CCM Slideshows: The Threepenny Opera

This slideshow requires JavaScript.

CCM proudly presents The Threepenny Opera, running tonight, March 1, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

Learn more The Threepenny Opera here.

“[Stage Director Robin] Guarino fearlessly goes back to the musical satire’s socio-political roots in 1920s Berlin,” Jackie Demaline writes in her review for the Cincinnati Enquirer. “Everything about The Threepenny Opera carries out Guarino’s vision, as the cast prowl scenic designer John Arnone’s industrial set of catwalks, with the small orchestra (in costume) perched at the top. Musical director Roger Grodsky as always asks much and gets all from singers and musicians.”

Read Demaline’s full review here.

CCM News CCM Slideshows

A New Sneak Peek at the Scenic Design of ‘The Threepenny Opera’

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of 'The Threepenny Opera.'

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of ‘The Threepenny Opera.’

CCM’s acclaimed Mainstage Series resumes this week with Kurt Weill and Bertolt Brecht’s epic musical The Threepenny Opera. Today, we are happy to provide a preview of the show’s set, courtesy of Alexandra Kuntz, a sophomore in CCM’s Scenic Design program and Assistant to Guest Scenic Designer John Arnone on this production.

Learn more about this dynamic new production, which features set designs by Tony Award-winner John Arnone.

“Set in the mid-19th century, Macheath (otherwise known as ‘Mack the Knife’) runs the town with his rag tag band of ruffians and gets what he wants,” Kuntz explains. “His latest want just happens to be Polly Peachum, daughter of the Beggar’s Lord of London (Johnathan Jeremiah Peachum), who doesn’t take too kindly to Mack the Knife’s interest in his daughter. Doing anything to keep them apart, Peachum uses broads, bribes and blackmails to get Mack out of the picture, while Macheath’s life hangs in the balance.”

This production contains mature subject matter.

CCM News

The Epic Theatre of CCM’s ‘The Threepenny Opera’

Sophomore Hannah Zazzaro as Sukey Tawdry and junior Max Clayton as Macheath. Photography by Mark Lyons.

Sophomore Hannah Zazzaro as Sukey Tawdry and junior Max Clayton as Macheath. Photography by Mark Lyons.

CCM’s year-long Kurt Weill Festival resumes this month with a dynamic new production of the iconic musical The Threepenny Opera. Composed by Kurt Weill with book and lyrics by dramatist Bertolt Brecht (adapted into English by Marc Blitzstein), The Threepenny Opera weaves the riveting tale of notorious bandit and womanizer Macheath (“Mack the Knife”) and his seedy companions in London’s underworld. Weill’s innovative score invented a new form of musical theatre, leading the way for such shows as Chicago and Cabaret.

CCM’s Mainstage Series production of this jazz-infused musical is directed by Robin Guarino, with musical direction by Roger Grodsky, choreography by Patti James and scenic designs by Tony Award-winning guest artist John Arnone. The Threepenny Opera runs Thursday, Feb. 28, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

CCM News

Cincinnati Enquirer Previews CCM’s Kurt Weill Festival

This weekend, the Cincinnati Enquirer‘s Jackie Demaline provided an early look at CCM’s yearlong Kurt Weill Festival. You can read her preview here.

The festival resumes next month with a Mainstage production of Kurt Weill, Langston Hughes and Elmer Rice’s great American opera Street Scene, conducted by Mark Gibson with stage direction by Steven Goldstein. Street Scene runs Nov. 15 – 18 in UC’s Patricia Corbett Theater.

Visit CCM’s official Facebook page for a behind-the-scenes look at the production!

CCM News

CCM’s Resident Kurt Weill Expert Featured in New York Times

Railroads on Parade Program Cover

CCM’s resident Kurt Weill scholar, Associate Professor of Musicology bruce mcclung, was quoted in an Oct. 21 New York Times article on the discovery of a previously unknown recording of Weill’s “Railroads on Parade” composition from the 1939 World Fair.

Record collector Guy Walker discovered the recordings in 2007 and plans to release the music on CD this month, with liner notes by mcclung. Read the full New York Times article here.

CCM’s yearlong Kurt Weill Festival kicked-off earlier this month. You can learn more about that unprecedented series of events here.

CCM News Faculty Fanfare

CCM Celebrates Iconic Composer Kurt Weill With Yearlong Festival

Theatre composer Kurt Weill in New City, ca. 1945 (photo: Engel). Image courtesy of the Kurt Weill Foundation for Music.

Theatre composer Kurt Weill in New City, ca. 1945 (photo: Engel). Image courtesy of the Kurt Weill Foundation for Music.

Beginning this month, CCM will celebrate the iconic work and enduring legacy of composer Kurt Weill with an unprecedented series of events. Opening on Friday, Oct. 19, and running through Tuesday, March 12, CCM’s Kurt Weill Festival will incorporate the renowned theatre composer into a broad range of both public performances and classroom exercises.

Perhaps best known for The Threepenny Opera and its opening ballad, “Mack the Knife,” Weill’s work has been championed by performers as diverse as Louis Armstrong, Bobby Darin, Nina Simone, The Doors, Judy Collins, Teresa Stratas, Dee Dee Bridgewater, Todd Rundgren, Tom Waits, Lou Reed and Sting.

CCM’s yearlong Kurt Weill Festival will include Mainstage opera and musical theatre productions, cabaret performances, collaborative concerts, master classes and more. Funded in part by the Kurt Weill Foundation for Music, CCM has never before hosted a festival of this magnitude.

CCM News