s expertise as the leading Liszt scholar of his generation has also evolved into him becoming an equally respected authority on 19th-century program music.

Through his vast array of scholarly publications that include monographs, articles and essays and critically edited music, Kregor has helped shape the understanding of 19th-century music by skillfully inviting everyone to reconsider assumptions about classical creativity and the compositional process.

Owing to frequent testimony, Jonathan Kregor continues to enrich the lives of his students, collaborators and colleagues as a beacon in the field of historical musicology: not only through his distinguished scholarship, but also — as a student of a student of a student of Liszt himself — by transforming its results into musical practice.

 

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CCM Professor Jonathan Kregor Explores Program Music In New Book

CCM Associate Professor of Music Jonathan Kregor.

CCM Associate Professor of Music Jonathan Kregor.

This spring, Cambridge University Press will publish Program Musica new book by CCM Associate Professor of Music Jonathan Kregor. The book is the first English-language publication in over a generation to deal exclusively with program music, a repertoire frequently heard but only rarely written about.

Kregor explains, “As musicians and scholars, we want to know how, and to what extent, music has meaning. Historically, program music has offered answers, but while it is behind some of the most familiar repertoire of the classical music canon, its definition remains hazy and its practices are numerous.”

Program music was one of the most flexible and contentious novelties of the long 19th century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt’s symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States and France.

Kregor explores program music’s ideas and repertoire within the book, discussing both well-known and less familiar pieces by an array of 19th and 20th century composers. Setting program music in the context of the intellectual debates of the period, he presents the criticism of writers like A. B. Marx and Hanslick to reveal program music’s growth, dissemination, and reception.

“I wanted to try to present the various ways in which composers have created programmatic works, how audiences have responded to them, and how the debates about music and meaning that lie at the heart of program music continue to challenge us today,” Kregor says.

Designed to be an accessible introduction to the topic of program music, the book features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings and Goethe’s Faust.

Learn more about Kregor’s Program Music by visiting www.cambridge.org/us/academic/subjects/music/nineteenth-century-music/program-music.

About Jonathan Kregor
Jonathan Kregor, PhD, is a musicologist specializing in 19th century music. His research interests include aesthetics, Franz Liszt, musical reproduction, music and memory, virtuosity and gender, and art song.

He has published articles and reviews in The Journal of MusicologyThe Musical QuarterlyNineteenth-Century Music ReviewJournal of the American Liszt Society and Notes; and has given papers at numerous national and international conferences. He is a recipient of fellowships from the German Historical Institute and the Stiftung Weimarer Klassik.

Kregor is the author of Liszt as Transcriber (Cambridge University Press, 2010), which won the Alan Walker Book Award from the American Liszt Society, and the aforementioned Program Music (Cambridge University Press, 2015). He has edited volumes of C.P.E. Bach’s keyboard music (Packard Humanities Institute) and Clara Schumann’s unpublished arrangements for solo piano (A-R Editions), and has co-edited Liszt et le France. Since 2012 he has been editor of the Journal of the American Liszt Society.

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CCM Announces Fall 2013 Calendar of Major Events

Download a copy of CCM's Fall 2013 Calendar Booklet today!

Download a copy of CCM’s Fall 2013 Calendar Booklet today!

The University of Cincinnati College-Conservatory of Music (CCM) is delighted to announce its fall schedule of major events. The largest single source of performing arts events in the state of Ohio, CCM presents more than 120 major public performances from Sept. 4 through Dec. 14, ranging from faculty and guest artist concerts to fully supported opera, musical theatre, drama and dance productions.

View a digital copy of CCM’s Fall 2013 Calendar Booklet today by visiting on.uc.edu/CCMFall2013. Refer to the listings below for more details.

Event Information
All events listed here will take place in CCM Village on the University of Cincinnati campus unless otherwise indicated. Admission is free to many CCM performances, although some events do require purchased tickets or reservations. Please see individual event information for details and ordering information.

All event dates and programs are subject to change. Visit ccm.uc.edu  or contact the CCM Box Office at 513-556-4183 for the most current event information.

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Two Free ‘Music in the Gorno Library’ Concerts Showcase CCM Talent This April

Music series icon

Join UC Libraries at two upcoming concerts to be held in the Albino Gorno Memorial Music (CCM) Library Reading Room.

  • 8 p.m. Wednesday, April 3: The CCM Philharmonia will perform Haydn’s Symphonies 6, 7 and 8 (“Morning, Noon and Night”) conducted by CCM graduate student Aik Khai Pung.
  • 2 p.m. Sunday, April 14: The inaugural concert on the CCM Library’s 1888 Steinway Parlor Grand piano will feature music arranged by Clara Schumann, edited by CCM faculty member Jonathan Kregor, associate professor of composition, musicology and theory. The music will be performed by students of CCM’s Michael Chertock, associate professor of keyboard studies, and Awadagin Pratt, associate professor of keyboard studies. Dr. Kregor will give remarks about the music.
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