Enjoy a digital performance by the CCM Ballet Ensemble on March 20

CCM Dance provides a “travelogue” of classical and contemporary works during this installment of CCM’s virtual performance series!

The fourth episode of CCMONSTAGE Online debuts at 7:30 p.m. EDT on Saturday, March 20, 2021. The premiere will stream simultaneously on CCM’s websiteYouTube channel and Facebook page.

Travelogue is a 90-minute long virtual performance featuring the CCM Ballet Ensemble. “Travelogue is a mixed repertory performance featuring a vivid array of classical and contemporary ballet, modern and jazz works,” explains CCM Dance Department Chair Shauna Steele, who directs the performance. “As we sat and planned our potential fall season during the unprecedented coronavirus shutdown in spring 2020, we kept returning to the idea that dance is community, it is catharsis, and it is vitally essential, thus Travelogue … where we as the artists could share through a visual medium places and experiences encountered by a ‘traveler.’ It can let us visit people, communities, myths, legends and monumental moments in our shared history allowing the audience to travel without moving.”

The program opens with Les Sylphides, with choreography by Mikhail Fokine restaged by CCM faculty member Deirdre Carberry. This popular one-act Romantic ballet is set to the music of Frédéric Chopin.

The concert features three premieres choreographed by CCM faculty members: Handel Concerto choreographed by Thomas BellThe Space Between choreographed by Shauna Steele and Death and the Maiden choreographed by Jiang Qi.

The performance concludes with August Bournonville’s iconic Napoli restaged by CCM faculty member Tricia Sundbeck. Subtitled “The Fisherman and His Bride,” this ballet depicts a love story in a small Italian fishing village and is celebrated for its solos. Steele explains: “In Napoli, we see through the eyes of August Bournonville, who visited a small Italian village in 1841, and was so enchanted that he created a composition that would forever capture that joyous, bright day and coincidentally created an enduring and touching ballet.”

A collaboration with CCM’s Department of Theatre Design and ProductionTravelogue also features scenic designs by CCM student Karissa Hodge and lighting and projection designs by CCM student Ian MacIntosh.

Like other episodes in CCM’s new virtual performance series, Travelogue features commentary from CCM students and faculty. All episodes of CCMONSTAGE Online can be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s websiteYouTube channel and Facebook page.

Travelogue was recorded live in CCM’s Corbett Auditorium on Nov. 14, 2020. Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.

Learn more about CCM’s upcoming video releases courtesy of Janelle Gelfand and the Cincinnati Business Courier.

Streaming Premiere

7:30 p.m. EDT Saturday, March 20, 2021

Performance Details

Les Sylphides

Choreography
Mikhail Fokine

Restaged by
Deirdre Carberry

Music by Frédéric Chopin
Nocturne in A flat Major, Op. 32, No. 2
Valse in G flat Major, Op. 70, No. 1
Mazurka in D Major, Op. 33, No. 2
Mazurka in C Major, Op. 67, No. 3
Valse in C sharp Minor, Op. 64, No. 2
Valse in E flat Major, Op. 18, No. 1

Soloists
Lauren Sokol, waltz
Hannah Adamczak, mazurka
Louie Novak, mazurka
Carly Herrmann, prelude

Corps de Ballet
Carmen Doll
Sydney D’Orso
Rae Dougherty
Emily Glaccum
Meg Green
Lily Kozub
Jennifer Listerman
Grace Mitchell
Anna Lee Rohovec
Bethany Roup
Mandi Weitz
Claire Zakrajsek

Understudies
Rae Dougherty for Carly Herrmann
Anna Lee Rohovec for Lauren Sokol
Claire Zakrajsek for Hannah Adamczak

Les Sylphides has been abridged and adapted to honor the restrictions of social distancing and Covid-19.


Handel Concerto

Choreography
Thomas Bell

Music by George Frideric Handel
Concerto Grosso Op. 6, No. 5 in D Major:
Larghetto e staccato, Allegro, Largo, Menuet, Allegro

Dancers
Sarah Bartlett
Isabelle Cummings
Clementine Greely
Madeline Montgomery
Eva Moore
Megan Schroeder
Sofia Stitz
Madelin Talbot
Gracie Zamiska


The Space Between

Choreography
Shauna Steele

Music by Emeli Sandé
Read All About It, Pt. III
Hope
River

Dancers
Hannah Adamczak
Maia Blake
Carmen Doll
Sydney D’Orso
Meg Green
Amanda Kenner
Jennifer Listerman
Ying-Chi Lu
Anne McGovern
Lauren Sokol

Junichiro Tanizaki believed that to “Find beauty not only in the thing itself but in the pattern of the shadows, the light and dark which that thing provides. The eye is always caught by light, but shadows have more to say. Life is a mixture of light and shadow, calm and storm…” For me, that point where light and dark meet and form endless unique shadows is the trigger for the wonderous and endless possibilities in our world. Neither the light nor the dark are evil or good. It is the purpose we assign to them that will either “illuminate our paths or darken our way. [As Maya Angelou said] It is a matter of choice.”


Death and the Maiden

Choreography
Jiang Qi

Music by Franz Schubert
String Quartet No. 14 in D Minor

Dancers in Black
Elaina Didier
Ava Gyurcsik
Emma Phillips

Dancers in White
Hazel Alexander
Rebekah Docea
Rose Engel
Emerson Lecrone
Morgan Montour
Alyssa Pankey
Keenan Pennington
Ellen Pierce
Jillian Sadler
Sarah Santarsiero
Mira Sidhu

“Death is the dropping of the flower, that the fruit may, swell.” – Henry Ward Beecher


Napoli

Choreography
August Bournonville

Restaged by
Tricia Sundbeck

Music by Niels W. Gade, Edvard Helsted and Holger Simon Paulli
Pas De Six

Dancers
Maia Blake
Amanda Kenner
Ying-Chi Lu
Anne McGovern
Gabby Savka
David Lopena
Garrett Steagall

Napoli has been abridged and adapted to honor the restrictions of social distancing and Covid-19.


Choreographers

August Bournonville (1805-1879)

Born in Copenhagen, August Bournonville was a dancer and choreographer who directed the Royal Danish Ballet for nearly 50 years and established the Danish style based on bravura dancing and expressive mime. He studied under his father, Antoine Bournonville, one of the major dancers of his day, before going to Paris for further training under Auguste Vestris and Pierre Gardel. After appearances at the Paris Opera and in London, Bournonville returned to Copenhagen as soloist and choreographer for the Royal Danish Ballet. A strong dancer with excellent elevation and an accomplished mime, he emphasized these qualities in his ballets. His choreographic style also reflected the pre-Romantic approach of his teacher Vestris. Many of his ballets have remained in the repertoire of the Royal Danish Ballet for more than a century. Bournonville also directed the Swedish Royal Opera at Stockholm (1861-64) and staged several of his works in Vienna (1855-56). In 1877, after his return to Denmark, he retired and was knighted. He died on November 30, 1879 in Copenhagen.


Mikhail Fokine (1880-1942)

Born in St Petersburg, Russian choreographer Mikhail Fokine trained at the Imperial Ballet Academy before joining the Mariinsky Theatre. In 1904 he became a premier danseur and the following year he created his first choreographic work, Acis and Galatea, for a pupils’ performance, and The Dying Swan, which would become Anna Pavlova’s most famous role. Fokine was engaged by Diaghilev for his 1909 Paris season and created Le Pavillon d’ArmidePolovtsian DancesLes Sylphides, and Cleopâtre. He worked for some time for both the Imperial Theatre and for Diaghilev; he did not return to Russia after 1918. For Diaghilev his works include Le CarnavalSheherazadeFirebirdLe Spectre de la roseNarcissePetrushkaPapillons, and The Golden Cockerel. When he left Diaghilev’s company he worked as a freelance choreographer, creating new works and reviving his successes. He settled in the USA, where he worked with several dance companies, and in musical theatre and film. The Fokine American Ballet Company made its debut in 1924. Fokine, however, spent much of his time in Europe, and in 1936 was engaged as choreographer-in-chief by the Ballet Russe de Monte Carlo, where he created three successful ballets – L’Épreuve d’amourDon Juan (both 1936) and Les Éléments (1937). He died in 1942, having created more than sixty works.


Faculty choreographer bios can be found on the Dance Department’s webpage.

Performers and Creative Team

Performance Producer
Denton Yockey, TAPAA Division Head

Stage Management Advisor
Michele Kay

Technical Director Advisor
Stirling Shelton

Lighting Design Advisor
Sharon Huizinga

Sound Design Advisor
Matt Tibbs

Dance Department Faculty
Shauna Steele, chair
Deirdre Carberry
Jiang Qi
Michael Tevlin
John Thomas Bell
Isabele Elefson
Stephen Ferre
Jeri Gatch
Jonnie Lynn Jacobs-Percer
Kathleen Johannigman
Molly Perez
Tricia Sundbeck

Physical Therapists
Amber Boyd
Heidi Dunning
Heather Graden
Rose Smith

Dance Program Manager
Colleen Condit

Costume Coordinator
Jonnie Lynn Jacobs-Percer

Costumes
Courtesy of CCM Dance Department

Accompanists
Angelika Bonyhati-Kovacs
Brian Cashwell
Douglas Sutton
Yudong Wang

Technical Director
Jacob Bober

Assistant Technical Director
Jacob Blumberg

Performance Production Manager
Amanda Powell

Scenic Shop Foreman
Kyle Wichman

Scenic Designer
Karissa Hodge

Lighting Designer/Projection Designer
Ian MacIntosh

Screens Producer
Tayler Durantini

Master Electrician
Ethan Fleek

Board Operator
Dionte Mercado

Projection Associate
Rama van Gils

Sound GA Lead
Alex Brock

Stage Manager
Marley Giggey

Assistant Stage Managers
Rosie Burns-Pavlik
Hannah Lee
Haileigh Warren
Master Carpenter
Maya Eberhardt


Video Production
MasseyGreenAVP, llc
Director – John Massey
Producer/Editor – Austin Maynard

Camera Operators
John Tapogna
Glenn Hartong
Matt Green

Video Production Assistant
Paule Casale

Audio Engineer
Simón Sotelo

Senior Director of Performance Operations
Ray Dobson

CCMONSTAGE Online Series Concept Developed and Managed by
Curt Whitacre

CCM Digital Content Team
Kenneth D. Allen
Clarence M. Brown
Kevin Burke
Rebecca Butts
Rayburn Dobson
Mikki Graff
Melissa Neeley-Nicolini
Simón Sotelo
Curt Whitacre

Special thanks to Amber Boyd, Will Brenner, Dr. Kyuran Ann Choe, Dr. Jon Divine, Dr. Tonya Dixon, Dr. Michael Donaworth, Heidi Dunning, Heather Graden, Dale Pickett, Diana Queen of Diana’s Dancewear, and Rose Smith.


About the Series

CCMONSTAGE Online is a series of free digital concerts and performing arts presentations showcasing the unparalleled artistry and expertise of CCM’s students, faculty and staff. Enjoy a sneak peek at a few of our upcoming episodes:

The series has recently been featured by Broadway WorldCincinnati Business CourierCincinnati CityBeatCincinnati EnquirerCincinnati MagazineCincinnati Public RadioLocal 12 WKRC-TVMovers and MakersMusical America and The Violin Channel.


A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music offers nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs.

The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

For more information, please visit us online at ccm.uc.edu.


Featured image at top: the CCM Ballet Ensemble performs “Les Sylphides.” Photo/Dale Pickett

CCM News CCM Video CCMONSTAGE

CCM Announces Initial 2019-20 Performance Lineup, New Subscription Offerings

ccm-introduces-ccmonstage-header

Area arts lovers have a new destination for world-class performances in 2019-20. The largest single-source of performing and media arts events in the state of Ohio, the University of Cincinnati College-Conservatory of Music has assembled all of its public performances under the new banner of CCMONSTAGE and the new online portal ccmonstage.universitytickets.com, making it easier than ever for audiences to experience the immense talent of the college’s student and faculty artists.

“Before they appear on the world stage, tomorrow’s arts leaders and luminaries get their start on the CCM stage,” says CCM Dean Stanley E. Romanstein, PhD. “CCM is already synonymous with excellence in performing arts education. Beginning this fall, CCMONSTAGE will become synonymous with opportunities for the general public to experience this excellence for themselves.”

This new name and online home for CCM’s wide array of public events is being accompanied by all-new subscription packages, digital sales options and much more. “From our patrons’ first point of contact with the CCM Box Office to the program booklets that they receive when they arrive at each major performance, we are enhancing every aspect of the audience experience with CCMONSTAGE,” says Romanstein.

“Before they appear on the world stage, tomorrow’s arts leaders and luminaries get their start on the CCM stage” – Stanley E. Romanstein

New Subscription Packages

For the first time ever, subscribers get priority access to the spectacular theatre arts productions presented on all of CCM’s stages. In place of CCM’s conventional Mainstage subscriptions, each genre-specific CCMONSTAGE subscription package is designed to let audiences experience more of what they love most.

CCMONSTAGE’s 2019-20 theatre arts subscription series includes three operas (The Bartered BridePartenope and The Magic Flute), four musicals (42nd StreetThe Rocky Horror ShowThe Secret Garden and Bright Star), four plays (Lady Windermere’s Fan, The Curious Incident of the Dog in the Night-Time, Clybourne Park and Punk Rock) and three dance programs (The Art of Motion, Student Choreographers’ Showcase and Serenade + The Rite of Spring).

These offerings take the place of CCM’s previous “Mainstage Series” and “Studio Series” designations. The CCMONSTAGE operas, musicals, plays and dance productions staged in the Cohen Family Studio Theater will require paid admission and are now included in CCMONSTAGE subscription packages, allowing patrons to secure their seats in advance for these intimate and adventurous productions.

CCMONSTAGE’s concert subscription offerings include a five-part orchestra series featuring the CCM Philharmonia collaborating with special guests like Louis Langrée and Leslie Dunner, a five-part big band series with the incomparable CCM Jazz Orchestra and Jazz Lab Band and a four-part chamber music series featuring CCM resident artists the Ariel Quartet performing with visiting artists including Alexander Fiterstein and Anton Nel. Patrons can now reserve their seats for all CCMONSTAGE concert subscription offerings.

CCM’s full 2019-20 concert schedule will be announced later this summer and flex concert packages will again be available for purchase.

Patrons now have the option of subscribing to each genre-specific series of events, guaranteeing the best seats in the house at the season’s lowest prices.

Subscriptions and single tickets go on sale to the general public at noon on Monday, Aug. 19, 2019.

Patrons who purchased CCM Mainstage or Ariel Quartet subscriptions in 2018-19 will receive a Pre-Sale Code, which grants them exclusive access to CCM’s new subscriptions before the general on sale date. Pre-Sale Codes are being mailed and emailed to all 2018-19 subscribers.

Subscription packages can be purchased online at ccmonstage.universitytickets.com, over the phone at 513-556-4183 or in person at the CCM Box Office in the Atrium of UC’s Corbett Center for the Performing Arts.

“Whether it’s exhilarating concerts or breathtaking theatre,” says Romanstein, “the artistry that you love lives at CCM. We hope you will join us for an incredible season of CCMONSTAGE.”

Full performance details are listed below. Performance dates and details subject to change. For the most current information, visit the new CCMONSTAGE portal at ccmonstage.universitytickets.com.

Be the first to know about future ticket on-sale dates and more: sign up for our email list at ccm.uc.edu/boxoffice/subscribe.


ccmonstage-2019-20-buzzwords-graphic

CCMONSTAGE 2019-20 Subscription Series

Opera (Three Productions)

The Bartered Bride

Bartered Bride SQUARE WITH TITLES 2Music by Bedřich Smetana
Libretto by Karel Sabina
German adaptation by Max Kalbeck
New German translation by Walter Felsenstein
UPDATE: Sung in English with a new English singing libretto by CCM Opera faculty member Kathleen Kelly

Levi Hammer, conductor
Audrey Chait, director

Part bubbly operetta and part Bohemian folk pageant, The Bartered Bride is a romantic comedy set in a Czech community in Texas in 1948. Marenka is arranged to marry the son of a rich landowner, but she is in love with someone else. Defiantly, Marenka vows before her parents that she will only accept her love, Jeník, as her husband. As her parents and the matchmaker fight for the arranged marriage, the young lovers fight against tradition in order to be together.

7:30 p.m. Thursday, Nov. 21
7:30 p.m. Friday, Nov. 22
7:30 p.m. Saturday, Nov. 23
2 p.m. Sunday, Nov. 24
Patricia Corbett Theater
 

CCMONSTAGE Production Sponsor: Macy’s
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Partenope

A woman wears a suit and top hat in a promotional image for the opera 'Partenope.' Photo by Mark Lyons.

Music by George Frideric Handel
Libretto by Silvio Stampiglia

Caleb Glickman, conductor
Greg Eldridge, director

Four rival suitors must navigate their way through mistaken identities, cross-dressing and declarations of war as they vie for Queen Partenope’s hand in marriage. Written in 1730, Handel’s witty romantic comedy features gorgeous arias and captivating music.

7:30 p.m. Thursday, Feb. 20
7:30 p.m. Friday, Feb. 21
7:30 p.m. Saturday, Feb. 22
2 p.m. Sunday, Feb. 23
Cohen Family Studio Theater
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The Magic Flute

A woman poses dramatically as birds fly behind her in a promotional image for the opera 'The Magic Flute.' Photo by Mark Lyons.

Composed by Wolfgang Amadeus Mozart
Libretto by Emanuel Schikaneder

Mark Gibson, conductor
Robin Guarino, director

Mozart composed this beloved opera for the person who wants everything: a hero and heroine questing for true love, evil villains, a comical sidekick and – to add to the lunacy – a whole range of beastly creatures. Director Robin Guarino presents a unique, contemporary spin on this all-time classic.

7:30 p.m. Thursday, April 2
7:30 p.m. Friday, April 3
7:30 p.m. Saturday, April 4
2 p.m. Sunday, April 5
Patricia Corbett Theater

CCMONSTAGE Production Sponsor: Macy’s

CCMONSTAGE Opera Three-Show Subscription Package: $89
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.


Orchestra (Five Concerts)

Students perform as part of the CCM Philharmonia, conducted by Professor Mark Gibson. Photo by Joe Fuqua II/UC Creative Services.

Season-Opening Concert

CCM Philharmonia
Mark Gibson, music director and conductor
Featuring faculty artist Giora Schmidt, violin

DVOŘÁK: Slavonic Dance in C Major, Op. 46, No. 1
DVOŘÁK: Violin Concerto in A Minor, Op. 53, feat. Giora Schmidt
BRAHMS: Symphony No. 2 in D Major, Op. 73

7:30 p.m. Friday, Sept. 20
Corbett Auditorium
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Pride of Russia

CCM Philharmonia
Mark Gibson, music director and conductor
Featuring faculty artist Dror Biran, piano

RIMSKY-KORSAKOV: Russian Easter Overture
SHOSTAKOVICH: Piano Concerto No. 2 in B-flat Major, Op. 102
PROKOFIEV: Symphony No. 5 in B-flat Major, Op. 100

7:30 p.m. Thursday, Oct. 3
Corbett Auditorium
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CSI: Halloween: Post-Mortem

CCM Philharmonia and Chamber Orchestra
Mark Gibson, music director
Featuring guest artist Leslie B. Dunner, guest conductor and chief medical examiner

LISZT: Totentanz
SAINT-SAËNS: Carnival of the “Dead” Animals
BRITTEN: “Dead” Person’s Guide to the Orchestra

7:30 p.m. Friday, Nov. 1
Corbett Auditorium
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The Long Goodbye

CCM Philharmonia
Mark Gibson, music director and conductor

BEETHOVEN: Piano Sonata in E-flat Major, Op. 81a, “Les Adieux
MAHLER: Symphony No. 9 in D Major

7:30 p.m. Friday, Jan. 31
Corbett Auditorium
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Welcome to CCM, Maestro Langrée

CCM Philharmonia
Mark Gibson, music director
Louis Langrée, conductor

DEBUSSY: Prélude à L’après-midi d’un faune
RAVEL: Piano Concerto
BERLIOZ: Symphonie Fantastique

7:30 p.m. Saturday, Feb. 15
Corbett Auditorium

CCMONSTAGE Orchestra Five-Concert Subscription Package: $99
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.

Additional concert performances will be offered outside of this new five-part series. CCM will announce its full schedule of 2019-20 choral, jazz, orchestral and winds concerts later this summer.


Musicals (Four Productions)

42nd Street

42nd Street SQUARE WITH TITLES 02

Music by Harry Warren
Lyrics by Al Dubin
Book by Michael Stewart and Mark Bramble
Based on the Novel by Bradford Ropes
Original Direction and Dances by Gower Champion
Originally Produced on Broadway by David Merrick
The use of all songs is by arrangement with Warner Bros., the owner of music publishers’ rights

Diane Lala, director and co-choreographer
Katie Johannigman, co-choreographer
Roger Grodsky, musical director

The ultimate show-biz musical, 42nd Street celebrates Broadway, Times Square and the people who make the magic of musical theatre. Aspiring chorus girl Peggy Sawyer comes to the big city from Allentown, Pennsylvania, and soon lands her first big job in the ensemble of a glitzy new Broadway show. But just before opening night, the leading lady breaks her ankle. Will Peggy be able to step in and become a star? The score is chock-full of Broadway standards, including “You’re Getting To Be A Habit With Me,” “Dames,” “We’re In the Money,” “Lullaby of Broadway,” “Shuffle Off to Buffalo” and “Forty-Second Street.”

7:30 p.m. Thursday, Oct. 24
7:30 p.m. Friday, Oct. 25
2 p.m. Saturday, Oct. 26
7:30 p.m. Saturday, Oct. 26
2 p.m. Sunday, Oct. 27
Corbett Auditorium
 

CCMONSTAGE Production Sponsor: Macy’s
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Richard O’Brien’s

The Rocky Horror Show

Rocky Horror SQUARE WITH TITLES 2

Book, Music and Lyrics by Richard O’Brien

Vincent DeGeorge, director and choreographer
Stephen Goers, musical director

In this cult classic, sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter, a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named Rocky. Celebrate Halloween with this deliberately kitschy rock ‘n’ roll sci-fi Gothic musical, which features popular hits such as “Science Fiction – Double Feature,” “Time Warp” and “Hot Patootie (Bless My Soul).” For mature audiences.

7:30 p.m. Thursday, Oct. 31
7:30 p.m. Friday, Nov. 1
2 p.m. Saturday, Nov. 2
7:30 p.m. Saturday, Nov. 2
2 p.m. Sunday, Nov. 3
Second Week Just Added:
7:30 p.m. Thursday, Nov 7
7:30 p.m. Friday, Nov 8
2 p.m. Saturday, Nov. 9
7:30 p.m. Saturday, Nov. 9
2 p.m. Sunday, Nov. 10
Cohen Family Studio Theater

The Rocky Horror Show is presented by special arrangement with SAMUEL FRENCH, INC.
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CCMONSTAGE Presents

The Secret Garden

Secret Garden SQUARE WITH TITLES.jpg 02

Book and lyrics by Marsha Norman
Music by Lucy Simon
Based on the Novel by Frances Hodgson Burnett

Connor Gallagher, director and choreographer
Jeremy Robin Lyons, musical director

This enchanting classic of children’s literature is reimagined in musical style by composer Lucy Simon and Marsha Norman, the Pulitzer Prize-winning playwright of ‘Night Mother. Orphaned in India, 11-year-old Mary Lennox returns to Yorkshire to live with her embittered, reclusive uncle Archibald and his ailing son Colin. The estate’s many wonders include a magic garden which beckons the children with haunting melodies and the “Dreamers,” spirits from Mary’s past who guide her through her new life, dramatizing The Secret Garden‘s compelling tale of forgiveness and renewal.

7:30 p.m. Thursday, March 5
7:30 p.m. Friday, March 6
2 p.m. Saturday, March 7
7:30 p.m. Saturday, March 7
2 p.m. Sunday, March 8
Corbett Auditorium

The Secret Gardenis presented by special arrangement with SAMUEL FRENCH, INC.

CCMONSTAGE Production Sponsor: Macy’s
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Bright Star

Bright Star SQUARE WITH TITLES

Inspired by a True Story
Music, Book and Story by Steve Martin
Music, Lyrics and Story by Edie Brickell
Produced by Joey Parnes, Sue Wagner, John Johnson, Zebulon LLC, Jay Alix & Una Jackman, Len Blavatnik, James L. Nederlander, Carson & Joseph Gleberman, Balboa Park Productions, The Shubert Organization, Jamie deRoy/Catherine Adler/Cricket Jiranek
In Association with Rodger Hess, A.C. Orange International, Broadway Across America, Sally Jacobs & Warren Baker, Diana DiMenna, Exeter Capital, Agnes Gund, True Love Productions and The Old Globe

Katie Johannigman, director and choreographer
Stephen Goers, musical director

Inspired by a real event and featuring the Grammy-nominated score by Steve Martin and Edie Brickell, Broadway’s Bright Star tells a sweeping tale of love and redemption set against the rich backdrop of the American South in the 1920s and ’40s. When literary editor Alice Murphy meets a young soldier just home from World War II, he awakens her longing for the child she once lost. Haunted by their unique connection, Alice sets out on a journey to understand her past – and what she finds has the power to transform both of their lives. Propelled by an ensemble of onstage musicians and dancers, the story unfolds as a rich tapestry of deep emotion, beautiful melodies and powerfully moving performances.

7:30 p.m. Thursday, April 2
7:30 p.m. Friday, April 3
2 p.m. Saturday, April 4
7:30 p.m. Saturday, April 4
2 p.m. Sunday, April 5
Cohen Family Studio Theater

Bright Star is presented through special arrangement with and all authorized performance materials are supplied by Theatrical Rights Worldwide, 1180 Avenue of the Americas, Suite 640, New York NY 10036. 866-378-9758 www.theatericalrights.com

CCMONSTAGE Musicals Four-Show Subscription Package: $119
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.


Jazz (Five Concerts)

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Swinging with Woody Herman: The Inaugural John Von Ohlen Memorial Scholarship Concert

CCM Jazz Orchestra
Scott Belck, music director

Hot off their Summer 2019 tour with Wynton Marsalis and the Jazz at Lincoln Center Orchestra, the CCM Jazz Orchestra celebrates the legacy of Cincinnati jazz legend John Von Ohlen, who drummed with Stan Kenton and Woody Herman before joining CCM’s jazz faculty. This memorial concert raises scholarship funds in Von Ohlen’s honor.

7 p.m. Sunday, Sept. 22
Corbett Auditorium
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The Music of Stevie Wonder

CCM Jazz Lab Band
Craig Bailey, music director
Featuring guest artist Tyshawn Colquitt, vocals

The groove is guaranteed to be “Signed, Sealed, Delivered” in this musical tribute to one of Motown’s brightest stars! Hear the hits of Stevie Wonder brought to life by the CCM Jazz Lab Band and Cincinnati native Tyshawn Colquitt, a seven-time winner of Showtime at the Apollo and recent contestant on NBC’s The Voice singing competition.

7 p.m. Sunday, Nov. 3
Corbett Auditorium
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Duke Ellington’s Nutcracker Suite

CCM Jazz Orchestra and Jazz Lab Band
Featuring CCM Musical Theatre students
Scott Belck, music director
Diane Lala, choreographer

Enjoy our original retelling of Ellington’s remarkable adaptation of The Nutcracker Suite, brought to life with stunning choreography from CCM Musical Theatre’s stars of tomorrow.

4 p.m. Sunday, Nov. 24
Corbett Auditorium
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Essentially Ellington Festival: Gala Concert

CCM Jazz Orchestra
Scott Belck, music director

CCM’s Essentially Ellington Festival, sponsored by Wynton Marsalis’ Jazz at Lincoln Center, returns in full swing! The daylong event features the region’s top high school jazz ensembles, and the gala concert will feature the CCM Jazz Orchestra with a special guest artist from the Jazz at Lincoln Center Orchestra.

7:30 p.m. Saturday, Feb. 22
Corbett Auditorium
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The Music of Frank Sinatra

CCM Jazz Orchestra
Scott Belck, music director
Featuring guest artist Steve Lippia, vocals

Critically acclaimed jazz vocalist Steve Lippia joins CCM’s Big Band for a hard-swinging tribute to the legendary Frank Sinatra. Experience the romance of an evening filled with the hits of “Old Blue Eyes.”

7:30 p.m. Saturday, April 11
Corbett Auditorium

CCMONSTAGE Jazz Five-Concert Subscription Package: $99
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.

Additional concert performances will be offered outside of this new five-part series. CCM will announce its full schedule of 2019-20 choral, jazz, orchestral and winds concerts later this summer.


Plays (Four Productions)

Lady Windermere’s Fan

Lady Windermere SQUARE WITH TITLES

By Oscar Wilde

Susan Felder, director

Infidelity, blackmail, a birthday ball and a fan are at the center of this 19th-century satire set in London. Lady Windermere suspects that her husband is having an affair with a mysterious woman. Will she exact her revenge and find comfort in another man? What is the true identity of the mysterious Mrs. Erlynne — and why is Lord Windermere secretly giving her money? A witty evaluation of marriage, sex and gender politics, this classic by Oscar Wilde gave the world the iconic line: “We are all in the gutter, but some of us are looking at the stars.”

7:30 p.m. Thursday, Oct. 3
7:30 p.m. Friday, Oct. 4
2 p.m. Saturday, Oct. 5
7:30 p.m. Saturday, Oct. 5
2 p.m. Sunday, Oct. 6
Patricia Corbett Theater

CCMONSTAGE Production Sponsor: Macy’s
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The Curious Incident of the Dog in the Night-Time

A young man stares into the night sky in a promotional image for the play 'The Curious Incident of the Dog in the Night-Time.' Photo by Mark Lyons.

Based on the novel by Mark Haddon
Adapted by Simon Stephens

Richard E. Hess, director

In this 2015 Tony Award winning Best Play, 15-year-old Christopher uses his extraordinary brain to navigate everyday life. He is exceptional at mathematics but has never ventured alone beyond the end of his road. He detests being touched and he distrusts strangers, overwhelmed by sensory overload. When Christopher finds his neighbor’s dead dog, Wellington, he becomes determined to solve the mystery of who murdered the dog. His detective work takes him on a thrilling journey through London that overturns his entire world.

7:30 p.m. Thursday, Oct. 17
7:30 p.m. Friday, Oct. 18
2 p.m. Saturday, Oct. 19
7:30 p.m. Saturday, Oct. 19
2 p.m. Sunday, Oct. 20
Cohen Family Studio Theater
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Clybourne Park

Two women look directly into the camera in a promotional image for the play 'Clybourne Park.' Photo by Mark Lyons.

By Bruce Norris

Richard E. Hess, director

Clybourne Park was awarded the 2011 Pulitzer Prize for Drama and the 2012 Tony Award for Best Play. Inspired by Lorraine Hansberry’s A Raisin in the Sun (1959), the play explodes in two high powered acts set 50 years apart. It imagines events in a racially charged America and reveals that underneath a house in a typical neighborhood, racial fault lines run deep and wide. This production contains strong language.

7:30 p.m. Thursday, Feb. 13
7:30 p.m. Friday, Feb. 14
2 p.m. Saturday, Feb. 15
7:30 p.m. Saturday, Feb. 15
2 p.m. Sunday, Feb. 16
Patricia Corbett Theater

CCMONSTAGE Production Sponsor: Macy’s
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Punk Rock

A black and white photo of a young woman wearing a school uniform and Gothic make-up in a promotional image for the play 'Punk Rock.' Photo by Mark Lyons.

By Simon Stephens

Brant Russell, director

In the library of a British high school, William and his fellow classmates prepare for their final exams while navigating the pressures of teenage life. They are educated and aspirational young people, but the savagery and combustibility of their world infects them. For mature audiences.

7:30 p.m. Thursday, April 23
7:30 p.m. Friday, April 24
2 p.m. Saturday, April 25
7:30 p.m. Saturday, April 25
2 p.m. Sunday, April 26
Cohen Family Studio Theater

CCMONSTAGE Plays Four-Show Subscription Package: $89
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.


Ariel Quartet (Four Concerts)

ariel-quartet-by-marco-borggreve

Darkness and Light

HAYDN: String Quartet in D Minor, Op. 76, No. 2, “Fifths”
DUN: Eight Colors for String Quartet (1986)
SCHUBERT: String Quartet No. 14 in D Minor, D. 810, “Death and the Maiden”

7:30 p.m. Tuesday, Sept. 24
Robert J. Werner Recital Hall
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The Fugue

This concert of fugues features Beethoven’s String Quartet No. 13 with its original final movement, the Grosse Fugue, which is often performed on its own as Beethoven’s Opus 133.

MOZART: Adagio and Fugue in C Minor, K. 546
BARTÓK: String Quartet No. 1 in A Minor, Op. 7
BEETHOVEN: String Quartet No. 13 in B-flat Major, Op. 130 and 133

7:30 p.m. Tuesday, Oct. 22
Robert J. Werner Recital Hall
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A World Premiere

Featuring guest artist Alexander Fiterstein, clarinet

The Ariel Quartet continues its 2019-20 concert series with a world premiere by Christopher Theofanidis, commissioned by the Manchester Music Festival and written for the Ariel Quartet with guest artist Alexander Fiterstein.

BEETHOVEN: String Quartet No. 12 in E-flat Major, Op. 127
THEOFANIDIS: Clarinet Quintet
MOZART: Clarinet Quintet in A Major, K. 581

7:30 p.m. Tuesday, Jan. 21
Robert J. Werner Recital Hall
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Hungary

Featuring guest artist and CCM alumnus Anton Nel, piano

HAYDN: String Quartet No. 62 in C Major, Op. 76, No. 3, “Emperor”
BRAHMS: Piano Quartet No. 1 in G Minor, Op. 25
DOHNÁNYI: Piano Quintet No. 2 in E-flat Minor, Op. 26

7:30 p.m. Tuesday, March 10
Robert J. Werner Recital Hall

The Ariel Quartet’s 2019-20 CCM concert series is made possible by the generous contributions of an anonymous donor, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. Randolph L. Wadsworth, Mr. & Mrs. J. David Rosenberg, Mr. & Mrs. Harry H. Santen, Elizabeth C. B. & Paul G. Sittenfeld, Mr. & Mrs. Thomas E. Stegman, Dr. & Mrs. Theodore W. Striker and Mrs. Harry M. Hoffheimer

CCMONSTAGE Ariel Quartet Four-Concert Subscription Package: $79
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.


Dance (Three Productions)

The Art of Motion

Art of Motion SQUARE WITH TITLES

Deirdre Carberry, director

CCM Dance showcases an array of classic and contemporary works restaged and choreographed by CCM Dance faculty members.

7:30 p.m. Thursday, Dec. 5
7:30 p.m. Friday, Dec. 6
7:30 p.m. Saturday, Dec. 7
3 p.m. Sunday, Dec. 8
Patricia Corbett Theater

CCMONSTAGE Production Sponsor: Macy’s
_____

Student Choreographers’ Showcase

Six women strike a dramatic modern dance pose in a promotional image for the dance production 'Student Choreographers' Showcase.' Photo by Will Brenner.

Michael Tevlin, director

Come experience the next generation of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works.

7:30 p.m. Thursday, March 5
7:30 p.m. Friday, March 6
7:30 p.m. Saturday, March 7
2 p.m. Sunday, March 8
Cohen Family Studio Theater
_____

Serenade + The Rite of Spring

One male and two female ballet dancers strike a dramatic pose in a promotional image for the dance production 'Serenade + The Rite of Spring.' Photo by Will Brenner.

Jiang Qi, director
Mark Gibson, conductor

CCM Dance and the CCM Philharmonia present two ballets set to music by two master composers. The first original ballet created by George Balanchine in America, Serenade is set to romantic music by Pyotr Ilyich Tchaikovsky, who also composed Swan Lake, The Nutcracker and Sleeping Beauty. Set to music by Igor Stravinsky, The Rite of Spring was one of the first examples of modern music and dance when the ballet first premiered in Paris in 1913. Although a riot broke out at the premiere, the legendary work is now regarded as one of the most important ballets of the 20thcentury. CCM’s production of The Rite of Spring features new choreography by Jiang Qi.

7:30 p.m. Thursday, April 23
7:30 p.m. Friday, April 24
7:30 p.m. Saturday, April 25
2 p.m. Sunday, April 26
Corbett Auditorium

The performance of Serenade, a Balanchine® Ballet, is presented by arrangements with The George Balanchine Trust and has been produced in accordance with the Balanchine Style® and Balanchine Technique® Service standards established and provided by the Trust.

CCMONSTAGE Production Sponsor: Macy’s

CCMONSTAGE Dance Three-Show Subscription Package: $59
Pricing is inclusive of all fees. All performances are reserved seating.

View subscription package details.


CCMONSTAGE Subscription Benefits

THE BEST SEATS: CCMONSTAGE subscribers can guarantee their favorite seats for all of their favorite performances in CCM’s Corbett Auditorium, Patricia Corbett Theater and Cohen Family Studio Theater.

THE BEST PRICES: CCMONSTAGE subscribers can save as much as 25% off of single ticket prices. All CCMONSTAGE subscription prices are inclusive of all fees.

GUARANTEED PARKING: CCMONSTAGE subscribers can order prepaid parking at $8 each for every performance selected. Parking in the CCM Garage for a performance or special event is usually available for $8-$15.

Purchasing Your CCMONSTAGE Subscriptions

Subscription renewals are on sale now; renewal information will be mailed and emailed to current subscribers. New subscriptions and single tickets go on sale Monday, Aug. 19, 2019.

Subscription packages can be ordered:

  • ONLINE at ccmonstage.universitytickets.com
  • OVER THE PHONE at 513-556-4183
  • IN PERSON at the CCM Box Office in the Atrium of UC’s Corbett Center for the Performing Arts

Our Box Office staff is always ready to answer your questions by phone at 513-556-4183 or by email at boxoff@uc.edu.

Be the first to know about future ticket on-sale dates and more: sign up for our email list at ccm.uc.edu/boxoffice/subscribe.


A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCMONSTAGE

CCM Slideshows: ‘Cinderella’

CCM’s 2018-19 Mainstage Series comes to a stunning conclusion tonight through Sunday (April 26-28) with the fairytale ballet Cinderella. Choreographed by Artistic Director of the Dayton Ballet Karen Russo Burke, the production’s ensemble director is Michael Tevlin.

You can enjoy a sneak peek at the production courtesy of senior dance major Juju Stojanovic in the slideshow below. Tickets are still available for all performances. Contact the CCM Box Office at 513-556-4183 or purchase tickets online here.

This slideshow requires JavaScript.

Celebrate spring’s arrival with this favorite rags-to-riches fairytale ballet. CCM Dance presents Cinderella from Friday, April 26 through Sunday, April 28, 2019. Tickets on sale now through the CCM Box Office.

CCM’s production of Cinderella will last 1 hour and 20 minutes, including a 15-minute intermission between Acts I and II and a 5-minute pause between Acts II and III.

Creative Team

  • Karen Russo Burke, choreographer
  • Michael Tevlin, ensemble director
  • Lowell A. Mathwich, costume designer
  • Nina Agelvis*, lighting designer
  • Lindsey A. Cohen*, sound designer
  • Ray Zupp, scenic designer
  • Deirdre Carberry, Jiang Qi, Judith Mikita, Michael Tevlin, rehearsal directors
  • Paul Gilliam, Gabrielle Sharp, repetiteurs
  • Chyanne Fischer*, production coordinator
  • Chelsea D. Taylor*, production stage manager
  • Set and Costumes Courtesy of Dayton Ballet and the Dayton Performing Arts Alliance
  • Act II Scenery Courtesy of Charlotte Ballet: Jean-Pierre Bonnefoux, Artistic Director

* CCM Student

Cast List

  • Yu-Ting Huang*+, Madison Holschuh#^ as Cinderella
  • Sam Green, David Harris as Stepsisters
  • Madeline Kallay*+, Julia Tze#^ as Stepmother
  • Erin Donnelly*+, Juju Stojanovic #^ as Old Woman/Fairy Godmother
  • Ellen Pierce *+, Erika Shi #^ as Dance Master
  • Audrey Burdick #, Emily Kavenagh*, Zayne Stapleton +^ as Violinist
  • Isabelle Cummings *+, Madeline Montgomery #^ as Dress Maker
  • Audrey Burdick*+, Isabelle Cummings #^, Elaina Didier#^, Anna Donnelly*+, Emily Glaccum#^, Madeline Montgomery *+, Ellen Pierce#^, Lauren Sokol *+ as Birds
  • Chia-Yi Cheng, Rebekah Degnan, Kate Delon, Grace McCutcheon, Sarah Santarsiero, Rina Takikawa as Attendants
  • Celina Merrill *+, Maeve Tom #^ as Spring Fairy
  • Madison Holschuh*+, Lydia Hubacher#^ as Summer Fairy
  • Kate Delon *+, Madeleine Brown#^ as Fall Fairy
  • Ying-Chi Lu*+, Rina Takikawa #^ as Winter Fairy
  • Alison Bartels*+, Sophia Beadie*+, Rebekah Degnan#^, Jake Elwell, Michael Haverty, Milton Holloway, Jonmarie Johnson*+, Emily Kavenagh#^, Amanda Kenner#^, Emily Kline*+, David Lopena, Grace McCutcheon *+, Anne McGovern#^, Elizabeth McGovern*+, Alyssa Pankey#^, Twyla Pojetta#^, Anna Lee Rohovec*+, Jillian Sadler, Olivia Thornton #^ as Courtiers
  • Ivan Braatz as Prince
  • Milton Holloway as Prince’s Assistant

* Denotes performers on Friday, April 26
# Denotes performers on Saturday, April 27 at 2 p.m.
+ Denotes performers on Saturday, April 27 at 8 p.m.
^ Denotes performers on Sunday, April 28

Performance Times

  • 8 p.m. Friday, April 26
  • 2 p.m. Saturday, April 27
  • 8 p.m. Saturday, April 27
  • 2 p.m. Sunday, April 28

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Ticket prices start at $28. Discounts are available for UC and non-UC students. Service charges may apply for online orders.

Single tickets are on sale now! Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office!

Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

Mainstage Production Sponsor: Macy’s

Dance Department Supporter: The Corbett Endowment at CCM

The music for this production is provided by arrangement with G. Schirmer, INC., publisher and copyright owner.

CCM Slideshows

Shauna Steele Is Named Associate Professor of Dance and Chair of Dance Department at CCM

CCM Dean Stanley E. Romanstein has announced the appointment of arts administrator, educator, performer and choreographer Shauna Steele to the college’s dance faculty. Steele’s appointment as Associate Professor of Dance and Chair of the Dance Department begins on Aug. 15, 2019.

An administrator and educator with nearly two decades of experience, Steele most recently taught at Michigan’s Hope College where she taught dance history and criticism, jazz, modern, improvisation, assisted the historic and social dance sections, and mentored Student Dance Showcase choreographers. From 2011-18 Steele served as the Dance Program Director and Associate Professor of Dance at Anderson University in Indiana.

“I am excited by ongoing education, both that which I teach and that which I learn from my students,” Steele says. “I find challenge and reward in teaching and am inspired by my students and the movement that grows from class sessions, both academic and technique.”

She is the founder and artistic director of Mocha Dance Project – which pursues projects engaging the fusion of photography, video, dance and collaboration – and was the Associate Director for RusticGroove Dance.

Arts administrator, educator, performer and choreographer Shauna Steele.

Arts administrator, educator, performer and choreographer Shauna Steele.

Her research interests include dance in world culture and context, Africanized movement in the Diaspora of Western culture (specifically Afro-Cuban and Afro-Caribbean), the influences of Celtic traditions on art and movement, the function of art in restricted or repressed environments, and body movement logic. She was the artistic director of Parallel Differences youth dance and the Associate Instructor for the Indiana University African American Arts Institute’s dance company. Her choreography has appeared in Robert Hay-Smith’s Pollen: The Musical, RADfest, The Tank NYC, Midwest RADfest, the Arizona Positivity Project and the Ypsilanti Fringe Festival. She has taught master classes in Roots of Jazz Dance and served as dance faculty at Grand Valley State University, Eastern Michigan University, Anderson University and the University of Michigan’s MPulse summer dance institute. She has lead master classes and workshops in improvisational movement, African dance, modern dance, jazz, Afro-jazz and hip hop. Her professional credits include Windfall Dancers, African American Dance Company, Dancers Studio Inc., Sancocho: Musica and Dance Collage and Ann Arbor Dance Works. She has performed in Robin Wilson’s Slave Moth, in Alexandra Beller’s Reasons for Moving and in Gay Delanghe’s Motor Tango/Tangle.

Her past projects include Millstones in August 2010 and The Positivity Project in Tempe, Arizona in October 2010. Her current choreography projects include Disobedient Objects/Caged Bird Legacy (a site-specific work), Sacred Ground (an evening length concert in three parts), /ˈākər/ (which delves into compulsive behavior and the need to sort, measure and catalogue), Leyenda in Winter (a dance for camera work), Still Frame (a video dance project) and Passengers (a contemporary modern work).

A published dance scholar, Steele’s co-authored textbook Experiencing Dance: A Creative Approach to Dance Appreciation (2011) examines the ever-changing culture of dance and provides a basic historical context and appreciation of dance as an art form. Her research articles include Exploring Choreographic Responsibility through the ‘Cultural Lens’ (2013); Drawing Parallel Lines: Dance, Architecture, and Society (2009); and Drawing Parallel Lines in Dance, Architecture, and Society: African American Modern Dance, and Jewish Deconstructivist Architecture (2006), among others.

Steele received her MFA in Dance Choreography and Performance with a focus area in History and Technology from the University of Michigan in 2006, and a BGS in Arts and Humanities with a focus area in Cultural Anthropology and Dance from Indiana University in 2002. She is a member of the American College Dance Association, World Dance Alliance and the National Dance Education Organization.

Dean Romanstein thanked search committee members Diane Lala (co-chair), Denton Yockey (co-chair), Rebecca Bromels, Qi Jiang and Regina Truhart for their work on finding CCM’s new Associate Professor of Dance and Chair of the Dance Department.

Please join us in welcoming Shauna Steele to the CCM family!

CCM News Faculty Fanfare

CCM Mainstage Dance Presents Arpino’s ‘Birthday Variations’

CCM Dance celebrates the art of motion with a mixed-repertoire dance concert on Dec. 6-9, 2018. Tickets on sale now.

CCM presents a mixed-repertoire dance production culminating with Birthday Variations, choreographed by Gerald Arpino, co-founder of the Joffrey Ballet, and restaged by Nicole Duffy Robertson of the New York Dance Project. Directed by CCM Dance Professor Deirdre Carberry, the performance runs Dec. 6-9, 2018 in Patricia Corbett Theater.

Arpino’s Birthday Variations features music by Giuseppe Verdi and was restaged for CCM by Duffy, a répétiteur for the Gerald Arpino Foundation. This ballet premiered in 1986, just two years before Arpino took over the Joffrey Ballet as artistic director upon Robert Joffrey’s death. Anna Kisselgoff of the New York Times describes the work as “a sparkling showpiece of classical dancing” that is “set to some of Verdi’s infectious opera-ballet music.”

The mixed-repertoire performance also showcases “Kitri’s Wedding” from Act III of Ludwig Minkus’ Don Quixote, which premiered at Moscow’s Bolshoi Theatre in 1869, with choreography by Marius Petipa and restaged by Carberry.

“This work is one of the most famous, enduring and exciting ballet adaptations in the classical repertoire,” says Jiang Qi, chair of CCM’s Dance Department, in his program notes for the production.

Three short pieces originally choreographed by CCM Dance will also take place during this program. The first is Bridges, a work by CCM Dance Professor Michael Tevlin, with music by Benjamin Britten. This piece describes seven types of bridge, from truss to arch to suspension, through dance.

After Bridges is senior CCM Dance student Hope Friedman’s Volume IV, which features original choreography to contemporary music like Marian Hill’s Down and Wax Tailor’s Que Sera. It is an “exploration of what it means to be ‘normal’ and our connections with those around us,” Qi says.

Then CCM Dance presents Apertures and Vistas, choreographed by Judith Mikita, visiting assistant professor of dance. Mikita has worked with CCM Percussion Professor and Percussion Group Cincinnati member James Culley to develop a landscape of inventive movement with improvised accompaniment by four CCM percussion students.

This scintillating production is on stage Dec. 6-9, 2018 in Patricia Corbett Theater. Tickets are on sale now through the CCM Box Office; student discounts are available. Birthday Variations will last one hour and 45 minutes, including a 15-minute intermission.
____________________

Performance Times

  • 8 p.m. Thursday, Dec. 6
  • 8 p.m. Friday, Dec. 7
  • 8 p.m. Saturday, Dec. 8
  • 3 p.m. Sunday, Dec. 9

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Ticket prices start at $28. Discounts are available for UC and non-UC students. Service charges may apply for online orders.

Single tickets are on sale now! Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office!

Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

Mainstage Season Production Sponsor: Macy’s

Dance Department Supporter: The Corbett Endowment at CCM

The performance of Birthday Variations, an Arpino ballet, is presented with the permission of the Gerald Arpino Foundation and has been produced in accordance with the Foundation service standards established and provided by the Foundation.
____________________

Story by CCM Graduate Student Alexandra Doyle

CCM News Student Salutes

CCM Welcomes Judith Mikita As Visiting Assistant Professor of Dance

Judith Mikita

CCM Interim Dean bruce mcclung has announced the appointment of Judith Mikita to the position of Visiting Assistant Professor of Dance, with a focus in modern choreography. Mikita has served as an adjunct dance instructor at CCM for more than 20 years. Her new appointment will officially begin on Aug. 15, 2018.

Mikita is a choreographer and performer with more than 30 years of professional experience. Her choreography has been presented by the American Dance Festival, the New York International Independent Film Festival, Cincinnati’s Aronoff Center and the Biagiotti Art Gallery in Florence, Italy, among others. She has also choreographed for Cincinnati’s Contemporary Dance Theatre, Ensemble Theatre, Cincinnati Art Museum, Cleveland Fringe Festival, Covington’s Carnegie Art Center and New York’s White Mountain Dance Festival.

As an artist and educator, Mikita has served on the faculties of the University of Chicago, Columbia College and Antioch College and as artist-in-residence at Wright State University and the University of Utah. She has also choreographed at Miami University, Northern Kentucky University and Interlochen Center for the Arts.

As a performer, Mikita has toured nationally with the Chicago-based dance companies of Shirley Mordine, Jan Erkert and Bob Eisen. She has worked with Martha Clarke of Pilobolus Dance Theatre, Lucas Hoving of the José Limón Dance Company, Marnie Thomas of the Martha Graham Dance Company and Gus Solomons, Jr. of the Merce Cunningham Dance Company.

Mikita is a founding member of the Greater Cincinnati Dance Alliance and has served on the board of directors for OhioDance and Cincinnati’s Contemporary Dance Theater. She holds a Bachelor of Arts in Theatre and Dance from Indiana University and a Master of Fine Arts in Dance from University of Michigan.

On the announcement of Mikita’s appointment, mcclung commented:

“Judith Mikita’s extensive experience in modern dance and professional work with arts institutions, festivals and dance companies throughout the country will benefit CCM’s BFA students in refining their contemporary dance technique.”

Please join us in welcoming Judith Mikita to the CCM family!

CCM News Faculty Fanfare
Cover artwork for CCM's 2018-19 Mainstage Series Subscription Brochure.

CCM 2018-19 Mainstage Series Subscriptions On Sale Now!

New subscription packages are now on sale for CCM’s 2018-19 Mainstage Series of Acting, Dance, Musical Theatre and Opera Productions. With CCM’s streamlined subscriptions, it has never been easier to get the best seats at the best prices. Arts lovers can simply mix and match the shows they want to see with customizable eight, six, four or three-show packages. Subscription orders placed before Sept. 10 will get seated before any single ticket buyers!

Cover artwork for CCM's 2018-19 Mainstage Series Subscription Brochure.

About CCM’s 2018-19 Mainstage Series
CCM was recently declared “Best of Cincinnati” in CityBeat‘s annual readers’ choice poll, but the best is yet to come with CCM’s 2018-19 Mainstage SeriesFrom October 2018 through April 2019, CCM presents eight masterworks spanning the spectrum of theatrical arts, including:

  • the best of comedic and dramatic acting with The Government Inspector and Our Country’s Good,
  • classic and contemporary musicals with Guys and Dolls and The Hunchback of Notre Dame,
  • great operas from master composers with Britten’s The Turn of the Screw and Mozart’s La Clemenza di Tito,
  • and innovative dance programs with Birthday Variations and Cinderella!

Last season, single ticket buyers missed out on sold-out performances of Hamlet, Seussical (voted the year’s “Best Play” by CityBeat readers), Candide and Jesus Christ Superstar. Subscribers have a guaranteed seat to see the phenomenal talent and polished professionalism of CCM’s young performers. Download CCM’s 2018-19 Mainstage Subscription Brochure to learn even more about our upcoming productions!

Ordering Your Subscriptions
CCM’s customizable subscription packages range in price from $81-$192. Download our 2018-19 Mainstage Subscription price sheet, seating chart and order form for complete details. Then choose your shows and select whether you want seats in Section A (the best views) or Section B (the lowest prices). To pay by check, simply return your order form by mail or drop it off at the CCM Box Office in the Atrium of CCM’s Corbett Center for the Performing Arts. For credit card transactions, call the Box Office.

The CCM Box Office staff is always ready to answer your questions by phone at 513-556-4183 or by email at boxoff@uc.edu.

Don’t wait to get the best seats at the best prices!
Single tickets go on sale Sept. 10, 2018.

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM Mainstage Season Production Sponsor: Macy’s

CCM News
CCM Dance student Emma Webb rehearses for Legends of Dance.

Senior Ballet Student Gives Final CCM Performance in Legends of Dance

Senior ballet student Emma Webb is finishing up her time at CCM with a role that many dancers only dream of performing: the principal role of Nikiya in “The Kingdom of the Shades,” an excerpt from La Bayadère. She will dance the role alongside Cincinnati Ballet guest artist Derek Brockington during CCM’s upcoming Mainstage Dance production, Legends of Dance, which runs from April 12 through April 14 in Corbett Auditorium.

“Dancing and training for this principal role was one of the most difficult and inspiring experiences that shaped me at CCM,” Webb says. “It helped transform my dancing and it allowed me to gain maturity and understanding of what kind of dancer I want to be onstage.”

“This physically and artistically difficult pas de deux feels like a culmination of everything that I have been training for, and I cannot wait to share all that I have become and to share what I love to do in my last performance at CCM.”

The program also includes a restaging of José Limón’s A Choreographic Offering by guest choreographer Pablo Francisco Ruvalcaba. Although this work is set to music by J. S. Bach, the dance itself uses much more modern language. Webb is also in the company for this piece.

“It has many challenging choreographic motifs and is filled with entirely different movements compared to classical ballet,” Webb says. “As a ballet dancer, taking off the pointe shoes to be barefoot and to move with a grounded quality was such an exciting experiment and transformation.”

Emma Webb.

Emma Webb.

Legends of Dance also includes the finale of The Sleeping Beauty, with music by Tchaikovsky and choreography by Marius Petipa. Each of these works holds a place in today’s dance repertoire and has something unique to offer potential audience members.

“The production as a whole includes wonderful mixed repertoire suitable for everyone and demonstrates what we as dancers practice and work hard for every day of our lives as artists,” Webb says.

While she’s very excited about the Legends of Dance production, Webb’s favorite ballet during her time at CCM was Swan Lake during the 2015-16 Mainstage season.

“My roles in Swan Lake included lead Czardas, swan corps, four tall swans and lead waltz girl,” she remembers. “Dancing all of those roles in one of my favorite ballets with live music and custom-made tutus was so rewarding after all of the hard work in the studio.  The entire production created extremely memorable moments dancing alongside so many talented students.”

One of Webb’s favorite parts of the dance program at CCM has been the daily ballet technique class she takes with other dance majors, especially because of the guidance and encouragement she received from CCM dance faculty.

“There was emphasis on attending every single day of class ready to work, and it really pushed me to be better,” Webb adds. “There were so many great and inspiring perspectives and talented teachers that profoundly impacted my professional development.”

After her graduation at the end of this semester, Webb plans to continue to pursue a career in dance performance; she has taken several professional auditions already, although she is unsure which dance company she will be a part of in the fall.  In addition to her BFA in Ballet, Webb has earned a minor in Business Management.

Congratulations to Emma Webb and all of CCM’s graduating class of 2018!

To see Webb onstage, attend one of the four performances of Legends of Dance from April 12 through 14 in CCM’s Corbett Auditorium. Tickets can be purchased online or by calling the CCM Box Office at 513-556-4183.
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LEGENDS OF DANCE

CREATIVE TEAM

  • Jiang Qi, director
  • Aik Khai Pung, music director
  • Evan Carlson*, lighting designer
  • Chelsea Taylor*, stage manager
  • Daniel Mallampalli*, Fernando Gaggini*, conductors for “The Kingdom of Shades”
  • Maria Fuller*, conductor for A Choreographic Offering
  • Alexandria Black*, Joseph McNamara*, conductors for “Aurora’s Wedding”

* CCM student

Sleeping Beauty and La Bayadère Drop Provided by: Cincinnati Ballet

GUEST ARTISTS
Derek E. Brockington, of the Cincinnati Ballet’s Second Company, will play Solor in “The Kingdom of the Shades” evening performances Friday, April 13 and Saturday, April 14.

David Morse, of the Cincinnati Ballet, will play Prince Desire in the performances of “Aurora’s Wedding.”

The full cast list will be available at ccm.uc.edu/boxoffice/mainstage/legends-of-dance.

PERFORMANCE TIMES

  • 8 p.m. Thursday, April 12
  • 8 p.m. Friday April 13
  • 2 p.m. Saturday, April 14
  • 8 p.m. Saturday, April 14

LOCATION
Corbett Auditorium, CCM Village
University of Cincinnati

PURCHASING TICKETS
Tickets to Legends of Dance are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/legends-of-dance.

PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Dance Department Supporter: The Corbett Endowment at CCM

Dance Performance Sponsor: Teri Jory & Seth Geiger

This performance of A Choreographic Offering is presented by arrangement with the José Limón Dance Foundation, Inc.
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Story by CCM Graduate Student Alexandra Doyle

CCM News Student Salutes
Photography from CCM's Fall 2017 Mainstage Series production of 'Seussical' by Mark Lyons.

CCM Announces 2018-19 Mainstage Series of Acting, Dance, Musical Theatre and Opera

Photography from CCM's Fall 2017 Mainstage Series production of 'Seussical' by Mark Lyons.

Photography from CCM’s Fall 2017 Mainstage Series production of ‘Seussical’ by Mark Lyons.

The best is yet to come with CCM’s eight-part series of theatre arts productions! With new streamlined subscription packages, it’s never been easier to get the best tickets at the season’s best prices.

CCM will present eight masterworks spanning the spectrum of the theatre arts during its 2018-19 Mainstage Series of Acting, Dance, Musical Theatre and Opera. Running from October 2018 through April 2019, these productions will showcase the phenomenal talent and polished professionalism of CCM’s young performing, design and media artists.

This season’s Mainstage Series includes classic and contemporary musicals with Frank Loesser, Abe Burrows and Jo Swerling’s Guys and Dolls and Alan Menken, Stephen Schwartz and Peter Parnell’s The Hunchback of Notre Dame, the best of comedic and dramatic acting with Nikolai Gogol’s The Government Inspector and Timberlake Wertenbaker’s Our Country’s Good, great operas from master composers with Benjamin Britten’s The Turn of the Screw and W.A. Mozart’s La Clemenza di Tito, and innovative dance programs that include a mixed repertoire concert of Birthday Variations and a fully-staged story ballet production of Prokofiev’s Cinderella.

The complete 2018-19 Mainstage Series lineup is listed below. Titles and dates are subject to change – rights pending. For the most current calendar of events, please visit us online at ccm.uc.edu.
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CCM’S 2018-19 MAINSTAGE SERIES
Acting, Musical Theatre, Opera, Dance

"The Government Inspector" promo image by Mark Lyons.THE GOVERNMENT INSPECTOR
Adapted by Jeffrey Hatcher from the original by Nikolai Gogol
Richard E. Hess, director

When the locals in a small Russian hamlet learn that an undercover government inspector is coming for a surprise visit, a case of mistaken identity sends the whole village spiraling into a world of panic and greed. Part farce, part slapstick and wholly entertaining, this timely and spirited adaptation of Nikolai Gogol’s classic play exposes the corruption of a provincial town with biting hilarity.

Performance Dates: Oct. 3 (preview), Oct. 4-7, 2018
Location: Patricia Corbett Theater

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"Guys and Dolls" preview photography by Mark Lyons.GUYS AND DOLLS
Book by Abe Burrows and Jo Swerling
Music and Lyrics by Frank Loesser
Based on The Idyll of Sarah Brown and characters by Damon Runyon
Diane Lala, director and choreographer
Roger Grodsky, musical director

Set in Damon Runyon’s mythical New York City, Guys and Dolls is the perfect musical comedy. Nathan Detroit is a gambler trying to find the cash to set up the biggest craps game in town while the authorities breathe down his neck. Meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they’ve been engaged for 14 years. Nathan turns to fellow gambler Sky Masterson for the dough, and Sky ends up chasing straight-laced missionary Sarah Brown as a result. Guys and Dolls takes us from the heart of Times Square to the cafés of Havana, Cuba and even into the sewers of New York City, but eventually everyone ends up right where they belong.

Performance Dates: Oct. 19 and 21, Oct. 26-27, 2018
Note: A special gala performance of Guys and Dolls will be presented on Saturday, Oct. 20, in honor of CCM Musical Theatre’s 50th anniversary; special pricing applies.
Location: Corbett Auditorium

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"The Turn of the Screw" preview photography by Mark Lyons.THE TURN OF THE SCREW
Music by Benjamin Britten
Libretto by Myfanwy Piper, after a story by Henry James
Aik Khai Pung, conductor
Vince DeGeorge, director

Based on Henry James’ classic ghost-story novella, Britten’s compelling chamber opera presents the story of a governess charged with the care of two orphaned children at their absentee uncle’s country estate, where the ghosts of a former valet and his lover haunt the grounds. With a blend of 12-tone techniques, arresting motifs and stirring lyricism, the action moves with incredible fluidity, creating a chilling tale of sexual repression and the corruption of innocence. For mature audiences.

Performance Dates: Nov. 15-18, 2018
Location: Patricia Corbett Theater

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"Birthday Variations" preview photography by Mark Lyons.BIRTHDAY VARIATIONS
Jiang Qi, director

CCM Dance showcases an array of classic and contemporary works restaged and choreographed by CCM Dance faculty members. The thrilling highlight of the evening is Birthday Variations, originally choreographed by Gerald Arpino, former Artistic Director of the Joffrey Ballet, to music by Giuseppe Verdi. Birthday Variations is presented by arrangement with the Gerald Arpino and Robert Joffrey Foundation.

Performance Dates: Dec. 6-9, 2018
Location: Patricia Corbett Theater

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"Our Country's Good" preview photography by Mark Lyons.OUR COUNTRY’S GOOD
By Timberlake Wertenbaker
Based on the novel The Playmaker by Thomas Keneally
Susan Felder, director

Set in Botany Bay in 1789, Our Country’s Good is a darkly comedic tale based on the true story of Australia’s first theatrical performance. A marine lieutenant decides to put on a play to celebrate the king’s birthday. He casts the play with convicts who populate an Australian prison camp. Few of them can read, let alone act, and the play is produced against a background of food shortages and barbaric prison punishments. Our Country’s Good is as an inspiring tribute to the transforming power of drama. For mature audiences.

Performance Dates: Feb. 13 (preview), Feb. 14-17, 2019
Location: Patricia Corbett Theater

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"Hunchback of Notre Dame" preview image by Mark Lyons.THE HUNCHBACK OF NOTRE DAME
Music by Alan Menken
Lyrics by Stephen Schwartz
Book by Peter Parnell
Based on the Victor Hugo novel and songs from the Disney film
Originally developed by Disney Theatrical Productions
Aubrey Berg, director
Stephen Goers, musical director
Katie Johannigman, choreographer

Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame begins as bells sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer, observes all of Paris reveling in the Feast of Fools, but he is held captive by his devious caretaker, the archdeacon Dom Claude Frollo. He escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though — the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies and it’s up to Quasimodo to save them all. Parental discretion is advised. Victor Hugo’s novel contains mature themes and situations, which may be distressing for young viewers.

Performance Dates: March 7-10, 2019
Location: Corbett Auditorium

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"La Clemenza di Tito" preview photography by Mark Lyons.LA CLEMENZA DI TITO
(THE CLEMENCY OF TITUS)
Music by Wolfgang Amadeus Mozart
Libretto by Caterino Mazzolà
Jiannan Cheng, conductor
Robin Guarino, director

Mozart’s last opera seria displays some of his most memorable and marvelous arias! The story centers on Roman emperor Titus (Tito) who must choose a wife, but is unable to find a suitable match. In his search for an empress, Tito narrowly avoids an assassination plot instigated by his best friend Sesto and the former emperor’s daughter, Vitellia, who wants the throne for herself. Caught between his duty and his heart, the emperor must choose whether to rule with mercy or with an iron fist.

Performance Dates: April 12-14, 2019
Location: Corbett Auditorium

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CCM Dance preview image by Mark Lyons.CINDERELLA
Jiang Qi, director

Celebrate spring’s arrival with a fully staged fairytale ballet. A poor girl wishes to escape the authoritarian rule of her evil stepmother and stepsisters, so her fairy godmother gives her a ticket to the ball! The girl meets Prince Charming and they fall in love, but she vanishes when the clock strikes midnight. Set to music by Sergei Prokofiev, Cinderella is known for its jubilant melodies, lush scenery and graceful retelling of the timeless romance by Charles Perrault.

Performance Dates: April 26-28, 2019
Location: Patricia Corbett Theater

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Mainstage Series Subscriptions
The 2018-19 CCM Mainstage Series of Acting, Musical Theatre, Opera and Dance productions includes subscription packages for combinations of Eight Shows, Six Shows, Four Shows or Three Shows. Newly streamlined subscription packages make this process easier than ever before. Simply choose your shows and select whether you want seats in Section A (the best views) or Section B (the lowest prices)!

Renewal subscriptions are on sale now with packages ranging in price from $78-$176. Subscribers to CCM’s 2017-18 Mainstage Series can receive priority access to seating by renewing their subscriptions by May 1, 2018.

Subscription packages for new subscribers go on sale May 2, 2018, with packages ranging in price from $81-$192.

Single tickets go on sale beginning Sept. 10, 2018, but subscribing is the only way to guarantee your seats and your savings for CCM’s Mainstage Series!

To order subscriptions, contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.

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2018-19 MAINSTAGE SERIES PERFORMANCE TIMES

THE GOVERNEMENT INSPECTOR
Performance Times:

  • 8 p.m. Wednesday, Oct. 3 (preview)
  • 8 p.m. Thursday, Oct. 4
  • 8 p.m. Friday, Oct. 5
  • 2 p.m. Saturday, Oct. 6
  • 8 p.m. Saturday, Oct. 6
  • 2 p.m. Sunday, Oct. 7

Location: Patricia Corbett Theater

GUYS AND DOLLS
Performance Times:

  • 8 p.m. Friday, Oct. 19
  • 7 p.m. Saturday, Oct. 20 (CCM Musical Theatre 50th Anniversary gala performance; special pricing applies)
  • 1 p.m. Sunday, Oct. 21
  • 7 p.m. Sunday, Oct. 21
  • 8 p.m. Friday, Oct. 26
  • 2 p.m. Saturday, Oct. 27
  • 8 p.m. Saturday, Oct. 27

Location: Corbett Auditorium

THE TURN OF THE SCREW
Performance Times:

  • 8 p.m. Thursday, Nov. 15
  • 8 p.m. Friday, Nov. 16
  • 8 p.m. Saturday, Nov. 17
  • 2 p.m. Sunday, Nov. 18

Location: Patricia Corbett Theater

BIRTHDAY VARIATIONS
Performance Times:

  • 8 p.m. Thursday, Dec. 6
  • 8 p.m. Friday, Dec. 7
  • 8 p.m. Saturday, Dec. 8
  • 3 p.m. Sunday, Dec. 9

Location: Patricia Corbett Theater

OUR COUNTRY’S GOOD
Performance Times:

  • 8 p.m. Wednesday, Feb. 13 (preview)
  • 8 p.m. Thursday, Feb. 14
  • 8 p.m. Friday, Feb. 15
  • 2 p.m. Saturday, Feb. 16
  • 8 p.m. Saturday, Feb. 16
  • 2 p.m. Sunday, Feb. 17

Location: Patricia Corbett Theater

THE HUNCHBACK OF NOTRE DAME
Performance Times:

  • 8 p.m. Thursday, March 7
  • 8 p.m. Friday, March 8
  • 2 p.m. Saturday, March 9
  • 8 p.m. Saturday, March 9
  • 2 p.m. Sunday, March 10

Location: Corbett Auditorium

LA CLEMENZA DI TITO
Performance Times:

  • 8 p.m. Friday, April 12
  • 8 p.m. Saturday, April 13
  • 2 p.m. Sunday, April 14

Location: Corbett Auditorium

CINDERELLA
Performance Times:

  • 8 p.m. Friday, April 26
  • 2 p.m. Saturday, April 27
  • 8 p.m. Saturday, April 27
  • 2 p.m. Sunday, April 28

Location: Patricia Corbett Theater

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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

CCM News

CCM Mainstage Dance Presents ‘The Art of Motion’

CCM presents "The Art of Motion" Nov. 30-Dec. 3 in Patricia Corbett Theater.

The mixed-repertoire dance concert features The Little Mermaid, Paquita and John Adams’ Shaker Loops.

CCM’s fall Mainstage Series comes to a stunning conclusion with “The Art of Motion,” a concert of mixed repertoire presented by the Dance Department. Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, the production runs from Thursday, Nov. 30, 2017, through Sunday, Dec. 3, 2017, in CCM’s Patricia Corbett Theater.

The program begins with featured work The Little Mermaid, which is choreographed by guest artist Adam Sage with music by Léo Delibes and Antonín Dvorák. This classic fairytale, written by Danish author Hans Christian Andersen, is about the lengths in which a young mermaid will go for love.

The concert also showcases Paquita with music by Ludwig Minkus, restaged by Deirdre Carberry to choreography by Marius Petipa. Set in Spain during the occupation by Napoleon’s army, the ballet follows the story of a young gypsy girl who saves the life of a French officer and falls in love with him.

The performance concludes with Shaker Loops by Pulitzer Prize-winning composer John Adams, featuring original choreography by CCM Dance Professor André Megerdichian. CCM’s Café MoMus Ensemble performs the work under the direction of CCM student Alexandria Black. Shaker Loops includes an illuminated collaboration with UC DAAP faculty member Henry Hildebrandt, the Associate Director of Undergraduate Programs in the School of Architecture and Interior Design.

Experience “The Art of Motion” at CCM, which runs Nov. 30-Dec. 3 in Patricia Corbett Theater. Tickets can be purchased in person at the CCM Box Office, over the telephone 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/art-of-motion.
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Performance Times

  • 8 p.m. Thursday, Nov. 30
  • 8 p.m. Friday Dec. 1
  • 8 p.m. Saturday, Dec. 2
  • 3 p.m. Sunday, Dec. 3

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to “The Art of Motion” are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Customizable subscription packages are also available for CCM’s 2017-18 Mainstage Series.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/art-of-motion.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Dance Department Supporter: The Corbett Endowment at CCM

Dance Performance Sponsor: Teri Jory & Seth Geiger

CCM News Faculty Fanfare Student Salutes