CCM’s Moveable Feast makes virtual debut on Jan. 22, 2021

Enjoy the artistry of CCM students and prominent alumni — all from the comfort of your own home during the college’s virtual fundraising event. Tickets are on sale now.

Cincinnati’s premier arts fundraiser gets a virtual makeover when CCM presents Moveable Feast online on Jan. 22, 2021. Join us as we travel around the country to see firsthand how CCM sets the bar in the arts world.

Enjoy an evening with the CCM family, despite the miles or the social distance that may separate us. Audiences from coast to coast can experience CCM’s student and alumni stars in a variety of online performances that showcase the full spectrum of the performing and media arts.

Alumni guest artists include stars from popular titles of the stage and screen like Hamilton, Frozen, Amazon’s The Marvelous Mrs. Maisel, Netflix’s Dead to Me and more! Featuring CCM Musical Theatre alumni Nikki Renée Daniels (BFA, ‘01), Noah J. Ricketts (BFA, ’14) and Stephanie Jae Park (BFA, ’14); Opera alumnus Edward Nelson (BM, ’11; MM, ‘13); and Acting alumni Diana Maria Riva (BFA, ’91; MFA, ’95), Aaron Serotsky (BFA, ’97), Torie Wiggins (BFA, ’03), Blake Kubena (BFA, ’07) and more. Moveable Feast offerings feature performances by the college’s Wind Symphony, Philharmonia and Jazz Ensemble, and by students in CCM’s Musical Theatre, Dance and Piano programs. The program also showcases video pieces by CCM Media Production and Theatre Design and Production students. The full lineup of alumni guest artists and program details will be announced in the coming weeks!

In addition to the performances, Moveable Feast’s virtual debut features a silent auction, private VIP chat rooms and dinner at home from Jeff Thomas Catering for Cincinnati audiences.

Hosted by CCMpower — a dedicated volunteer group comprised of friends, advocates and alumni — Moveable Feast generates essential support to fund student scholarships, projects and travel opportunities. These unique educational offerings are essential to the CCM experience and provide creative opportunities for students that are vital to their growth as creators and collaborators. This year, COVID-19 cancelled paid work that students rely on and drastically changed students’ family financial circumstances. Our students need scholarship and emergency funds now more than ever. Your support will set the stage for our students to be and to create what is next in the arts. Learn how to become a sponsor of Moveable Feast.

Virtual Moveable Feast: From Coast to Coast

8 p.m. Jan. 22, 2021

Schedule of events:

  • Sponsor pre-show chat: 6:30-7:45 p.m.
  • Performances: 8-9 p.m.

Purchasing Tickets

Tickets to Moveable Feast are on sale now and can be purchased online at foundation.uc.edu/MoveableFeast2021 or over the telephone at 513-556-2100.

General Admission and Young Professional tickets cost $25; CCM Alumni tickets cost $15.

After purchasing tickets, audience members will receive registration information on how to access the event website. If you don’t live in the Eastern Standard Time zone or simply want to watch Moveable Feast at a different time, the performances will be accessible at your convenience on the event website with your login information.

Sponsorship and host levels range from $150-$10,000. To discuss benefit details or sponsorship opportunities, please contact Libby Coletta, Assistant Director of Development, at 513-556-2100 or olivia.coletta@uc.edu.

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Watch: CCM Alumnus Edward Nelson Wins Glyndebourne Opera Cup

CCM alumnus Edward Nelson (BM Voice, 2011; MM Voice, 2013) took home the first prize award at the 2020 Glyndebourne Opera Cup, an international competition designed to discover and spotlight the best young opera singers from around the world. Dame Janet Baker, the competition’s honorary president, gave Nelson his trophy, which was inspired by the golden lyre that Baker used in Glyndebourne’s 1982 production of Orfeo ed Euridice.

This prize includes £15,000 (about $18,400 in U.S. currency) and the guarantee of a professional role at a top international opera house. The members of the deciding jury included opera legends Sumi Jo, Sir Thomas Allen and Dame Felicity Lott, as well as other industry professionals.

Following preliminary rounds in Cape Town, Berlin, London, Milan, Paris, Vienna and New York, six singers advanced to compete in the Glyndebourne Opera Cup final, accompanied by the London Philharmonic Orchestra. Nelson performed two dramatic arias from Ambroise Thomas’ Hamlet before sealing his win with a spectacular performance of “Largo al factotum” from The Barber of Seville. His winning performance is available to watch online at YouTube.

Nelson recently made his European debut with the Norwegian premiere of Debussy’s Pelléas et Mélisande at the Norwegian National Opera. His performances were well-reviewed, despite his having learned the role in just four weeks. Bachtrack.com said that “Nelson impressed with a ringing baritone, excellent French diction and a surprisingly easy top [register].”

This season, Nelson appears with Opera Theatre of Saint Louis as Dr. Falke in Die Fledermaus, Vancouver Opera as Figaro in The Barber of Seville, with San Francisco Opera as Bosun in Billy Budd and with the Saint Louis Symphony in Vaughan Williams’ Dona Nobis Pacem. Read more about Nelson’s professional accomplishments.


Story by CCM Graduate Student Alexandra Doyle

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CCM Alumnus Edward Nelson Makes Professional Debut in San Francisco Opera’s ‘Two Women’

Janelle Gelfand reviews Marco Tutino’s new opera Two Women, which serves as a San Francisco Opera debut for CCM alumnus Edward Nelson (BM Voice, 2011; MM Voice, 2013)!

You can read her full recap online at here.

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Italian diva Anna Caterina Antonacci took her cue from Sophia Loren as the character Cesira in "Two Women" Italian diva Anna Caterina Antonacci took her cue from Sophia Loren as the character Cesira in “Two Women”

Marco Tutino’s new opera “Two Women,” which takes place in war-torn Italy during World War II, has one stirring moment. Near the end of Act I, Rosetta (sung by Sarah Shafer), the 16-year-old daughter of Cesira, lifts her pure-toned soprano in a poignant prayer for peace. It becomes a touching anthem for the whole village, as they join her a lush chorus, singing “Father, do not abandon us,” as battles are growing closer to their village.

To a full War Memorial Opera House, San Francisco Opera presented the world premiere on Saturday of the hotly-anticipated opera, “Two Women” (“La Ciociara”) by Tutino, to his libretto with Fabio Ceresa. As the creators told us in a panel discussion on Friday, the opera is based on Alberto Moravia’s novel, but not so…

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CCM Announces 2014 Opera Scholarship Competition Results

Five voice students were named winners of CCM 2014 Opera Scholarship Competition, which was held Saturday, March 15, in UC’s Corbett Auditorium. The annual competition welcomes current and incoming CCM voice students to compete for scholarships and cash prizes, and a panel of judges composed of opera industry professionals selects each year’s class of prizewinners.

The 2014 CCM Opera Scholarship Competition winners are:

Edward Nelson (Candidate – Artist Diploma)
From Saugus, Calif., studying with William McGraw
Prize: Full-tuition scholarship and the Corbett Award ($15,000)
This award is supported by the Corbett Foundation in cooperation with the University of Cincinnati College-Conservatory of Music. This award also guarantees a stage audition with New York City Opera.

Talya Lieberman (Candidate – Artist Diploma)
From Forest Hills, N.Y., studying with William McGraw
Prize: Full-tuition scholarship and the Italo Tajo Memorial Award ($15,000)
This award is supported by the Italo Tajo Memorial Scholarship Fund (established by Mr. Tajo’s wife, Mrs. Inelda Tajo) in cooperation with the University of Cincinnati College-Conservatory of Music.

Christopher Bozeka (Candidate – Master of Music)
From Akron, Ohio, studying with William McGraw
Prize: Full-tuition scholarship and the Andrew White Memorial Award ($12,500)
This award is supported by the Andrew White Memorial Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

Alec Carlson (Candidate – Master of Music)
From Red Oak, Iowa, studying with Kenneth Shaw
Prize: Full-tuition scholarship and the Seybold-Russell Award ($10,000)
This award is supported by the Seybold-Russell Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

Jasmine Habersham (Candidate – Artist Diploma)
From Macon, Ga., studying William McGraw
Prize: Full-tuition scholarship and the John Alexander Memorial Award ($10,000)
This award is sponsored by the John Alexander Memorial Scholarship Fund in cooperation with the University of Cincinnati College-Conservatory of Music.

The following students also received an award as part of the competition:

Jessica Faselt (Incoming – Master of Music)
From Iowa City, Iowa
Prize: Corbett Incentive Award for new Master of Music students ($2,000)
This award is supported by the Corbett Foundation in cooperation with the University of Cincinnati College-Conservatory of Music.

Ann Toomey (Incoming – Master of Music)
From Shelby Township, Mich.
Prize: Corbett Incentive Award for new Master of Music students ($2,000)
This award is supported by the Corbett Foundation in cooperation with the University of Cincinnati College-Conservatory of Music.

The judges’ panel for CCM’s 2014 Opera Scholarship Competition included:

  • Cori Ellison, Chief Dramaturg of the Glyndbourne Festival and Dramaturg at American Lyric Theatre in New York;
  • Neal Goren, Artistic and General Director of the Gotham Chamber Opera in New York; and
  • Craig Terry, Music Director of the Patrick G. and Shirley W. Ryan Opera Center at the Lyric Opera of Chicago.

About CCM Opera
The Department of Opera at the University of Cincinnati College-Conservatory of Music boasts one of the most comprehensive training programs for opera singers, coaches and directors in the United States. Students at CCM work with some of the most renowned teachers and artists active in opera today.

CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions. Furthermore, CCM’s Mainstage and Studio Series of Opera have received some of the National Opera Association Production Competition’s highest honors throughout the years, taking home six of the 18 nonprofessional prizes awarded in 2010 and four prizes in 2011.

CCM Opera graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, Metropolitan Opera (New York), Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy) and more.

CCM’s 2013-14 opera season concludes next month with Donizetti’s beloved Don Pasquale (April 3-6), conducted by Mark Gibson with stage direction by Omer Ben-Seadia. Learn more about that production by visiting ccm.uc.edu/boxoffice/donpasquale.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

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CCM Opera Scholarship Competition Brings Bright Young Artists to the Stage on March 15

Corbett Auditorium

Corbett Auditorium

CCM invites local audiences to hear tomorrow’s opera stars today during its prestigious national competition from 10 a.m. until approximately 4 p.m. on Saturday, March 15, in UC’s Corbett Auditorium.

Twenty-five current and incoming young artists will compete for approximately $100,000 in tuition grants and $65,500 in other named awards, including the Corbett Award, Italo Tajo Memorial Award, Andrew White Memorial Award, Seybold-Russell Award and John Alexander Memorial Award. Each contestant will be judged on the basis of voice, acting, language, musicianship and style in a complete dramatic performance of an aria.

A panel of judges composed of world-renowned opera industry professionals will select the winners. The judges’ panel for this year’s competition includes:

  • Cori Ellison, Chief Dramaturg of the Glyndbourne Festival and Dramaturg at American Lyric Theatre in New York;
  • Neal Goren, Artistic and General Director of the Gotham Chamber Opera in New York; and
  • Craig Terry, Music Director of the Patrick G. and Shirley W. Ryan Opera Center at the Lyric Opera of Chicago.

The winners will be announced on Saturday afternoon, March 15, following the conclusion of the competition.

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CCM Review Round-Up: ‘Les Misérables’ and ‘El Niño’

The critics can’t stop talking about CCM’s productions of Les Misérables and El Niño! Catch up with the latest “buzz” in today’s review round-up!

CCM proudly presents a new production of the iconic musical "Les Misérables," playing Feb. 27 - March 9, 2014. Photography by Mark Lyons.

CCM proudly presents a new production of the iconic musical “Les Misérables,” playing Feb. 27 – March 9, 2014. Photography by Mark Lyons.

  • Rick Pender calls CCM’s new production of Les Misérables “magnificent” in his CityBeat review, concluding, “Peeled back to its raw essence, CCM’s staging of Les Misérables is powerful and memorable, one of the best musical theater productions on a Cincinnati stage this season.” Read the full review here.
  • Paige Malott reviews the production for iSPYCiNCY and observes, “Capturing the larger-than-life Les Misérables with perfection, CCM put on a better-than-Broadway performance that is guaranteed 2-4-6-0-fun.” Read the full review here.
  • In his Talkin’ Broadway review, Scott Cain explains, “Musicals presented at… CCM always feature splendidly talented student performers who rarely disappoint. Their current production, Les Misérables, is no exception and does showcase many stunning voices and meticulously detailed acting.” Read the full review here.
  • In his review for The Sappy Critic, Kirk Sheppard suggests, “I’ve seen a lot of shows in Cincinnati over the last couple of years… [and] CCM’s Les Misérables just might be the greatest production I’ve ever seen.” Read the full review here.
  • Rafael de Acha reviews the production for Seen and Heard International and writes, “Keeping the entire undertaking tightly reined in and mercifully devoid of any Broadway clichés, [Aubrey] Berg delivers a fresh and finely-wrought production.” Read the full review here.
  • Emily Begely reviews Les Misérables for UC’s News Record and concludes, “An exemplary cast, a familiar plot and simple props created an unforgettable work of art.” Read the full review here.
Earl Rivers leads the CCM Philharmonia in a rehearsal for John Adams' EL NINO. Photography by Lisa Ventre/University of Cincinnati.

Earl Rivers leads the CCM Philharmonia in a rehearsal for John Adams’ EL NINO. Photography by Lisa Ventre/University of Cincinnati.

  • Janelle Gelfand reviews CCM’s “powerful” performance of John Adams’ El Niño for the Cincinnati Enquirer, and observes, “[Earl] Rivers balanced the work’s intimate emotions against powerful ones, propelled tempos well and drew excellent playing from the orchestra.” Read her full review here.
  • Mary Ellyn Hutton reviews El Niño for ConcertoNet and writes, “John Adams’ oratorio El Niño had its regional premiere in Cincinnati March 2, and it couldn’t have been in better hands. ” Read the full review here.

Performances of Les Misérables resume this evening (Tuesday, March 4) and run through Sunday, March 9. Learn more by visiting ccm.uc.edu/boxoffice/lesmiserables.

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CCM Presents Contemporary American Masterpiece ‘El Niño’ in Concert This Sunday, March 2

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This Sunday, March 2, CCM’s American Voices Concert Series proudly presents John Adams’ El Niño in concert.

According to the Wall Street Journal this stunning oratorio, “capture[s] the intimacy, mystery and apocalyptic nature of the Nativity story in a thoroughly contemporary idiom, fusing [Adams’] well-known minimalist style with a rich blend of text in English, Spanish, and Latin for an effect ultimately as timeless as the story itself.”

According to the New York Times, “John Adams’ celebration of the Nativity bears so many gifts that the senses stagger under the load.”

The CCM Philharmonia Orchestra, Chamber Choir, Chorale and Cincinnati Children’s Choir proudly present a stirring rendition of Adams’ El Niño at 3 p.m. on Sunday, March 2, in UC’s Corbett Auditorium. CCM welcomes guest artists Michael Maniaci, Eric Jurenas and Steven Rickards for this performance. Tickets are on sale now.

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LISTEN: WVXU Previews CCM’s Concert Production of John Adams’ ‘El Nino’

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WVXU contributor Anne Arenstein recently spoke with CCM Director of Choral Studies Earl Rivers about our upcoming concert production of Pulitzer Prize-winning composer John Adams’ American oratorio El Niño.

You can listen to audio of the full interview here.

The CCM Philharmonia Orchestra, Chamber Choir, Chorale and Cincinnati Children’s Choir proudly present a stirring rendition of Adams’ El Niño at 3 p.m. on Sunday, March 2, in UC’s Corbett Auditorium. CCM welcomes guest artists Michael ManiaciEric Jurenas and Steven Rickards for this performance.

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CCM’s American Voices Concert Series Proudly Presents John Adams’ ‘El Niño’ on March 2

"Mujer de Mucha Enagua, Pa'Ti Xicana" painting courtesy of Yreina D. Cervántez; Serigraph (SHG), 1999

“Mujer de Mucha Enagua, Pa’Ti Xicana” painting courtesy of Yreina D. Cervántez; Serigraph (SHG), 1999

The CCM Philharmonia Orchestra, Chamber Choir, Chorale and Cincinnati Children’s Choir proudly present a stirring rendition of Pulitzer Prize-winning composer John Adams’ El Niño at 3 p.m. on Sunday, March 2, in UC’s Corbett Auditorium. CCM welcomes guest artists Michael Maniaci, Eric Jurenas and Steven Rickards for this performance. CCM Director of Choral Studies Earl Rivers conducts.

“John Adams’ El Niño is a joyous composition,” says Rivers. The text of El Niño retells the traditional biblical story of the birth of Jesus. Although this composition is about a specific event, the true subject is larger and widely relate-able: the inexhaustible miracle of birth. “The opening movement of El Niño pulsates with repetitive, engaging rhythms,” Rivers explains. “The strong rhythmic drive of the opening sets the stage for the unfolding of the work.”

A piece told in three languages, El Niño was originally a co-commission by four major arts organizations: the Théâtre du Châtelet in Paris, the San Francisco Symphony Orchestra, Lincoln Center in New York City and the Barbican Center in London. It was created to be performed as either an oratorio or a staged production. CCM will be presenting the work as an oratorio.

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CCM Announces Spring 2014 Calendar of Major Events

Download CCM's Spring 2014 Calendar Booklet today.

Download CCM’s Spring 2014 Calendar Booklet today.

UPDATED March 7, 2014: CCM is delighted to announce its spring 2014 schedule of major events. The largest single source of performing arts events in the state of Ohio, CCM presents nearly 150 major public performances from Jan. 12 through May 18, ranging from faculty and guest artist concerts to fully supported opera, musical theatre, drama and dance productions.

Highlights of CCM’s spring concert series include the return of Cincinnati’s premiere fundraiser “A Moveable Feast” on Jan. 17, the Ariel Quartet’s Beethoven Cycle running Jan. 23 – March 29, a performance of Schubert’s Winterreise song cycle by guest artists Gerald Finley and Julius Drake on Feb. 5, the fifth annual Bearcat Piano Festival running Feb. 6 – 11, the 17th annual PRISM concert on Feb. 23, a performance of John Adams’ El Niño on March 2 and a celebration of the music of jazz legend Thelonius Monk on March 9.

CCM’s Mainstage Series also continues in early 2014 with a production of Mary Zimmerman’s Metamorphoses, directed by guest artist D. Lynn Meyers, running Feb. 5 – 9; the CCM debut of the iconic musical Les Misérables, running Feb. 27 – March 9;  Donizett’s comedic opera Don Pasquale, running April 3–6; and the quintessential romantic ballet Giselle, running April 17–19.

Learn more about these and dozens of other performing and media-arts events by referring to the list below. You can also view a digital copy of CCM’s Spring 2014 Calendar Booklet here.

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