Please join us this Friday and Saturday for the next two episodes of CCMONSTAGE Online, our new ongoing series of digital concerts and performances.
Tonight’s installment features the CCM Chamber Choir performing an eclectic program of nine musical selections dating from the Renaissance to the 21st century. The program will stream from 7:30-8:30 p.m. EDT.
Tomorrow night’s installment features the CCM Ballet Ensemble performing a mixed repertoire dance concert. The program will stream from 7:30-9 p.m. EDT.
If the video does not start autoplaying on your viewing device, please refresh the web page and then click the play button on the video player. If you have any trouble with CCM’s streams, visit our website for additional viewing options.
Each performance will be available for on-demand viewing shortly after the premiere stream concludes.
Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.
CCM Dance provides a “travelogue” of classical and contemporary works during this installment of CCM’s virtual performance series!
The fourth episode of CCMONSTAGEOnline debuts at 7:30 p.m. EDT on Saturday, March 20, 2021. The premiere will stream simultaneously on CCM’s website, YouTube channel and Facebook page.
Travelogueis a 90-minute long virtual performance featuring the CCM Ballet Ensemble. “Travelogue is a mixed repertory performance featuring a vivid array of classical and contemporary ballet, modern and jazz works,” explains CCM Dance Department Chair Shauna Steele, who directs the performance. “As we sat and planned our potential fall season during the unprecedented coronavirus shutdown in spring 2020, we kept returning to the idea that dance is community, it is catharsis, and it is vitally essential, thus Travelogue … where we as the artists could share through a visual medium places and experiences encountered by a ‘traveler.’ It can let us visit people, communities, myths, legends and monumental moments in our shared history allowing the audience to travel without moving.”
The program opens with Les Sylphides, with choreography by Mikhail Fokine restaged by CCM faculty member Deirdre Carberry. This popular one-act Romantic ballet is set to the music of Frédéric Chopin.
The concert features three premieres choreographed by CCM faculty members: Handel Concerto choreographed by Thomas Bell, The Space Between choreographed by Shauna Steele and Death and the Maiden choreographed by Jiang Qi.
The performance concludes with August Bournonville’s iconic Napoli restaged by CCM faculty member Tricia Sundbeck. Subtitled “The Fisherman and His Bride,” this ballet depicts a love story in a small Italian fishing village and is celebrated for its solos. Steele explains: “In Napoli, we see through the eyes of August Bournonville, who visited a small Italian village in 1841, and was so enchanted that he created a composition that would forever capture that joyous, bright day and coincidentally created an enduring and touching ballet.”
A collaboration with CCM’s Department of Theatre Design and Production, Travelogue also features scenic designs by CCM student KarissaHodge and lighting and projection designs by CCM student IanMacIntosh.
Like other episodes in CCM’s new virtual performance series, Travelogue features commentary from CCM students and faculty. All episodes of CCMONSTAGEOnline can be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s website, YouTube channel and Facebook page.
Travelogue was recorded live in CCM’s Corbett Auditorium on Nov. 14, 2020. Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.
Learn more about CCM’s upcoming video releases courtesy of Janelle Gelfand and the Cincinnati Business Courier.
Streaming Premiere
7:30 p.m. EDT Saturday, March 20, 2021
Performance Details
Les Sylphides
Choreography Mikhail Fokine
Restaged by Deirdre Carberry
Music by Frédéric Chopin Nocturne in A flat Major, Op. 32, No. 2 Valse in G flat Major, Op. 70, No. 1 Mazurka in D Major, Op. 33, No. 2 Mazurka in C Major, Op. 67, No. 3 Valse in C sharp Minor, Op. 64, No. 2 Valse in E flat Major, Op. 18, No. 1
Corps de Ballet Carmen Doll Sydney D’Orso Rae Dougherty Emily Glaccum Meg Green Lily Kozub Jennifer Listerman Grace Mitchell Anna Lee Rohovec Bethany Roup Mandi Weitz Claire Zakrajsek
Understudies Rae Dougherty for Carly Herrmann Anna Lee Rohovec for Lauren Sokol Claire Zakrajsek for Hannah Adamczak
Les Sylphides has been abridged and adapted to honor the restrictions of social distancing and Covid-19.
Handel Concerto
Choreography Thomas Bell
Music by George Frideric Handel Concerto Grosso Op. 6, No. 5 in D Major: Larghetto e staccato, Allegro, Largo, Menuet, Allegro
Dancers Sarah Bartlett Isabelle Cummings Clementine Greely Madeline Montgomery Eva Moore Megan Schroeder Sofia Stitz Madelin Talbot Gracie Zamiska
The Space Between
Choreography Shauna Steele
Music by Emeli Sandé Read All About It, Pt. III Hope River
Dancers Hannah Adamczak Maia Blake Carmen Doll Sydney D’Orso Meg Green Amanda Kenner Jennifer Listerman Ying-Chi Lu Anne McGovern Lauren Sokol
Junichiro Tanizaki believed that to “Find beauty not only in the thing itself but in the pattern of the shadows, the light and dark which that thing provides. The eye is always caught by light, but shadows have more to say. Life is a mixture of light and shadow, calm and storm…” For me, that point where light and dark meet and form endless unique shadows is the trigger for the wonderous and endless possibilities in our world. Neither the light nor the dark are evil or good. It is the purpose we assign to them that will either “illuminate our paths or darken our way. [As Maya Angelou said] It is a matter of choice.”
Death and the Maiden
Choreography Jiang Qi
Music by Franz Schubert String Quartet No. 14 in D Minor
Dancers in Black Elaina Didier Ava Gyurcsik Emma Phillips
Dancers in White Hazel Alexander Rebekah Docea Rose Engel Emerson Lecrone Morgan Montour Alyssa Pankey Keenan Pennington Ellen Pierce Jillian Sadler Sarah Santarsiero Mira Sidhu
“Death is the dropping of the flower, that the fruit may, swell.” – Henry Ward Beecher
Napoli
Choreography August Bournonville
Restaged by Tricia Sundbeck
Music by Niels W. Gade, Edvard Helsted and Holger Simon Paulli Pas De Six
Dancers Maia Blake Amanda Kenner Ying-Chi Lu Anne McGovern Gabby Savka David Lopena Garrett Steagall
Napoli has been abridged and adapted to honor the restrictions of social distancing and Covid-19.
Choreographers
August Bournonville (1805-1879)
Born in Copenhagen, August Bournonville was a dancer and choreographer who directed the Royal Danish Ballet for nearly 50 years and established the Danish style based on bravura dancing and expressive mime. He studied under his father, Antoine Bournonville, one of the major dancers of his day, before going to Paris for further training under Auguste Vestris and Pierre Gardel. After appearances at the Paris Opera and in London, Bournonville returned to Copenhagen as soloist and choreographer for the Royal Danish Ballet. A strong dancer with excellent elevation and an accomplished mime, he emphasized these qualities in his ballets. His choreographic style also reflected the pre-Romantic approach of his teacher Vestris. Many of his ballets have remained in the repertoire of the Royal Danish Ballet for more than a century. Bournonville also directed the Swedish Royal Opera at Stockholm (1861-64) and staged several of his works in Vienna (1855-56). In 1877, after his return to Denmark, he retired and was knighted. He died on November 30, 1879 in Copenhagen.
Mikhail Fokine (1880-1942)
Born in St Petersburg, Russian choreographer Mikhail Fokine trained at the Imperial Ballet Academy before joining the Mariinsky Theatre. In 1904 he became a premier danseur and the following year he created his first choreographic work, Acis and Galatea, for a pupils’ performance, and The Dying Swan, which would become Anna Pavlova’s most famous role. Fokine was engaged by Diaghilev for his 1909 Paris season and created Le Pavillon d’Armide, Polovtsian Dances, Les Sylphides, and Cleopâtre. He worked for some time for both the Imperial Theatre and for Diaghilev; he did not return to Russia after 1918. For Diaghilev his works include Le Carnaval, Sheherazade, Firebird, Le Spectre de la rose, Narcisse, Petrushka, Papillons, and The Golden Cockerel. When he left Diaghilev’s company he worked as a freelance choreographer, creating new works and reviving his successes. He settled in the USA, where he worked with several dance companies, and in musical theatre and film. The Fokine American Ballet Company made its debut in 1924. Fokine, however, spent much of his time in Europe, and in 1936 was engaged as choreographer-in-chief by the Ballet Russe de Monte Carlo, where he created three successful ballets – L’Épreuve d’amour, Don Juan (both 1936) and Les Éléments (1937). He died in 1942, having created more than sixty works.
Performance Producer Denton Yockey, TAPAA Division Head
Stage Management Advisor Michele Kay
Technical Director Advisor Stirling Shelton
Lighting Design Advisor Sharon Huizinga
Sound Design Advisor Matt Tibbs
Dance Department Faculty Shauna Steele, chair Deirdre Carberry Jiang Qi Michael Tevlin John Thomas Bell Isabele Elefson Stephen Ferre Jeri Gatch Jonnie Lynn Jacobs-Percer Kathleen Johannigman Molly Perez Tricia Sundbeck
Physical Therapists Amber Boyd Heidi Dunning Heather Graden Rose Smith
Dance Program Manager Colleen Condit
Costume Coordinator Jonnie Lynn Jacobs-Percer
Costumes Courtesy of CCM Dance Department
Accompanists Angelika Bonyhati-Kovacs Brian Cashwell Douglas Sutton Yudong Wang
Technical Director Jacob Bober
Assistant Technical Director Jacob Blumberg
Performance Production Manager Amanda Powell
Scenic Shop Foreman Kyle Wichman
Scenic Designer Karissa Hodge
Lighting Designer/Projection Designer Ian MacIntosh
Video Production MasseyGreenAVP, llc Director – John Massey Producer/Editor – Austin Maynard
Camera Operators John Tapogna Glenn Hartong Matt Green
Video Production Assistant Paule Casale
Audio Engineer Simón Sotelo
Senior Director of Performance Operations Ray Dobson
CCMONSTAGE Online Series Concept Developed and Managed by Curt Whitacre
CCM Digital Content Team Kenneth D. Allen Clarence M. Brown Kevin Burke Rebecca Butts Rayburn Dobson Mikki Graff Melissa Neeley-Nicolini Simón Sotelo Curt Whitacre
Special thanks to Amber Boyd, Will Brenner, Dr. Kyuran Ann Choe, Dr. Jon Divine, Dr. Tonya Dixon, Dr. Michael Donaworth, Heidi Dunning, Heather Graden, Dale Pickett, Diana Queen of Diana’s Dancewear, and Rose Smith.
About the Series
CCMONSTAGEOnline is a series of free digital concerts and performing arts presentations showcasing the unparalleled artistry and expertise of CCM’s students, faculty and staff. Enjoy a sneak peek at a few of our upcoming episodes:
A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music offers nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs.
The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.
For more information, please visit us online at ccm.uc.edu.
Featured image at top: the CCM Ballet Ensemble performs “Les Sylphides.” Photo/Dale Pickett
The UC College-Conservatory of Music’s virtual concert series continues with a powerful performance by the CCM Chamber Choir.
CCM’s “stars of tomorrow” are back on stage, and you get the best seats in the house! The next episode of CCMONSTAGEOnline debuts at 7:30 p.m. EDT on Friday, March 19, 2021. The premiere will stream simultaneously on CCM’s website, YouTube channel and Facebook page.
“The isolation generated by the pandemic is at the heart of Together/Apart,” says Miller. “Strengthening our world by staying apart is a new concept for many of us and one that we both resist and embrace.”
Comprised of nine musical selections dating from the Renaissance to the 21st century, Together/Apart‘s eclectic program takes viewers on an emotional journey that reflects on the impact of COVID-19. Works by Thomas Morley, Claudio Monteverdi and J.S. Bach are featured alongside contemporary pieces like David Lang’s “I Am Walking” and The Wailin’ Jennys’ “One Voice.” The performance is also a collaborative effort with CCM’s Department of Theatre Design and Production, and also features lighting and projections by student designer Emily Rooks.
“Engaging with music allows us to recognize the significance of this isolation,” says Miller. “Together/Apart seeks to provide a musical landscape, reflecting this shared experience. Sometimes music is the only thing that makes sense.”
Like other episodes in CCM’s new virtual performance series, Together/Apart also features commentary from CCM students. All episodes of CCMONSTAGEOnline can be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s website, YouTube channel and Facebook page.
In addition to the performances recorded in CCM’s Corbett Auditorium, portions of Together/Apart were also recorded at Cincinnati’s Old St. Mary’s Church. Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.
Streaming Premiere
7:30 p.m. EDT Friday, March 19, 2021
Performance Repertoire
David Lang: “I Am Walking” from Death Speaks
Thomas Morley: Nolo mortem peccatoris
Claudio Monteverdi: Ohimè, dov’è il mio ben (from Book VII Madrigals)
Robert White: Domine quis habitabit (III)
Paweł Łukaszewski: Responsoria Tenebrae: V. Ecce quomodo moritur
Johann Sebastian Bach: Komm, Jesu, komm
Ruth Moody, arr. Marcelline Moody: One Voice
Nathan Jones: I Would Live in Your Love
Ola Gjeilo: Ubi Caritas
Performers and Creative Team
CCM Chamber Choir
Joe Miller, music director and conductor Joseph Taff, graduate assistant conductor Shane Thomas, Jr., graduate assistant conductor
Soprano
Tori Adams Jisoo Bae Tanya Harris Jennifer Jun Rachel Kobernick Maya McGuire Melodie Spencer
Matt Coffey Andrew Cunningham Corbin DeSpain Jarrett Hazelton Aaron McKone Greg Miller Shane Thomas, Jr.
Bass
Matt Lee Jay Mobley Andrew Nash Erik Nordstrom Nathan Schludecker Joseph Taff Emilio Vasquez
Instrumentalists and Soloists
“I Am Walking” from Death Speaks
Tanya Harris, soprano Shane Thomas, Jr., tenor Melodie Spencer, violin Jay Mobley, guitar Thomas Heidenreich, piano
Ohimè, dov’è il mio ben (from Book VII Madrigals)
Melodie Spencer, soprano Reed Demangone, countertenor Christopher Wilke, theorbo
Komm, Jesu, komm
Christopher Wilke, baroque guitar Thomas Heidenreich, organ Joshua Bermudez, cello Zachary Reich, bass
One Voice
Tori Adams, soprano Maya McGuire, soprano Kate Gardin, mezzo-soprano Matt Coffey and Joseph Taff, guitar
Ubi Caritas
Shane Thomas, Jr., conductor Joe Miller, piano
Stage Management
Meghan Emanuel, primary stage manager Morgan Piper, assistant stage manager
Lighting Design
Emily Rooks
Additional Theatre Design and Production Support
Sharon Huizinga, Lighting Design and Technology Faculty Member Michele Kay, Theatre Design and Production Chair
Piano Technicians
Rebekah Whitacre Eric Wolfley
Video Production
MasseyGreenAVP, llc Director – Matt Green Producer/Editor – Austin Maynard
Camera Operators
John Tapogna Glenn Hartong Stacy Doose
Audio Engineers
Simón Sotelo Joel Crawford (on Thomas Morley’s Nolo mortem peccatoris and Robert White’s Domine Quis Habitabit III)
Senior Director of Performance Operations
Rayburn Dobson
CCMONSTAGE Online Series Concept Developed and Managed by
Curt Whitacre
CCM Digital Content Team
Kenneth D. Allen Clarence M. Brown Kevin Burke Rebecca Butts Rayburn Dobson Mikki Graff Melissa Neeley-Nicolini Simón Sotelo Curt Whitacre
About the Series
CCMONSTAGEOnline is a series of free digital concerts and performing arts presentations showcasing the unparalleled artistry and expertise of CCM’s students, faculty and staff. Enjoy a sneak peek at a few of our upcoming episodes:
Please join us at 7:30 p.m. EST tonight for the next episode of CCMONSTAGE Online, our new ongoing series of digital concerts and performances.
Our latest installment features CCM string quartet-in-residence the Ariel Quartet collaborating with master’s degree students Cristian Diaz and Denielle Wilson, who are also both second-year participants in CCM’s Diversity Fellowship initiative with the Cincinnati Symphony Orchestra.
If the video does not start autoplaying on your viewing device, please refresh the web page and then click the play button on the video player. Tonight’s performance will be available for on-demand viewing shortly after the premiere stream concludes.
Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGEOnline Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGEOnline Production Sponsors Dr. & Mrs. Carl G. Fischer.
CSO/CCM Diversity Fellowship supported by The Andrew W. Mellon Foundation and Patricia Kisker Foundation.
We invite you to join us at 7:30 p.m. EST tonight (Dec. 11) for the premiere of CCMONSTAGE Online, our new ongoing series of digital concerts and performances.
Our first installment features the CCM Philharmonia student orchestra. Future episodes will feature performances by CCM’s many other ensembles and departments as our series continues.
Tonight’s premiere streams on CCM’s website from 7:30-8:30 p.m. EST. The performance will be available for on-demand viewing shortly after the premiere stream concludes tonight.
The premiere will begin autoplaying on our website at 7:30 p.m. with a brief countdown clock sequence. If the video does not start autoplaying on your device, please refresh the web page and then click the play button on the video player.
If you have any trouble viewing the stream on our website, you can instead access the stream on CCM’s YouTube channel.
Under the direction of CCM Professor Mark Gibson, the CCM Philharmonia performs a program of “Classical Virtuosity” with works by Claude Debussy/Maurice Ravel, Ottorino Respighi, Julia Perry and Wolfgang Amadeus Mozart.
Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.
CCMONSTAGE Online is a dynamic new series of digital concerts and performing arts presentations showcasing the unparalleled artistry and expertise of CCM’s students, faculty and staff. Each episode can be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s website and YouTube channel.
Save the date for our series premiere at 7:30 p.m. EST on Friday, Dec. 11, 2020. Additional episodes will be released throughout 2021!
Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.
About The Premiere Episode
Watch the CCM Philharmonia perform a program of “Classical Virtuosity” with works by Claude Debussy/Maurice Ravel, Ottorino Respighi, Julia Perry and Wolfgang Amadeus Mozart during the premiere episode of CCMONSTAGEOnline.
Under the direction of Professor Mark Gibson, the CCM Philharmonia is CCM’s premier orchestral ensemble and is recognized as one of the world’s elite conservatory orchestras. The CCM Philharmonia has risen to world prominence through the quality of its performances, recordings, and its national and international tours.
A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music offers nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs.
The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.
For more information, please visit us online at ccm.uc.edu.
Featured image at top: students in the CCM Philharmonia perform in a still image from the first installment of CCMONSTAGE Online. Photo/MasseyGreenAVP
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