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Composition Professor Writes New Work for Cincinnati Symphony Orchestra

The Cincinnati Symphony Orchestra’s theme for its One City, One Symphony initiative is personal for the musicians involved — including Michael Fiday, associate professor of composition at the University of Cincinnati College-Conservatory of Music.

Focusing on the theme of “home,” the One City, One Symphony initiative is the CSO’s community-wide project that aims to unite people through music. The initiative’s Thanksgiving weekend concert features the world premiere of Fiday’s CSO-commissioned symphony alongside works from American composers Leonard Bernstein, Aaron Copland and John Williams at 8 p.m. Nov. 25 and 26 at the Taft Theatre.

“Cincinnati has been my cultural home base for 14 years,” says Fiday, who began teaching at CCM in 2004. “In that time I’ve become close friends, acquaintances and colleagues with a good number of CSO musicians and gotten to know their sound quite well.”

CCM Professor Michael Fiday teaching a composition student. Photo by Andrew Higley.

CCM Professor Michael Fiday teaching a composition student. Photo by Andrew Higley.

Fiday, whose recent work with the CSO was featured in Movers and Makers magazine, chose to incorporate the “home” connection in symbolic ways. The piece’s title, Three for One, is an allusion to the One City, One Symphony initiative and how Fiday approached the orchestra.

There aren’t many solos in Three for One. Fiday treated the orchestra as if it were “a collective body moving together towards a common goal.”

He began working to create his 15-minute piece with the CSO in January 2016. Three for One isn’t a symphony in the traditional sense, Fiday says. He describes it as a three-movement work with a fast-slow-fast format that is similar to the emotional arc of a full-length symphony.

The three movements each focus on a family of instruments — woodwinds in the first movement, strings in the second and brass in the third. The other instruments join the fray to reinforce the sound as the music builds with the entire orchestra playing as one.

Fiday titled the first movement “starting over” and describes it as “brief, punchy and puckish.” The second movement, “presence/absence” is a slow elegy dedicated to composer Richard Toensing, a former teacher, mentor and friend of Fiday’s who passed away two years ago. “Twitter,” the final movement, is fast and split into two halves. Fiday describes the first half as “gossamer and transparent” and the second half as “fairly blunt and aggressive.”

The CCM-based composer brings his own unique style to the One City, One Symphony concert’s all-American program but also celebrates the American roots nested within the musical styles of all of the composers.

“I think it’s impossible for me, or any other American composer for that matter, to not have American elements in our work,” he says. “Sometimes we don’t even notice them because they’re bred so deeply in our bones.”

Fiday favors using perfect fifth harmonies, which create that great “open” sound that is instantly recognizable as American-bred. His love of jazz found its way into Three for One as well. Some of the “crunchier” harmonies in the piece harken back to legendary jazz artists Bill Evans and Thelonious Monk, Fiday says.

“The rhythmic profile, which is a very important element of almost all of my music, stems from my love for both jazz and popular music — music that is propulsive and energetic, yet also unpredictable.”

Although Fiday has been commissioned to write compositions for multiple organizations, including the National Flute Association and the American Composers Orchestra, Three for One is his first commission for the Cincinnati Symphony Orchestra.

“I’m very proud of the CSO for their increased interest in commissioning new music; a situation I think has improved greatly in the time I’ve been in Cincinnati, particularly during the past four or five years,” he says.

Fiday not only works to create his own new music but also fosters that creativity within his students. CCM has one of the nation’s top 10 music composition programs, according to the US News & World Report. Student composers enjoy opportunities to work with CCM ensembles and community organizations for hearings and performances.

Engaging one of CCM’s own composers exemplifies One City, One Symphony’s “home” theme, uniting the community through locally-made music. According to the Cincinnati Symphony Orchestra, “By connecting music the CSO performs to themes relevant in our everyday lives, One City, One Symphony inspires us, provokes our thinking, and celebrates our shared humanity.”

For more information about the concert, visit www.cincinnatisymphony.org or call the Cincinnati Symphony Orchestra at 513-621-1919.

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Story by CCM graduate student Charlotte Kies

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Richard Hess taught a Viewpoints Training master calss in Estonia.

Acting Department Chair Visits Estonia To Teach Viewpoints Training Master Classes

Richard Hess traveled to Estonia to teach two Viewpoints Training master classes

Richard Hess at the Tartu Uus Teater.

CCM Professor of Acting and Department Chair Richard Hess recently traveled to Northern Europe to teach Viewpoints Training master classes to professional actors working in two Estonian theaters — Theatrum and Tartu Uus Teater.

Hess has shared Viewpoints Training master classes across the U.S. and internationally for the past 20 years. Initially developed for dancers in the 1970s by choreographer Mary Overlie, Viewpoints Training was then adapted for actors by director Anne Bogart and the SITI Company. It focuses on improvisational movement techniques that brake down two dominant issues performers deal with — time and space — into nine categories or “viewpoints”: tempo, duration, kinesthetic response, repetition, shape, spatial relationship, architecture, floor pattern and gesture.

Hess engaged the Estonian actors in a series of improvisational movement exercises where unified group action was the desired goal. “What you create with another actor is always more interesting than what you can create alone,” Hess said. “Needing and being needed are core principles of good acting.”

In the final exercise of the master class, Hess instructed the actors to pair up and — without speaking or planning — support a portion of their partner’s body weight to create a new shape that they couldn’t create alone. Hess first told them to support 50 percent of their partner’s weight, then directed everyone to support the entire weight of one person. “This requires actors to give generously and to be supportive in undeniable ways,” he said.

In the final Viewpoints exercise, Hess told the actors "all hands must support the entire weight of Karl Edgar."

In the final Viewpoints exercise, Hess told the actors “all hands must support the entire weight of Karl Edgar.”

“The Estonian actors were so powerful and focused,” Hess added. “There is an obvious muscular quality to their work and it was gratifying to see them embrace the master class with enthusiasm and bravery. Estonian theatre is extremely impressive.”

The actors traveled from theaters across Estonia to participate in Hess’ Viewpoints Training master class, he said. They gathered in Uus Teater in Tartu, Estonia and Theatrum, which is headed by playwright and director Andri Luup in Tallinn, Estonia. Luup, who is known for writing and directing the film “Kinnunen,” arranged for Hess to offer the master classes.

“The work was simply on the nose,” said participant Karl Edgar Tammi, a professional actor from the Teater Must Kast in Tartu. “I was introduced to a set of great exercises, improvisation, stage presence and awareness, creativity, working with partners, space and, of course, music. It was colorful, refreshing and inspiring. I will practice and try and mix it into the current theatre scape of Estonia!”

As chair of CCM’s Acting Department for the past 22 years, Hess has taught actors who work throughout the world on stage, television and film. He is no stranger to traveling internationally in the name of theatre. In 2011, Hess brought eight CCM Acting students and alumni to Kenya as part of the Dadaab Theatre Project. He returned to Kenya in 2014 as a Fulbright Scholar and spent a semester teaching and conducting research at Kenyatta University’s Department of Theatre Arts and Film Technology. In 2015, Hess brought six students and one faculty member from Kenyatta University to CCM so they could participate in the 48-Hour Film Festival.

Look for a Village News post later this week about Hess’ upcoming production of Middletown, running in Cohen Family Studio Theatre Oct. 20-22 as part of CCM’s Studio Acting Series. Admission is free but reservations are required. Tickets become available at noon on Monday, Oct. 17.

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Peter Landgren, Dean of the College-Conservatory of Music (CCM)

A Message From Peter Landgren

Dear CCM Community,

The power of CCM, which is fueled by you – the college’s faculty, staff, students, alumni, volunteers, donors and advisors – is as strong as ever at the University of Cincinnati. As such, I have accepted an offer from Interim President Beverly Davenport to fill the role of Interim Senior Vice President for Academic Affairs and Provost, paralleling her interim presidency. You can learn more about this appointment here.

This is an interim role for me, I’m not going far – just a few buildings away from the CCM Village – and CCM will have an excellent individual at the helm as Interim Dean.

brucce mcclung will be Interim Dean at CCMWe are fortunate to have a leader amongst leaders who has agreed to serve as CCM’s Interim Dean, Dr. bruce mcclung. A member of CCM’s faculty since 1992, Dr. mcclung has most recently served as head of the Division of Composition, Musicology and Theory. Dr. mcclung is a highly respected musicologist, a consummate researcher, pedagogue, advisor and mentor. He is detail-oriented, focused on excellence and possesses a watchful eye on fiscal health. He is a strong communicator and a leader who naturally turns listening and collaboration into action.

Dr. mcclung received his bachelor’s degree from the New England Conservatory, two master’s degrees from the Eastman School of Music and his Ph.D. from the University of Rochester. He has been awarded several campus-wide accolades from the University of Cincinnati, including the A. B. “Dolly” Cohen Award for Distinguished Excellence in Teaching in 2013, the UC Graduate School Excellence in Doctoral Mentoring Award in 2009 and was elected to the University’s Academy for Fellows of Teaching and Learning. You can read the official announcement of bruce’s interim appointment here.

When I asked if he would fill the role as CCM’s Interim Dean, bruce’s first question to me revealed his insight and dedication as a leader and creative individual: How could he continue to propel the ONECCM initiative forward during this interim period? Yes, there were other questions to follow, yet this lead enquiry told me a great deal about bruce’s desire to maintain the positive trajectory that the college has enjoyed. I am confident that bruce will assist each of you who hold an individual role in propelling the college beyond all imagination.

As a university community, we are equally fortunate to have a compassionate and compelling leader in Dr. Davenport. I cannot thank Dr. Davenport enough for her confidence in my leadership abilities. As Interim Senior Vice President of Academic Affairs and Provost, I will support her as Interim President in a unified vision for UC, and will assist all of the university’s deans and colleges in attaining or superseding their goals. My term will begin today and parallel Interim President Davenport’s.

Please join me in thanking bruce as he steps into this new role of intellectual and artistic guidance at CCM. I also want to thank you – the CCM community – for supporting Interim Dean mcclung, Interim President Davenport and me as each of us enter new positions to guide our university forward.

CCM is the college that has given me my career. I will always be a proud alum of this great college, and my pride and respect extends to each of you. Both CCM and UC have made great strides in recent years. Working together, we will continue to build upon those accomplishments and achieve even greater successes.

Sincerely yours,

DeanSignature
Peter Landgren, Dean
Thomas James Kelly Professor of Music
College-Conservatory of Music
University of Cincinnati

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Rehearsals for CCM's April 2016 production of SWAN LAKE.

Building a Ballet: E-Media students give inside look at CCM’s ‘Swan Lake’

CCM Electronic Media and UC journalism students take us behind-the-scenes with a look at the rehearsals for next week’s production of Swan Lake. The video series chronicles all of the work and dedication students, faculty and staff put into the lavish new production of Tchaikovsky’s timeless ballet.

Students within the News Writing and Reporting class, taught by Assistant Professor of E-Media Hagit Limor and Journalism Professor Bob Jonason, created the videos, which star faculty and students within CCM’s Dance Department.

In the video above, Dance Department chair and Swan Lake co-director Jiang Qi discusses the work that goes into presenting such an iconic ballet. He explains:

Swan Lake is one of the top classical ballets in the repertoire. It’s almost textbook. You learn Swan Lake and then you get much stronger. This is an art form that requires a lot of physical and mental endurance to get through.”

The videos and photos, created by students Brevin Couch, Mark D’Andrea, Tyler Dunn, Daniel Honerkamp, Ailish Masterston and Andrew Wilkins, can be viewed on the Building a Ballet website. Visit the website to view interviews with dance students Madison Holschuh (Odette), Sam Jones (Prince Siegfried), and Kiahna Saneshige (Odile). The package was recently featured in Cincinnati Magazine.

Swan Lake is only the second story ballet ever presented as part of CCM’s Mainstage Series. The production runs April 22 – 24 in CCM’s Corbett Auditorium.

Co-directed by Jiang and Professor Deirdre Carberry, the production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.”

The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Professor Aik Khai Pung.

This production marks the first time in CCM’s nearly 150-year history that a dance production has featured brand new costumes designed and built in-house. You can learn more about the work that went into costuming Swan Lake here.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

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Story by Curt Whitacre

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Dean Mogle holds the white and black swan design sketches for CCM's production of Swan Lake.

From Sketch to Stage: The Making of CCM’s ‘Swan Lake’ Costumes

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There is a shortage of tutu makers in the world, said CCM Professor and Head of the Costume Design and Technology Program Dean Mogle, who faced the daunting task of designing costumes for Tchaikovsky’s Swan Lake ballet.

CCM is working to fix that shortage by training the next generation of costume designers and technicians, whose work will debut on stage in the conservatory’s first ballet production to have costumes designed and built in-house.

A timeless tale of love, magic and mystery, Swan Lake will grace the Corbett Auditorium stage from April 22-24, marking the second time in CCM’s nearly 150-year history that a full-length story ballet has been included in the Mainstage Series.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Staff and students within the Costume Design and Technology program have worked on the ‘Swan Lake’ costumes for the past 18 months.

Presented by CCM’s Department of Dance, the ballet uses three different casts and the principal roles are all double cast ­— which is challenging for the costume shop students and staff responsible for ensuring the pieces fit each dancer correctly.

“You have to understand what dancers go through—what they need,” Mogle said. “Balance becomes really important.”

Costume designers and technicians must consider the weight of the fabrics and headpieces so the dancer can retain their natural balance. There is also limited “real estate” on the costume for artistic expression or characterization, Mogle said. If a female dancer needs to be lifted, safety dictates the fabric around her waist can’t be too slick and can’t get caught on anything.

“The ballet world is a totally different beast.”

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Newly designed costumes for the Hungarian Czardas in Act III of ‘Swan Lake,’ made by costume students and staff. To the far right is Prince Siegfried’s jacket, made by Jessica Barksdale.

Mogle, with a team of students and faculty within the Costume Design and Technology program, has worked on the Swan Lake costumes for the past 18 months. They’ve borrowed and modified some costumes from a previous CCM performance of Brigadoon and the Broadway production of Cyrano, The Musical. Costumes for the principal and specialty roles in the ballet are newly designed and made.

Iconic white tutus, bodices, vibrant dresses and rich fabrics have taken over their workshop. The costumes are designed in the traditional style typically associated with the classic ballet. CCM plans to reuse and rent out some of them after the performance.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Jessica Barksdale is building Mogle’s design for Prince Siegfried’s costume, which will be worn in Acts III and IV.

Mogle, who previously designed costumes for the Cincinnati Ballet’s The Nutcracker, watched five or six different productions of Swan Lake to prepare for his costume designs. The pieces are still evolving on a daily basis, he said.

“Since we are making the production to last about 30 or 40 years, we don’t ever want to get too wild and crazy with the concept because it is pretty traditional,” Mogle said. “The things that really change in a traditional ballet like this are going to be the specialty characters.”

Those include the newly designed and made pieces that will be worn at the ball in Act III, where the Queen invites potential wives from Poland, Hungary, Italy, Spain, Naples and Poland to match with her son, Prince Siegfried.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

A sketch and sleeve of Von Rothbart’s Act III costume, made by Erin Winslow.

At the ball, Prince Siegfried will wear a newly designed black and gold jacket made by Jessica Barksdale, first-year costume technology graduate student. Rothbart, the evil sorcerer who cursed the prince’s love Odette, will wear an intricately detailed costume made by senior costume technology student, Erin Winslow, as part of her capstone project.

Barskdale and Winslow are also making the iconic white and black swan costumes for leading female characters Odette and Odile. Associate Professor of Costume Technology Regina Truhart is managing all costume production for the ballet.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

The in-progress white and black swan costumes for characters Odette and Odile are being made by Jessica Barksdale and Erin Winslow, respectively.

After 27 years at CCM, Mogle is familiar with the 30,000 costume pieces the conservatory has in stock. Luckily, the costume department was able to pull pieces from past performances of Brigadoon and Cyrano to modify them for courtier and peasant costumes in Swan Lake.

The costume department dyed some of the costumes in bright jewel tones and added details such as sashes, sleeves, aprons and hats. Net petticoats were used to make the costumes lighter and easier to dance in.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Costumes from the CCM production of ‘Brigadoon’ are being modified for the female peasants in Act I of ‘Swan Lake.’

“Every time we do [Swan Lake], we’ll add more to it and rely less on our costume stock,” Mogle said, adding that when the ballet is performed again in 6 years they will likely build new peasant costumes.

“That’s how some companies do it anyway. They’ll use tutus from many kinds of shows. Pulling together a show like this from all of these different places is a great exercise.”

Acquiring materials is one hurdle but then, of course, the costumes must actually fit.

It helps that musical theatre bodies and dancer bodies are similar in stature, Mogle said. It would cost around $5,000 to reproduce one of the Cyrano costumes today.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Costume technicians included three clasp sizes on the ‘Swan Lake’ bodices so they can be adjusted for different dancers.

With three different casts, and double-cast principals, it was important to make the costumes interchangeable for different dancers. The technicians included three clasp sizes for the bodices to make them more adjustable and, in some cases, built extra costumes.

The process and pieces are evolving daily, with more adjustments expected after fittings and the dress rehearsals. A beautiful design can look perfect on a mannequin but flawed when put on a body that needs to breathe, dance and kick. That is why it’s important for the costuming students to learn each step in the creative process, said Mogle.

 “The whole focus of our program is teaching design and technology so designers know how to make stuff and makers know how to design stuff. So they all have the same sensibility as to how things should look and how they should be handled. If the knowledge base in those two roles isn’t strong then things fall apart.”

After the designs are sketched, the appropriate fabrics need to be found, Mogle said of the costuming process. Then there’s making the patterns and cutting them out of the cloth and stitching them together. There’s also fabric painting and dying and mask and jewelry making.

“Each one of those is a profession in itself,” Mogle said. “The more skills you have as a technician and the more kinds of plays and operas and ballets that you can design as a designer, your job market opens up. It’s a good part of training and real life experience.”

Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, the Mainstage Series production features students from CCM’s BFA Ballet program. The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Assistant Professor of Music Aik Khai Pung.

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Tchaikovsky’s Swan Lake runs April. 22 – 24 in Corbett Auditorium. Tickets are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s
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Story by Rebecca Butts

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CCM Dance presents 'Swan Lake.'

CCM Dance Presents Lavish New Production of Enduring Classic Ballet ‘Swan Lake’ April 22-24, 2016

Swan Lake

Madison Holschuh as Odette and Samuel Jones as Prince Siegfried in CCM’s production of ‘Swan Lake.’ Photo by René Micheo.

CCM’s Department of Dance presents Tchaikovsky’s timeless ballet, Swan Lake, April 22-24 in Corbett Auditorium. Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, the Mainstage Series production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.” The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Assistant Professor of Music Aik Khai Pung.

A tale of unending love and haunting mystery, Swan Lake is one of the most well-known fables of our time. The classic Russian ballet is performed in four acts and tells the story of Odette, a maiden turned into a swan by the evil sorcerer, Von Rothbart.

Disinterested in potential love matches arranged by his mother, Prince Siegfried is in search of a wife when he stumbles upon Odette during a night hunt. The two fall madly in love but their romance is hindered by Odette’s curse – which forces her and her fellow maidens to become swans by day and human by night.

Swan Lake marks only the second time in CCM’s nearly 150-year history that a full-length story ballet has been included in the Mainstage Series. As a result, this production features brand new costumes designed and built in-house, which is actually a CCM first.

Costume Design and Technology Program Head Dean Mogle spent 18 months on the creation of Swan Lake’s intricate costumes. For the past 40 years, Mogle has designed for numerous drama, musical theatre, opera and dance productions, including the Cincinnati Ballet’s The Nutcracker.

“The ballet world is a totally different beast,” Mogle said of the challenging costume designs. “In dance, it’s all about the body and movement.”

In addition to the famous white swan costumes traditionally associated with the ballet, the story will come to life with vibrant colors and rich fabrics adorning the talented performers of CCM Dance. In particular, keep an eye out for the intricately designed costumes worn by Prince Siegfried’s potential wives on display during the opulent ball in Act III.

For this production, the iconic role of Odette will be performed by dance majors Yu-Ting Huang (on Friday and Sunday) and Madison Holschuh (on Saturday).

Guest artist Patric Palkens, appearing by permission of the Cincinnati Ballet, will perform as Prince Siegfried in the Friday and Sunday performances of Swan Lake. Palkens joined the Cincinnati Ballet in 2011 and was promoted to Principal Dancer in 2015. He returns to Cincinnati after spending a year in Europe with Salzburg State Theater Austria Dance.

The ballet will also feature Assistant Professor of Dance André Megerdichian, who will dance the role of evil sorcerer Von Rothbart. Megerdichian has performed professionally over two decades with such companies and choreographers as the Jose Limón Dance company, Janis Brenner and Dancers, The Mary Anthony Dance Theatre, Soundance Repertory Company, Reidel Dance Theatre, Daniel Charon and Sean Curran.

Join us for this timeless tale of love and magic in CCM’s Corbett Auditorium April 22-24.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

____________________

Story by CCM and UC Lindner College of Business graduate student Ryan Strand (BFA Musical Theatre, 2006)

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Scott Lipscomb, incoming Associate Dean for Aacademic Affairs and Director of Graduate Studies at CCM.

CCM Welcomes Scott Lipscomb as Associate Dean for Academic Affairs and Director of Graduate Studies

Scott Lipscomb, incoming Associate Dean for Aacademic Affairs and Director of Graduate Studies at CCM.

Scott Lipscomb, incoming Associate Dean for Aacademic Affairs and Director of Graduate Studies at CCM.

CCM Dean Peter Landgren has announced the appointment of Scott D. Lipscomb to the position of Associate Dean for Academic Affairs and Director of Graduate Studies. Lipscomb’s tenure at CCM will begin on May 31, 2016.

“I look forward to welcoming Dr. Lipscomb to Cincinnati this spring,” said Landgren. “He will be a strong advocate for student learning, an innovator when working with our curricula, a collaborative partner for our faculty members and a key member of our administrative team. Dr. Lipscomb’s interdisciplinary background lends itself perfectly to CCM’s approach to academics. His expertise will also allow CCM to maximize its research potential in collaboration with UC’s other colleges.”

Lipscomb comes to CCM from the University of Minnesota, where he most recently served as Associate Director of the School of Music, Director of Undergraduate Studies and Professor of Music. In these roles, he collaborated on the School of Music’s strategic planning process and served as primary author and facilitator for that institution’s 10-year NASM self-study, while also serving as a member of the school’s senior leadership team.

During his tenure at the University of Minnesota, Lipscomb also served as Interim Director of the School of Music from 2014-15. He headed the school’s Division of Music Education and Music Therapy from 2006-10 and 2011-13.

Prior to his appointment at the University of Minnesota, Lipscomb held faculty and administrative positions at Northwestern University, the University of Texas at San Antonio, Southern Methodist University and Webster University in Vienna, Austria.

Lipscomb’s primary areas of research include the integration of technology in the music classroom, the facilitation of music learning through technology and the incorporation of music across the K-12 curriculum, along with interactive instructional media development, sound for multimedia, website design and multimedia cognition.

A frequent presenter at regional, national and international conferences, Lipscomb has also had his research published in numerous peer-reviewed journals and edited volumes. He is editor of the Journal of Technology in Music Learning.

Lipscomb is immediate past-President for the Association for Technology in Music Instruction, while serving on the boards of the Society for Music Perception & Cognition and the Technology Institute for Music Educators. He also chairs the Technology Institute for Music Educators’ research committee.

Lipscomb holds a PhD and an MA in Systematic Musicology from UCLA. He received his BM in Jazz Performance with an emphasis on electric and acoustic bass from the University of Tennessee, Knoxville.

Lipscomb will spend the month of June working side-by-side with CCM’s retiring Associate Dean of Academic Affairs and Director of Graduate Studies Terrell Finney.

“June will be a time to welcome Dr. Lipscomb to campus, as well as a time to thank Terrell Finney for his years of dedicated service to CCM,” Landgren added.

Lipscomb’s academic home at CCM will be the Division of Electronic Media and he will continue his research activities while fulfilling the duties of Associate Dean.

Please join us in welcoming Scott Lipscomb to the CCM family!

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