A mask from CCM's 2016 production of THE CUNNING LITTLE VIXEN. Photography by Mark Lyons.

CCM’s Mainstage Series Presents ‘The Cunning Little Vixen’ April 8 – 10, 2016

CCM brings you Leoš Janácek’s anthropomorphic opera, The Cunning Little Vixen, from April 8 – 10 as part of this year’s Mainstage Series. Instead of the typical protagonists of kings, queens and courtly staff, the stars of Janácek’s opera are foxes, dragonflies and badgers, and a host of woodland creatures, as well as the humans who try to tame them. Mark Gibson conducts with stage direction and choreography by Vince DeGeorge. This production will be sung in English, with a new translation by CCM Professor Emeritus David Adams.

The story begins with a Forester who, asleep at the base of a tree after a long night of drinking, awakens to the sight of a playful vixen cub. Delighted with his newfound furry friend, the Forester stumbles home to his farm to show his family. Discontent with her life in captivity, the cunning Vixen plots her escape, ruffles some feathers among the farm animals, and flees into the night. The Forester is then devastated and left alone to pine after his lost treasure.

Meanwhile, the Forester’s drinking buddies have troubles of their own. The Schoolmaster lusts after a young woman engaged to another man, and the Priest struggles to reconcile a misstep in his past with his present life of piety. Each man finds himself tormented by his own obsession, and struggles to accept the natural progression of life and death when it is out of his control.

One of the design inspriations for CCM's new production of THE CUNNING LITTLE VIXEN.

One of the design inspriations for CCM’s new production of THE CUNNING LITTLE VIXEN.

Inspired by a serial comic strip printed in the local paper, Leoš Janácek uses music and dance to breathe life into the characters he saw on the page. DeGeorge said a muse in the form of a little wooden vixen, gifted from his wife 10 years ago, inspired his vision for CCM’s production of the opera.

The geometric nature of the figurine, which is featured on the program cover, is reflected in the masks worn and carried by the characters as they transform throughout the opera.

“One of the things that is most prevalent in this opera is the relationship between humans and animals. The actors come on stage as humans and they transform into animals in front of the audience,” DeGeorge said. “There’s a sort of formalism about this little creature that I love but there’s also a playfulness that embodies the spirit of this production.”

It’s that very spirit, the transformative essence and flow of cycles within the opera, that Janácek masterfully elicits in your ears. Janácek will mesmerize you with his lush harmonies and sweeping melodies, Hollywood strings, flittering elfin-like woodwinds solos, and powerful romantic brass, in this fantastical tale of the intimate relationship between man and nature.

Join us in CCM’s Corbett Auditorium, this April 8-10, to explore the human condition within the enchanted world of music and dance.

Leoš Janácek’s
THE CUNNING LITTLE VIXEN
An Opera in Three Acts
Critical revised version by Jiri Zahrádka
Used by arrangement with European American Music Distributors Company, U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner.

The Creative Team

  • Mark Gibson, conductor
  • Vince DeGeorge, stage director and choreographer
  • Marie-France Lefebvre, musical preparation
  • Mark Halpin, scenic designer
  • Jeremy Dominik, lighting designer*
  • Oran Wongpandid, costume designer*
  • Kelly Yurko, wig & make-up designer
  • Kristen Budke, properties designer*
  • Susan Moser, choreographer
  • Michael Medina, stage manager*
  • John Murton, assistant conductor (Sunday matinee)*
  • Maria Fuller, rehearsal pianist*
  • Levi Hammer, rehearsal pianist*
  • Michael Medina, rehearsal pianist*

* CCM student

Performance Times

  • 8 p.m. Friday, April 8
  • 8 p.m. Saturday, April 9
  • 2 p.m. Sunday, April 10

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Cunning Little Vixen are $31-35 for adults, $20-24 for non-UC students and $18-22 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/cunning-little-vixen.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News
CCM's Mainstage Production of HANSEL AND GRETEL. Photography by Mark Lyons.

CCM Slideshows: Hansel and Gretel

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CCM’s Mainstage Series resumes this evening with a contemporary production of Engelbert Humperdinck’s timeless opera Hansel and Gretel. Running Nov. 20 – 23, this magical production also features the Cincinnati Children’s Choir, ensemble-in-residence at CCM. Mark Gibson conducts with stage direction by Robin Guarino.

Above, enjoy a preview slideshow of the opera that Richard Strauss regarded as “a masterpiece of the highest quality.”

WCPO calls the opera the number one thing to do in Cincinnati this weekend, and the Cincinnati Enquirer and CityBeat have also highlighted the production! Learn even more about Hansel and Gretel here.

Performance Times

  • 8 p.m. Thursday, Nov. 20
  • 8 p.m. Friday, Nov. 21
  • 8 p.m. Saturday, Nov. 22
  • 2 p.m. Sunday, Nov. 23

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to CCM’s Mainstage production of Hansel and Gretel are $31-35 adults, $20-24 non-UC students and $18-22 UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/hansel-and-gretel-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News

CCM’s Mainstage Series Presents the Fairy Tale Opera ‘Hansel and Gretel’ Nov. 20-23

Talya Lieberman as Gretel and Adria Caffaro as Hansel. Photography by Mark Lyons.

Talya Lieberman as Gretel and Adria Caffaro as Hansel. Photography by Mark Lyons.

CCM’s Mainstage Series proudly presents Engelbert Humperdinck’s timeless opera Hansel and Gretel from Nov. 20 – 23 in UC’s Corbett Auditorium. This magical production also features the Cincinnati Children’s Choir, ensemble-in-residence at CCM.

Based on the German fairy tale popularized by the Brothers Grimm, this contemporary production is conducted by CCM Director of Orchestral Studies Mark Gibson with stage direction by the J. Ralph Corbett Distinguished Chair in Opera Robin Guarino. This opera will be sung in English with supertitles.

Composed by Humperdinck, with a libretto by his sister Adelheid Wette, the perennially popular opera premiered in 1893 to instant success. Showing the influence of German folksong, along with harmonic and textural influences of Richard Wagner, the opera was hailed by fellow German composer Richard Strauss (who conducted the premiere) as “a masterpiece of the highest quality.” The opera has since become a holiday tradition throughout the world.

Guarino’s production transports the classic fairy tale to the 1930s Depression Era. The precocious brother and sister duo are poor, hungry and dreaming of tasty treats. When their overworked mother sends them into the world to find food, they lose their way in the forest and encounter a scary witch with a deliciously sinister plan.

CCM News