CCM Acting Presents New Play ‘Association of Controlled Dreamers’

Admission to the play is free, but reservations are required. Tickets become available at 12:30 p.m. on Monday, April 22, 2019.

CCM concludes its 2018-19 Studio Series with MJ Kaufman’s Association of Controlled Dreamers on April 25-27, 2019, in Cohen Family Studio Theater.

In the play, a young, charismatic senator pursues policies that could have long-lasting repercussions for public education. A group of college students tries every technique available to them to change his mind, from occupying his lawn to collective lucid dreaming.

“The play is about students fighting for affordable education,” says Brant Russell, the show’s director. “The play also resonates with our current political and educational circumstances in that many college students feel as though they have little power over the institutions that rule their worlds. If students wish to be heard, they sometimes have to resort to less traditional means of communication.”

CCM commissioned Kaufman, who is a staff writer on Netflix’s The Chilling Adventures of Sabrina, to write Association of Controlled Dreamers for the college’s summer Playwrights Workshop in 2017. Students presented a reading of the play as part of the workshop, but now audiences can see the fully-staged version.

While the subject matter addresses serious and modern societal concerns, Russell notes that the production doesn’t lose its humor. “The play is funny (really funny), moving, and relies on what’s best about CCM: students collaborating to create something greater than the sum of its parts.”

Performances of Association of Controlled Dreamers take place April 25-27, 2019, in CCM’s Cohen Family Studio Theater.

Admission is free, but reservations are required. Tickets become available at 12:30 p.m. on Monday, April 22. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
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Creative Team

  • Brant Russell, director
  • Andrew Wright, lighting designer
  • Hannah Gruneisen, master electrician
  • Maya Hughes, assistant master electrician/board operator
  • Will Graham, stage manager
  • Cole Nevins, assistant stage manager
  • Leah Berry, production assistant
  • Emma Heath, production assistant
  • Ryan Hurt, sound designer
  • Dan DeGroh, composer/musician

Cast List

  • Rin Wallace as Brittany
  • Annie Jacques as Tara
  • Paige Jordan as Vera
  • Zoe Cotzias as Amber
  • Michelle Jardine as Amaryllis
  • Madison Pullman as Mary
  • Amanda Nelson as Mother
  • Briley Oakley as Social Media
  • Sierra Coachman as Secret Girlfriend
  • Cameron Nalley as Sammy
  • Jason Pavlovich as Tom
  • Reid Robison as Edward
  • Matt Fox as Senator/Twin
  • Frankie Chuter as Job Man
  • Sydney Miles as Rhonda/Hope

Performance Times

  • 8 p.m. Thursday, April 25
  • 8 p.m. Friday, April 26
  • 2 and 8 p.m. Saturday, April 27

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Admission
Admission is free, but reservations are required. Tickets become available at 12:30 p.m. on Monday, April 22. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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Acting Studio Series Sponsor: Neil Artman and Margaret Straub

Story by CCM Graduate Student Jonathan Dellinger

CCM News Faculty Fanfare Student Salutes

CCM Offers Arts Classes to all UC Students in Fall 2019

 

CCM offers dozens of different general studies and fine arts elective courses in fall 2019. These credit-granting courses are open to all UC students and cover a wide range of topics including dance, movies and media, music and theatre arts!

Master the hip-hop dance moves seen in current music videos or learn the basics of modern dance and ballet in CCM’s dance classes. Film a digital video or binge-watch classic movies, Disney animated musicals and TV sitcoms in movie and media appreciation classes.

CCM’s music appreciation classes cover the music of Woodstock, The Beatles, Japanese Pop and more, or students can study women’s impact on music and the impact of music on politics. Students can also join UC Choruses or UC Symphony Orchestra, turn their laptops into musical instruments and jam with a virtual band, or learn how to play the piano and guitar in hands-on music performance classes.

In theatre appreciation classes students can study the history of theatre, explore how Lin-Manuel Miranda’s Hamilton revolutionized musical theatre, learn the craft of acting or stage design and more!

CCM’s fall 2019 arts elective classes are offered online or in person; view a complete list of class offerings below. Register for classes at https://www.catalyst.uc.edu.

Dance Performance Classes

Advanced Intermediate Ballet I (3 credits)
FAM 1020-001 (Tuesday/Thursday, 2-3:20 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

This course is intended for non-Dance majors with prior training in classical ballet at the advanced/intermediate level. It is repeatable and is offered each semester. The ballet class will consist of a traditional ballet barre followed by center practice and enchainment following the usual progression. A preexisting knowledge of the ballet French terminology is required in addition to the physical mastery and overall knowledge of classical ballet expected at the advanced/intermediate level.
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Beginning Ballet I (3 credits)
FAM 1015-001 (Tuesday/Thursday, 9:30-10:50 a.m.)
FAM 1015-002 (Tuesday/Thursday, 7:30-8:50 p.m.)
FAM 1015-003 (Tuesday/Thursday, 2-3:20 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

This is an introductory course for any non-major wishing to learn the fundamentals of classical ballet technique. It is a studio course, meaning students will be in the dance studio, in full attire (leotard, tights, ballet slippers for women/ white T-shirt, tights and ballet shoes for men) learning the essentials of a traditional classical ballet class. We will study the French terminology associated with the movement and poses we dance in order to better facilitate learning and comprehension of the movement. Mind/body awareness will be facilitated while a more thorough knowledge of the art form including historical perspective, origin and philosophical issues as to its importance in today’s cultural world will also be discussed.
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Ballet Conditioning for Athletes and Dance Team (3 credits)
FAM 1019-001 (Tuesday/Thursday, 8-9:20 a.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

This is a beginning level ballet course designed especially for athletes and dance team members. As well as focusing on increasing the skill and artistry level within the parameters of classical ballet, the student will also learn to understand the historical perspectives of the art form and the value it has to the culture of society. Within the framework of the traditional ballet class, students will focus on developing strong core muscles, as well as lengthening and toning the body with additional mat work and conditioning exercises, as part of the conditioning program. Daily proper attire is expected for this class. Exercise bands and mat or towel are also required.
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Beginning Modern Dance I (3 credits)
FAM 1025-001 (Monday/Wednesday/Friday, 10:10-11:05 a.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

In this course for non-dance majors, students are introduced to the techniques and movement vocabulary of contemporary and modern dance. Students will explore fundamental movement principles while emphasizing the development of improvisational and performance skills. The student will also develop the critical perspectives necessary to analyze and further appreciate dance as an art form and educational tool with cultural values.
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Dance Appreciation – Online (3 credits)
FAM 1095-001
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking

This online course introduces dance as a performing art, focusing on the Western European and American dance forms of Ballet, Modern and Contemporary. The course will trace their development, historical development and cultural characteristics. Additional course topics will include viewing live dance performances.
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Hip Hop Dance (1 credits)
FAM 1030-001 (Monday, 5:30-6:30 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

A beginning/intermediate level dance course with no experience required. This class is designed to teach the fundamentals of Hip-Hop through choreographed dances. Hip-Hop style similar to that seen on current music videos will be the style taught in class. Individual work, floor work and partner work will be emphasized. Combinations will be performed to Rap and R & B music.
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Intermediate Ballet I (3 credits)
FAM 1017-001 (Tuesday/Thursday, 3:30-4:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

This is a ballet course designed for dancers with previous ballet training. It is a repeatable course for the non-major wishing to further pursue the complexities and artistic nuances of classical ballet technique. It is a studio course, meaning students will be in the dance studio, in full attire (leotard, tights, ballet slippers for women/ white T-shirt, tights and ballet shoes for men) learning the essentials of a traditional classical ballet class. We will study the French terminology associated with more complex movement and positions we dance in order to better facilitate learning and comprehension of the movement. Mind/body awareness will be facilitated while a more thorough knowledge of the art form including historical perspective, origin and philosophical issues as to its importance in today’s cultural world will also be discussed.
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Intermediate Modern Dance I (3 credits)
FAM 1027-001 (Monday/Wednesday/Friday 9:05-10 a.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

A one semester, repeatable (by audition or permission of instructor) course for non-dance majors, providing a more sophisticated approach to the techniques and movement vocabulary of contemporary and modern dance. Students will also continue to explore and further develop fundamental movement principles while emphasizing the cultivation of improvisational and performance skills. The student will also develop the critical perspectives necessary to analyze and further appreciate dance as an art form and educational tool within our society.
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Legends of Dance – Online (3 credits)
FAM 1094-001
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

This course introduces dance legends of Ballet, Modern and Contemporary Dance, their significant contribution to the world of dance in America, as well as the passion and insight that brought the legends to their height of success. Additional course topics include viewing live dance performances.
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Modern Dance Basics – Online (3 credits)
FAM 1022-001
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

In this course for non-dance majors, students are introduced to the techniques and movement vocabulary of contemporary and modern dance. Students will explore fundamental movement principles while emphasizing the development of improvisational and performance skills. The student will also develop critical perspectives necessary to analyze and further appreciate dance as an art form and educational tool with cultural values. Through interactive online instruction students use recording devices (e.g., smartphones, laptops, and camcorders) to develop their dance technique while building a dance community. To complete assignments students may film the dances with friends and/or family in locations of their choosing. (e.g., dorm room, apartment, basement, backyard, park, and riverside). Students may also utilize the 414 Video Production Room in Langsam Library.
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Movie and Media Appreciation Classes

Art of Recording (3 credits)
FAM 1050-001 (Monday, 4:30-7:20 p.m.)
Breadth of Knowledge Areas: CM Effective Communication, CT Critical Thinking, IL Information Literacy

Art of Recording focuses on the basic technical musical understanding needed to engage music at progressively deeper levels of understanding. Starting from simple listening experiences you will soon be able to appreciate what it means to be an “expert listener.” A musician learns the function musical scales; a painter, the knowledge paint and brushes; a writer, the craft of words and sentences. The expert listener integrates specific gateways that can reveal the depths of sound possibilities. This course expresses the Art of Recording from basic sound physics, music and brain functions as they pertain to the technology used in producing the popular music we love over the last five decades.
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Digital Audio for Non-Majors (3 credits)
EMED 2007-001 (Tuesday/Thursday, 3:30-4:50 p.m.)
Breadth of Knowledge Areas: CM Effective Communication, CT Critical Thinking KI Knowledge Integration

This course is designed to introduce the student to the fundamentals of digital audio theory and practices through the development of basic digital audio production projects. Course topics include general production principles and theory of operation of digital audio workstations with an emphasis placed on internet radio, podcast, and commercial production processes. The student will be introduced to basic audio production techniques through the corresponding laboratory phase of this course. The student will be required to demonstrate knowledge of the principles of audio production and apply those principles in laboratory exercises. Prerequisite Definition: To take this course you must: Have taken the following Courses EMDT1011C min grade D-, or EMED1005 min grade D-, or EMED1015 min grade D-.
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Digital Video for Non-Majors (3 credits)
EMED 2002-001 (Tuesday/Thursday, 9:30-10:50 a.m.)
Breadth of Knowledge Areas:  CM Effective Communication, CT Critical Thinking KI Knowledge Integration

The medium of digital video has become an increasingly pervasive means of communication in contemporary culture. Digital Video allows students to apply media aesthetic theory, processes and techniques in communicating their ideas to a specified audience via the digital video production process. While taking this course, each student is required to write, produce, shoot, and edit several projects using digital video cameras, working in a digital nonlinear editing environment, and delivering their content through a variety of digital distribution channels to a specified audience. Prerequisite Definition: To take this course you must: Have taken the following Courses EMDT1011C min grade D-, or EMED1006 min grade D-, or EMED1016 min grade D-.
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Disney Animated Musicals (3 credits)
FAM 2090-001 (Tuesday/Thursday, 12:30-1:50 p.m.; Tuesday, 2-4 p.m.)
FAM 2090-002 (Tuesday/Thursday, 11 a.m.-12:20 p.m.; Tuesday, 2-4 p.m.)
Breadth of Knowledge Areas: FA Fine Arts

This course explores the genre of the animated film musical with a special emphasis on its presumed originator, the Walt Disney Studios. We will consider the unique expressive properties of this form, examining the ways in which both song and the animated medium distort, rearrange, and reflect the world for its audiences. As we trace the genre’s history and evolution from the earliest experiments with sound technology to the latest multi-billion-dollar franchises, we will simultaneously track shifting trends in popular song and film. This history will run alongside discussions of Disney’s complex and often problematic roles as a purveyor of American and global entertainment.
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Foundations of Digital Media (3 credits)
DMC 1000-001 (Monday, 2-4:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking, IL Information Literacy, KI Knowledge Integration, SR Social Responsibility

Introduces the field of Digital Media and Cinematic Arts, the faculty who teach it and the professionals who practice it. Faculty members will present their research and relate that topic to the wider field of Digital Media and Cinematic Arts. Professionals will present their work and relevant projects. This course encourages students to clarify their course of study and build connections with faculty, professionals and students with similar interests.
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Going to the Movies: 20th Century Classics (3 Credits)
EMED 1075-001 (Tuesday, 6-8:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking, IL Information Literacy, KI Knowledge Integration, SR Social Responsibility

Through lectures and screenings of classic films students will explore the evolution of the motion picture as a unique and significant form of expression. The course includes investigation into film style and structure, distribution and consumption. Students will be guided in the development of aesthetic criteria for critical examination.
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Integrated Media Production 1 for Non-Majors (3 credits)
EMED 1015-001 (Online)
EMED 1015-002 (Monday, 6-8:50 p.m.)
Breadth of Knowledge Areas: TI Technology and Innovation, CM Effective Communication, CT Critical Thinking, IL Information Literacy

Media convergence is a vital component of our new media culture. In new media there is a melding of production, design and message with user-experience. Integrated Media Production I is an introductory course — the first of a two-course sequence within the E-Media major at CCM — that provides students with a theoretical and practical foundation in the intersecting worlds of digital media production, content development and new media design. This course is an overview of concepts and processes in convergent media production.
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Jammin’ with Laptops (3 credits)
FAM 2014-001 (Tuesday/Thursday, 11 a.m.-noon)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking, KI Knowledge Integration
This course will explore the potentials of laptop computers for music making. Various technical topics, including analog v. digital sound, audio software, effects, gear, MIDI and audio programming languages will be surveyed. In addition, a survey of the history of computer music will be conducted by way of an investigation into seminal readings and recordings. Both of these inquiries will provide participants.
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Jammin’ with Laptops – Online (3 credits)
FAM 2023-001
Breadth of Knowledge Areas: FA Fine Arts, SE Social and Ethical Issues, CM Effective Communication, SR Social Responsibility
In this course, you will play, record, and make music with online instruments. There are three units, and each unit includes a distinctive music making session; Individual Session (Unit 1), Collaborative Session (Unit 2), and Creative Jam Session (Unit 3 In the Unit 1, you will individually study the basic knowledge of music making, including identifying musical instruments, playing online instruments, and recording the music that you played through the exercises. In the Midterm Exam, you will be asked to answer the basic knowledge that you have learned so far. In the Unit 2 and 3, you will form your laptop band with your online classmates to play and record music together. In the Unit 2, you will collaborate with 1~2 classmate(s) to complete the assignment together. In the Unit 3, you will collaborate with 2~4 classmates to create your own band under your instruction to direct your band members, and play for your band member’s music under their respective directions. In the Final Exam, you will be asked to answer all the materials that you have learned.
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Japanese Pop, Anime and Video Game Music – Online (3 credits)
FAM 2050-001
Breadth of Knowledge Areas: FA Fine Arts DC Diversity and Culture, CM Effective Communication

You will learn the evolution of Japanese Pop, Anime, and Video Game Music (post 1980) including anime theme songs, video game music, and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, and will investigate the cultural differences between Japan and America.
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The Evolution of the Television Comedy (3 credits)
EMED 1050-001 (Wednesday, 6-8:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, HU Humanities and Literature, CM Effective Communication, CT Critical Thinking, IL Information Literacy, KI Knowledge Integration, SR Social Responsibility

Through lectures and screenings of classic scenes and episodes, students will explore the American television comedy as a significant form of storytelling, as a uniquely elastic form of expression and contemporary critique, and as an exceptionally creative and influential art. The course includes investigation into comedy and sitcom style and structure, as well as historical and societal context and impact. Students will be guided in the development of aesthetic criteria for critical examination. This course is focused in the historical and cultural development of television comedies from their pre-TV origins to their contemporary manifestations. Students will develop the strategies for reading media properly while also investigating the historical, literary, cultural and aesthetic contributions of television to 20th and 21st century art forms.
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Music Appreciation Classes

American Music – Online (3 credits)
FAM 2006-001
Breadth of Knowledge Areas: FA Fine Arts, HP Historical Perspectives, CM Effective Communication, CT Critical Thinking
An online history of music in America c. 1620 to the present. Musical life as we experience it in the USA today is the product of a history that is in many ways unique, but never far from world-wide influences. This course surveys a wide variety of music along with the social, political, and religious movements that have shaped American musical life right up to the present. Examines the contributions of numerous cultural groups, regional developments over four centuries, and the ways music reflects values, aspirations, and problems of the population. Course topics include musical genres, styles, personalities, and trends. Musical examples, discussions, quizzes, and videos are all online. No prior experience with music required.
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Experimental Rock ‘60s and ‘70s (3 credits)
FAM 2013-001 (Tuesday/Thursday, 1:30-2:50 p.m.)
FAM 2013-002 (Online: 8/26-10/15, 1st half semester)
Breadth of Knowledge Areas: FA Fine Arts, DC Diversity and Culture, CM Effective Communication, CT Critical Thinking, KI Knowledge Integration

This course will provide a detailed overview of the tools, techniques and musical styles which had a tremendous impact on the aesthetic of various genres of Rock Music in the 1960s and 70s, the resonance of which can be observed in many mainstream and non-mainstream musical trends of the last 30 years. It will begin with an examination of multi-tracking tape machines: their development and techniques such as sound on sound, tape-delay and flange, which had become standard practice in studios by the late 1960s. This is followed by a technical overview of electronic instruments, specifically the synthesizer, whose development will be traced from the Theremin. Musical trends such as the 1950s avant-garde and Minimalism will serve as a bridge to examinations of seminal bands such as the Beatles, Pink Floyd, Kraftwerk, Can, Neu:, Brian Eno and the Talking Heads among others; the technical knowledge gained from the initial lectures on tape techniques and electronic instruments will be used to gain a deeper understanding of the music of these artists.
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Hamilton: A Musical Theatre Revolution (3 credits)
FAM 2075-001 (Tuesday/Thursday, 9:30-10:50 a.m.)
Breadth of Knowledge Areas: FA Fine Arts, DC Diversity and Culture, CM Effective Communication, CT Critical Thinking, KI Knowledge Integration, SR Social Responsibility

Lin-Manuel Miranda’s musical, Hamilton, has been credited as revolutionary and a game changer in the history of the American musical since its off-Broadway opening in 2015. This course explores the revolutionary aspect of this musical, covering song and plot conventions of musical theater as they appear in musicals from the 1920s to the present and investigating how Miranda employs, challenges, and transforms them in Hamilton. We will also consider Hamilton among other “history musicals,” its relationship with popular music (especially hip-hop and socio-political issues of race and ethnicity derived from Miranda’s choice to offer a multi-racial cast to represent the Founding Fathers. We will thus contextualize Hamilton in musical theater history and investigate what aspects of the musical are conventional and which ones are original.
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History of Rock ‘n’ Roll – Online (3 Credits)
FAM 3031-001
FAM 3031-002
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking

Rock and Roll had humble beginnings in the Southeastern United States, but over time it developed into a force, beyond mere entertainment, that has defined youth culture on a global scale. Rock and roll culture is embedded in the fabric of youth identity. Rock and roll music is a commodity that young people use daily, often with an obsessive devotion. Marketing campaigns that target youth are so relentless that young people are under enormous media and social pressure to join the ranks of consumers. The goal of History of Rock and Roll is, therefore, threefold: 1. To provide for students a chronological survey that examines the relationship between the music, its most successful and colorful artists, the associated recording technology, and the impact of the genre on American culture. 2. Through critical listening and reading, the course will provide students with useful, evaluative tools so that they can make historically informed and thoughtful decisions about the music they select and enjoy. 3. Finally, the course will encourage students to seek and appreciate new styles, and perhaps inspire those who seek a career as a pop music artist. No prerequisite.
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Japanese Pop, Anime and Video Game Music – Online (3 credits)
FAM 2050-001
Breadth of Knowledge Areas: FA Fine Arts DC Diversity and Culture, CM Effective Communication

You will learn the evolution of Japanese Pop, Anime, and Video Game Music (post 1980) including anime theme songs, video game music, and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, and will investigate the cultural differences between Japan and America.
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Jazz Appreciation (3 credits)
FAM 2051-001 (Tuesday/Thursday, 9:30-10:50 a.m.)
FAM 2051-002 (Tuesday, 6-8:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, DC Diversity and Culture, CM Effective Communication, CT Critical Thinking, KI Knowledge Integration

A one-semester overview of America’s true art form: jazz. The course will introduce students to the various styles of jazz, its major performers, its history and origins, and will also involve attending jazz performances at CCM or elsewhere.
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Live at CCM (2-3 credits)
FAM 1060-001
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking, KI Knowledge Integration

Through this course, students will have the opportunity to experience concerts at CCM in a directed environment. Learn about a broad range of music and style through exposure to a wide variety of instrumental ensembles. Attend orchestral, wind ensemble, choral, jazz and contemporary music programs and more with the chance to discuss and write about them through interaction with knowledgeable graduate assistants and the directors of the respective ensembles themselves.
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Music and Politics (3 credits)
FAM 2018-001 (Monday/Wednesday, 11:15-12:35 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, SE Social and Ethical Issues, CM Effective Communication, KI Knowledge Integration
This course examines the impact of music on politics during the last 100 years in the contemporary classical realm, as well as folk and popular musical styles. Students will become familiar with prominent politically influenced musicians and composers such as Fela Kuti, Woody Guthrie, Bob Marley, and Frederic Rzewski. Also, this class will cover the impact on music from major political and historical events throughout the century, such as World War II’s influence on jazz, or the life and career of Dmitri Shostakovich under Stalin’s Soviet Union. By studying the biographies and major works of this broad spectrum of musicians, students will be able to outline the diverse characteristics of politically oriented music.
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Music Appreciation – Online (3 credits)
FAM 2005-001
Breadth of Knowledge Areas: FA Fine Arts, DC Diversity and culture, CM Effective Communication

An online course that introduces students to a wide range of music in the Western World, covering several historical periods, including our own time. Examines musical styles, musical terms, composers, and other aspects of the music listening experience. Considers the historical and cultural context of musical activity and the way it has shaped the musical life from medieval Europe up to the present in our own communities. Students will discuss their own experiences with music and have the opportunity to attend a musical performance of their choice, near where they live, for class credit. Musical examples, discussions, quizzes, videos, and film are all online. No prior experience with music required.
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Music of the Beatles (3 credits)
FAM 2061-001 (Online)
FAM 2061-002 (Online)
FAM 2061-003 (Tuesday/Thursday, 12:30-1:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, SE Social and Ethical Issues, CM Effective Communication, KI Knowledge Integration

The Music of the Beatles has made an impact in the whole world both musically and sociologically. The Beatles are considered one of the most influential bands of any era. Their music reflects the cultural and social revolution of the 1960s and serves as a model for understanding all subsequent popular music. This class will chronologically trace the development of the Beatles from their early days through the band’s dissolution. There will be analysis of selected compositions with regard to lyrics, harmony, song structure, instrumentation, and arranging. This class will examine their groundbreaking production techniques, individual writing styles, and the impact of their music on other musicians and social trends.
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Music of Woodstock (3 credits)
FAM 2070-001 (Tuesday, 6-8:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, SE Social and Ethical Issues, CM Effective Communication, CT Critical Thinking, KI Knowledge Integration

The course thoroughly examines the musical artists and the works they performed at history’s most iconic pop music festival, Woodstock (officially the “Woodstock Music and Art Fair”). As many as half a million people or more, descending on a dairy farm in upstate New York in August of 1969 for “three days of peace and music,” were treated to a wildly diverse lineup of musicians and artists hailing from no less than five different continents. The Woodstock Festival is the perfect prism through which to view the 1960s popular scene, when various streams of musical genres converged to forge a new breed of “pop”; the soundtrack of the counterculture and a young, idealistic generation. How did a music festival, let alone pop music in general, become a catalyst for social, political, and artistic change and upheaval? How was the motley assortment of musicians of various stripes, genres, genders, and ethnicities received by the crowd, temporarily the fourth-largest city in New York? How did this crowd co-exist and survive without virtually any of the realities that plague a similar-sized urban center? These are just a few of the many questions posed in this course as we study and—equally as important—savor and experience the musical performances of the 1969 Woodstock Festival.
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Talking about Music (3 credits)
FAM 1102-001 (Monday/Wednesday/Friday, 3:35-4:30 p.m.)
Breadth of Knowledge Areas: FA Fine Arts
This course will explore contemporary musical topics through dialogue and reflection. Themed weeks will investigate the intersection of philosophy, aesthetics, and culture as they pertain to the musical experience. Within these three broad concepts, diverse topics (posed as questions) will range from the existential (What is Music?) to the social (Where do you find music?) to the economic (What is a fair way to pay creators for their music?). All are designed to focus and enrich the musical experience, while broadening student awareness of the music industry and endeavoring to answer questions that don’t fit neatly into traditional music course contexts. Students will journal their reflections on these discussions, culminating in a final project, either written or practical.
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Understanding Music for Non-Majors (3 credits)
FAM 1100-001 (Monday/Wednesday/Friday, 2:30-3:25 p.m.)
Breadth of Knowledge Areas: FA Fine Arts
The appreciation of music is enhanced by a deeper knowledge of musical materials and structures. This introductory course will focus on reading and writing music in treble, bass, and C-clefs; using rhythms as complicated as triplets in simple and compound meters; recognizing intervals and chords; and understanding basic forms used in popular and classical music. The skills learned in this course will provide the basis for further study and understanding of music of all genres.
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What’s Hot in Popular Music – Online (3 credits)
FAM 2062-001
FAM 2062-002
Breadth of Knowledge Areas: DC Diversity and Culture, SE Social and Ethical Issues, CM Effective Communication, KI Knowledge Integration

This online course examines current popular music in its trending styles and genres. Students will critique selected songs from the weekly “Billboard” charts and various other media resources, including You Tube and digital download statistics, and consider both the hottest artists as well as promising up-and-comers. Students will develop skills for evaluating artistic intent with respect to lyrics, some basic literary techniques, melody, harmony, rhythm, song form, and psychology, and with a look at cutting edge production techniques. Students will identify and compare unique composing and performing styles of today’s artists and identify links between the music business and societal trends. Weekly activity will include reading, viewing, and listening to examples online and completing assignments on Canopy. No prerequisite. No textbook.
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Women in Music (3 credits)
FAM 2025-001 (Monday/Wednesday/Friday, 11:15 a.m.-12:10 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, KI Knowledge Integration

Women in Music is an historical survey of women’s lives and accomplishments in Western music from the medieval period to the present time. The course includes women of diverse races, classes and cultures, and the historical issues that impacted or limited their work. An examination of women’s roles as composers, performers, and patrons reveals their achievements that have been largely ignored because of their gender. Furthermore, although the cultural and societal values change over time and geographic locations, it is evident that suppression and exploitation are recurring themes with regard to social status, education, economics, politics, religion or racial prejudice.
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Music Performance Classes

Classical Guitar Class (2 credits)
GTAR 1075-001 (U)
GTAR 6075-001 (G)
Tuesday/Thursday 12:20-1:15 p.m.
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking
Applied course in basic guitar skills. Emphasis on playing classical and folk styles. Review of current published methods and materials. Open to non-CCM students. Course repeats each semester. Students provide their own nylon string guitars.
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Group Piano I Non-majors (2 credits)
PIAN 1001-001 (Tuesday/Thursday, 10:10-11:05 a.m.)
PIAN 1001-002 (Tuesday/Thursday, 9:05-10:00 a.m.)
PIAN 1001-003 (Tuesday/Thursday, 10:10-11:05 a.m.)
PIAN 1001-004 (Tuesday/Thursday, 1:25-2:20 p.m.)
PIAN 1001-005 (Tuesday/Thursday, 12:20-1:15 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CT Critical Thinking, KI Knowledge Integration

Designed for those with little or no piano experience; teaches the fundamentals of reading music, playing by ear, using chord charts, and improving finger flexibility.
_____

Jammin’ with Laptops (3 credits)
FAM 2014-001 (Tuesday/Thursday, 11 a.m.-noon)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking, KI Knowledge Integration
This course will explore the potentials of laptop computers for music making. Various technical topics, including analog v. digital sound, audio software, effects, gear, MIDI and audio programming languages will be surveyed. In addition, a survey of the history of computer music will be conducted by way of an investigation into seminal readings and recordings. Both of these inquiries will provide participants.
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Jammin’ with Laptops – Online (3 credits)
FAM 2023-001
Breadth of Knowledge Areas: FA Fine Arts, SE Social and Ethical Issues, CM Effective Communication, SR Social Responsibility
In this course, you will play, record, and make music with online instruments. There are three units, and each unit includes a distinctive music making session; Individual Session (Unit 1), Collaborative Session (Unit 2), and Creative Jam Session (Unit 3 In the Unit 1, you will individually study the basic knowledge of music making, including identifying musical instruments, playing online instruments, and recording the music that you played through the exercises. In the Midterm Exam, you will be asked to answer the basic knowledge that you have learned so far. In the Unit 2 and 3, you will form your laptop band with your online classmates to play and record music together. In the Unit 2, you will collaborate with 1~2 classmate(s) to complete the assignment together. In the Unit 3, you will collaborate with 2~4 classmates to create your own band under your instruction to direct your band members, and play for your band member’s music under their respective directions. In the Final Exam, you will be asked to answer all the materials that you have learned.
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Piano Lead Sheet Non-majors (3 credits)
PIAN 1003-001 (Tuesday/Thursday, 11:15-12:10 p.m.)
PIAN 1003-002 (Tuesday/Thursday, 12:20-1:15 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking

Students will learn how to play piano parts of popular idiom piano pieces. They will learn how to realize chord “lead” sheets and also listen to music to pick up piano accompaniment styles. Learning to read music is not part of this course, although you will learn to read rhythm charts. Music will be chosen from artists such as Coldplay, Rihanna, Bruno Mars, as well as earlier works by Chicago, Motley Crue and John Lennon. Choices will be made depending on the type of accompaniment style you are learning.
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UC Cabaret Singers (0-1 credit)
ENSM 1082 (Monday/Wednesday, 6-7:30 p.m.)

The UC Cabaret Singers seeks to enrich the university experience by providing quality musical experiences for UC students within the context of performance of a variety of choral idioms. Members of the UC Choruses work towards excellence in musical performance with other students who share a common interest in choral music. The ensemble regularly performs on campus, locally, and on national tours.
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UC Men’s Chorus (0-1 credit)
ENSM 1081 (Monday/Wednesday/Friday, 4-5:30 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

The UC Men’s and Women’s Choruses seek to enrich the university experience by providing students a wide range of aesthetic experiences, introducing them to a variety of musical styles, helping them gain appreciation for tonal sounds, and making connections between music and their own personal lives. Members of the UC Men’s and Women’s Choruses will work toward excellence in performance with other students who share a common interest in choral music. The ensembles regularly perform on campus, locally and on annual national tours.
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UC Symphony Orchestra (0-1 credit)
ENSM 2091 (Tuesday, 8-10 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

The UC Symphony Orchestra is specifically for and is designed to provide students with an opportunity to rehearse and perform great orchestral repertoire. Membership in the orchestra is open to instrumentalists who own their own instrument, have a basic technical proficiency, and the ability to read music. Specific seating assignments in the orchestra are determined by informal auditions at the start of each quarter.
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UC Women’s Chorus (0-1 credit)
ENSM 1085 (Monday/Wednesday/Friday, 4-5:30 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

The UC Men’s and Women’s Choruses seek to enrich the university experience by providing students a wide range of aesthetic experiences, introducing them to a variety of musical styles, helping them gain appreciation for tonal sounds, and making connections between music and their own personal lives. Members of the UC Men’s and Women’s Choruses will work toward excellence in performance with other students who share a common interest in choral music. The ensembles regularly perform on campus, locally and on annual national tours.
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Voice Class (1-2 credits)
VOIC 1075-001 (Thursday, 2-2:55 p.m.)
VOIC 1075-002 (Tuesday, 4-4:55 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking

Voice Class is intended to impart the rudiments of classical vocal technique. Topics addressed include breathing for singing, phonation, anatomy of the breathing process, anatomy of the larynx, posture, vowel formation, and characteristics of consonant sounds. The class will culminate in the student performing a song in English.
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Theatre Appreciation Classes

Acting for Non-Majors (3 credits)
FAM 1001-001 (Monday/Wednesday, 1-2:20 p.m.)
FAM 1001-002 (Monday/Wednesday, 6-7:20 p.m.)
FAM 1001-003 (Monday/Wednesday, 4-5:20 p.m.)
FAM 1001-004 (Monday/Wednesday, 2:30-3:50 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication

An introductory course in the craft of acting designed for University students interested in theatre performance. Students will work on unscripted material in group improvisations and scripted material in the presentation of monologues or scenes. Basic actor vocabulary common to all styles of performance will be taught.
_____

Hamilton: A Musical Theatre Revolution (3 credits)
FAM 2075-001 (Tuesday/Thursday, 9:30-10:50 a.m.)
Breadth of Knowledge Areas: FA Fine Arts, DC Diversity and Culture, CM Effective Communication, CT Critical Thinking, KI Knowledge Integration, SR Social Responsibility

Lin-Manuel Miranda’s musical, Hamilton, has been credited as revolutionary and a game changer in the history of the American musical since its off-Broadway opening in 2015. This course explores the revolutionary aspect of this musical, covering song and plot conventions of musical theater as they appear in musicals from the 1920s to the present and investigating how Miranda employs, challenges, and transforms them in Hamilton. We will also consider Hamilton among other “history musicals,” its relationship with popular music (especially hip-hop and socio-political issues of race and ethnicity derived from Miranda’s choice to offer a multi-racial cast to represent the Founding Fathers. We will thus contextualize Hamilton in musical theater history and investigate what aspects of the musical are conventional and which ones are original.
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Introduction to Arts Administration for Non-Majors (4 credits)
AADM 5160-001 (U)
AADM 6060-001 (G)
Monday/Wednesday, 9:05-10:45 a.m.
This course offers an introduction to the theory and practice of American not-for-profit arts administration/management. The course opens with an introduction to the not-for-profit profit sector. The not-for-profit arts sector is then examined in this context. The second section of the course consists of an overview of the principles and practice of not-for-profit arts administration/management. The topics of mission, governance and leadership, human resources, strategic and financial management and the development of revenue resources to support mission are covered. Through readings, lectures and class discussions, students will apply those principles to the case study of an actual organization and, time permitting, will model the creation of an organizational plan outline for a small not-for-profit performing arts organization.
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Introduction to Stage Lighting and Sound (3 credits)
THPR 1020C-001 (Tuesday/Thursday, 9:30-10:50 a.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking

In this course, the student will learn hands on skills with lighting and sound equipment, while discovering the ways in which modern technology can be effectively applied as a key production element in drama, musical theatre, opera and dance. Through experiences both practical and theoretical, each student will gain operational skills, and recognize the importance of teamwork and collaboration in creating art and discovering a personal aesthetic.
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Stage Lighting Lab and Crew for Non-Majors (1-2 credits)
THPR 1018C-001 (Friday, 10:10-11:05 a.m.)
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication, CT Critical Thinking

Practical production undergraduate crew work in the execution of stage lighting designs for major opera, musical theatre, dance and dramatic productions. Each student will practice their understanding in accomplishing the execution of a realized lighting design project(s). Non-typical work session hours required (evening and weekends) for installation and running crews for productions. May be repeated for credit.
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Theatre History for Non-Majors (3 credits)
DRPF 2054 001 (Monday/Wednesday/Friday, 11:15-12:10 p.m.)
DRPF 2054 002 (Monday/Wednesday/Friday, 2:30-3:25 p.m.)
Breadth of Knowledge Areas: FA Fine Arts, HP Historical Perspectives, CT Critical Thinking

History of Theatre is a chronological look at the rise of Western theatre from ancient times to the Renaissance. The course examines how theatre emerges, its dramatic structure, styles of acting, various visual elements, and different production techniques. The course also explores how theatre artisans built upon the experiences of one another, introduces key figures from theatre history and shows how theatre continues to influence us today.
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Registration Information

UC students can register for classes online at https://www.catalyst.uc.edu.

CCM News Faculty Fanfare Student Salutes

CCM Acting Presents Annual Senior Showcase on March 29

Enjoy the talents of the CCM Acting Class of 2019 in its exciting senior showcase in Cincinnati prior to its professional debut in New York and Los Angeles.

Graduating students from the University of Cincinnati College-Conservatory of Music’s Acting program present the annual Senior Showcase at 2 p.m. and 7 p.m. this Friday, March 29, 2019, in CCM’s Robert J. Werner Recital Hall.

CCM Acting’s Class of 2019 will also present the showcase at 1 p.m. and 3 p.m. on April 2, 2019, at New York’s Griffin Theatre at the Pershing Square Signature Center. The showcase will also be performed at 1 p.m., 4 p.m. and 7 p.m. on April 16, 2019 at Los Angeles’ Garry Marshall Theatre.

The showcase performance features a variety of scenes by CCM Acting’s Class of 2019, demonstrating the depth and breadth of the acting skills they have honed during their undergraduate training at CCM.

The evening performance in Cincinnati will be followed by the annual DOLLY awards recognizing excellence by students in CCM Acting, as well as a reception in the CCM Baur Room. Event details are below.

Meet CCM Acting’s Class of 2019

Jacqueline Daaleman is a graduate of the BFA Acting program at the University of Cincinnati College-Conservatory of Music (CCM). Born and raised in northern New Jersey, no, she still does not know how to pump gas. At CCM, she played Phoebe in Gracie Gardner’s world premiere of Very Dumb Kids, Voltaire in Candide with CCM Opera and Dabby Bryant in Our Country’s Good. Other favorite credits include: Launce in The Two Gentleman of Verona with RADA (London, UK), Linda in Charlie’s Girls at the Boulder Fringe Festival and Pearl Bryan in Pearl Bryan with InBocca Performance (KY). Film credits and voice over credits include: “Poetry Girl” (Amazon), “CRAIG” and “A Model Friendship”. In addition to theatre, Jacqueline loves to sing, make people laugh, travel around the world and foster puppies. Learn more at jacquelinedaaleman.com.


Gabriella DiVincenzo is a Massachusetts native and is filled with joy to be graduating with a BFA in Acting from the University of Cincinnati College-Conservatory of Music (CCM). She was seen on the CCM stage in Hamlet as Horatio and The Government Inspector as Anna Andreyevna. She made her professional debut at the Know Theatre of Cincinnati as Amanda in Darkest Night at the Gnarly Stump. Her favorite film experience in was “You’ve Met Your Match when she played a feisty femme fatale. She is wildly passionate about theatre and has worked as a director/producer on many of her own projects, including LUNGS and Men on Boats at the Liberty Exhibition Hall in Cincinnati. Gabriella is also an accomplished voice over artist. Learn more at gabrielladivincenzo.com.


Sarah Durham is a graduate of the University of Cincinnati College-Conservatory of Music (CCM) with a BFA in Acting, and minor in Directing and Filmmaking. She has acted in many film festival winning shorts, and acts, writes, directs and produces for film and theatre. She is certified in Rapier and Dagger, Single Sword, Broadsword and Recommended in Unarmed Combat by the SAFD. Some of her favorite roles include Men on Boats (William Dunn), Di and Viv and Rose (Diane), and Shakespeare’s Fine Wit (Hermia). When she’s not busy with theatre and film, she loves running ultra-marathons, painting, reading comic books, playing tennis and basketball, paddle-boarding, kayaking and cuddling her adorable cat, Robin (named after Batman’s Tim Drake). Learn more at sarahdurhamactor.com.


James Egbert earned his BFA in Acting from the University of Cincinnati College-Conservatory of Music (CCM). Originally from Bethlehem, Pennsylvania, James has always enjoyed Shakespeare and the classics. Some of his favorite roles on stage include the Lead in the one man show Every Brilliant Thing, Friar Lawrence in Romeo and Juliet and the Father in Sarah Ruhl’s Eurydice. Some of his favorite film credits include his hero in the award winning Casper (produced by HighSock Productions), and his comedic relief in the horror film House of Hell (Directed by Jacob Berry). He is accomplished in Stage Combat, and specializes in Rapier and Dagger, Unarmed, Single Sword and Broadsword. In addition to acting, James loves playing chess, writing and all things Star Wars. Learn more at jamesfrancisegbert.com.


Ella Eggold is a young artist who is passionate about using theater as a way to bring light and connection to places that do not have enough of either. Ella has earned a BFA in Acting from the University of Cincinnati College-Conservatory of Music (CCM) and is also a classically trained vocalist. Favorite credits include Helena in A Midsummer Night’s Dream (Purdue University), Gertrude in Hamlet (CCM), Lanie in God’s Ear (Purdue University), Rose in Di and Viv and Rose (Whoville Theater) and Bottom in Shakespeare’s Fine Wit (CCM). Although the majority of Ella’s training has been in acting, she has experience in producing, stage managing, set design/set building and lighting. When Ella is not doing theater, she enjoys making (and eating) ice cream, reading books and watching movies. Learn more at ellaeggold.com.


Carter LaCava is an actor, writer, producer and painter with a BFA in acting from the University of Cincinnati College-Conservatory (CCM). Some of his favorite credits from CCM include: The Ghost/Gravedigger in Hamlet, Ivan Alexandrovich Hlestakov in The Government Inspector and Robert Sideway in Our Country’s Good. Some credits outside CCM include: Notwet in the New Stroke Ensemble’s Twothousandelever, Even in The Aliens at Rohs Street Café, and he performed in a reinterpretation of John Cage’s Theatre Piece No. 1 with the SITI company in Saratoga Springs, NY. In 2017 he trained at Skidmore College for the month-long SITI summer theatre workshop, and has since continued his individual physical theatre practice. He is also an actor-combatant with the SAFD, with a certificate in Rapier and Dagger and in Unarmed. Outside of the theater he enjoys long walks in the local park, playing RuneScape and painting. Learn more at carterlacava.com.


Madeleine Page-Schmit is thrilled to have earned her BFA in Acting from the University of Cincinnati College-Conservatory of Music (CCM). Her favorite CCM credits include: Our Country’s Good (Mary Brenham), Di and Viv and Rose (Viv), Con Amore: A Romeo and Juliet Selection (Juliet) and Eurydice (Little Stone). Madeleine wrote, produced and performed an original one-woman show, Casquette Girl, which premiered at the Clifton Performance Theatre in Cincinnati. Casquette Girl is based on the life of her 18th century French ancestor and is charged with forgotten history and themes of female disempowerment and immigrant resilience. Madeleine has studied global health and Buddhism in Thailand, visited the Chinese village where her grandmother was raised, lived with a host family in rural Senegal and written and performed at the Edinburgh Fringe Festival. She is passionate about building relationships cross-culturally, and also about cheese. A Denver native, Madeleine adores spending time in the mountains hiking and rock climbing. Learn more at madeleinepageschmit.com.


R. Graham Rogers is an actor, writer, director and producer who recently earned his BFA in Acting from the University of Cincinnati College-Conservatory of Music (CCM). Some of Graham’s CCM highlights include: The Mayor in The Government Inspector, Various Men (eight!) in the world premiere of The Earth is Flat and Landscaper/Attendant/Man on Date in Middletown by Will Eno. Graham’s film highlights include: the Joker in You’ve Met Your Match, a Batman gay fanfic; College Boys and HighSock Productions’ The Update. Graham loves being a part of and creating new works. He’s been a part of at least eight theatrical world premieres to date, plus more than 20 student films, thanks, in large part, to three years as co-Artistic Director of a small production company he and his roommate ran while in school. In addition to art Graham enjoys meditation and dad jokes. Nothing else! If you haven’t heard Graham laugh, you’re missing out. Learn more at rgrahamrogers.com.


New York Acting Showcase

Students from CCM and Otterbein University present their showcases to industry professionals. Visit ohioactorshowcase.com to reserve seats.

Performance Times
1 p.m. and 3 p.m., Tuesday, April 2

Location
The Alice Griffin Jewel Box theatre at the Pershing Square Signature Center
480 West 42nd Street, New York, New York 10036

Los Angeles Acting Showcase

Students from CCM and Missouri State University present their showcases to industry professionals. Visit theatreanddance.missouristate.edu/showcases/LA.htm to reserve seats.

Performance Times
1 p.m., 4 p.m. and 7 p.m., Tuesday, April 16

Location
Garry Marshall Theatre
4252 Riverside Drive, Los Angeles, California 91505

Cincinnati Acting Showcase

Performance Times
2 p.m. and 7 p.m., Friday, March 29

Location
Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Admission
Admission to the CCM Acting Senior Showcase on March 29 is FREE; reservations are not required.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

CCM News Student Salutes

CCM Video: Teaser Trailer for ‘Our Country’s Good’

CCM’s Mainstage Acting production of Our Country’s Good opens with a preview performance at 8 p.m. tonight, Feb. 13, and continues through Sunday, Feb. 17, 2019 in Patricia Corbett Theater. Tickets available through the CCM Box Office.

Directed by Susan Felder, the award-winning play centers on a group of 18th-century criminals and British colonialists who explore how theatre can help rehabilitate and inspire. A British Royal Marine lieutenant decides to put on a play to celebrate the king’s birthday. He casts the play with English convicts who populate a distant Australian prison camp to remind them that “there is more to life than crime and punishment.” Few of them can read, let alone act, and the play is produced against a background of food shortages and barbaric prison punishments. CCM’s production is for mature audiences.

Arts reporter David Lyman describes Our Country’s Good as “witty, sobering and highly revealing of harsh life in what is now the Sydney suburbs,” in a preview story for the Cincinnati Enquirer. Watch CCM Acting’s teaser trailer for the production: https://youtu.be/i0LNQtTWfLg

____________________

OUR COUNTRY’S GOOD
By Timberlake Wertenbaker
Based on the novel The Playmaker by Thomas Keneally

CCM’s production will last 2 hours, including a 10-minute intermission.

Creative Team

  • Susan Felder, director
  • Joshua E. Gallagher*, scenic designer
  • Sam Kittle*, hair and make-up designer
  • k. Jenny Jones, fight choreographer
  • Ashley Trujilo*, costume designer
  • Michael Ekema-Nardella*, lighting designer
  • Zachory Ivans*, sound designer
  • Travis Byrne*, associate sound designer
  • Yue Shi (Jenny)*, production stage manager
  • D’Arcy Smith and Katherine Webster, dialect coaches

* CCM Student

Cast List

  • Madeleine Page-Schmit as Mary Brenham
  • Jacqueline Daaleman as Dabby Bryant
  • Kayla Temshiv as Duckling
  • Abby Palen as Liz Morden
  • Chandler Bates as Meg/Reverend
  • Carlee Coulehan as Johnston/Convict/Narrator
  • Olivia Buss as Dawes/Convict/Narrator
  • Jack Steiner as Ralph Clark
  • Carter LaCava as Robert Sideway
  • Jabari Carter as Captain Phillip/Aborigine
  • Cameron Nalley as Ross/James Ketch
  • James Egbert as Harry Brewer/Campbell
  • Trey Peterson as Caesar/Narrator
  • Graham Rogers as Judge Collins/Narrator
  • Lucas Prizant as Arscot/Tench
  • Duncan Weinland as Wisehammer/Faddy

Performance Times

  • 8 p.m. Wednesday, Feb. 13 (preview)
  • 8 p.m. Thursday, Feb. 14
  • 8 p.m. Friday, Feb. 15
  • 2 p.m. Saturday, Feb. 16
  • 8 p.m. Saturday, Feb. 16
  • 2 p.m. Sunday, Feb. 17

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets prices start at $28. Discounts are available for UC and non-UC students. Preview performance tickets start at $15. Service changes may apply for online orders.

Student rush tickets will be available one hour before each performance to non-UC students, based on availability. UC students can receive one free student rush ticket with a valid Bearcat ID, based on availability.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online though our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

Mainstage Production Sponsor: Macy’s

OUR COUNTRY’S GOOD is produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illinois.

CCM News Faculty Fanfare

CCM Mainstage Acting Presents Dark Comedy ‘Our Country’s Good’

Based on the true story of convicts and captors producing Australia’s first play, “Our County’s Good” is an inspiring tribute to the transforming power of drama. Tickets on sale now.

CCM continues its Mainstage series with Timberlake Wertenbaker’s Our Country’s Good from Wednesday, Feb. 13 (preview performance) through Sunday, Feb. 17, 2019. Directed by Susan Felder, the award-winning play centers on a group of 18th-century criminals and British colonialists who explore how theatre can help rehabilitate and inspire.

Based on Thomas Keneally’s historical novel “The Playmaker,” Our Country’s Good tells the true story of Australia’s first theatrical performance in the 1780s. A British Royal Marine lieutenant decides to put on a play to celebrate the king’s birthday. He casts the play with English convicts who populate a distant Australian prison camp to remind them that “there is more to life than crime and punishment.” Few of them can read, let alone act, and the play is produced against a background of food shortages and barbaric prison punishments. CCM’s production is for mature audiences.

“The play throws wild humor up against absolute brutality,” Felder says. “We see convicts and soldiers in their daily lives — all while trying their best to produce a play.”

CCM’s production takes advantage of Patricia Corbett Theater’s wide, thrust stage to create the maze of the Australian landscape. The set creates an “edge of the world” feel, Felder says, where the set and the characters transform — sails become a tent, the sun can change into the moon and condemned convicts become aspiring actors.

Recipient of the BBC Award: West End Play of the Year, the Laurence Olivier Award, the London Evening Standard Award and the New York Drama Critics Award, Our Country’s Good is described as “a tribute to the transforming power of drama…It is heartening to find someone standing up for theatre’s unique spiritual power” (The Guardian).

CCM Acting presents Our Country’s Good on Feb. 13 (preview performance)-17, 2019 at Patricia Corbett Theater. The production will last 2 hours, including a 10-minute intermission. Tickets are on sale now through the CCM Box Office; student discounts are available.
____________________

Creative Team

  • Susan Felder, director
  • Joshua E. Gallagher*, scenic designer
  • Sam Kittle*, hair and make-up designer
  • k. Jenny Jones, fight choreographer
  • Ashley Trujilo*, costume designer
  • Michael Ekema-Nardella*, lighting designer
  • Zachory Ivans*, sound designer
  • Travis Byrne*, associate sound designer
  • Yue Shi (Jenny)*, production stage manager
  • D’Arcy Smith and Katherine Webster, dialect coaches

* CCM Student

Cast List

  • Madeleine Page-Schmit as Mary Brenham
  • Jacqueline Daaleman as Dabby Bryant
  • Kayla Temshiv as Duckling
  • Abby Palen as Liz Morden
  • Chandler Bates as Meg/Reverend
  • Carlee Coulehan as Johnston/Convict/Narrator
  • Olivia Buss as Dawes/Convict/Narrator
  • Jack Steiner as Ralph Clark
  • Carter LaCava as Robert Sideway
  • Jabari Carter as Captain Phillip/Aborigine
  • Cameron Nalley as Ross/James Ketch
  • James Egbert as Harry Brewer/Campbell
  • Trey Peterson as Caesar/Narrator
  • Graham Rogers as Judge Collins/Narrator
  • Lucas Prizant as Arscot/Tench
  • Duncan Weinland as Wisehammer/Faddy

Performance Times

  • 8 p.m. Wednesday, Feb. 13 (preview)
  • 8 p.m. Thursday, Feb. 14
  • 8 p.m. Friday, Feb. 15
  • 2 p.m. Saturday, Feb. 16
  • 8 p.m. Saturday, Feb. 16
  • 2 p.m. Sunday, Feb. 17

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets prices start at $28. Discounts are available for UC and non-UC students. Preview performance tickets start at $15. Service changes may apply for online orders.

Student rush tickets will be available one hour before each performance to non-UC students, based on availability. UC students can receive one free student rush ticket with a valid Bearcat ID, based on availability.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online though our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

Mainstage Production Sponsor: Macy’s

OUR COUNTRY’S GOOD is produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock, Illinois.

CCM News Faculty Fanfare Student Salutes

Start Your New Year at CCM: Spring 2019 Calendar of Events Available Online

This spring’s lineup includes theatre and dance productions, orchestral, choral, piano, jazz and winds performances and much more! CCM’s performance series runs Jan. 14 through May 12, 2019.

Start your new year at CCM, which presents a range of free and ticketed events in spring 2019 that span the spectrum of the performing and media arts.

Spring brings the excitement of next steps and the promise of the future, as CCM students begin the next phases of their careers. Under the guidance of CCM’s internationally renowned educators, students have spent countless hours honing their skills.

Click the graphic to view CCM's Spring 2019 Calendar of Major Events.

Click the graphic to view CCM’s Spring 2019 Calendar of Major Events.

You can see and hear the culmination of their work, be it during CCM’s BAMM showcase of lighting design, sound design and technical production (January 18); our A View from the Edge concerts featuring music by student composers (February 12 and April 2); our annual Senior Showcases highlighting the excellence of our musical theatre (March 14, 15 and 16) and acting majors (March 29); our Wind Symphony’s world premiere of a work by the winner of CCM’s composition contest (March 29); our Piano-Pow-Looza concert of student performers (April 7); the Theatre Design and Production Student Portfolio Showcase (April 13) or any of the other wonderful events listed in our Spring 2019 Calendar of Major Events!

This spring our Mainstage Series also brings The Hunchback of Notre Dame (March 7-10) and Mozart’s La Clemenza di Tito (April 12-14) to Corbett Auditorium, while the inspiring drama Our Country’s Good (Feb. 13-17) and the fairytale ballet Cinderella (April 26-28) come to Patricia Corbett Theater.

Learn more about CCM’s spring schedule of performing and media arts events by referring to the list below.

You can also view a digital copy of CCM’s Spring Calendar of Major Events by visiting issuu.com/ccmpr/docs/ccmspring2019calendarbooklet.

Event Information
All events listed here take place in CCM Village on the campus of the University of Cincinnati unless otherwise indicated. Admission is free to many CCM performances, although some events do require purchased tickets or reservations. Please see individual event information for details and ordering information. Repertoire and dates are subject to change.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Purchasing Tickets
Unless indicated otherwise in the event listings below, tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM’s Spring 2019 Major Events

January

8 p.m. Monday, Jan. 14
• Faculty Artist Series •
Kurt Sassmannshaus, violin
Anna Reider, violin
KayCee Galano, violin and viola
Boyun Li, viola
Ilya Finkelshteyn, cello
Featuring Mozart’s String Quintet in C Major, Spohr’s Duo for Two Violins and more.
Location: Robert J. Werner Recital Hall
Admission: FREE
____

8 p.m. Tuesday, Jan. 15
• Faculty Artist Series •
Dror Biran, piano
Featuring works by Chopin and Brahms.
Location: Robert J. Werner Recital Hall
Admission: FREE
____

8:30 p.m. Tuesday, Jan. 15
• Guest Artist Series •
Emily Levin, harp
Colin Davin, guitar
Emily Levin of the Dallas Symphony Orchestra joins Colin Davin in a concert of works by Manuel de Falla, Maurice Ravel, Dylan Mattingly and Will Stackpole.
Location: Watson Recital Hall
Admission: FREE
____

8 p.m. Wednesday, Jan. 16
• Faculty Artist Series •
Giora Schmidt, violin
Elena Kholodova, piano
Featuring works by Britten, Ravel, Fuchs and Fauré.
Location: Robert J. Werner Recital Hall
Admission: FREE
____

7:30 p.m. Friday, Jan. 18
BAMM-19
CCM Moving Light Programming II Course Project
Mark C. Williams, instructor and coordinator
Prepare to be dazzled by the spectacular creations of CCM’s talented stage lighting, technical production and sound students as they come together to present performance art of robotic lighting and technical systems integration in this biennial event!
Location: Cohen Family Studio Theater
Admission: FREE, but seating is limited and provided on a first-come, first-served basis.
____

5 p.m. Sunday, Jan. 20
• Faculty Artist Series •
THE PAT AND JULIE SHOW: THE COCKTAIL HOUR
Patricia Linhart, soprano
Julie Spangler, piano
Pat and Julie always supply their audience with something wild and crazy! Featuring songs from the stages of Broadway and cabaret tunes, plus music from new composers. Party favors will also be provided, so don’t miss it!
Location: Patricia Corbett Theater
Admission: FREE
____

8 p.m. Wednesday, Jan. 23
• Faculty Artist Series •
Dror Biran, piano
Alexandra “Sasha” Kazovsky, violin

Featuring sonatas by Prokofiev and Brahms.
Location: Robert J. Werner Recital Hall
Admission: FREE
____

7 p.m. Sunday, Jan. 27
• Faculty Artist Series •
Dror Biran, piano
Yehuda Hanani, cello
Rachel Calin, double bass
DEBUSSY: Sonata for Cello and Piano, L. 135
J.S. BACH: Suite No. 2 in D Minor, BWV 1008
RACHMANINOFF: Sonata in G Minor for Cello and Piano, Op. 19
ROSSINI: Duet for Cello and Double Bass in D Major
Location: Robert J. Werner Recital Hall
Admission: FREE
____

8 p.m. Monday, Jan. 28
• Faculty Artist Series •
IMPROVISATION ACROSS GENRES
James Bunte, saxophone
Michael Unger, harpsichord
Kim Pensyl, piano
Aaron Jacobs, bass
Rick VanMatre, saxophone
Featuring a newly commissioned piece for mixed media from CCM Commercial Music Production students. Additional works to be announced.
Location: Cohen Family Studio Theater
Admission: FREE
____

8 p.m. Tuesday, Jan. 29
• CCM String-Quartet-in-Residence •
BEETHOVEN, ZEMLINSKY AND BRAHMS
The Ariel Quartet
CCM’s award-winning string quartet-in-residence continues its 2018-19 concert series with a program featuring:
BEETHOVEN: String Quartet No. 16 in F Major, Op. 135
ZEMLINSKY: String Quartet No. 2 in D Major, Op. 15
BRAHMS: String Quartet No. 3, Op. 67
Location: Corbett Auditorium
Tickets: Purchase tickets online; $25 general, $15 non-UC students, UC students FREE.

The Ariel Quartet’s 2018-19 CCM concert series is made possible by the generous contributions of an anonymous donor, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. Randolph L. Wadsworth, Mr. and Mrs. Frank Bloom, Mr. and Mrs. J. David Rosenberg, Mr. and Mrs. Harry H. Santen, Elizabeth C. B. and Paul G. Sittenfeld, Mr. and Mrs. Thomas E. Stegman and Dr. and Mrs. Theodore W. Striker.
____

8 p.m. Wednesday, Jan. 30
NOTE: Rescheduled to 7 p.m. Sunday, Feb. 17
• Faculty Artist Series •
Ran Dank, piano
Location: Robert J. Werner Recital Hall
Admission: FREE
____

8 p.m. Wednesday, Jan. 30
NOTE: Rescheduled to 8 p.m. Monday, Feb. 18
• Faculty Artist Series •
Craig Bailey, saxophone
Playing music from the heart, Craig Bailey presents a recital of soul, ballads, be-bop and a taste of pop music.
Location: Patricia Corbett Theater
Admission: FREE
____

February

8 p.m. Friday, Feb. 1
• Guest Artist Series •
Martha Guth, soprano 
Graham Johnson, piano
Featuring music of Schubert, Fauré and Britten. Join us the following day at 2 p.m. in Mary Emery Hall 3250 for a master class with Graham Johnson featuring CCM voice and piano students.
Location: Robert J. Werner Recital Hall
Admission: FREE
____

8 p.m. Friday, Feb. 1
• Orchestra Series •
WEBER, BLACHER AND TCHAIKOVSKY
CCM Philharmonia
Aik Khai Pung, interim music director and conductor
WEBER: Overture to Euryanthe
BLACHER: Orchestral Variations on a Theme of Paganini
TCHAIKOVSKY: Symphony No. 6 in B Minor, Op. 73, “Pathétique”
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

8 p.m. Saturday, Feb. 2
• Percussion Series •
A TRIP TO TRINIDAD AND BACK
CCM Steel Drum Band
Russell Burge, music coordinator
An annual favorite! CCM’s Streel Drum Band presents an evening of traditional music of Trinidad, along with pop, folk and reggae compositions.
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

4 p.m. Sunday, Feb. 3
• Jazz Series •
GIVE IT ONE: THE BEST OF MAYNARD FERGUSON
CCM Jazz Orchestra
Scott Belck, conductor
Featuring guest artist Steve Patrick, trumpet

Nashville studio legend and trumpet virtuoso Steve Patrick joins the CCM Jazz Orchestra in this high-voltage concert of some of the most exciting music in big band history.
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

8 p.m. Tuesday, Feb. 5
• Winds Series •
ECHOES
CCM Wind Ensemble
Thomas Gamboa, music director and conductor

Music inspired by biblical drama, folk songs, festivals, other cultures and nature serves as the setting for this program featuring the many talented musicians of the CCM Wind Ensemble.
BERNSTEIN: “Profanation” from Symphony No. 1, Jeremiah
VAUGHAN WILLIAMS: Folk Song Suite
SCHUMAN: George Washington Bridge
HOVHANESS: Symphony No. 4, Op. 165
NELSON: Aspen Jubilee
Location: Corbett Auditorium
Admission: FREE
____

8 p.m. Wednesday, Feb. 6
• Winds Series •
RISING
CCM Wind Symphony
Kevin Michael Holzman, music director and conductor
An evening of inspiring works, including a new composition by alumna Jennifer Jolley, Gustav Holst’s timeless classic Hammersmith, and Ida Gotkovsky’s brilliantly virtuosic Poeme du feu.
HOLST: Hammersmith
JOLLEY: The Eyes of the World Are Upon You
BROWNE: Barnstorming Season
J.S. BACH: Passacaglia and Fugue in C Minor
WILLIAMS: Jedi Steps and Finale from Star Wars: The Force Awakens
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
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8 p.m. Thursday, Feb. 7
• Orchestra and Winds Series •
THE (NEO) BAROQUE KEYBOARD
CCM Chamber Orchestra
Kevin Michael Holzman, music director and conductor
Featuring faculty artist Michael Unger, harpsichord
The CCM Chamber Orchestra (formerly the Chamber Players and Café MoMus) performs an evening of works featuring the harpsichord and piano, highlighted by Richard Strauss’ Der Büger als Edelmann (Le bourgeois gentilhomme) Suite.
POULENC: Suite Française
J.S. BACH: Brandenburg Concerto No. 5, BWV 1050
STRAUSS: Le bourgeois gentilhomme Suite, Op. 60
Location: Robert J. Werner Recital Hall
Admission: FREE
____

8 p.m. Thursday, Feb. 7
• Jazz Series •
NOTHING BUT THE BLUES
CCM Jazz Lab Band
Craig Bailey, music director
This performance explores the evolution of blues, from swing to the present day.
Location: Corbett Auditorium
Admission: FREE
____

8 p.m. Friday, Feb. 8
8 p.m. Saturday, Feb. 9
2 p.m. Sunday, Feb. 10
• CCM Opera d’arte – Undergraduate Opera Series •
DIE FLEDERMAUS
Music and libretto by Johann Strauss
Kenneth Shaw, director
Amy Johnson, co-producer
Brett Scott, music director and conductor
Matthew Worth, assistant director
Updated to free and frivolous 1920s Vienna, this perennially popular operetta returns to CCM with its captivating melodies and a few wry surprises!
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at 12:30 p.m. on Monday, Feb. 4. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
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8 p.m. Friday, Feb. 8
• Orchestra Series •
CCM Concert Orchestra
Jiannan Cheng, interim music director and conductor

NICOLAI: Overture to The Merry Wives of Windsor
MOZART: Piano Concerto in C Major, K. 467/K. 503
SIBELIUS: Symphony No. 1 in E Minor, Op. 39
Location: Corbett Auditorium
Admission: FREE
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8 p.m. Monday, Feb. 11
• Winds Series •
BRASS SHOWCASE
CCM Brass Choir
Kevin Michael Holzman, music director and conductor

CCM’s nationally recognized Brass Choir performs classical, popular and folk selections, featuring brass ensembles large and small, consisting of students from the CCM horn, trumpet, trombone, tuba/euphonium and percussion studios.
Location: Corbett Auditorium
Admission: FREE
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8 p.m. Monday, Feb. 11
• Faculty Artist Series •
LOVE: PICTURES AND PUZZLEMENTS
Quinn Patrick Ankrum, mezzo-soprano
Michael Unger, harpsichord, organ and fortepiano
Featuring works for voice and keyboard by Carl Philipp Emanuel Bach, François Couperin, Mozart, Barbara Strozzi and more.
Location: Robert J. Werner Recital Hall
Admission: FREE
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7 p.m. Tuesday, Feb. 12
• Faculty Artist Series •
CCM Faculty Jazztet
CCM’s world-famous jazz faculty artists show off their skills with a set of cool charts and blazing solos!
Location: Caffè Vivace, 975 E. McMillan St. Cincinnati, OH 45206
Admission: FREE
____

8 p.m. Tuesday, Feb. 12
A VIEW FROM THE EDGE
A showcase of music by CCM student composers.
Location: Cohen Family Studio Theater
Admission: FREE
____

8 p.m. Wednesday, Feb. 13 (preview)
8 p.m. Thursday, Feb. 14
8 p.m. Friday, Feb. 15
2 p.m. Saturday, Feb. 16
8 p.m. Saturday, Feb. 16
2 p.m. Sunday, Feb. 17
• Mainstage Acting Series •
OUR COUNTRY’S GOOD
By Timberlake Wertenbaker
Based on the novel The Playmaker by Thomas Keneally
Susan Felder, director
Set in Botany Bay in 1789, Our Country’s Good is a darkly comedic tale based on the true story of Australia’s first theatrical performance. A marine lieutenant decides to put on a play to celebrate the king’s birthday. He casts the play with convicts who populate an Australian prison camp. Few of them can read, let alone act, and the play is produced against a background of food shortages and barbaric prison punishments. Our Country’s Good is an inspiring tribute to the transforming power of drama. For mature audiences.
Location: Patricia Corbett Theater
Tickets: Purchase tickets online. Prices start at $28; discounts available for UC and non-UC students. Preview performance tickets start at $15.

Mainstage Season Production Sponsor: Macy’s

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6 p.m. Friday, Feb. 15
• Guest Artist Series •
Antonio Pompa-Baldi, piano
Featuring works by Grieg, Piana, Liszt and Poulenc. Join us after the performance for a master class featuring CCM piano students.
Location: Robert J. Werner Recital Hall
Admission: FREE

Sponsored by Louis and Susan Meisel
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4 p.m. Sunday, Feb. 17
• Choral Series •
ORFF AND STRAVINSKY AND DOVE
CCM Chamber Choir and Chorale, Cincinnati Youth Choir Bel Canto, and UC Men’s and Women’s Choruses
Featuring faculty artists Dror Biran and James Tocco, piano, with student vocal soloists, pianists and percussionists
Earl Rivers, Brett Scott and Robyn Lana, Matthew Coffey and Molly Getsinger conductors

An afternoon of spirited and romantic cantatas by master composers. Carl Orff’s Catulli Carmina, a cantata of poems by the Roman poet Catullus (87-54 B.C.), sketches the story of the poet’s passion for the promiscuous Clodia (Lesbia). The program features two masterworks: Jonathan Dove’s The Passing of the Year (2000) and Igor Stravinsky’s Les Noces (The Wedding; Russian: Svadebka) (1923). The 20-minute The Passing of the Year features double chorus and piano in settings of poetry by Blake, Dickinson, Peele, Nashe and Tennyson performed by the CCM Chorale. The 24-minute Les Noces captures the essence of a Russian peasant wedding and post-wedding party with four pianos, six percussionists playing 17 instruments, vocal soloists and chorus. Performers include faculty pianists Dror Biran and James Tocco, along with student pianists Seunghun Jeong and Curtis Pavey; student percussionists Brandon Dodge, Joel Garza, Evan Grover, Mason Harwell, Ryan Thomas and Xinyi Zheng; student voice majors Anne Barr, soprano, Mia Athey, mezzo soprano, Salvatore Atti, tenor and Daren Small, bass-baritone; and the CCM Chamber Choir. Cincinnati Youth Choir and the UC Men’s and Women’s Choruses offer a variety of choral miniatures highlighting American composers Libby Larsen, Jake Runestad and Timothy Takach.
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
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8 p.m. Monday, Feb. 18
• Faculty Artist Series •
Awadagin Pratt, piano
Kyung Sun Lee, violin
Featuring the complete violin sonatas of Brahms.
Location: Robert J. Werner Recital Hall
Admission: FREE
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8 p.m. Tuesday, Feb. 19
• Faculty Artist Series •
Amit Even-Tov, cello
Alexandra “Sasha” Kazovsky, violin
Soyeon Kate Lee, piano
Location: Robert J. Werner Recital Hall
Admission: FREE
____

6 p.m. Friday, Feb. 22
• Guest Artist Series •
Michael Hall, viola
Location: Mary Emery Hall, Room 3250
Admission: Free
____

8 p.m. Friday, Feb. 22
8 p.m. Saturday, Feb. 23
2 p.m. Sunday, Feb. 24
• Studio Opera Series •
DINNER AT EIGHT
Music by William Bolcom
Libretto by Mark Campbell
Daniel Mallampalli, conductor
Audrey Chait, director

Dinner at Eight is a comic opera by composer William Bolcom and librettist Mark Campbell, based on the play by George S. Kaufman and Edna Ferber. It is a Depression-era comedy of manners in which the wife of a once-affluent shipping magnate plans a society dinner for an assortment of wealthy or well-born acquaintances. Eventually, the guests’ tangled and intimate connections to one another are revealed. The original play opened in 1932 on Broadway at the Music Box Theater, and inspired a star-studded film adaptation the following year.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at 12:30 p.m. on Monday, Feb. 18. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order. 

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal
Opera Production Sponsor: Genevieve Smith
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7:30 p.m. Saturday, Feb. 23
• Jazz Series •
ESSENTIALLY ELLINGTON FESTIVAL: GALA CONCERT
Scott Belck, music director

CCM’s annual Essentially Ellington Festival, sponsored by Wynton Marsalis’ Jazz at Lincoln Center, returns in full swing! The daylong event features the region’s top high school jazz ensembles, and the gala concert will feature the CCM Jazz Orchestra with a special guest artist from the Jazz at Lincoln Center Orchestra.
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
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7:30 p.m. Monday, Feb. 25
• Faculty Artist Series •
Gi Yeon Koh, violin and viola
Jiwon Han, piano
STRAVINSKY: Suite Italienne
RESPIGHI: Sonata for Violin and Piano in B Minor
PROKOFIEV: Suite from Romeo and Juliet
GRIEG: Sonata for Viola and Piano in A Minor
Location: Memorial Hall OTR, 1225 Elm St., Cincinnati, OH 45202
Admission: FREE
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CANCELED
7 p.m. Tuesday, Feb. 26

• Faculty Artist Series •
COMMERCIAL MUSIC PRODUCTION FACULTY RECITAL
Please join the CMP faculty for an evening of original music and arrangements, featuring Tom Haines, Dan Karlsberg, Ric Hordinski, Brad Myers, Nick Fryer, Ellen Graham and special guests.

Location: Robert J. Werner Recital Hall
Admission: FREE
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8 p.m. Wednesday, Feb. 27
• Orchestra and Winds Series •
AN ENTERTAINMENT
CCM Chamber Orchestra
Kevin Michael Holzman, music director and conductor

The CCM Chamber Orchestra (formerly the Chamber Players and Café MoMus) performs theatrical chamber music from a wide variety of inspirations.
STRAVINSKY: Octet for Wind Instruments
WALTON: Façade, An Entertainment
STRAVINSKY: L’Histoire du Soldat
Location: Patricia Corbett Theater
Admission: FREE
____

March

8 p.m. Friday, March 1
• Orchestra Series •
¡VIVA ESPAÑA!
CCM Philharmonia
Aik Khai Pung, interim music director and conductor
CHABRIER: España
LALO: Symphonie espagnole, Op. 21
FALLA: El Sombrero de Tres Picos
Location: Patricia Corbett Theater
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE
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7 p.m. Saturday, March 2
• Starling Series •
Starling Chamber Orchestra
Kurt Sassmannshaus, music director
Showcasing the superbly talented young students from the Starling Preparatory String Project performing Brahms’ Violin Concerto with soloist Skye Park and Bartók’s Divertimento for String Orchestra.
Location: Robert J. Werner Recital Hall
Admission: FREE
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8 p.m. Saturday, March 2
• Winds Series •
THE WINDS OF NAGUAL
CCM Wind Symphony
Kevin Michael Holzman, music director and conductor
Featuring emeritus faculty artist Rick VanMatre, saxophone
The CCM Wind Symphony performs an evening of music from a broad spectrum of styles and inspirations, featuring the epic Winds of Nagual by Michael Colgrass and faculty artist Kim Pensyl’s Saxophone Concerto.
VAUGHAN WILLIAMS: Toccata Marziale
RODRIGO: Adagio para instrumentos de viento
PENSYL: Concerto for Saxophone and Wind Orchestra (“Moving Formations”)
COLGRASS: The Winds of Nagual
Location: Patricia Corbett Theater
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE
____

4 p.m. Sunday, March 3
• Winds Series •
SERENADES
CCM Chamber Winds
Kevin Michael Holzman, music director and conductor
Consisting of beautiful serenades for wind instruments and highlighted by Beethoven’s classic Octet, this concert will thrill and delight.
HARTMANN: Serenade, Op. 43
WOOLFENDEN: Serenade for Sophia
BEETHOVEN: Octet, Op. 103
Location: Robert J. Werner Recital Hall
Admission: FREE
____

4 p.m. Sunday, March 3
• Guest Artist Series •
Andrew Henderson, organ
CCM welcomes Andrew Henderson, Chair of the Organ Department at the Manhattan School of Music, for a special guest artist performance presented in collaboration with the Covenant-First Presbyterian Church Organ Festival. Henderson will also host a master class from 10 a.m. to noon on Monday, March 4 at Covenant-First Presbyterian Church.
Location: Covenant-First Presbyterian Church, 717 Elm St., Cincinnati, OH 45202
Admission: FREE
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8 p.m. Tuesday, March 5
• Winds Series •
FACT OR FICTION?
CCM Wind Ensemble
Thomas Gamboa, music director and conductor

This repertoire reflects historical figures and locations as well as fictional stories inspired by musical theatre, ballet, Javanese gamelan and ancient mythology.
WAGNER: Huldigungsmarsch
DEBUSSY: La Cathédrale engloutie
SPARKE: Dance Movements
HAHN: Le bal de Béatrice d’Este
NIXON: Fiesta del Pacifico
Location: Patricia Corbett Theater
Admission: FREE
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8 p.m. Thursday, March 7
8 p.m. Friday, March 8
2 and 8 p.m. Saturday, March 9
• Studio Dance Series •
DANCE STUDENT CHOREOGRAPHERS SHOWCASE
Judith Mikita, director
Come experience the next generation of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at 12:30 p.m. on Monday, March 4. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
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8 p.m. Thursday, March 7
8 p.m. Friday, March 8
2 p.m. Saturday, March 9
8 p.m. Saturday, March 9
2 p.m. Sunday, March 10
• Mainstage Musical Theatre Series •
THE HUNCHBACK OF NOTRE DAME
Music by Alan Menken
Lyrics by Stephen Schwartz
Book by Peter Parnell
Based on the Victor Hugo novel and songs from the Disney film
Originally developed by Disney Theatrical Productions
Aubrey Berg, director
Stephen Goers, musical director
Katie Johannigman, choreographer
Based on the 1831 Victor Hugo novel with songs from the Disney animated feature, The Hunchback of Notre Dame begins as bells sound through the famed cathedral in 15th-century Paris. Quasimodo, the deformed bell-ringer, observes all of Paris reveling in the Feast of Fools, but he is held captive by his devious caretaker, the archdeacon Dom Claude Frollo. He escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though — the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies and it’s up to Quasimodo to save them all. In 1999, the musical premiered as Der Glöckner von Notre Dame in Berlin. Parental discretion is advised. Victor Hugo’s novel contains mature themes and situations, which may be distressing for young viewers.
Location: Corbett Auditorium
Tickets: Purchase tickets online. Prices start at $32; discounts available for UC and non-UC students. 

Mainstage Season Production Sponsor: Macy’s
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8 p.m. Friday, March 8
• Orchestra Series •
CCM Concert Orchestra
Jiannan Cheng, interim music director
Ken Lam, guest conductor from Charleston Symphony Orchestra
SMETANA: Overture to The Bartered Bride
DVORÁK: Cello Concerto in B Minor, Op. 104
SCHUMANN: Symphony No. 4 in D Minor, Op. 120
Location: Patricia Corbett Theater
Admission: FREE
____

5 p.m. Saturday, March 9
• Starling Series •
STARLING SHOWCASE
Kurt Sassmannshaus, music director
Fanting Chen, Erica Nam and Christina Nam, soloists
Showcasing Starling violin students from the college and pre-college programs performing concertos for violin and orchestra.
BEETHOVEN: Violin Concerto
MENDELSSOHN: Violin Concerto
SIBELIUS: Violin Concerto
Location: Robert J. Werner Recital Hall
Admission: FREE
____

4 p.m. Sunday, March 10
• Choral Series •
SIMPLY SCHUBERT
CCM Chorale
Brett Scott, music director and conductor
Selections by the CCM Chorale will include choral pieces, quartets and solo songs by Franz Schubert.
Location: Robert J. Werner Recital Hall
Admission: FREE
____

8 p.m. Tuesday, March 12
• Winds Series •
BRASS SHOWCASE
CCM Brass Choir
Kevin Michael Holzman, music director and conductor

CCM’s nationally recognized Brass Choir performs classical, popular and folk selections, featuring brass ensembles large and small consisting of students from the CCM horn, trumpet, trombone, tuba/euphonium and percussion studios.
Location: Corbett Auditorium
Admission: FREE
____

7 p.m. Wednesday, March 13
7 p.m. Thursday, March 14
7 p.m. Friday, March 15
• Studio Acting Series •
TRANSMIGRATION 2019
A Festival of Student-Created New Works
Richard E. Hess and Brant Russell, producers
TRANSMIGRATION, so named for “the movement from one place to another” or “the transition from one state of being to another,” is a festival of new works created by the students in CCM Acting. Six teams of actors craft and perform five original 30-minute shows. Performed simultaneously in different locations throughout CCM Village, TRANSMIGRATION will allow the audience to sample four different new works of their choosing in one spectacular evening. “Thanks to the [Acting] program at UC’s College-Conservatory of Music, theatre fans were offered a jolt of onstage vitality,” observed CityBeat’s Rick Pender.
Location:
CCM Village
Admission: Admission is free, but reservations are required. Tickets become available at 12:30 p.m. on Monday, March 11. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
____

8 p.m. Wednesday, March 13
• Choral Series •
OLD AND NEW
UC Men’s and Women’s Choruses
Matthew Coffey and Molly Getsinger, conductors
Comprised of students from all 14 of UC’s colleges, the UC Men’s and Women’s Choruses and Cabaret Singers present the music of Arneson, Copland, Ramsey, Schubert, Szymko and Tormis.
Location: Patricia Corbett Theater
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

NEW TIME 2 and 5 p.m. Saturday, March 16
CCM MUSICAL THEATRE SENIOR SHOWCASE
Created and performed by the Class of 2019 in Musical Theatre
See and hear our musical theatre “stars of tomorrow” in action at the 27th edition of the “Not Famous Yet” showcase, featuring the Class of 2019 prior to its New York City debut.
Location: Patricia Corbett Theater
Admission: Admission is free, but reservations are required. Tickets become available at 12:30 p.m. on Monday, March 11. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
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8 p.m. Thursday, March 14
• Jazz Series •
GREAT BIG BANDS: PAST AND PRESENT
CCM Jazz Lab Band
Craig Bailey, music director
Featuring the tunes of Count Basie, Duke Ellington, Maria Schneider, Gerald Wilson, Duke Pearson and more!
Location: Corbett Auditorium
Admission: FREE
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8 p.m. Thursday, March 14
• Orchestra and Winds Series •
PIERROT, PELLÉAS ET MÉLISANDE
CCM Chamber Orchestra
Kevin Michael Holzman, music director and conductor

The CCM Chamber Orchestra (formerly the Chamber Players and Café MoMus) performs famous works of iconic composers of the 20th century.
SIBELIUS: Pelléas et Mélisande Suite
SCHOENBERG: Pierrot lunaire
Location: Cohen Family Studio Theater
Admission: FREE
____

7 p.m. Friday, March 15
CCM MUSICAL THEATRE SENIOR SHOWCASE
A CCMpower Benefit
Created and performed by the Class of 2019 in Musical Theatre
CCMpower
invites you to see our musical theatre “stars of tomorrow” in action at the 27th edition of the “Not Famous Yet” showcase featuring the Class of 2019 prior to their New York City debut. The annual CCM Musical Theatre Young Alumni Award will be presented at the showcase.
Location: Patricia Corbett Theater
Tickets: Special ticket pricing and limited seating. For more information, call CCM External Relations at 513-556-2100.
____

11:30 a.m.-6 p.m. Saturday, March 16
OPERA SCHOLARSHIP COMPETITION
Experience tomorrow’s opera stars today as CCM hosts its prestigious national competition, featuring current and new students vying for tuition scholarships and cash awards.
Location: Corbett Auditorium
Admission: FREE
____

NEW TIME 2 p.m. Sunday, March 17
• CCM Ensemble-in-Residence •
CELEBRATE YOUTH
Cincinnati Youth Choir
Robyn Lana, music director

Building tomorrow’s leaders, one voice at time, the Cincinnati Youth Choir sings of growth, encouragement and unity through new commissions and music from around the globe.
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

8 p.m. Tuesday, March 26
• CCM String-Quartet-in-Residence •
BEETHOVEN, SCHUMANN AND BRAHMS
The Ariel Quartet
Featuring guest artist Yura Lee, viola
BEETHOVEN: String Quartet No. 5 in A Major, Op. 18
SCHUMANN: String Quartet No. 1, Op. 41
BRAHMS: String Quintet No. 2 in G Major, Op. 111
Location: Corbett Auditorium
Tickets: Purchase tickets online; $25 general, $15 non-UC students, UC students FREE.

The Ariel Quartet’s 2018-19 CCM concert series is made possible by the generous contributions of an anonymous donor, The Estate of Mr. William A. Friedlander, Mrs. William A. Friedlander, Dr. and Mrs. Randolph L. Wadsworth, Mr. and Mrs. Frank Bloom, Mr. and Mrs. J. David Rosenberg, Mr. and Mrs. Harry H. Santen, Elizabeth C. B. and Paul G. Sittenfeld, Mr. and Mrs. Thomas E. Stegman and Dr. and Mrs. Theodore W. Striker.
____

8 p.m. Thursday, March 28
• Winds Series •
DARE TO DREAM AND DANCE
CCM Wind Ensemble
Thomas Gamboa, music director and conductor

An evening of fantastical dance music from various time periods and locations including the United States, France and England.
DUKAS: Fanfare pour préceder La Péri
BALMAGES: Fanfare Canzonique
WOOLFENDEN: Suite Française
GRAHAM: Harrison’s Dream
BRITTEN: Courtly Dances from Gloriana
BENNETT: Suite of Old American Dances
Location: Corbett Auditorium
Admission: FREE
____

2 and 7 p.m. Friday, March 29
CCM ACTING SENIOR SHOWCASE
Enjoy the talents of the CCM Acting Class of 2019 in its exciting industry showcase prior to its professional debut in New York and Los Angeles. The evening performance will be followed by the 16th annual DOLLY awards recognizing excellence by students in the Acting Department, as well as a reception in the Baur Room.
Location: Robert J. Werner Recital Hall
Admission: FREE
____

8 p.m. Friday, March 29
• Winds Series •
CLASSICS AND DIVERSIONS
CCM Wind Symphony
Kevin Michael Holzman, music director and conductor
Featuring the Cincinnati Youth Wind Ensemble (CYWE) and CCM faculty artists Timothy Anderson, trombone, and Demarre McGill, flute

The CCM Wind Symphony performs a concert featuring Gustav Holst’s classic Hammersmith alongside thrilling newer works by Adam Gorb and Joel Pucket, featuring a world premiere by CCM composition contest winner Julien Monick.
MONICK: Mosaics of Painted Glass
PUCKETT: The Shadow of Sirius
GORB: Downtown Diversions for Trombone and Wind Symphony
HOLST: Hammersmith
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

1:30 p.m. Friday, March 29
• The Joseph and Frances Jones Poetker Thinking About Music Lecture Series •
FRAUGHT ADJACENCIES: THE POLITICS OF GERMAN ELECTRONIC MUSIC
Jennifer Iverson, University of Chicago

Electronic music has been understood as continuing the aesthetic progress of Western art music — and yet, electronic studios are heterogeneous, blending technologies and personnel from science, military engineering, radio and “low art.” In this talk, three vignettes illuminate the network that embeds German electronic music from the 1920s through the 1960s.
Location: Baur Room
Admission: FREE
____

4 p.m. Saturday, March 30
• Orchestra and Choral Series •
BACK TO BAROQUE
CCM Philharmonia and Chamber Choir

Earl Rivers, conductor
The combined CCM Philharmonia and Chamber Choir present Handel’s Zadok the Priest, composed in 1727 for the coronation of King George II, and J.S. Bach’s Magnificat BWV 243, composed in 1723 for Bach’s first Christmas in Leipzig. The Philharmonia performs J.S. Bach’s Brandenburg Concerto No. 4 in G Major and Handel’s Water Music in F Major.
Location: Patricia Corbett Theater
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

April

8 p.m. Tuesday, April 2
A VIEW FROM THE EDGE
A showcase of music by CCM student composers.
Location: Patricia Corbett Theater
Admission: FREE
____

8 p.m. Tuesday, April 2
Classical Guitar Ensemble
Clare Callahan, director
Solos, duos, trios and quartets for classical guitar.
Location: Robert J. Werner Recital Hall
Admission: FREE
____

8 p.m. Thursday, April 4
8 p.m. Friday, April 5
2 and 8 p.m. Saturday, April 6
• Studio Musical Theatre Series •
YEAST NATION
Book and lyrics by Greg Kotis
Music and lyrics by Mark Hollmann
Vincent DeGeorge, director and choreographer
Henry Lewers, musical director
In the year 3,000,458,000 B.C., the salt-eating yeasts are the only living creatures on earth, and they’re up against a food shortage, a strange new emotion called “love” and the oppression of a tyrannical king. When the king’s dreamer of a son ventures out of the known yeastiverse, the yeasts’ story – and ours – is changed forever. An area premiere from the creators of Urinetown and The Sting.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at 12:30 p.m. on Monday, April 1. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
____

NEW TIME: 4 p.m. 7 p.m. Sunday, April 7
• Piano Series •
PIANO-POW-LOOZA: DELIGHTFUL MINIATURES
Tickle your fancy with a variety of selections that showcase CCM’s award-winning piano students at one, two and three pianos. There’s something for everyone at this annual fan-favorite concert!
Location: Robert J. Werner Recital Hall
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

8 p.m. Tuesday, April 9
SONIC EXPLORATIONS
Mara Helmuth, music director
Featuring an evening of electroacoustic and computer music by CCM students, faculty and guests.
Location: Cohen Family Studio Theater
Admission: FREE
____

8 p.m. Wednesday, April 10
• Winds Series •
CHARACTERISTIC WORKS FOR WINDS
CCM Chamber Winds
Kevin Michael Holzman, music director and conductor

Join us for a thrilling concert of rarely-performed music for winds.
BEETHOVEN: Rondino
PÄRT: Fratres
SPOHR: Notturno, Op. 34
FRANÇAIX: Neuf pièces caractéristiques
Location: Patricia Corbett Theater
Admission: FREE
____

8 p.m. Thursday, April 11
• Orchestra Series •
CCM Concert Orchestra
Jiannen Cheng, interim music director and conductor
BARBER: Overture to “The School for Scandal”
GARRETT GEORGE: Premiere (winner of the 2018 CCM Composition Competition)
BEETHOVEN: Symphony No. 6 in F Major, Op. 68
Location: Patricia Corbett Theater
Admission: FREE
____

8 p.m. Friday, April 12
8 p.m. Saturday, April 13
2 p.m. Sunday, April 14
• Mainstage Opera Series •
LA CLEMENZA DI TITO
(THE CLEMENCY OF TITUS)
Music by Wolfgang Amadeus Mozart
Libretto by Caterino Mazzolà

Jiannan Cheng, conductor
Robin Guarino, director
Mozart’s last opera seria displays some of his most memorable and marvelous arias! The story centers on Roman emperor Titus (Tito) who must choose a wife, but is unable to find a suitable match. In his search for an empress, Tito narrowly avoids an assassination plot instigated by his protégé Sesto and the former emperor’s daughter, Vitellia, who wants the throne for herself. Caught between his duty and his heart, the emperor must choose whether to rule with mercy or with an iron fist.
Location: Corbett Auditorium
Tickets: Purchase tickets online. Prices start at $32; discounts available for UC and non-UC students.

 Mainstage Season Production Sponsor: Macy’s

____

11 a.m. Saturday, April 13
THEATRE DESIGN AND PRODUCTION STUDENT PORTFOLIO SHOWCASE
Come see the spectacular work of CCM’s talented senior and graduate Theatre Design and Production (TD&P) students as they highlight their portfolios, website and designs in this annual event! A gala event will follow the showcase from 6-8:30 p.m.
Location: Patricia Corbett Theater
Admission: FREE
____

5 p.m. Saturday, April 13
• Starling Series •
STARLING SHOWCASE
Kurt Sassmannshaus, music director
KayCee Galano, Lilyanne Thoroughman, Christy Kim, Ryan Cheng, and more, soloists
Showcasing Starling violin students from the college and pre-college programs performing concertos for violin and orchestra.
Location: Robert J. Werner Recital Hall
Admission: FREE
____

8 p.m. Saturday, April 13
CCM Percussion Ensemble
James Culley, music coordinator
The CCM Percussion Ensemble performs chamber works for percussion from Cage and Hovhaness, through DeSantis, Udow and Andriessen, to King Crimson.
Location: Cohen Family Studio Theater
Admission: FREE
____

7 p.m. Sunday, April 14
• Orchestra and Jazz Series •
FANTASIA BRASILEIRA
CCM Philharmonia and Jazz Orchestra
Featuring guest artist Jovino Santos Neto, piano
Scott Belck and Aik Khai Pung, music directors and conductors
The seductive soundscape of enchanted Brazil comes to life in this evening of cool Brazilian music for orchestra and jazz ensemble. Featuring three-time Latin Grammy nominee Jovino Santos Neto, a master pianist and composer.
Location: Patricia Corbett Theater
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

7 p.m. Sunday, April 14
Classical Guitar Chamber Music
Clare Callahan, director
An evening of music for guitar with cello, flute and voice, and other combinations.
Location: Watson Hall
Admission: FREE
____

8 p.m. Tuesday, April 16
• Orchestra and Winds Series •
MODERN CHAMBER SYMPHONIES
CCM Chamber Orchestra
Aik Khai Pung, music director and conductor
HAGEN: Chamber Symphony (2003)
ZWILICH: Chamber Symphony (1979)
ADAMS: Son of a Chamber Symphony (2007)
Location: Cohen Family Studio Theater
Admission: FREE
____

8 p.m. Friday, April 19
• Winds Series •
BRASS SHOWCASE
CCM Brass Choir
Kevin Michael Holzman, music director and conductor

CCM’s nationally recognized Brass Choir performs classical, popular and folk selections, featuring brass ensembles large and small consisting of students from the CCM horn, trumpet, trombone, tuba/euphonium and percussion studios.
Location: Corbett Auditorium
Admission: FREE
____

8 p.m. Saturday, April 20
• Jazz Series •
CCM Student Jazz Combos and Faculty Artists
Tia Fuller, guest artist
Scott Belck, music director

A well-respected bandleader and educator, Tia Fuller is a professor at the Berklee College of Music and a nationally-touring artist. She was the featured saxophone soloist in Beyoncé’s band from 2006-10, and recently released Diamond Cut, a new album that features collaborations with Terri Lyne Carrington, Jack DeJohnette and Dave Holland.
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

7:30 p.m. Wednesday, April 24
• Choral Series •
CHORAL CLASSICS
CCM Chamber Choir
Earl Rivers, music director and conductor

The CCM Chamber Choir and strings present 20th and 21st century choral classics — John Corigliano’s Fern Hill and Ēriks Ešenvalds’ In Paradisum — contrasted with one-on-a-part chamber ensembles performing J.S. Bach’s motet Der Geist hilft BWV 226, Monteverdi’s madrigal Altri Canti di Marte / Due belli occhi and Vaughan Williams’ Serenade to Music.
Location: Dieterle Vocal Arts Center Room 300
Admission: FREE
____

8 p.m. Wednesday, April 24
• Winds Series •
OUR STORY
CCM Wind Ensemble
Thomas Gamboa, music director and conductor
Featuring CCM student trumpet and violin soloists

Every piece of music has a story of its own. This program conveys various stories, folklore and cultures, drawing inspiration from Chinese traditions, Scottish dances and 20th century composition techniques.
FILLMORE: Americans We
STEPHENSON: The Storyteller
HEBEL: Tides Within
CHEN YI: Dragon Rhyme
ARNOLD: Four Scottish Dances
Location: Corbett Auditorium
Admission: FREE
____

8 p.m. Thursday, April 25
8 p.m. Friday, April 26
2 p.m. and 8 p.m. Saturday, April 27
• Studio Acting Series •
ASSOCIATION OF CONTROLLED DREAMERS
Written by MJ Kaufman
Brant Russell, director
A young, charismatic senator pursues policies that could have long-lasting repercussions for public education. A group of college students tries every technique available to them to change his mind, from occupying his lawn to collective lucid dreaming. What is the nature of activism? How do we hold legislators accountable? And what is the young senator’s mysterious twin up to?
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at 12:30 p.m. on Monday, April 22. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.
____

8 p.m. Friday, April 26
2 p.m. Saturday, April 27
8 p.m. Saturday, April 27
2 p.m. Sunday, April 28
• Mainstage Dance Series •
CINDERELLA
Karen Russo Burke, guest choreographer
Michael Tevlin, ensemble director
Celebrate spring’s arrival with a fully staged fairytale ballet choreographed by guest artist Karen Russo Burke, Artistic Director of the Dayton Ballet. A poor girl wishes to escape the authoritarian rule of her evil stepmother and stepsisters, so her fairy godmother gives her a ticket to the ball! The girl meets Prince Charming and they fall in love, but she vanishes when the clock strikes midnight. Set to Sergei Prokofiev’s memorable score, Cinderella is known for its jubilant melodies, lush scenery and graceful retelling of the timeless romance by Charles Perrault.
Location: Patricia Corbett Theater
Tickets: Purchase tickets online. Prices start at $28; discounts available for UC and non-UC students.

Mainstage Production Sponsor: Macy’s
____

8 p.m. Friday, April 26
• Orchestra Series •
STRAUSS, BARTÓK AND BEETHOVEN
CCM Philharmonia
Aik Khai Pung, interim music director
Neil Varon, guest conductor from Eastman School of Music
STRAUSS: Till Eulenspiegel lustige Streiche, Op. 28
BARTÓK: Piano Concerto
BEETHOVEN: Symphony No. 7 in A Major, Op. 92
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

7 p.m. Saturday, April 27
• Starling Series •
Starling Chamber Orchestra
Kurt Sassmannshaus, music director
Showcasing the superbly talented young students from the Starling Preparatory String Project and featuring violin soloist Christina Nam in Mozart’s Violin Concerto No. 5 in A Major and Tchaikovsky’s String Serenade.
Location: Robert J. Werner Recital Hall
Admission: FREE
____

8 p.m. Saturday, April 27
• Winds Series •
LONTANO
CCM Wind Symphony
Kevin Michael Holzman, music director and conductor
Featuring guest artist Steve Houghton, percussion

Featuring faculty artist James Bunte, saxophone
Join the CCM Wind Symphony for its 2018-19 season finale, featuring internationally acclaimed jazz percussionist Steve Houghton in a concerto by CCM faculty artist Steve Allee, and faculty artist James Bunte performing John Mackey’s dazzling Concerto for Soprano Saxophone. Highlights include a work by faculty composer Miguel Roig-Francolí, and Michael Martin’s stunning new Symphony.
ROIG-FRANCOLÍ: A Tale of Madness (Folía)
MACKEY: Concerto for Soprano Saxophone and Wind Ensemble
ALLEE: Passages
MARTIN: “Lontano” Symphony for Wind Ensemble
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

4 p.m. Sunday, April 28
• Winds Series •
CLASSICS FOR WINDS
CCM Chamber Winds
Kevin Michael Holzman, music director and conductor

The final concert of CCM Wind Studies 2018-19 season showcases classics from well-known European composers.
DONIZETTI: Sinfonia for Winds
UHL: Drei Tanzstücke
PASCAL: Octuor
GÁL: Divertimento
Location: Robert J. Werner Recital Hall
Admission: FREE
____

7 p.m. Sunday, April 28
• Jazz Series •
THE VOCAL STYLING OF CARLA COOK
CCM Jazz Lab Band
Craig Bailey, music director
Grammy-nominated jazz vocalist Carla Cook joins the CCM Jazz Lab Band for an evening of classic jazz favorites honoring the legacy of Nancy Wilson, Dinah Washington, Ella Fitzgerald and other great jazz vocalists.
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

7 p.m. Monday, April 29
• CCM Preparatory and Community Engagement •
Cincinnati Youth Wind Ensemble and Jr. Youth Wind Ensemble
Ann Porter, Kevin Michael Holzman, Thomas Gamboa, Christopher Nichter and Rick Canter, conductors

The area’s most talented middle school and high school instrumentalists perform traditional and contemporary band music.
Location: Corbett Auditorium
Admission: FREE
____

May

8 p.m. Wednesday, May 1
University of Cincinnati Symphony Orchestra
Robert Stull, music director and conductor

Comprised of non-music majors, UC’s campus orchestra is designed to provide students with an opportunity to share their love of great music from the orchestral repertoire.
Location: Corbett Auditorium
Admission: FREE
____

8 p.m. Wednesday, May 1
• CCM Preparatory and Community Engagement •
Preparatory Brass Choir
Paul Hillner, director
Location: Robert J. Werner Recital Hall
Admission: FREE
____

7 p.m. Thursday, May 2
• Winds Series •
UC Bearcat Bands
Christopher Nichter, music director
Join the UC Bearcat Bands for a thrilling evening of music. Consisting primarily of students majoring in fields outside music, these future musical citizens are sure to impress and inspire!
Location: Corbett Auditorium
Admission: FREE
____

7:30 p.m. Friday, May 3
7:30 p.m. Saturday, May 4
• CCM Preparatory and Community Engagement •
SPRING YOUTH BALLET CONCERT
Jonnie Lynn Jacobs-Percer, director
The CCM Youth Ballet Companies feature talented students from ages nine through adult, performing traditional and contemporary works choreographed by CCM and CCM Prep faculty.
Location: Patricia Corbett Theater
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

2 and 5 p.m. Sunday, May 5
• CCM Ensemble-in-Residence •
A MELODIOUS JOURNEY
Cincinnati Youth Choir

Robyn Lana, music director

The Cincinnati Youth Choir, including CCM resident choirs and community choirs continue to sing for the future featuring songs of life, love and laughter.
Location: Corbett Auditorium
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

7 p.m. Thursday, May 9
7 p.m. Friday, May 10
3 p.m. Saturday, May 11
• CCM Preparatory and Community Engagement •
GODSPELL JR.
Becca Kloha Strand, Rebecca N. Childs and Karie-Lee Sutherland, co-directors
CCM’s Junior Musical Theatre Intensive provides a challenging and disciplined educational experience for students ages 9-14 with a special interest in musical theatre. Join the students for their spring performance as they showcase what they’ve learned this year!
Location: Cohen Family Studio Theater
Tickets: Purchase tickets online; $15 general, $10 non-UC students, UC students FREE.
____

3 p.m. Sunday, May 12
• CCM Preparatory and Community Engagement •
Cincinnati Junior Strings
Rachel Bierkan, director

The area’s finest young string musicians perform a concert of music composed and arranged for string orchestra.
Location: Corbett Auditorium
Admission: FREE
____________________

Sponsors and Partners

CCM recognizes and thanks the following corporations, foundations and individuals for their generous support:

Louise Dieterle Nippert Trust
Scholarship and Resident Artist Sponsor

The Andrew W. Mellon Foundation

CCM/CSO Diversity Fellowship Sponsor and Opera Fusion: New Works Sponsor

The Corbett Endowment at CCM
Dance Department Supporter & All-Steinway School Sponsor

ArtsWave
H. Wayne Ferguson Family Foundation
Community Partners

Macy’s
Mainstage Season Production Sponsor

Mr. & Mrs. Edward S. Rosenthal
Opera Department Sponsor

Elizabeth C. B. & Paul G. Sittenfeld
Musical Theatre Senior Showcase Sponsor

Dr. & Mrs. Carl Fischer
Musical Theatre Production Sponsor

Genevieve Smith
Opera Production Sponsor

The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel
Visiting Artists Sponsor

Jan Rogers
Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation

Choral Studies Sponsors
  

Ms. Margaret L. Straub & Mr. Neil R. Artman
Studio Drama Series Sponsors

The Estate of Mr. William A. Friedlander
Mrs. William A. Friedlander
Dr. Randolph L. Wadsworth
Mr. & Mrs. Frank Bloom
Mr. & Mrs. J. David Rosenberg
Mr. & Mrs. Harry H. Santen
Mr. & Mrs. Thomas E. Stegman
Elizabeth C. B. and Paul G. Sittenfeld
Mr. & Mrs. Theodore W. Striker
Mrs. Harry M. Hoffheimer
Ariel Quartet Sponsors 

Mr. & Mrs. Joseph W. Hirschhorn
Orchestral Sponsor

Brett Offenberger & Douglas E. Duckett
Cincinnati Dreams Come True, Inc.
Musical Theatre Birthday Cabaret Sponsor

Graeter’s Ice Cream
Musical Theatre Performance Sponsors 

Trish & Rick Bryan
The Otto M. Budig Family Foundation
CCMpower
The CCM Harmony Fund: Challenging Hate and Prejudice through Performing Arts
The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation
Jeff Thomas Catering
Dianne & David Rosenberg

Event Sponsors 

The Sarah Marvin Foundation for the Performing Arts
Classical Guitar Sponsor 

Rafael & Kimberly Daniel de Acha Foundation
Opera d’arte Sponsor


A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio. All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

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CCM 48-Hour Film Festival Celebrates Student Creators

On Friday, Oct. 26, 2018, CCM kicked off its 5th annual university-wide 48-Hour Film Festival, produced by Richard Hess, Chair of the CCM Acting Department. This year’s festival attracted 90 participating students from across multiple UC colleges who came together in one weekend to create six short films.

Participants included students from the CCM Acting Department, as well as students from CCM’s Electronic Media, Musical Theatre, Commercial Music Production and Theatre Design and Production programs. The festival also welcomed student participants from other UC majors including: Communication, English Literature, Fine Arts, Chemical Engineering, Civil Engineering, Industrial Design, Computer Science and more.

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“The festival challenges students to quickly solve problems and the fast turnaround of the project helped eliminate the second-guessing often involved in creative work,” says Hess. “The 48-Hour Film Festival is a perfect chance to say, ‘Yes, yes, yes! With your creativity, a space, a camera and some people interested in storytelling, you can make a beautiful short film together in a short period of time and that’s amazing!”

Students created six films for this year’s festival: The Medium’s Assistant, Woodrow, True Accurate Honest Portrayals of Stories that Actually Happened to People, The Sparkling, Ononta Avenue, and Ghost Getters. The films were screened in a packed house on Sunday, Oct. 28 in the Main Street Cinema at UC’s Tangeman University Center.

Each year the festival offers awards to the students involved in the audience’s favorite films. This year’s Audience Awards go to:

  • Outstanding Film – Woodrow, produced by Audrey Schlembach
  • Outstanding Direction – Briley Oakley (The Medium’s Assistant)
  • Outstanding Cinematography – Lindsey Ballou (Ononta Avenue)
  • Outstanding Editing – Eli Lucas (Ononta Avenue)
  • Outstanding Writing – Abby Palen, Jabari Carter, Ellie Fangman (Woodrow)
  • Outstanding Writing – Donovan Williams, Kayla Temshiv, Lucas Prizant (Ghost Getters)
  • Outstanding Composition – Duncan Weinland  (Ghost Getters)
  • Outstanding Production Design – Gabriella DiVincenzo (The Medium’s Assistant)
  • Outstanding Performance by an Actor – Jabari Carter (Woodrow)
  • Outstanding Performance by an Actress – Paige Jordan (The Medium’s Assistant)
  • Outstanding Performance by a Featured Actor – Jack Steiner (Ghost Getters)
  • Outstanding Performance by a Featured Actress – Kristina Steinmetz (Woodrow)
CCM News Student Salutes