Accomplished Director and Choreographer Vince DeGeorge is Named Joseph Weinberger Chair of Acting for the Lyric Stage at CCM

CCM Dean Peter Landgren has announced the appointment of Vince DeGeorge to the position of Assistant Professor and Joseph Weinberger Chair of Acting for the Lyric Stage, a faculty position shared by CCM’s Department of Musical Theatre and Department of Opera. DeGeorge first joined CCM as a Visiting Professor in the fall of 2013. His new appointment becomes effective on August 15, 2015.

CCM Assistant Professor and Joseph Weinberger Chair of Acting Vince DeGeorge.

CCM Assistant Professor and Joseph Weinberger Chair of Acting Vince DeGeorge.

“I would like to thank Dean Peter Landgren, Musical Theatre Chair Aubrey Berg and Opera Chair Robin Guarino for selecting me for this important post,” DeGeorge remarked on his new appointment. “I would also like to thank my colleagues at CCM for welcoming me so graciously. I am grateful and excited to begin this new challenge.”

DeGeorge made a considerable impact during his tenure as a Visiting Professor, directing and/or choreographing seven CCM productions during the last two seasons. Most recently, he served as director and choreographer on CCM’s acclaimed Studio Series production of Harvey Schmidt and Tom Jones’ rarely produced 110 in the Shade. “DeGeorge infuses action into a story which could easily be presented in a stagnant fashion,” theatre critic Scott Cain observed in his review of the musical for Talkin’ Broadway, ultimately calling the show, “a praiseworthy one, with strong direction and first-rate performances.”

Local audiences will not have to wait long to see DeGeorge’s next project for the CCM stage. This summer, in addition to directing a feature length film (entitled 18 Mornings), DeGeorge will serve as stage director for the Opera Studio Summer Workshop. He will then direct two productions during CCM’s 2015-16 performance season: a Studio Series production of William Hauptman’s musical Big River: The Adventures of Huckleberry Finn in October of 2015 and a Mainstage Series production of Leoš Janácek’s opera The Cunning Little Vixen in April of 2016.

An alumnus of CCM, DeGeorge (BFA Musical Theatre, 1992) recently completed his MFA in Directing and Public Dialogue at Virginia Tech. Following his graduation from CCM, DeGeorge performed as an actor and dancer in regional theaters across the country and was a member of the New York based contemporary dance company dre.dance under artistic directors and choreographers Taye Diggs and Andrew Palermo.

DeGeorge directed numerous works during his time in New York. Highlights include the musical revue Nashville, which he co-wrote and directed in 2009. The production won Nightlife, Bistro and Mac Awards that year. In 2011, DeGeorge directed New York City’s first fully staged production of The Exonerated to critical acclaim.

At Virginia Tech, DeGeorge directed and designed A Dream Play by August Strindberg, and productions of Chekhov’s The Vagabond and Three Sisters. He also developed, directed and designed The Jo Carson Project, a new musical based on the writings and theories of the Appalachian storyteller and playwright, Jo Carson.

During his studies at Virginia Tech, DeGeorge was also a company member of Building Home, a participatory theatre and music engagement project, led by Bob Leonard along with Jon Catherwood-Ginn. Building Home uses theater to foster healthy civic dialogue among the citizens of the New River Valley concerning pressing regional issues and planning for sustainable communities.

As a part of the Blacksburg Summer Arts Festival 2014, DeGeorge was engaged to design and build Life In The Trees – an art installation, purposed as both a gallery exhibition and the theatrical setting for two performance pieces, adapted and directed by DeGeorge as well.  While working on Life In The Trees, DeGeorge collaborated with Alaskan artist Kesler Woodard, as well as novelist Tom Gardner.

DeGeorge has spent the last 14 years researching and developing the Theatrical Awareness Practice, a somatic and experiential theater technique that trains the actor to live fully in their experiential mind/body. This practice consists of deeply researched and highly structured improvisational explorations that are designed to reacquaint the artist with the infinite intelligence and creative capacity of their own human body experience.

You can learn even more about Vince DeGeorge by clicking here. Please join us in congratulating him on his new appointment.

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CCM Drama and E-Media Announce New Film Collaboration

We are thrilled to announce that CCM’s Department of Drama and Division of Electronic Media have launched a new collaborative project, which will bring original scripted films to CCM’s performance season beginning next spring!

Utilizing the expertise and resources of both programs, students will receive hands-on experience in the development of a new film by serving as screenwriters, actors, directors, cinematographers and film editors, as well as location scouts, prop masters, costume designers and more.

“This exciting new film project will allow CCM students to collaborate across departments in the creation of a new and original film,” explains CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance Richard Hess. “Our students have artistic voices and artistic visions that they need to practice articulating. What a fantastic opportunity.”

Scripts for this project’s inaugural film were solicited from students in January and February of 2015, with submissions coming from not only CCM Drama and E-Media students, but also from students in McMicken College and UC Clermont.

CCM Drama student Owen Alderson.

CCM Drama student Owen Alderson.

This year’s winning submission – entitled Binary – was written by sophomore drama major Owen Alderson.

A coming of age tale set in a private boarding school in Massachusetts, Binary is the story of a character named Emmett as he begins to transition to his true self, Julia.

Binary will be cast, rehearsed and filmed in the fall of 2015. The film will be edited in the spring of 2016 and will have a special showing in April of 2016 at UC’s MainStreet Cinema.

Stay tuned to The Village News for more information on Binary‘s production.

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CCM Drama major Bartley Booz in the E-Media short film 'Solitude.'

CCM’s Department of Drama and Division of Electronic Media Present 48-Hour Film Festival This February

This semester, CCM’s Department of Drama and Division of Electronic Media are providing a unique opportunity for aspiring filmmakers, performers and storytellers in the form of a 48-Hour Film Festival, which will run from Feb. 20 – 22.

Based on the innovative 48 Hour Film Project festival and competition, which launched in 2001, CCM’s 48-Hour Film Festival will challenge teams comprised of students from throughout the university to bring their short films from conception to completion within a brisk 48-hour window.

Within a single weekend, student teams will create and then screen their own short films.

As described by the original 48 Hour Film Project, this promises to be, “a wild and sleepless weekend in which you and your team have a blast making a movie. All writing, shooting, editing and scoring must be completed in just 48 hours. On Friday night you are assigned a prop, a line of dialogue and a theme that must be included in your movie. 48 hours later, you must submit your film. Next? Your masterpiece will be shared with the participants of the festival.”

All University of Cincinnati students are invited to apply to be assigned to a team for the inaugural CCM 48-Film Festival. Applicants will need to be available for the entire 48 hours from 7 p.m. on Friday, Feb. 20, through 7 p.m. on Sunday, Feb. 22. Visit ccm.uc.edu/theatre/drama/48HourFilmFestival for application information. Applications must be submitted by 5 p.m. on Monday, Feb. 16, 2015.

Applicants will be randomly assigned to teams and these assignments will be announced at a 7 p.m. meeting on Friday, Feb. 20. Teams will then be assigned a common prop, a common line of dialogue and a common theme, all of which must be included in each film. Film genres will not be assigned.

Teams will then have 48 hours to brainstorm, research, write, story-board, cast, film, score and edit a roughly five minute-long film, which will be screened in the MainStreet Cinema of UC’s Tangeman University Center on the night of Sunday, Feb. 22.

Teams will create job assignments, find costumes, scout locations, find props, create underscoring, rehearse, film and edit a final piece.

Learn more by visiting ccm.uc.edu/theatre/drama/48HourFilmFestival.

The inaugural CCM 48-Hour Film Festival is made possible thanks to the generous support from the Friends of CCM.

CCM News

CCM Welcomes Acclaimed Director Emma Griffin to its Opera Faculty

Please join us in welcoming Emma Griffin to CCM’s Department of Opera! Photography by Heather Phelps-Lipton.

Please join us in welcoming Emma Griffin to CCM’s Department of Opera! Photography by Heather Phelps-Lipton.

CCM Dean Peter Landgren has announced the appointment of stage director Emma Griffin to the faculty of CCM’s Department of Opera. Griffin joins CCM as Assistant Professor of Music in Opera/Directing beginning in August of 2014.

Lauded by the New York Times for her “intelligent staging,” Griffin earned her BFA in Theatre from New York University in 1994 and has served as adjunct faculty in directing at New York University’s Tisch School of the Arts since 1999.

She is the Artistic Director of the OBIE-award winning Salt Theater. Highlights with Salt include Stage Door where she was awarded a FringeNYC Excellence Award for Best Director, Rinne Groff’s Inky, The Cherry Orchard and Conquest of the Universe.

Griffin has also directed work at theaters such as Perseverance Theater, Geva Theater Center, Syracuse Stage, Southern Rep, Actor’s Express, Virginia Stage and Williamstown Theater Festival.

She is a frequent collaborator on new music and theater pieces, including Corey Dargel’s Removable Parts, which received an “Outstanding Performance Art Production” at the New York Innovative Theatre Awards and Thirteen Near Death Experiences; Susan Bernfield and Rachel Peters’ Stretch, a fantasia; and Phil Kline’s Out Cold & Zippo Songs at BAM’s Next Wave Festival.

Griffin’s opera credits include The Cunning Little Vixen and Wozzeck at the Opera Philadelphia/Curtis Opera Theater; I Capuleti e i Montecchi, The Rake’s Progress, Postcard from Morocco and The Magic Flute at Curtis Opera Theater; and Les Mamelles de Tirésias and The Cunning Little Vixen at Juilliard Opera. The New York Observer hailed her production of The Cunning Little Vixen as one of the “Top 10 Performances of 2013.”

Griffin is currently developing the performance piece Backstage Door with playwright Sybil Kempson and The Three Christs, a new work by composer Corey Dargel for the NEWSPEAK ensemble.

Learn more about CCM’s accomplished faculty by visiting ccm.uc.edu/about/villagenews/faculty.

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'Metamorphoses,' from CCM's acclaimed 2013-14 Mainstage Series.

Announcing CCM’s 2014-15 Mainstage Series of Opera, Musical Theatre and Drama

The University of Cincinnati College-Conservatory of Music (CCM) is pleased to announce initial details for its 2014-15 Mainstage Series of opera, musical theatre and drama productions.

The 2014-15 Mainstage Series features a dazzling collection of both classic and contemporary masterworks, including a gender-bending new production of Shakespeare’s gripping tragedy Macbeth, an extended run of the high-energy romantic-comedy Legally Blonde – The Musical and a magical production of the opera Hänsel and Gretel.

In early 2015, CCM’s student and faculty artists will also present Wendy Wasserstein’s Pulitzer Prize-winning and zeitgeist-dominating The Heidi Chronicles and a soaring musical production of Peter Pan. Mozart’s Così fan tutte will close out the series, with a new production directed by Robin Guarino, who recently staged this masterpiece at the Metropolitan Opera.

This year’s must-see Mainstage Series features six fully staged works guaranteed to fill audiences with delight, with performances scheduled from Oct. 1, 2014, through April 12, 2015. All performances take place in the Corbett Center for the Performing Arts on the University of Cincinnati campus.

Production and ticketing details are below. Priority subscription packages go on sale May 2014. Single tickets become available in August, but subscribing is the only way to guarantee your seats for these must-see shows!

Visit ccm.uc.edu/boxoffice/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

Additional Information
Titles and dates are subject to change—rights pending. To order subscriptions, contact the CCM Box Office at 513-556-4183. For additional information, visit ccm.uc.edu, email boxoff@uc.edu or call the Box Office.
CCM News

TV Series Penned by Musical Theatre Alumnus Picked Up by CBS

CCM alumnus Mickey Fisher.

CCM alumnus Mickey Fisher.

We are delighted to report that a new television series penned by CCM Musical Theatre alumnus Mickey Fisher (BFA, 1995) has been ordered to series by CBS!

Fisher wrote the script and will serve as an executive producer for Extant, a futuristic thriller developed Steven Spielberg‘s Amblin Television and CBS Television Studios. The serialized drama focuses on a female astronaut trying to reconnect with her family when she returns from a year in outer space.

You can learn more about the project courtesy of the Hollywood Reporter.

A writer, director and actor, Fisher’s previous credits include the films King of Iron Town and Summer Nuts and the musical Something in the Water.

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CCM Professor of Musical Theatre Receives Big Easy Theater Award

CCM Professor Musical Theatre Diane Lala.

CCM Professor Musical Theatre Diane Lala.

Congratulations to CCM Professor of Musical Theatre Diane Lala on her recent Big Easy Award! The Big Easy Theater Awards were held Monday, March 26 at a black-tie ceremony at Harrah’s New Orleans.

Winners were announced in 26 categories, including CCM’s Diane Lala who took home the Best Director of a Musical 2011 award for her work in Man of La Mancha.

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Alumnus Brian Robertson Profiled in July’s Cincinnati Magazine

CCM alumnus Brian Robertson is interviewed in the July issue of Cincinnati Magazine, on newsstands (and available online) now.

In the Q&A conducted by Kathleen Doane, Robertson discusses his experiences in Hollywood, his time at CCM and his recent work as stage director for Cincinnati Opera’s A Flowering Tree.

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