CCM Welcomes Rachel Calin as Associate Professor of Double Bass

Rachel Calin

Rachel Calin

University of Cincinnati College-Conservatory of Music (CCM) Dean Peter Landgren has announced the addition of acclaimed double bassist Rachel Calin to the college’s roster of distinguished string performance faculty members. Calin’s appointment as Associate Professor of Double Bass becomes effective on August 15.

Celebrated for her proficiency as both a pedagogue and a performer, Calin has been called “a lyrical soloist in command of her instrument,” by the New York Times. In 1994 she won the Juilliard Concerto Competition, making her concerto debut at Lincoln Center’s Alice Tully Hall with the Juilliard Orchestra. Subsequently, she has made concerto appearances with the Burlington Ensemble, Metamorphosen Chamber Orchestra, and the Sejong Soloists.

Calin has dedicated herself to both teaching and chamber music. She is the longstanding sole bass faculty member at the Perlman Music Program, a program for exceptionally gifted pre-college aged musicians headed by Toby and Itzhak Perlman. She has also held faculty positions at Stony Brook University and the McDuffie Center for Strings at Mercer University.

As a chamber musician, Calin has appeared in concert throughout Asia, Europe, the Middle East and the United States. She can be heard on NPR’s Performance Today, both in live and recorded broadcasts, and has collaborated with Myung-Wha Chung, Lawrence Dutton, Frank Huang, Ron Leonard, Itzhak Perlman and Gil Shaham, among others.

She has performed frequently with the St. Paul Chamber Orchestra and the New York Philharmonic, and has made appearances at the Aspen Music Festival, Live from Lincoln Center, Mostly Mozart, and Ravinia. Calin can also be heard on numerous movie and commercial soundtracks, including The Departed and Extremely Loud and Incredibly Close. She has given the world premieres of works by composers such as Lera Auerbach and D. Edward Davis and has performed with many contemporary music ensembles including Sequitur, Composers Concordance and Metropolis Ensemble.

Calin received a BM and MM from the Juilliard School, where she studied with both Homer Mensch and Eugene Levinson. In addition to Juilliard, she also trained with Jeff Bradetich, Paul Ellison and Denise Searfoss. She was the recipient of an instrument loan from the Karr Foundation and currently performs on a double bass crafted by Carlo Giuseppe Testore in 1690.

While announcing her appointment, Landgren commented, “Ms. Calin is a perfect fit for CCM. Her prowess as a pedagogue will help us continue to prepare the next generation of performing artists for positions on the world’s stage. She is an ideal successor to Professor Albert Laszlo, who retires this fall after a highly successful tenure at CCM.”

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Story by Curt Whitacre

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CCM Welcomes Acclaimed Director Emma Griffin to its Opera Faculty

Please join us in welcoming Emma Griffin to CCM’s Department of Opera! Photography by Heather Phelps-Lipton.

Please join us in welcoming Emma Griffin to CCM’s Department of Opera! Photography by Heather Phelps-Lipton.

CCM Dean Peter Landgren has announced the appointment of stage director Emma Griffin to the faculty of CCM’s Department of Opera. Griffin joins CCM as Assistant Professor of Music in Opera/Directing beginning in August of 2014.

Lauded by the New York Times for her “intelligent staging,” Griffin earned her BFA in Theatre from New York University in 1994 and has served as adjunct faculty in directing at New York University’s Tisch School of the Arts since 1999.

She is the Artistic Director of the OBIE-award winning Salt Theater. Highlights with Salt include Stage Door where she was awarded a FringeNYC Excellence Award for Best Director, Rinne Groff’s Inky, The Cherry Orchard and Conquest of the Universe.

Griffin has also directed work at theaters such as Perseverance Theater, Geva Theater Center, Syracuse Stage, Southern Rep, Actor’s Express, Virginia Stage and Williamstown Theater Festival.

She is a frequent collaborator on new music and theater pieces, including Corey Dargel’s Removable Parts, which received an “Outstanding Performance Art Production” at the New York Innovative Theatre Awards and Thirteen Near Death Experiences; Susan Bernfield and Rachel Peters’ Stretch, a fantasia; and Phil Kline’s Out Cold & Zippo Songs at BAM’s Next Wave Festival.

Griffin’s opera credits include The Cunning Little Vixen and Wozzeck at the Opera Philadelphia/Curtis Opera Theater; I Capuleti e i Montecchi, The Rake’s Progress, Postcard from Morocco and The Magic Flute at Curtis Opera Theater; and Les Mamelles de Tirésias and The Cunning Little Vixen at Juilliard Opera. The New York Observer hailed her production of The Cunning Little Vixen as one of the “Top 10 Performances of 2013.”

Griffin is currently developing the performance piece Backstage Door with playwright Sybil Kempson and The Three Christs, a new work by composer Corey Dargel for the NEWSPEAK ensemble.

Learn more about CCM’s accomplished faculty by visiting ccm.uc.edu/about/villagenews/faculty.

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CCM Adds Naumburg Competition Winner Soyeon Kate Lee to Piano Faculty

CCM welcomes Assistant Professor of Music in Piano Soyeon Kate Lee to its faculty. Her appointment begins in August of 2014.

CCM welcomes Assistant Professor of Music in Piano Soyeon Kate Lee to its faculty. Her appointment begins in August of 2014.

Dean Peter Landgren today announced the appointment of pianist Soyeon Kate Lee to the faculty of CCM’s Department of Piano. First prize winner of the prestigious Naumburg International Piano Competition in 2010, Lee has been hailed by the New York Times as a pianist with “a huge, richly varied sound, a lively imagination and a firm sense of style,” while the Washington Post has lauded her for her “stunning command of the keyboard.”

Lee joins CCM as Assistant Professor of Music in Piano beginning in August of 2014. Her appointment gives CCM the rare distinction of having two Naumburg Piano Competition winners on faculty (CCM Piano Department Chair Awadagin Pratt also took first prize in 1992).

Lee has been rapturously received as guest soloist with the Cleveland Orchestra and the London Symphony Orchestra, as well as the Louisiana Philharmonic Orchestra, San Diego Symphony, symphony orchestras of Columbus, Bangor, Bozeman, Boca Raton, Wyoming, Bozeman, Cheyenne, Napa Valley, Scottsdale, Abilene, Naples, Santa Fe and Shreveport in the United States; the Daejeon Philharmonic Orchestra (South Korea), Ulsan Symphony Orchestra (South Korea), Orquesta de Valencia (Spain) and the Orquesta Sinfónica Nacional (Dominican Republic), including performances under the batons of Rafael Frühbeck de Burgos, Jahja Ling, Jorge Mester and Otto-Werner Mueller.

An active Naxos recording artist, her third CD featuring Liszt opera transcriptions was released earlier this year and she will return to the Glenn Gould Studio in Toronto for a two-CD recording of Scriabin’s piano works in April.

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