TRANSMIGRATION, CCM Drama's festival of student-created new works.

CCM Drama Students Present New Works in TRANSMIGRATION Festival This Week

CCM’s Drama students flex their writing, editing, designing and directing muscles to produce the 2015 TRANSMIGRATION Festival of Student-Created New Works taking place March 11-13 in non-traditional performances spaces throughout CCM Village. Admission is free, but reservations are required.

Brant Russell, Assistant Professor of Drama and producer of this year’s TRANSMIGRATION Festival describes how the students begin their projects. “The groups are chosen at random at the beginning of each school year. The only thing we do is make sure that there is representation from each grade level in every group.”

The students are given freedom to explore what they want to do for their productions, and the instructors typically don’t see the pieces until about a week before opening night.

This slideshow requires JavaScript.

Because of the intense schedule of productions in the fall, the student groups meet after UC’s winter break and come up with concepts. Senior AC Horton says that this year her group “sat down and created a list of things we want to have in the play or the process: a fantastical element, poetic language, to begin the production by moving and not sitting down. On the don’t-wants list we had things like domestic violence and drugs. We like to establish values at the top of the process.” The final idea “shows up one day at rehearsal,” she says, describing the process as very organic.

“Each group has a different way they like to work. Figuring out the needs of each group is the most difficult part, but it’s also the best part. We rehearse every day by doing a song with choreography. We pull open the mirrors and sing and do cartwheels. It’s our own process,” laughs Horton.

These unique methods have helped all of the students grow as artists. Junior Colleen Ladrick says, “you learn where you’re needed. I saw a need and was able to bring that to a collaborative situation… and it lifted a pressure off of the other people in my group.” This year Ladrick took on a lot of the scripting; something she had never considered doing previously. “You discover your tack as a result of filling a necessity,” adds Russell.

Horton recalls filling the role of TRANSMIGRATION electrician. “You have 85 extension cords, two power strips and a half an hour to set up, perform and tear down. It’s my goal to short out a TRANSMIGRATION classroom,” she jokes.

Ladrick agrees that “the process never stops. The challenges keep happening and you have to keep improvising. There’s never enough time to get comfortable. That’s what makes it so fun. You never know what’s going to happen.”

Russell feels that TRANSMIGRATION is an important activity for CCM drama students. “It would be very irresponsible [for this program] to turn out students who did not know how to produce their own work. We want to create actors who are technically proficient and also have something to say. Transmigration empowers them.”

After all of the insanity and fun surrounding TRANSMIGRATION has come to a close, each of the participants will be required to turn in a paper. This is still school, after all.

TRANSMIGRATION 2015 will feature the original works Coulter Cliffs Inn, Neutral and Non-Partisan, [cult]ured, A Fool’s Paradise, Seven Feet Under and Mandatory Fun. Audience members will have the opportunity to customize their evening of theater experiences by choosing to watch as many as four different productions, which are performed simultaneously in non-traditional spaces throughout CCM’s Corbett Center for the Performing Arts.

Performance Times

  • 7 p.m. Wednesday, March 11
  • 7 p.m. Thursday, March 12
  • 7 p.m. Friday, March 13

Locations
Various locations throughout CCM Village, including:

  • Room 3705, Corbett Center for the Performing Arts
  • Room 4735, Corbett Center for the Performing Arts
  • Room 4755, Corbett Center for the Performing Arts

Festival Schedule

7 p.m.

  • Coulter Cliffs Inn, Room 4755
  • Seven Feet Under, Room 4735
  • Neutral and Nonpartisan, Room 3705

7:45 p.m.

  • Coulter Cliffs Inn, Room 4755
  • cult[ured], Room 4735
  • Mandatory Fun, Room 3705

  8:30 p.m.

  • A Fool’s Paradise, Room 4755
  • cult[ured], Room 4735
  • Neutral and Nonpartisan, Room 3705

 9:15 p.m.

  • A Fool’s Paradise, Room 4755
  • Seven Feet Under, Room 4735
  • Mandatory Fun, Room 3705

Reserving Tickets
Admission to TRANSMIGRATION is free, but reservations are required. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

TRANSMIGRATION 2015 PRODUCTION SYNOPSES AND CAST LISTS


Coulter Cliffs Inn

There are no secrets that time does not reveal.

Established in 1852 by the Jospeh L. Coulter family, the Coulter Cliffs In has been revered for its antique charm and timeless atmosphere. Nestled in the misty cliffs of Northern Maine, the Coulter Cliffs Inn has attracted a diverse array of curious travelers for generations. Let us take you back to a simpler time with our cozy rooms, full bar and nighttime entertainment. But be advised, once you step foot into your new serene home, you may never want to leave.

Cast: 
Trey Wright, Alison Sluiter, Colin Edgar, Clare Combest, Annie Grove, Kenzie Clark and Rupert Spraul
____

Neutral and Non-Partisan
Capture their minds, and hearts and souls will follow.

Operation [BLANK] has been compromised. Indoctrination tactics, regarding GREY PSYCHOLOGICAL OPERATIONS (PSYOP), implemented to “Leave it to Beaver” have been breached. Target [BLANK] detected an abnormality resulting in an imminent threat of exposure. Joint staffer, [BLANK], has declined to give a statement in order to maintain plausible deniability for the US government. Sector [BLANK] running operation [BLANK] sanctioned “the six” to fabricate authenticity in order to enhance productivity to the effect of [BLANK], which would dissolve variables concerning gross domestic product and quality of life. It is advised, and therefore essential, to dispose all records of incrimination and proceed by code [BLANK].

Cast: Connor Lawrence, Rachel Baumgarten, Laura McCarthy, Ryan Garrett, Katie McDonald, Lauren Carter and Meg Olson
____

[cult]ured

Fresh yogurt. Fresh ideas.

An unsuspecting reporter serendipitously stumbles upon a mystical frozen yogurt stand in rural Oregon. The charming characters that populate the stand catalyze a spritiual journey and raise more questions than expected. What does it mean to be part of a community? The reporter is forced to confrontsocial norms and societal constraints, and is left forever wondering: Are we all homogenized, or are we… cultured?

Cast: Anna Stapleton, Carli Rhoades, Keisha Kemper, Alice Skok, Sydney Ashe, Christian Thomason, Landon Hawkins, Mafer Del Real and Andrew Ramsey
____

A Fool’s Paradise

Death was never more full of life.

When the Boca Raton Community Theatre Players notice their subscriptions taking a drastic drop, Peaches Montgomery and her cast of actors ban together to mount one of Shakespeare’s classic tales, directed at her least subscribed audience – urban youth.

Cast: Spencer House, Fabiola Rodriguez, Devan Pruitt, Spencer Lackey, Katie Langham, Isaac Hickox-Young and Olivia Passfiume
____

Seven Feet Under

How low would you go before you’re buried alive?

This twisted depression-era fairy tale follows an eccentric family of seven miners as they pursue a legendary treasure for their mistress. In a story of adventure, obsession and greed, they must figure out how low they are willing to go to attain a better life.

Cast: Arielle De Versterre, Bartley Booz, Emily Walton, Owen Alderson, Nicholas Heffelfinger, Eliza Lore and Joshua Reiter
____

Mandatory Fun
A good time is required.

In a futuristic dystopia where robots hold all the cards, six humans are forced to participate in “Mandatory Fun.” This gameshow pits contestants against each other to provide entertainment for humans and robots alike. Integrity, Alliances and Plot Structure will be tested – but who will take home The Grand Prize?

Cast:
 AC Horton, Colleen Ladrick, Andrew Iannacci, Julia Netzer, Michaela, Tropeano, James Egbert and Carissa Cardy

____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Drama Studio Series Sponsor: Neil Artman and Margaret Straub

Community Partner: ArtsWave

CCM News CCM Slideshows Student Salutes
CCM Dance Student Choreographer's Showcase rehearsal photos by Adam Zeek.

CCM’s Department of Dance Presents Nine Student-Created Original Works March 11-14

Photography by Mark Lyons.

Photography by Mark Lyons.

CCM’s Department of Dance proudly presents its annual Dance Student Choreographers’ Showcase from March 11 – 14 in UC’s intimate Cohen Family Studio Theater. Dance Department faculty members Deirdre Carberry and Andre Megerdichian direct this exciting production. Admission is free, but reservations are required.

This year’s production will feature pieces by eight undergraduate women: Emily Chu, Katie Norton-Bliss, Scarlett Rustemeyer, Christine Settembrino and Katelyn Somers, along with a work by guest choreographer Tian Tian.

Senior Katie Norton-Bliss will debut her 10-minute piece,“Po$t $omething.” Her  piece was inspired by the similarities between trends found in pop culture and in dance. “Trends run the pop culture world, and often they are updates of older styles… Trends come and go in the dance world, but we don’t usually refer to them as trend. Instead, we consider them to be genres of dance. For example, there was modern dance followed by post modern dance. This makes it harder and harder for styles of choreography to be defined,” she explains.

Norton-Bliss describes her choreographic style as an amalgamation of many different influences. Her movements are inspired by “ballet, contemporary ballet, modern, contemporary, hip hop, and even current dance trends like the Schmoney dance or classics like the moon walk.” She also generates a good deal of her choreography through improvisation. Her piece will feature three different songs: “Gooo” by TNGHT, “Dawn in Luxor” by Shabbaz Palaces and a remix of “Wrecking Ball” by Miley Cyrus. Additionally, she will be mixing in audio from a YouTube video called “Making Dances: Seven Post Modern Choreographers.”

Senior Emily Chu discusses her 13-year-old sister as inspiration for her currently untitled piece. Chu says she has always tried to be a role model for her sister and has made sure that her sister is exposed to a variety of strong women. And “it’s worked,” says Chu. “She dressed up as Amelia Erhart for Halloween.” Other women that will be represented in Chu’s choreography include Joan of Arc and Gertrude Etterly, the first woman to swim the English channel.

Chu’s approximately 10-minute long contemporary ballet piece will feature eight talented female dancers, not on pointe. They will perform to a mix of strings and an electronic song called “See the Sea Red” by Vitalic.

This slideshow requires JavaScript.

All of the pieces this year represent a huge diversity of styles and are a compliment to the broad range of experiences and teachings available to CCM’s dance students.

Performance Times

  • 8 p.m. Wednesday, March 11
  • 8 p.m. Thursday, March 12
  • 8 p.m. Friday, March 13
  • 2 p.m. Saturday, March 14

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission to the Dance Student Choreographer’s Showcase is free, but reservations are required. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Dance Department gratefully acknowledges the support of the Corbett Foundation at CCM.

CCM News CCM Slideshows Student Salutes
Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM's Mainstage Series production of 'Peter Pan.' Photography by Mark Lyons.

CCM’s Mainstage Series Proudly Presents Broadway’s Timeless Musical ‘Peter Pan’ March 5-8, 2015

CCM continues its 2014-15 Mainstage Series with the classic fairytale musical Peter Pan. Directed and choreographed by guest artist Joe Locarro, with musical direction by CCM Professor of Musical Theatre Roger Grodsky, this production promises to whisk audiences away to a place where dreams are born and no one ever grows up! Peter Pan makes its CCM debut at 8 p.m. on Thursday, March 5, in Corbett Auditorium and plays through March 8, 2015. Tickets are on sale now.

Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM's Mainstage Series production of 'Peter Pan.' Photography by Mark Lyons.

Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM’s Mainstage Series production of ‘Peter Pan.’ Photography by Mark Lyons.

Based on J.M. Barrie’s classic tale and featuring an unforgettable score by Morris “Moose” Charlap and Jule Styne with lyrics by Carolyn Leigh and Betty Comden and Adolph Green, Peter Pan is one of the most beloved family favorites of all time. This high-flying Tony Award-winning musical has been performed around the world and delighted audiences for 60 years.

Peter Pan’s enduring status comes as no surprise to Locarro, who brings years of Broadway experience to CCM’s production. In addition to providing perspective on the end of the Victorian Era, Locarro explains that Barrie’s fairy tale is also “a story of longing and the continuum of life. Although Peter Pan is the catalyst, it is really Wendy’s journey through adolescence and subsequently the journey of her daughter Jane and Jane’s daughter after that. Having a 20-year-old daughter of my own, I too see the importance of this journey for all of our children and understand why Peter Pan is popular to this day.”

While CCM is widely known for its remarkable stage productions, audiences can expect something truly remarkable for this production of Peter Pan. This is thanks to Locarro’s unique vision and also to an exciting collaboration between CCM’s faculty, student and staff talent and the expertise of theatrical flying effects and equipment industry leaders, ZFX, Inc. CCM Professor of Drama and Peter Pan fight choreographer k. Jenny Jones explains, “ZFX Flying Effects and I are creating sword fights with aerial dynamics that have never been tried before. Several years ago, I commissioned ZFX for a study of the variables of fighting while flying, and how flying may enhance the action of staged combat. The duel between Peter and Hook in this production is a perfect representation of this research and it will make CCM’s Peter Pan quite special.”

ZFX is one of the many professional industry leaders in theatre technology that will be in Cincinnati for the 55th annual United States Institute for Theatre Technology (USITT) Conference and Stage Expo, which comes to the Duke Energy Convention Center March 18-21, 2015. Expo attendees will have the opportunity to visit CCM Village to see Peter Pan‘s groundbreaking flying effects set up for themselves even after the production has closed.

This slideshow requires JavaScript.

Hannah Zazzaro, a senior from Clearwater, Florida, is one of two CCM students playing the demanding part of Peter Pan. She shares the role with junior musical theatre major Clara Cox. The role of Peter Pan will alternate between Cox (March 6; March 7 matinee) and Zazzaro (March 5; March 7; March 8 matinee).

Download Peter Pan‘s cast list here.

Zazzaro’s preparation began back in November when she read and re-read the script and watched every version of Peter Pan that she could find. Her goal was to understand her part in the storytelling and to know the text forward and backward. “Peter Pan is a demanding role in every way,” says Zazzaro. “I have to run, jump, fly, dance, sing while flying, do cartwheels, and sword fight both in the air and on the ground. I started a 60-day physical training program called ‘Insanity’ that I will continue to do regularly through the end of the show… and maybe even after because I like it so much!”

In addition to her copious musical theatre experience, Zazzaro is a classically trained singer, which makes her a perfect choice for this role. “My favorite part of the show is when Peter Pan turns into a ‘lady’ and sings a short aria with Captain Hook. This show has given me the opportunity to finally show off my low notes, my high belt and my high soprano! It’s so much fun,” she says enthusiastically.

Under Jones’ guidance, Zazzaro has also learned to sword fight. “Three things that I know I have to focus on are: trusting my wrists and allowing my sword to swing rather than forcing it to, having a spacial understanding with whomever I’m swinging at, and communicating with them through body language in order to be successful and safe,” Zazzaro explains. Mastering all of these things at once has been challenging, but Zazzaro states it’s been “completely worth it.”

Senior Dallas Padoven plays the role of Cecco the pirate alongside Zazzaro, but he faces his own unique challenges. Padoven is also Captain Hook’s understudy, meaning he has to be prepared to take on the iconic villain’s role on short notice. “Preparing for two characters is extremely interesting,” says Padoven. “I have to be on my toes while working at all times. While I am learning the pirate role, I also have to keep one eye on Hook to make sure I know what he is doing. I am in the same scenes as two different characters.”

Both Zazzaro and Padoven agree that working with Locarro has been wonderful. “He has a lot of experience in the field,” says Padoven. “While we are working with him we are figuring out our blocking and choreography but he also tells us about various shows he’s been in. He really teaches through personal stories, so we’ve learned a lot, especially things like what to do and not to do in audition and rehearsal situations.”

Zazzaro particularly appreciates Locarro’s attention to detail. “One of the hardest things is the Corbett Auditorium. The stage is huge, but it has seemed almost effortless for Joe to create pictures that fill out the entire stage.”

CCM’s production of Peter Pan also features scenic design by Mark Halpin, costume design by Dean Mogle and Rebecca Senske, lighting design by Chris Carter, sound design by Jeremy Lee and wig and make-up design by Kelly Yurko. With the iconic songs “I’m Flying,” “I Gotta Crow,” “I Won’t Grow Up” and “Never Never Land,” and a rousing book full of magic, warmth and adventure, Peter Pan is the perfect show for the child in all of us who dreamed of soaring high and never growing up.

About Joe Locarro
Joe Locarro is a director, choreographer and producer who has directed for stage, film and television. His film Finding Billy was nominated for two New York Emmy Awards (for best direction and best documentary) and was an official selection of the 2012 Dance on Camera Festival. Finding Billy has also been broadcast nationally on PBS for the past five years.

Locarro’s recent directing credits include two seasons of the PBS National series Intelligence Squared Debates, productions of Les Misérables for the University of Michigan Musical Theatre Department (April 2014) and Music Theatre of Wichita (August 2013), and the PBS series Vine Talk starring Stanley Tucci. Some of his PBS specials include Remember Me with Parsons Dance Co & The East Village Opera Company, A Tale of Two Cities in Concert and three specials with Deepak Chopra.

Locarro specializes in filming and editing dance, theatre and music and is currently guest director for the live web broadcasts from Jazz at Lincoln Center’s Appel Room. He has also directed numerous stage productions including regional productions of Ragtime and Les Misérables.

Locarro began his career as a dancer and choreographer, dancing with the Boston, Joffrey and Hartford Ballet Companies creating and choreographing 30 works for dance companies across the U.S. After a career in ballet, he went on to perform on Broadway and first national tours in six musicals including the role of ‘Enjolras’ in Les Misérables (both on Broadway and in the first national tour), the original Broadway companies of Ragtime, Goodbye Girl and Merlin as well as the role of Munkstrap in Cats and West Side Story.

Locarro brings his many years of performance experience to his work with artists and arts organizations. He continues to film and edit for dance companies around the world, as well as create promotional videos and documentaries for arts organizations and individual artists.

About ZFX, Inc.
Founded in 1994, ZFX, Inc. is the complete service provider for Flying Effects. They don’t just handle the rigging or flying harnesses. They’re not just skilled at automation, choreography and flying design. ZFX covers every aspect of flying possibilities. From high schools to Broadway, churches to special events, ZFX zealously pursues its goal of worldwide domination of the performer flying industry. Their infectious enthusiasm comes at no additional charge. They don’t wake up and put their pants on one leg at a time like the other guys. They wrap themselves in kilts and stride boldly out into the world. ZFX offers performer flying, high speed hoists, flying of props, automated systems, stunt gags, truss equipment mounting, aerial acts, manually operated systems, corporate shows and events, custom harnesses, spectacle flying and safety consultation. Learn more by visiting www.zfxflying.com.

Performance Times

  • 8 p.m. Thursday, March 5
  • 8 p.m. Friday, March 6
  • 2 and 8 p.m. Saturday, March 7
  • 2 p.m. Sunday, March 8

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Peter Pan are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/peter-pan-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mainstage Production Sponsor: Wells Fargo Advisors, LLC

Community Partner: ArtsWave

Peter Pan is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com

CCM News CCM Slideshows
The CCM Chorale.

CCM’s Spring Choral Series Includes Collaborations, Honored Guests and Works by Iconic Figures

CCM Chamber Choir and Philharmonia Chamber Orchestra perform Monteverdi's Vespers of 1610. Photo by Andrew Higley/University of Cincinnati.

Professor Earl Rivers conducts a performance of Monteverdi’s ‘Vespers of 1610’ on Nov. 16, 2014. Photo by Andrew Higley.

CCM’s Department of Choral Studies presents a strikingly diverse and unique series of concerts this spring.

Under the direction of Professor of Music and Director of Choral Studies Earl Rivers and Associate Professor of Ensembles and Conducting Brett Scott, CCM’s and UC’s choral ensembles will present four major concerts from Feb. 8 through April 19. Tickets are on sale now for all performances.

From concert programs celebrating the lyricism of William Shakespeare and Walt Whitman to performances of the monumental works of French, Russian and American composers, CCM’s Spring Choral Series spotlights a wide range of masterpieces spanning several centuries.

The Choral Series opens on Sunday, Feb. 8, with an outstanding guest choir from Shanghai East China Normal University joining CCM ensemble-in-residence the Cincinnati Children’s Choir and the CCM Chamber Choir and Chorale and the UC Men’s and Women’s Choruses in a performance celebrating The Shakespeare Quadricentennial. Entitled “Music of the Bard II,” the concert features choral settings of Shakespeare’s texts, including Mäntyjärvi’s Four Shakespeare Songs and Frank Martin’s Songs of Ariel.

CCM’s Choral Series continues with the monumental works of French Romantic composer Hector Berlioz and 20th century Russian composer Igor Stravinsky in a unique double-bill of Te Deum and The Rite of Spring on Friday, March 13. CCM’s Chamber Choir and Chorale join forces with the Cincinnati Children’s Choir and the CCM Philharmonia for this concert, which also features faculty artist Michael Unger, organ; and student artist Christopher Bozeka, tenor.

On Wednesday, March 25, the UC Men’s and Women’s Choruses’ annual Spring Showcase returns, featuring students from all 13 UC colleges singing a variety of classical, popular, folk and jazz tunes. The program highlights include Jeffrey Van’s A Procession Winding Around Me, written for solo guitar and chorus and based on a Civil War text by Walt Whitman, along with works by Francis Poulenc, Moses Hogan, and Z. Randall Stroop.

The Spring Choral Series comes to a powerful conclusion on Wednesday, April 19, as the CCM Chorale and Brass Choir are joined by the Phil DeGreg Trio and the Martin Luther King Chorale for a performance of Dave Brubeck’s The Gates of Justice. Originally co-commissioned by CCM and the Union of American Hebrew Congregations, The Gates of Justice premiered in 1969 for the dedication of Cincinnati’s Rockdale Temple. The iconic work features text drawn from the Hebrew Bible, speeches of Dr. Martin Luther King Jr., Negro Spirituals, the writings of Hillel and lyrics by the composer’s wife, Iola Brubeck. Please note: the venue has changed for this performance. See listing below for full details.

In addition to the Spring Choral Series concerts, the CCM Chamber Choir will also collaborate with the Ballet Ensemble, student percussionists, faculty artist James Tocco and members of his piano studio for a production of Stravinsky’s Les Noces (The Wedding), running April 23 – 25. Premiered in Paris in 1923, this remarkable dance cantata is written for soprano, mezzo-soprano, tenor and bass soloists, mixed chorus, four pianists and six percussionists.

Event Information
All events listed below take place on the campus of the University of Cincinnati unless otherwise indicated. Please see individual event information for single ticket prices and ordering information.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visitccm.uc.edu/boxoffice for CCM Box Office hours and location.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions 

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

2015 Spring Choral Series

3 p.m. Sunday, Feb. 8
• Choral Series •
MUSIC OF THE BARD – CHORAL SETTINGS OF SHAKESPEARE II
CCM Chamber Choir and Chorale, UC Men’s & Women’s Choruses, Cincinnati Children’s Choir and guest choir from Shanghai’s East China Normal University
Brett Scott, Christopher Albanese, Alexander Sutton, Daniel Blosser, Stephen Milloy, Robyn Lana and Yaru Tan, conductors

CCM’s Choral Department continues The Shakespeare Quadricentennial, a two-year commemoration of the playwright’s legacy through choral music spanning his 450th birthday this past April 23, 2014, and culminating on April 23, 2016, the 400th anniversary of his death. Each choir offers a Shakespearean choral setting from the Renaissance through our own time. Featured works include Frank Martin’s “Five Songs of Ariel” from The Tempest, Jaakko Mantyjarvi’s “Double, Double, Toil and Trouble” from Macbeth and Matthew Harris’ “Shakespeare Songs” from Measure by MeasureThe Two Gentlemen of Verona and Hamlet.
Location: Corbett Auditorium
Tickets: $12 general, $6 non-UC students, UC students FREE.
____

8 p.m. Friday, March 13
• Choral and Orchestra Series •
MONUMENTAL: BERLIOZ AND STRAVINSKY
CCM Philharmonia, Chamber Choir, Chorale and Cincinnati Children’s Choir
Mark Gibson and Earl Rivers, conductors
Featuring faculty artist Michael Unger, organ and student artist Christopher Bozeka, tenor

CCM’s Mighty Harrison pipe organ and Philharmonia Orchestra dialogue as “Pope” and “Emperor” in Berlioz’s monumental Te Deum, featuring two mixed choirs, children’s choir and tenor soloist. Te Deum originally premiered in 1855 in Paris’ Saint-Eustache Church. This concert program also features Stravinsky’s monumentally influential The Rite of Spring.
Location: Corbett Auditorium
Tickets: $12 general, $6 non-UC students, UC students FREE.
____

8 p.m. Wednesday, March 25
• Choral Series •
SPRING SHOWCASE
UC Men’s and Women’s Choruses
Christopher Albanese and Alexander Sutton, conductors

The UC Men’s and Women’s Choruses and Cabaret Singers, comprised of students from all 13 UC colleges, perform a variety of classical, popular, folk and jazz tunes. UC Women’s Chorus presents “Oceania and the Ocean; Americana and Devotion,” featuring works of William Billings from The New England Psalm Singer, Irving Fine from Alice in Wonderland, and Jussi Chydenius, Craig Hella Johnson, Stephen Leek and Annea Lockwood. UC Men’s Chorus offers Grieg’s Brothers Sing On. Combined Choruses perform Jeffrey Van’s A Procession Winding Around Me for solo guitar and chorus on a Civil War text by Walt Whitman.
Location: Corbett Auditorium
Tickets: $12 general, $6 non-UC students, UC students FREE.
____

3 p.m. Sunday, April 19
• Choral Series •
DAVE BRUBECK’S THE GATES OF JUSTICE

CCM Chorale and Brass Choir
Featuring the Phil DeGreg Trio and guest choir The Martin Luther King Chorale

Brett Scott, conductor
Originally premiered in 1969 for the dedication of Cincinnati’s Rockdale Temple, Dave Brubeck’s The Gates of Justice was a co-commission by CCM and the Union of American Hebrew Congregations, with a premiere conducted by Erich Kunzel. The text is drawn from the Hebrew Bible, speeches of Dr. Martin Luther King Jr., Negro Spirituals, the writings of Hillel and lyrics by the composer’s wife, Iola Brubeck.
Location: St. Francis de Sales Parish, 1600 Madison Road, Cincinnati, OH
New venue: Knox Presbyterian Church, 3400 Michigan Ave., Cincinnati, OH 45208
Tickets: $12 general, $6 non-UC students, UC students FREE. Tickets will also be available beginning at 2 p.m. on the day of the performance at St. Francis de Dales Parish Knox Presbyterian Church; cash and check only at the door.

Sponsored by The CCM Harmony Fund: Challenging Hate and Prejudice through Performing Arts

____

8 p.m. Thursday, April 23
8 p.m. Friday, April 24
2 and 8 p.m. Saturday, April 25
• Special Event Series •
SPRING DANCE CONCERT – FEATURING STRAVINSKY’S LES NOCES (THE WEDDING)
CCM Ballet Ensemble
Jiang Qi and Michael Tevlin, directors
Earl Rivers, conductor
Featuring the CCM Chamber Choir, Percussionists and faculty artist James Tocco, along with members of his Piano Studio
Premiered in Paris in 1923, Stravinsky’s Les Noces captures the scenes and flavor of a Russian peasant wedding through the unique texture of four pianists, six percussionists, solo quartet and chorus.
Location: 
Corbett Auditorium
Tickets: 
$15 general, $10 non-UC students, UC students FREE.

The Dance Department gratefully acknowledges the support of the Corbett Endowment at CCM
____________________

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM News
CCM's Steel Drum Band, performing at the annual Moveable Feast event; directed by Rusty Burge. Photography by Dottie Stover.

CCM’s Steel Drum Band Returns to the Stage for ‘A Trip to Trinidad and Back’

CCM's Steel Drum Band takes the stage for its annual spring concert on Jan. 31, 2015.

CCM’s Steel Drum Band takes the stage for its annual spring concert on Jan. 31, 2015.

CCM’s Steel Drum Band will present an evening of the traditional music of Trinidad, along with pop, folk and reggae compositions at 8 p.m. on Saturday, Jan. 31 in Corbett Auditorium. CCM Professor of Percussion Russell Burge directs.

Audiences will recognize some of the Trinidad standards, which include “Bee’s Melody” by Lord Kitchener, an internationally famous calypsonian from Arima, Trinidad, and “Rant and Rave” by solo artist Christopher “Tambu” Herbert. Herbert was a founding member of the well-known Trinidad and Tobago brass band, Charlie’s Roots.

In addition, the Steel Drum Band will perform several powerful contemporary pieces with a jazz influence, arranged by recent CCM alumnus Doug Sutton (BM Percussion Performance, 2014).

Sutton’s arrangement of “Opus Pocus,” a song by influential American jazz musician and electric bass player Jaco Pastorius, is a track on Pastorius’ self-titled album, which many consider the finest bass album ever recorded. Sutton says, “’Opus Pocus’ will be a challenging piece as it is written in a 13/8 time signature, or as people refer to it more often, an odd meter.” This is perfect for a talented group of percussionists who are masters of rhythmic changes and interesting meters. Sutton also touts that “the piece incorporates a lot of interesting harmonies,” which will be great fun for audiences.

The band will also perform Sutton’s arrangement of “High Noon” from Chris Potter’s album Gratitude, released in 2001. Potter is a critically acclaimed saxophonist who has been called “one of the most studied (and copied) saxophonists on the planet” by DownBeat magazine.

Sutton describes his inspiration for choosing “High Noon” as follows: “The original piece incorporated a steel drum solo, giving me the idea to arrange the whole tune for the steel drum band. It has very difficult moving melody lines and lots of syncopation. It’s a very groovy tune, and Professor Burge will be playing drum set for the performance.” It will be a treat for the audience and performers alike to see the talented professor in action.

CCM’s Steel Drum Band is composed mainly of students from CCM’s percussion department, but also includes a few additional players who have had relevant experience and are interested in participating in the ensemble.

Audiences who enjoyed last year’s Trip to Trinidad concert will love this year’s A Trip to Trinidad and Back, which is sure to be a classic Steel Drum Band performance.

Performance Time
8 p.m. Saturday, Jan. 31

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to “A Trip to Trinidad and Back” are $12 general, $6 for non-UC students and UC students FREE with a valid ID.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM Alumni Applause CCM News

CCM’s Mainstage Series Presents the Fairy Tale Opera ‘Hansel and Gretel’ Nov. 20-23

Talya Lieberman as Gretel and Adria Caffaro as Hansel. Photography by Mark Lyons.

Talya Lieberman as Gretel and Adria Caffaro as Hansel. Photography by Mark Lyons.

CCM’s Mainstage Series proudly presents Engelbert Humperdinck’s timeless opera Hansel and Gretel from Nov. 20 – 23 in UC’s Corbett Auditorium. This magical production also features the Cincinnati Children’s Choir, ensemble-in-residence at CCM.

Based on the German fairy tale popularized by the Brothers Grimm, this contemporary production is conducted by CCM Director of Orchestral Studies Mark Gibson with stage direction by the J. Ralph Corbett Distinguished Chair in Opera Robin Guarino. This opera will be sung in English with supertitles.

Composed by Humperdinck, with a libretto by his sister Adelheid Wette, the perennially popular opera premiered in 1893 to instant success. Showing the influence of German folksong, along with harmonic and textural influences of Richard Wagner, the opera was hailed by fellow German composer Richard Strauss (who conducted the premiere) as “a masterpiece of the highest quality.” The opera has since become a holiday tradition throughout the world.

Guarino’s production transports the classic fairy tale to the 1930s Depression Era. The precocious brother and sister duo are poor, hungry and dreaming of tasty treats. When their overworked mother sends them into the world to find food, they lose their way in the forest and encounter a scary witch with a deliciously sinister plan.

CCM News
Ryan Garrett, Katie Langham and Owen Alderson in CCM's 'Speech and Debate' Photo by Richard E. Hess.

CCM’s Studio Series Presents the Dark Comedy ‘Speech and Debate’ Nov. 6-8

Owen Alderson, Ryan Garrett and Katie Langham in CCM's production of 'Speech and Debate.' Photo by Richard E. Hess.

Owen Alderson, Ryan Garrett and Katie Langham in CCM’s production of ‘Speech and Debate.’ Photo by Richard E. Hess.

CCM’s Department of Drama presents the regional premiere of Pulitzer Prize nominee Stephen Karam’s Speech and Debate as part of this fall’s Studio Series. Directed by CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance Richard E. Hess, the production opens Thursday, Nov. 6, and plays through Saturday, Nov. 8.

Like all Studio Series productions, admission to Speech and Debate is free, but reservations are required. Tickets become available at noon on Monday, Nov. 3. This production features adult themes and is recommended for mature audiences.

According to Hess, Speech and Debate is “a 90 minute intermission-less romp through high school experienced by three socially awkward misfits. The play is a cry to be noticed from students on the fringe.”

“Both gender and sexual identity play a large role in this play.  [It’s] a recipe for comedy in dark and disturbing moments of angst,” Hess explains.

Sophomore Katie Langham discusses her experience playing the irreverent Diwata, a young woman who envisions her future on Broadway but can’t seem to get a part in the school play: “She keeps me on my toes and constantly surprises me. Playing this character is delightfully freeing because she’s so experimental in her own artistic life.”

“Each rehearsal is a time to play and explore, maybe regress back to the days of high school and re-discover adolescent feelings of precociousness, uncertainty and insecurity,” says Langham. It’s this attitude of discovery that makes the characters of Speech and Debate so authentic and engaging.

The play will take advantage of technology to enhance the storytelling. “A crucial plot element in the play is revealed in the very first scene,” Hess explains, “A computer conversation told entirely through projections when an 18 year old high school senior begins cruising on a gay chat line. This event sets the play in motion.”

About Richard E. Hess
Richard E. Hess has been the Chair of CCM Drama for the past 20 years. Recent directing credits at CCM include The CrucibleThe Laramie ProjectCoram BoyRENTYou Can’t Take It With You (ACCLAIM Award winner Outstanding University Play), Anon(ymous) (ACCLAIM Award winner Outstanding Play), Brigadoon (Cincinnati Entertainment Award for Outstanding Musical) and Tony Kushner’s Angels in AmericaPart One: Millennium Approaches (Cincinnati Entertainment Award for Best Ensemble Acting).

He made his New York directing debut at the Laurie Beechman Theatre on 42nd Street directing AN EVENING OF (Mostly) TRUE SONGS (with Andrea Burns), a new incarnation of Don’t Look Down, the music and lyrics of Adam Wagner, first seen in the Cincinnati Fringe Festival. Favorite directing credits at the Human Race Theatre Co., where he has been a resident artist since 1996, include RaceRedDoubtProofI Am My Own Wife and A Delicate Balance. He directed Miracle on South Division Street for the Human Race in September 2014.

Other credits include the Los Angeles staging of the one-woman show Besame MuchoO.K. That’s Enough (with Diana Maria Riva) and the smash hits The Pages of My Diary I’d Rather Not Read and The Catholic Girl’s Guide to Losing Your Virginity, both of which enjoyed sold out runs at the Hudson Theatre in Los Angeles. For five years Hess was the artistic director of Hot Summer Nights in Cincinnati, where he directed Violet (with Ashley Brown), Hello, Dolly! (with Pamela Myers), Godspell (with Shoshana Bean and Leslie Kritzer) and the premiere of We Tell The Story: The Songs of Ahrens and Flaherty, in collaboration with Stephen Flaherty.

He studied with the internationally acclaimed director Anne Bogart and members of the Saratoga International Theatre Institute (SITI Co.) in New York and Los Angeles for the past decade. He has worked with the KNOW Theatre, the Cincinnati Playhouse in the Park, the Chautauqua Institution, Cincinnati Symphony Orchestra, Cincinnati Pops and Cincinnati Opera Education. He is proud of fostering the new work of playwrights and has directed first productions of Richard Oberacker and Rob Taylor’s Don’t Make Me Pull This Show Over: Dispatches from the Front Lines of Parenting, Mark Halpin’s The Kid in the Dark, Ben Magnuson’s Four Minutes and Tom Korbee’s Will It Ever Stop Raining?

He made his debut as a playwright/creator in the Cincinnati Fringe Festival with (UN)Natural Disaster created with 13 actors and performed in an abandoned building in Over-the-Rhine. (UN)Natural Disaster was named the Producer’s Pick of the Fringe and subsequently re-mounted on the 2010 New York International Fringe Festival.

In June of 2011, Hess directed The Collapsible Space Between Us with the Dadaab Theater Project, comprised of five CCM Drama students, which was presented with eight refugees from the Dadaab Refugee Camp in Kenya for World Refugee Day sponsored by the United Nations in Nairobi, Kenya. He returned to Kenya as a Fulbright Scholar in 2014 and taught acting and directing at Kenyatta University in Nairobi and researched the creation of original works by creating KUMI NA MBILI (12), a stage show and a short film.

Hess was named Ernest Glover Outstanding Teacher at UC in 1999 and again in 2012 and was also named the ACCLAIM Award Theatre Trailblazer in 2009. He is an associate member of the Society of Directors and Choreographers (SDC).

Cast List

Ryan Garrett as Howie
Owen Alderson as Solomon
Katie Langham as Diwata
Sarah Davenport as Teacher and others
Colleen Ladrick as Reporter and others

Performance Times

  • 8 p.m. Thursday, Nov. 6
  • 8 p.m. Friday, Nov. 7
  • 2 & 8 p.m. Saturday, Nov. 8

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets

Admission is free, but reservations are required. Tickets become available at noon on Monday, November 3. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots. For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

Drama Studio Series Sponsor: Neil Artman & Margaret Straub

CCM News

CCM Opera Presents Two One-Acts by Kurt Weill and Paul Hindemith in Free Production Oct. 24 – 26

CCM’s Department of Opera will present a mini recreation of the legendary Baden-Baden Contemporary Music Festival of 1927 with a cabaret lab production running Friday, Oct. 24, through Sunday, Oct. 26 in the Cohen Family Studio Theater.

Like all Studio Series productions, admission to Baden-Baden 1927 is free, but reservations are required. Tickets become available at noon on Monday, Oct. 20.

During the original composer-organized summer festival, which occurred in Baden-Baden, Germany, in 1927, four one-act operas were presented in one evening. CCM’s recreation will present two of these mini-operas: Kurt Weill’s Mahagonny Songspiel and Paul Hindemith’s Hin und Zurük (There and Back). Despite being nearly 100 years old, each of these pieces will resonate with audiences today.

According to graduate student Frances Rabalais (AD Opera, Stage Directing) who is directing Baden-Baden 1927 under the guidance of CCM Assistant Professor of Opera/Directing Emma Griffin, post-Word War I Germany was a time and place of great artistic exploration as artists rejected past understanding and searched for new ways to ask, “How can we use art to better society? How can we find new ways [to involve] the audience in a fulfilling opera experience?”

“The intimacy of a smaller venue like the Cohen Family Studio Theater is thrilling and special,” says Rabalais. “The audience can experience the art in a way that’s very personal.” A single piano accompanist will compliment the talented singers in both performances. Baden-Baden 1927 features musical preparation by graduate student Levi Hammer (DMA, Orchestral Conducting), under the guidance of Junghyun Cho. Hammer and Kihwa Kim provide accompaniment.

This up-close performance is an especially unique experience because the pieces by Hindemith and Weill contrast both stylistically and narratively. Hin und Zurük is a kind of dramatic palindrome, a tragedy unfolds involving jealousy, murder and suicide. It is then replayed with the lines sung in reverse order to produce a happy ending. “Mahagonny Songspiel takes a dark approach to tackling questions about society and authority,” says Rabalais. Visually, the pieces will be styled similarly and use the same scenic elements. “I think the unified look will heighten the contrasting strengths and emphasize the stylistic impact of each opera,” explains Rabalais.

CCM News
From left to right: Karl Amundson, Hannah Kornfeld and Thomas Knapp in CCM's Studio Series production of BLOOD BROTHERS, running Oct. 9 - 11 in the Cohen Family Studio Theater. Photography by Adam Zeek.

CCM’s Studio Series Opens Next Week With Award-Winning Musical ‘Blood Brothers’

Karl Amundson as Eddie and Thomas Knapp as Mickey in CCM's Studio Series production of BLOOD BROTHERS, playing Oct. 9 - 11 in the Cohen Family Studio Theater.

Karl Amundson as Eddie and Thomas Knapp as Mickey in CCM’s Studio Series production of BLOOD BROTHERS, playing Oct. 9 – 11 in the Cohen Family Studio Theater.

CCM kicks off its 2014-15 Studio Series with Willy Russell’s Blood Brothers. Opening Thursday, Oct. 9 and running through Saturday, Oct. 11 in CCM’s Cohen Family Studio Theater, Blood Brothers will enthrall audiences with four performances.

Like all Studio Series productions, admission to Blood Brothers is free, but reservations are required. Tickets become available at noon on Monday, Oct. 6.

Visiting Professor Vince DeGeorge returns to the Studio Series stage as both choreographer and director of this much-anticipated musical. Last season, DeGeorge’s studio production of The 25th Annual Putnam County Spelling Bee received numerous accolades, including nominations for three League of Cincinnati Theatre Awards: Best Musical, Best Director of a Musical and Best Ensemble in a Musical.

Blood Brothers, winner of the 1983 Olivier Award for Best New Musical, is loosely based on the 1844 novella The Corsican Brothers by famed author Alexandre Dumas. DeGeorge describes it as “an epic story of nature versus nurture and class distinction.” It tells the tale of twin brothers separated at birth, but DeGeorge explains that it is also “the personal narrative of two women and the extremes that they’ll go to in order to keep their children safe.”

It was the emotional strength of this story that initially drew DeGeorge to the title. “This is an incredibly well crafted musical with book, music and lyrics by Willy Russell. Every character, scene and song in this piece pushes the narrative forward to its inevitable, tragic conclusion,” he says.

Brianna Barnes, a junior in the musical theatre program at CCM, will play the role of Mrs. Lyons, a major character in Blood Brothers. Barnes talks about developing her character: “playing a character that is significantly older than your actual age is always a challenge, [especially] grasping that level of maturity and wisdom. Love, however, is a universal feeling everyone can relate to. And that’s what is at the core of these two women, their unconditional and relentless love for their children.”

Barnes has immensely enjoyed working with DeGeorge. “Vince undoubtedly has an incredible vision for the production, and really collaborates that vision with our specific abilities.”

The CCM production of Blood Brothers is elegant in its simplicity. The staging serves to emphasize the musical’s raw emotion and the choreography plays a part in setting the stage. Audiences will enjoy movement inspired by the swing era of the mid 40s and 50s. Musical director Steve Goers supports the purity of the performance with his effortless arrangements and graceful piano accompaniment. Blood Brothers is a performance that will deeply affect audiences through its emotional delivery and masterful artistry.

With free admission and limited seating, CCM’s Studio Series productions remain one of the hottest tickets in town. Learn more about how secure your tickets by visiting ccm.uc.edu/about/villagenews/did-you-know/how-to-studio-series.

Cast List
Mrs. Johnstone……………………………………………………………. Hannah Kornfeld
Mrs. Lyons………………………………………………………………….. Brianna Barnes
Mr. Lyons……………………………………………………………………. John Battaliegse
Mickey Johnstone………………………………………………………… Thomas Knapp
Edward Lyons……………………………………………………………..  Karl Amundson
Sammy……………………………………………………………………….. Zach Erhardt
Linda………………………………………………………………………….. Kaela O’Conner
Narrator………………………………………………………………………. Tyler Huckstep
Ensemble……………………………………………………………………. Alec Cohen, Emily Fink, Louis Griffin, Jackson Mattek, Emily Royer, Keaton Whittaker, Hannah Zazzaro

Performance Times

  • 8 p.m. Thursday, Oct. 9
  • 8 p.m. Friday, Oct. 10
  • 2 and 8 p.m. Saturday, Oct. 11

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets

Admission is free, but reservations are required. Tickets become available at noon on Monday, Oct. 6. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM News

THE VILLAGE NEWS – Fall 2014

Masthead for Fall 2014 issue of THE VILLAGE NEWS.

NOTATIONS AND OVATIONS

STUDENT PRODUCED ‘GOLD RUSH EXPEDITION RACE’ FILM SERIES TO AIR ON UNIVERSAL SPORTS NETWORK
This action-packed documentary film series will be coming to television sets nationwide this fall! Read more…

CCM WELCOMES ITS FIRST DIRECTOR OF COMMUNITY OUTREACH
Anne Cushing-Reid will help CCM expand its community engagement efforts through her new role with the Preparatory Department. Read more…

ALUMNI APPLAUSE

PERFORMANCE STUDIES ALUMNA APPOINTED TO PROFESSOR OF OBOE
Merideth Hite (BM, ’06) has joined the faculty of the University of Southern Mississippi. Read more…

CCM ALUMNUS MAKES HIS BROADWAY DEBUT IN THE HIT REVIVAL OF PIPPIN
After touring the nation with The Book of Mormon, Michael Schwitter (BFA, ’12) takes on the role of Pippin’s brother Lewis at the Music Box Theatre. Read more…

CCM ALUMNI WIN TOP PRIZES IN PLÁCIDO DOMINGO’S WORLD OPERA COMPETITION
Amanda Woodbury (MM, ’12), John Holiday (MM, ’12) and Yi Li (AD, ’13) were among this year’s finalists in the Operalia competition. Read more…

FACULTY FANFARE

CCM PROFESSOR OF COMPOSITION ANNOUNCES RETIREMENT
Joel Hoffman joined the University of Cincinnati faculty in 1978. This October, CCM will celebrate his service with a special concert featuring the Ariel Quartet. Read more…

STUDENT SALUTES

FRESHMAN DRAMA MAJOR RECEIVES CINCINNATUS PRESIDENTIAL AWARD
Isaac Hickox-Young is one of only 11 incoming UC students to receive this prestigious award, which pays full tuition, boarding fees and more for four years. Read more…

CCM DMA CANDIDATE RECEIVES MAY FESTIVAL FELLOWSHIP
First-year graduate student Daniel Blosser has been chosen as the 2014-15 May Festival Choral Conducting Fellow. Read more…

TUNE IN

THE CCM WIND ORCHESTRA TAKES THE STAGE AT A NATIONAL CONFERENCE
Watch the complete performance here.

DID YOU KNOW?

CCM’S STUDIO SERIES REMAINS ONE OF THE HOTTEST TICKETS IN CINCINNATI!
Box Office Manager Jeanne Rose provides the inside scoop on how to score tickets for this year’s productions! Read more…

SAVE THE DATE

CCM’S MAINTAGE SERIES PRESENTS MACBETH
Shakespeare’s dark and twisted tragedy makes its CCM debut Oct. 1 – 5, 2014. Read more…

THE MIND AND MUSIC OF CHOPIN
The Friends of CCM and the Cincinnati Psychoanalytic Institute welcome special guest artist Richard Kogan on Oct. 10. Read more…

CCM IN THE NEWS

New Artist of the Month: Conductor and CCM Alumnus Isaac Selya (Musical America Worldwide). Read more…
CCM Prep Teaches More Than How to Perform (Cincy Magazine). Read more…

join-the-conversation
CCM Alumni Applause CCM News CCM Video Faculty Fanfare Student Salutes