Rehearsals for CCM's April 2016 production of SWAN LAKE.

Building a Ballet: E-Media students give inside look at CCM’s ‘Swan Lake’

CCM Electronic Media and UC journalism students take us behind-the-scenes with a look at the rehearsals for next week’s production of Swan Lake. The video series chronicles all of the work and dedication students, faculty and staff put into the lavish new production of Tchaikovsky’s timeless ballet.

Students within the News Writing and Reporting class, taught by Assistant Professor of E-Media Hagit Limor and Journalism Professor Bob Jonason, created the videos, which star faculty and students within CCM’s Dance Department.

In the video above, Dance Department chair and Swan Lake co-director Jiang Qi discusses the work that goes into presenting such an iconic ballet. He explains:

Swan Lake is one of the top classical ballets in the repertoire. It’s almost textbook. You learn Swan Lake and then you get much stronger. This is an art form that requires a lot of physical and mental endurance to get through.”

The videos and photos, created by students Brevin Couch, Mark D’Andrea, Tyler Dunn, Daniel Honerkamp, Ailish Masterston and Andrew Wilkins, can be viewed on the Building a Ballet website. Visit the website to view interviews with dance students Madison Holschuh (Odette), Sam Jones (Prince Siegfried), and Kiahna Saneshige (Odile). The package was recently featured in Cincinnati Magazine.

Swan Lake is only the second story ballet ever presented as part of CCM’s Mainstage Series. The production runs April 22 – 24 in CCM’s Corbett Auditorium.

Co-directed by Jiang and Professor Deirdre Carberry, the production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.”

The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Professor Aik Khai Pung.

This production marks the first time in CCM’s nearly 150-year history that a dance production has featured brand new costumes designed and built in-house. You can learn more about the work that went into costuming Swan Lake here.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

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Story by Curt Whitacre

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Dean Mogle holds the white and black swan design sketches for CCM's production of Swan Lake.

From Sketch to Stage: The Making of CCM’s ‘Swan Lake’ Costumes

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There is a shortage of tutu makers in the world, said CCM Professor and Head of the Costume Design and Technology Program Dean Mogle, who faced the daunting task of designing costumes for Tchaikovsky’s Swan Lake ballet.

CCM is working to fix that shortage by training the next generation of costume designers and technicians, whose work will debut on stage in the conservatory’s first ballet production to have costumes designed and built in-house.

A timeless tale of love, magic and mystery, Swan Lake will grace the Corbett Auditorium stage from April 22-24, marking the second time in CCM’s nearly 150-year history that a full-length story ballet has been included in the Mainstage Series.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Staff and students within the Costume Design and Technology program have worked on the ‘Swan Lake’ costumes for the past 18 months.

Presented by CCM’s Department of Dance, the ballet uses three different casts and the principal roles are all double cast ­— which is challenging for the costume shop students and staff responsible for ensuring the pieces fit each dancer correctly.

“You have to understand what dancers go through—what they need,” Mogle said. “Balance becomes really important.”

Costume designers and technicians must consider the weight of the fabrics and headpieces so the dancer can retain their natural balance. There is also limited “real estate” on the costume for artistic expression or characterization, Mogle said. If a female dancer needs to be lifted, safety dictates the fabric around her waist can’t be too slick and can’t get caught on anything.

“The ballet world is a totally different beast.”

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Newly designed costumes for the Hungarian Czardas in Act III of ‘Swan Lake,’ made by costume students and staff. To the far right is Prince Siegfried’s jacket, made by Jessica Barksdale.

Mogle, with a team of students and faculty within the Costume Design and Technology program, has worked on the Swan Lake costumes for the past 18 months. They’ve borrowed and modified some costumes from a previous CCM performance of Brigadoon and the Broadway production of Cyrano, The Musical. Costumes for the principal and specialty roles in the ballet are newly designed and made.

Iconic white tutus, bodices, vibrant dresses and rich fabrics have taken over their workshop. The costumes are designed in the traditional style typically associated with the classic ballet. CCM plans to reuse and rent out some of them after the performance.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Jessica Barksdale is building Mogle’s design for Prince Siegfried’s costume, which will be worn in Acts III and IV.

Mogle, who previously designed costumes for the Cincinnati Ballet’s The Nutcracker, watched five or six different productions of Swan Lake to prepare for his costume designs. The pieces are still evolving on a daily basis, he said.

“Since we are making the production to last about 30 or 40 years, we don’t ever want to get too wild and crazy with the concept because it is pretty traditional,” Mogle said. “The things that really change in a traditional ballet like this are going to be the specialty characters.”

Those include the newly designed and made pieces that will be worn at the ball in Act III, where the Queen invites potential wives from Poland, Hungary, Italy, Spain, Naples and Poland to match with her son, Prince Siegfried.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

A sketch and sleeve of Von Rothbart’s Act III costume, made by Erin Winslow.

At the ball, Prince Siegfried will wear a newly designed black and gold jacket made by Jessica Barksdale, first-year costume technology graduate student. Rothbart, the evil sorcerer who cursed the prince’s love Odette, will wear an intricately detailed costume made by senior costume technology student, Erin Winslow, as part of her capstone project.

Barskdale and Winslow are also making the iconic white and black swan costumes for leading female characters Odette and Odile. Associate Professor of Costume Technology Regina Truhart is managing all costume production for the ballet.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

The in-progress white and black swan costumes for characters Odette and Odile are being made by Jessica Barksdale and Erin Winslow, respectively.

After 27 years at CCM, Mogle is familiar with the 30,000 costume pieces the conservatory has in stock. Luckily, the costume department was able to pull pieces from past performances of Brigadoon and Cyrano to modify them for courtier and peasant costumes in Swan Lake.

The costume department dyed some of the costumes in bright jewel tones and added details such as sashes, sleeves, aprons and hats. Net petticoats were used to make the costumes lighter and easier to dance in.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Costumes from the CCM production of ‘Brigadoon’ are being modified for the female peasants in Act I of ‘Swan Lake.’

“Every time we do [Swan Lake], we’ll add more to it and rely less on our costume stock,” Mogle said, adding that when the ballet is performed again in 6 years they will likely build new peasant costumes.

“That’s how some companies do it anyway. They’ll use tutus from many kinds of shows. Pulling together a show like this from all of these different places is a great exercise.”

Acquiring materials is one hurdle but then, of course, the costumes must actually fit.

It helps that musical theatre bodies and dancer bodies are similar in stature, Mogle said. It would cost around $5,000 to reproduce one of the Cyrano costumes today.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Costume technicians included three clasp sizes on the ‘Swan Lake’ bodices so they can be adjusted for different dancers.

With three different casts, and double-cast principals, it was important to make the costumes interchangeable for different dancers. The technicians included three clasp sizes for the bodices to make them more adjustable and, in some cases, built extra costumes.

The process and pieces are evolving daily, with more adjustments expected after fittings and the dress rehearsals. A beautiful design can look perfect on a mannequin but flawed when put on a body that needs to breathe, dance and kick. That is why it’s important for the costuming students to learn each step in the creative process, said Mogle.

 “The whole focus of our program is teaching design and technology so designers know how to make stuff and makers know how to design stuff. So they all have the same sensibility as to how things should look and how they should be handled. If the knowledge base in those two roles isn’t strong then things fall apart.”

After the designs are sketched, the appropriate fabrics need to be found, Mogle said of the costuming process. Then there’s making the patterns and cutting them out of the cloth and stitching them together. There’s also fabric painting and dying and mask and jewelry making.

“Each one of those is a profession in itself,” Mogle said. “The more skills you have as a technician and the more kinds of plays and operas and ballets that you can design as a designer, your job market opens up. It’s a good part of training and real life experience.”

Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, the Mainstage Series production features students from CCM’s BFA Ballet program. The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Assistant Professor of Music Aik Khai Pung.

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Tchaikovsky’s Swan Lake runs April. 22 – 24 in Corbett Auditorium. Tickets are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s
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Story by Rebecca Butts

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CCM Dance presents 'Swan Lake.'

CCM Dance Presents Lavish New Production of Enduring Classic Ballet ‘Swan Lake’ April 22-24, 2016

Swan Lake

Madison Holschuh as Odette and Samuel Jones as Prince Siegfried in CCM’s production of ‘Swan Lake.’ Photo by René Micheo.

CCM’s Department of Dance presents Tchaikovsky’s timeless ballet, Swan Lake, April 22-24 in Corbett Auditorium. Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, the Mainstage Series production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.” The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Assistant Professor of Music Aik Khai Pung.

A tale of unending love and haunting mystery, Swan Lake is one of the most well-known fables of our time. The classic Russian ballet is performed in four acts and tells the story of Odette, a maiden turned into a swan by the evil sorcerer, Von Rothbart.

Disinterested in potential love matches arranged by his mother, Prince Siegfried is in search of a wife when he stumbles upon Odette during a night hunt. The two fall madly in love but their romance is hindered by Odette’s curse – which forces her and her fellow maidens to become swans by day and human by night.

Swan Lake marks only the second time in CCM’s nearly 150-year history that a full-length story ballet has been included in the Mainstage Series. As a result, this production features brand new costumes designed and built in-house, which is actually a CCM first.

Costume Design and Technology Program Head Dean Mogle spent 18 months on the creation of Swan Lake’s intricate costumes. For the past 40 years, Mogle has designed for numerous drama, musical theatre, opera and dance productions, including the Cincinnati Ballet’s The Nutcracker.

“The ballet world is a totally different beast,” Mogle said of the challenging costume designs. “In dance, it’s all about the body and movement.”

In addition to the famous white swan costumes traditionally associated with the ballet, the story will come to life with vibrant colors and rich fabrics adorning the talented performers of CCM Dance. In particular, keep an eye out for the intricately designed costumes worn by Prince Siegfried’s potential wives on display during the opulent ball in Act III.

For this production, the iconic role of Odette will be performed by dance majors Yu-Ting Huang (on Friday and Sunday) and Madison Holschuh (on Saturday).

Guest artist Patric Palkens, appearing by permission of the Cincinnati Ballet, will perform as Prince Siegfried in the Friday and Sunday performances of Swan Lake. Palkens joined the Cincinnati Ballet in 2011 and was promoted to Principal Dancer in 2015. He returns to Cincinnati after spending a year in Europe with Salzburg State Theater Austria Dance.

The ballet will also feature Assistant Professor of Dance André Megerdichian, who will dance the role of evil sorcerer Von Rothbart. Megerdichian has performed professionally over two decades with such companies and choreographers as the Jose Limón Dance company, Janis Brenner and Dancers, The Mary Anthony Dance Theatre, Soundance Repertory Company, Reidel Dance Theatre, Daniel Charon and Sean Curran.

Join us for this timeless tale of love and magic in CCM’s Corbett Auditorium April 22-24.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

____________________

Story by CCM and UC Lindner College of Business graduate student Ryan Strand (BFA Musical Theatre, 2006)

CCM News Faculty Fanfare
Scott Lipscomb, incoming Associate Dean for Aacademic Affairs and Director of Graduate Studies at CCM.

CCM Welcomes Scott Lipscomb as Associate Dean for Academic Affairs and Director of Graduate Studies

Scott Lipscomb, incoming Associate Dean for Aacademic Affairs and Director of Graduate Studies at CCM.

Scott Lipscomb, incoming Associate Dean for Aacademic Affairs and Director of Graduate Studies at CCM.

CCM Dean Peter Landgren has announced the appointment of Scott D. Lipscomb to the position of Associate Dean for Academic Affairs and Director of Graduate Studies. Lipscomb’s tenure at CCM will begin on May 31, 2016.

“I look forward to welcoming Dr. Lipscomb to Cincinnati this spring,” said Landgren. “He will be a strong advocate for student learning, an innovator when working with our curricula, a collaborative partner for our faculty members and a key member of our administrative team. Dr. Lipscomb’s interdisciplinary background lends itself perfectly to CCM’s approach to academics. His expertise will also allow CCM to maximize its research potential in collaboration with UC’s other colleges.”

Lipscomb comes to CCM from the University of Minnesota, where he most recently served as Associate Director of the School of Music, Director of Undergraduate Studies and Professor of Music. In these roles, he collaborated on the School of Music’s strategic planning process and served as primary author and facilitator for that institution’s 10-year NASM self-study, while also serving as a member of the school’s senior leadership team.

During his tenure at the University of Minnesota, Lipscomb also served as Interim Director of the School of Music from 2014-15. He headed the school’s Division of Music Education and Music Therapy from 2006-10 and 2011-13.

Prior to his appointment at the University of Minnesota, Lipscomb held faculty and administrative positions at Northwestern University, the University of Texas at San Antonio, Southern Methodist University and Webster University in Vienna, Austria.

Lipscomb’s primary areas of research include the integration of technology in the music classroom, the facilitation of music learning through technology and the incorporation of music across the K-12 curriculum, along with interactive instructional media development, sound for multimedia, website design and multimedia cognition.

A frequent presenter at regional, national and international conferences, Lipscomb has also had his research published in numerous peer-reviewed journals and edited volumes. He is editor of the Journal of Technology in Music Learning.

Lipscomb is immediate past-President for the Association for Technology in Music Instruction, while serving on the boards of the Society for Music Perception & Cognition and the Technology Institute for Music Educators. He also chairs the Technology Institute for Music Educators’ research committee.

Lipscomb holds a PhD and an MA in Systematic Musicology from UCLA. He received his BM in Jazz Performance with an emphasis on electric and acoustic bass from the University of Tennessee, Knoxville.

Lipscomb will spend the month of June working side-by-side with CCM’s retiring Associate Dean of Academic Affairs and Director of Graduate Studies Terrell Finney.

“June will be a time to welcome Dr. Lipscomb to campus, as well as a time to thank Terrell Finney for his years of dedicated service to CCM,” Landgren added.

Lipscomb’s academic home at CCM will be the Division of Electronic Media and he will continue his research activities while fulfilling the duties of Associate Dean.

Please join us in welcoming Scott Lipscomb to the CCM family!

CCM News Faculty Fanfare
The set for CCM's Mainstage Series production of Green Day's 'American Idiot.' Photo by Ryan Strand.

A Discussion With ‘American Idiot’ Set Designer Thomas Umfrid

The curtain rises on CCM’s production of Green Day’s punk rock-opera American Idiot  at 8 p.m. on Thursday, March 3, but the behind-the-scenes work has been going on for months. Much of the design process for a musical must be completed before actors even step into the rehearsal hall, but the work doesn’t end there. It continues all the way to opening night.

Thomas Umfrid, American Idiot set designer and Professor of Stage Design at CCM, is no stranger to the process. His career has taken him around the world, designing for opera, drama, musical theatre, dance and more. We were able to tear him away from his hectic schedule leading up to opening night to give us a little insight about his design.

Talk about the overall design for American Idiot and how you came up with it.

An image of the aftermath of the Sept. 11 terrorist attack in New York City.

An image from ground zero in the aftermath of the Sept. 11 attack in New York City.

Director Aubrey Berg came up with the design concept, a lot of which is based on iconographic 9/11 imagery, which I then developed into the design.

This project has an overriding environmental conceit and isn’t supposed to be any particular time or place.  It’s a space that evokes a dark and pessimistic mood and serves the loosely episodic stage action.

The music and lyrics aren’t pretty or glamorous, they ’re down and dirty. So is the set.

How does the set help tell the story?

Although the story deals with events passing in time and inter-related characters, it doesn’t necessitate “in focus” scenic environments, time of day or symbolic references to actual places.

For example, the characters go to New York, but the city isn’t directly rendered in any particularly recognizable way. It could be any big western city where marginalized and drugged out suburban youth have fled to try and find themselves, and in so doing, get terribly lost in the process.

How close is the actual product on stage to the initial ideas?

There is always a natural, and expected, “page to stage” evolution of a set design from the scale model and mechanical drawings to the real thing sitting on stage.

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My student, staff and faculty colleagues have done an incredible job of developing and translating Aubrey’s and my ideas to the stage. When the cast moves into the theater and begins to explore the, at times, 28 foot high stage after weeks of rehearsal in a rather neutral and barrier free rehearsal hall, I’ll have a much better idea of how successful we’ve been in translating our ideas to the stage. This is always a crucial and exciting phase of any show.

What was most important to you to convey through the set?

I hope the audience will be subconsciously affected by the environment and, rather than notice anything in particular about the set, have a visceral reaction as they experience the show as a whole entity.
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American Idiot runs March 3 – 13 at CCM’s Patricia Corbett Theater. This production contains mature subject matter, including references to drug use, sexual content and profanity. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/american-idiot.

CCM's Mainstage Series production of Green Day's 'American Idiot' plays March 3 - 13, 2016.

CCM’s Mainstage Series production of Green Day’s ‘American Idiot’ plays March 3 – 13, 2016.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

American Idiot is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | www.MTIShows.com

CCM News CCM Slideshows Faculty Fanfare
The Ariel Quartet. From left to right: Alexandra Kazovsky, Jan Grüning, Amit Even-Tov and Gershon Gerchikov.

CCM’s Ariel Quartet Welcomes Famed Clarinetist David Krakauer for Jan. 26 Concert

Guest artist David Krakauer joins the Ariel Quartet in concert on Tuesday, Jan. 26, 2016.

Guest artist David Krakauer joins the Ariel Quartet in concert on Tuesday, Jan. 26, 2016.

The internationally acclaimed Ariel Quartet helps CCM kick-off its spring semester concert series with a program of Debussy, Webern and Golijov at 8 p.m. on Tuesday, Jan. 26. For this concert, the Ariel Quartet will be joined by distinguished guest artist David Krakauer.

Widely considered one of the greatest clarinetists on the planet, Krakauer has been praised internationally as a key innovator in modern klezmer as well as a major voice in classical music. For this program, Krakauer will join the Ariel Quartet for a performance of Osbaldo Golijov’s The Dreams and Prayers of Isaac the Blind.

“The movements of this work sound to me as if written in three of the different languages spoken by the Jewish people throughout our history,” Golijov explains. “This somehow reflects the composition’s epic nature. I hear the prelude and the first movement, the most ancient, in Arameic; the second movement is in Yissih, the rich and fragile language of a long exile; the third movement and postlude are in sacred Hebrew.”

The Ariel Quartet’s program for Jan. 26 also includes performances of Claude Debussy’s String Quartet in G Minor, Op. 10, and Anton Webern’s Six Bagatelles, Op. 9.

Learn more about the repertoire and download a copy of the Ariel Quartet’s program notes by visiting ccm.uc.edu/boxoffice/ariel-quartet/arieljan26.

About David Krakauer
Internationally acclaimed clarinetist David Krakauer redefines the notion of a concert artist. Known for his mastery of myriad styles, he occupies the unique position of being one of the world’s leading exponents of Eastern European Jewish klezmer music, and at the same time is a major voice in classical music. He has appeared with the Tokyo, Kronos and Emerson quartets, plus as soloist with the Dresden, Seattle and Detroit symphony orchestras, among many others.

With his band Ancestral Groove, he has redefined the klezmer genre with major appearances at Carnegie Hall and internationally. His discography contains some of the most important klezmer recordings of the past decade, notably The Dreams and Prayers of Isaac the Blind (Golijov/Kronos/Krakauer on Nonesuch).

Consistently defying categorization, Krakauer has enjoyed major ongoing artistic collaborations with a tremendously diverse group of performers and composers including Dawn Upshaw, Itzhak Perlman, John Zorn, Fred Wesley, Music from Marlboro, Abraham Inc, Osvaldo Golijov, the Klezmatics, John Cage, Danny Elfman and Socalled. In his newest project, The Big Picture, he explores the universal search for identity through a re-imagination of familiar themes by renowned film music composers brought together in a cinematic concert accompanied by original visuals.

An avid educator, Krakauer has enjoyed a long relationship with Mannes (New School University), the Manhattan School of Music, NYU, and the Bard Conservatory.

Performance Time
8 p.m. Tuesday, Jan. 26

Location
Corbett Auditorium, CCM Village,
University of Cincinnati

Purchasing Tickets
Tickets are $25 for general admission, $15 for non-UC students and FREE for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Ariel Quartet’s 2015-16 CCM concert series is made possible by the generous contributions of Anonymous, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. & Mrs. Randolph L. Wadsworth, Mr. & Mrs. J. David Rosenberg, Mr. & Mrs. Harry H. Santen, Mr. & Mrs. Paul G. Sittenfeld and Mr. & Mrs. Thomas E. Stegman.

CCM News Faculty Fanfare
A snow-capped CCM Village.

CCM Welcomes Rebecca Bromels to Arts Administration Faculty

A familiar face within Cincinnati’s arts community will be joining the University of Cincinnati College-Conservatory of Music’s (CCM) highly regarded Department of Arts Administration this fall.

CCM Dean Peter Landgren has announced the appointment of Rebecca Bromels to the position of Assistant Professor of Arts Administration. Her appointment becomes effective in August of 2016.

Rebecca Bromels, incoming Assistant Professor of Arts Administration at CCM.

Rebecca Bromels, incoming Assistant Professor of Arts Administration at CCM.

Bromels currently serves as director of engagement of ArtsWave, the Greater Cincinnati region’s local arts agency and the nation’s largest community campaign for the arts. With the help of tens of thousands of donors, ArtsWave supports more than 100 arts and community organizations. These beneficiaries include CCM, which has been able to enhance its community engagement efforts through ArtsWave’s Community Partnership grants. In her position at ArtsWave, Bromels oversees volunteer programs and signature events including Macy’s Arts Sampler.

Having moved to Cincinnati in 1999 to pursue a directing career, Bromels discovered her love for arts administration during her 12-year tenure at Cincinnati Shakespeare Company. As managing director for eight seasons, she worked to broaden the company’s base of support and provide resources for its innovative productions of Shakespeare and the classics.

Bromels joined ArtsWave shortly after its evolutionary change to impact-based funding and was instrumental in developing the organization’s new messaging and brand identity as director of communications.

She has also directed plays for Cincinnati Shakespeare Company, the SERIALS project at Know Theatre of Cincinnati, New Edgecliff Theatre and St. Croix Festival Theatre in Wisconsin. In addition, she served as a guest lecturer in arts administration at Miami University and for the United Way BOLD board training program. In 2016, she will co-author a Corporate Arts Challenges Tool-Kit for Americans for the Arts.

Bromels holds a Bachelor of Fine Arts in Theatre Performance from Texas Christian University. She was recognized in the “Forty Under 40” class of 2005 by the Cincinnati Business Courier. She lives with her husband and two children in St. Bernard.

In his announcement of the hire, Landgren commented, “In my initial discussions with Rebecca, it became clear that she was committed to partnering with our faculty to advance CCM’s already remarkable Arts Administration program to even greater prestige. I am confident that her extensive theatre background and strong interpersonal skills will be a boon to CCM students and faculty alike.”

Utilizing the combined resources of CCM and UC’s Carl H. Lindner College of Business, the Department of Arts Administration offers one of the few joint MA/MBA arts administration programs in the United States. The highly selective program boasts a 100% job placement rate for its past seven years of graduates.

Learn more about CCM Arts Administration by visiting ccm.uc.edu/artsadmin.

Learn more about CCM’s world-class faculty members by visiting ccm.uc.edu/about/villagenews/faculty.

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