CCM's Cohen Family Studio Theater. Photography by Adam Zeek.

CCM Announces 2016-17 Studio Series of Opera, Musical Theatre, Dance and Acting Productions

All-time favorites and daring new works receive equal billing during CCM’s 2016-17 Studio Series. This year’s 13-part series of performing and media arts events features an eclectic mix of opera, musical theatre, dance and acting productions, all featuring CCM’s acclaimed “stars-of-tomorrow.”

CCM's Studio Series opens with Elizabeth Swados' RUNAWAYS, co-produced with Know Theatre of Cincinnati.

CCM’s Studio Series opens with Elizabeth Swados’ RUNAWAYS, co-produced with Know Theatre of Cincinnati.

Season highlights include Elizabeth Swados’ powerful and rarely-seen musical Runaways co-produced with Know Theatre of Cincinnati and two world-premieres produced by the Opera Fusion: New Works Lab in partnership with Cincinnati Opera.

CCM’s Department of Musical Theatre also presents the world-premiere of a musical revue showcasing the work of legendary Broadway collaborators Tom Jones and Harvey Schmidt. Devised and directed by Aubrey Berg, the Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM, They Were You: The Songs of Tom Jones and Harvey Schmidt features songs from throughout the celebrated duo’s oeuvre.

This year’s lineup also includes the return of two popular festivals, the 48-Hour Film Festival and the TRANSMIGRATION Festival of Student-Created Plays.

CCM’s Studio Series runs from Sept. 21, 2016, through April 22, 2017. Please see below for full production and ticketing details.

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CCM’S 2016-17 STUDIO SERIES

8 p.m. Wednesday, Sept. 21 (preview)
8 p.m. Thursday, Sept. 22
8 p.m. Friday, Sept. 23
3 and 8 p.m. Saturday, Sept. 24
3 and 7:30 p.m. Sunday, Sept. 25
• Studio Musical Theatre Series •
A co-production between CCM and Know Theatre of Cincinnati
RUNAWAYS
Music, lyrics and book by Elizabeth Swados
Vince DeGeorge, director and choreographer
Luke Flood, music director

Runaways is a collage of songs, monologues and dances that captures the energy, courage and honesty of a group of teenagers who are running away “from home… from a boyfriend… from a predator… from themselves.” Created in 1977 by groundbreaking theatre artist Elizabeth Swados, Runaways was born from interviews and workshops that she held with children and young adults who were escaping from their deteriorating family lives. It is a challenging piece of theatre that ultimately celebrates the power of the imagination and the resilience of the human spirit.
Location: Know Theatre of Cincinnati, 1120 Jackson Street, Cincinnati, OH 45202
Admission: Ticket prices range from $15 – $25. Tickets available through the Know Theatre Box Office by calling 513-300-5669 or online at http://knowtheatre.com.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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7:30 p.m. Thursday, Sept. 22
• Opera Fusion: New Works Lab •
A collaboration between CCM Opera and Cincinnati Opera
Co-Artistic Directors Robin Guarino and Marcus Küchle
SOME LIGHT EMERGES
Composed by Laura Kaminsky
Libretto by Mark Campbell and Kimberly Reed
Robin Guarino, director
Bradley Moore, conductor

Funded by a grant from The Andrew W. Mellon Foundation, CCM Opera and Cincinnati Opera present a rare behind-the-scenes look at the creation of an original work! Presented in collaboration with Houston Grand Opera, Some Light Emerges takes its inspiration from the creation of Houston’s iconic Rothko Chapel by philanthropist and art collector Dominique de Menil.
Location: Cincinnati Club Oak Room, 30 Garfield Place, Cincinnati 45202
Admission: Admission is free. Reservations are required. Tickets become available on Monday, Sept. 12. Please contact the Cincinnati Opera box office for tickets at 513-241-2742 or www.cincinnatiopera.org.
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8 p.m. Wednesday, Oct. 5
8 p.m. Thursday, Oct. 6
8 p.m. Friday, Oct. 7
2 & 8 p.m. Saturday, Oct. 8
2 p.m. Sunday, Oct. 9
• Studio Musical Theatre Series •
THEY WERE YOU: The Songs of Tom Jones and Harvey Schmidt
Lyrics by Tom Jones
Music by Harvey Schmidt
Aubrey Berg, director
Stephen Goers, musical arrangements

CCM proudly presents the world premiere of a musical revue showcasing the work of Tom Jones and Harvey Schmidt. Devised and directed by Aubrey Berg with musical arrangements by Steve Goers, They Were You features songs from The Fantasticks, Celebration, 110 in the Shade, The Bone Room, Colette Collage and more. This revue celebrates Jones’ and Schmidt’s ability to reflect the human condition with humor, compassion and wry affection.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 3. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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8 p.m. Thursday, Oct. 20
8 p.m. Friday, Oct. 21
2 & 8 p.m. Saturday, Oct. 22
• Studio Acting Series •
MIDDLETOWN
Written by Will Eno
Richard E. Hess, director

Middletown considers the strange beauty of life and its sometimes unbearable weight. Inspired by Thornton Wilder’s Our Town, the inhabitants of Middletown have a remarkable talent for articulating the hiccups of fear and anxiety in their souls with moving delicacy. The folks are friendly, and the view of star-dappled skies and modest homes is familiar and comforting. Welcome to Middletown.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 17. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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8 p.m. Friday, Nov. 4
8 p.m. Saturday, Nov. 5
2 p.m. Sunday, Nov. 6
• Studio Opera Series •
BRIGHT-EYED JOY! A RICKY IAN GORDON CABARET
Composer Ricky Ian Gordon, one of America’s most respected composers of art song, opera and musical theatre, joins CCM’s Opera and Voice singers and pianists for an evening of his music. Come watch our “stars-of-tomorrow” work with a living legend!
Location:
Cohen Family Studio Theater
Admission:
Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 31. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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7:30 p.m. Monday, Nov. 14
• Opera Fusion: New Works Lab •
A collaboration between CCM Opera and Cincinnati Opera in partnership with the Metropolitan Opera/Lincoln Center Theater’s New Works Program
Co-Artistic Directors Robin Guarino and Marcus Küchle
INTIMATE APPAREL
Composed by Ricky Ian Gordon
Libretto by Lynn Nottage
Robin Guarino, director
Paul Cremo, Dramaturg
Timothy Meyers, conductor

Funded by a grant from the Andrew W. Mellon Foundation, CCM Opera and Cincinnati Opera present a rare behind-the-scenes look at the creation of an original work! Adapted by Lynn Nottage from her prize-winning 2003 play of the same name, Intimate Apparel tells the story of Esther, a 35-year-old seamstress in 1905 New York City. Esther sews lingerie for a living, interacting with a wealthy Fifth Avenue wife, a Tenderloin prostitute and a Jewish fabric merchant on the Lower East Side, with whom she shares a closeness that cannot be pursued further because of his religion. Esther embarks on a letter-writing relationship with a Panama Canal laborer, leading to marriage and ultimately heartbreak, but she maintains her strength of character and determination to make a better life for herself.
Location: Cincinnati Club Oak Room, 30 Garfield Place, Cincinnati 45202
Admission: Admission is free. Reservations are required. Tickets become available on Tuesday, Nov. 1. Please contact the Cincinnati Opera box office for tickets at 513-241-2742 or www.cincinnatiopera.org.
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7 p.m. Sunday, Nov. 20
• E-Media/Acting Film Series •
THIRD ANNUAL CCM 48-HOUR FILM FESTIVAL
Join us for our annual celebration of original film work by students. After random team placement, student authors, actors, directors, editors and composers have 48 hours from 7 p.m. on Friday night to 7 p.m. on Sunday night to create finished original short films. At the close of the 48-hour period, audiences can join us in UC’s MainStreet Cinema to enjoy eight original short films by eight amazing teams.
Location: MainStreet Cinema, UC’s Tangeman University Center
Admission: FREE
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8 p.m. Friday, Feb. 3
8 p.m. Saturday, Feb. 4
2 p.m. Sunday, Feb. 5
• CCM Opera d’arte – Undergraduate Opera Series •
ALBERT HERRING
Composed by Benjamin Britten
Libretto by Eric Crozier, freely adapted from a story of Guy de Maupassant
Jesse Leong, conductor
Kenneth Shaw, director

Britten’s brilliantly witty score comes to life again at CCM, presented with the effervescence and energy unique to the outstanding young artists of Opera d’arte! Set in the small town of Loxford, in East Sussex, Albert Herring explores the themes of losing innocence and coming of age in the face of old fashioned morality and social stratification.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Jan. 30. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

This production of Albert Herring is presented in honor of Rafael and Kimberly de Acha

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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8 p.m. Friday, Feb. 17
8 p.m. Saturday, Feb. 18
2 p.m. Sunday, Feb. 19
• Studio Opera Series •
TRANSFORMATIONS
Music by Conrad Susa
Libretto by Anne Sexton
Avishay Shalom, conductor
Emma Griffin, director

CCM’s Studio Series presents the Brothers Grimm fairy tales like you’ve never seen them before! This 1973 chamber opera, with a libretto by Pulitzer Prize-winning poet Anne Sexton, is darkly humorous with audaciously recounted tales, and filled with mid-20th-century references, both literary and musical. Based on Sexton’s acclaimed 1971 book of poems of the same name, Transformations promises to challenge audiences’ understanding of what “happily-ever-after” truly means. This production contains adult themes and is not recommend for young audiences.
Location: Cohen Family Studio Theater
Admission: Admission is free. Reservations are required. Tickets become available at noon on Monday, Feb. 13. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith
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8 p.m. Thursday, March 2
8 p.m. Friday, March 3
2 & 8 p.m. Saturday, March 4
• Studio Dance Series •
DANCE STUDENT CHOREOGRAPHER’S SHOWCASE
André Megerdichian, director
Come experience the next generation of emerging choreographers as CCM dance majors take the stage with exciting and diverse new works.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, Feb. 27. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

The Dance Department gratefully acknowledges the support of the Corbett Endowment at CCM.
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7 p.m. Wednesday, March 8
7 p.m. Thursday, March 9
7 p.m. Friday, March 10
• Studio Acting Series •
TRANSMIGRATION 2017
A Festival of Student-Created New Works
Richard E. Hess and Brant Russell, producers

TRANSMIGRATION, so named for “the movement from one place to another” or “the transition from one state of being to another,” is a festival of new works created by the acting students in CCM Acting. Six teams of actors craft and perform five original 30-minute shows. Performed simultaneously in different locations throughout CCM Village, TRANSMIGRATION will allow the audience to sample four different new works of their choosing in one spectacular evening. “Thanks to the [Acting] program at UC’s College-Conservatory of Music,” observed CityBeat’s Rick Pender, “theater fans were offered a jolt of onstage vitality.”
Location: Various locations throughout CCM Village
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 6. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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8 p.m. Thursday, March 30
8 p.m. Friday, March 31
2 & 8 p.m. Saturday, April 1
• Studio Musical Theatre Series •
CHILDREN OF EDEN
Music and lyrics by Stephen Schwartz
Book by John Caird
Vince DeGeorge, director and choreographer
Steve Goers, musical director

From the composer of smash hits Wicked and Godspell comes a uniquely personal and intimate retelling of the biblical Genesis story. Through the narratives of Adam and Eve, Cain and Abel, and Noah and his family, this beloved 1991 musical explores the uniquely human trait to desire adventure but yearn for the comfort and safety of home, or, “Eden.”
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, March 27. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation
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8 p.m. Thursday, April 20
8 p.m. Friday, April 21
2 & 8 p.m. Saturday, April 22
• Studio Acting Series •
VERY DUMB KIDS
By Gracie Gardner
Brant Russell, director

Sarah Nehal was murdered while working as a correspondent in New Delhi while her college friends were at home in the U.S. watching TV on the internet and peddling their esoteric skill sets. One year after her funeral, her friends meet for their annual Fourth of July reunion. Very Dumb Kids explores entitlement and how its effects are visited upon the disenfranchised as well as the privileged. But it’s also about empowerment, exploring how to live responsibly in an irresponsible universe. Join CCM Acting as we embark on our new play commissioning initiative: plays that speak to the unique experience that is being young in America; plays that are written for and about our students; plays that will go on to be produced by educational institutions and professional theater companies all over the country; plays that will involve a new generation of artists and audiences. And you’ll be able to say you were there when it all started.
Location: Cohen Family Studio Theater
Admission: Admission is free, but reservations are required. Tickets become available at noon on Monday, April 17. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Acting Studio Series Sponsor: Neil Artman & Margaret Straub
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Reserving Tickets
All Studio Series performances held in CCM’s Cohen Family Studio Theater are free and open to the general public, but reservations are required. Reservations can be made the Monday before each show by visiting the CCM Box Office in person or calling 513-556-4183. Limit two tickets per order.

For additional information on reserving tickets for CCM’s Studio Series, visit ccm.uc.edu/about/villagenews/did-you-know/how-to-studio-series.

Some off-campus Studio Series productions require paid admission or reservations through a partner organization’s box office. Please refer to individual production listings for more information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
Join us in 2016-17 as CCM presents a season of passion, courage and romance.

CCM’s 2016-17 Subscription Packages Are On Sale Now. Plan Your Season With Our New Brochure Today!

Join us for a season of passion, courage and romance!

This year, the faculty, staff and students of the University of Cincinnati College-Conservatory of Music proudly present over 50 major performing and media arts events.

CCM's 2016-17 Season Subscription Brochure.

Click on the graphic above to view CCM’s 2016-17 Season Brochure.

Whether you prefer effervescent operas or daring dramas, sophisticated symphonies or soulful jazz, old favorites or world premieres, this season has something for everyone.

Join us as our stars-of-tomorrow bring passion, courage and romance to the stage.

With a variety of subscription and flex ticket packages available, it has never been easier to experience CCM’s star power for yourself.

Plan your season today by downloading a digital copy of CCM’s 2016-17 brochure. Physical copies are also available at CCM’s Box Office.

Subscription and flex ticket packages are on sale now.

Single Concert Series and Ariel Series tickets go on sale beginning Aug. 22, 2016. Single Mainstage Series tickets go on sale beginning Aug. 29, 2016.

For more details about CCM’s 2016-17 performance schedule, contact the CCM Box Office at 513-556-4183 or visit ccm.uc.edu.

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SPONSORS AND PARTNERS

CCM recognizes and thanks the following corporations, foundations and individuals for their generous support:

Louise Dieterle Nippert Trust
Scholarship and Resident Artist Sponsor

The Andrew W. Mellon Foundation
CCM/CSO Diversity Fellowship Sponsor

The Otto M. Budig Family Foundation
Season Presenting Sponsor, Musical Theatre Program Sponsor & Event Sponsor

The Corbett Endowment at CCM
Dance Department Supporter
All-Steinway School Sponsor

The Greater Cincinnati Foundation
H. Wayne Ferguson Family Foundation
The Carol Ann and Ralph V. Haile, Jr./U.S. Bank Foundation
The Louise H. and David S. Ingalls Foundation Inc.
Frances R. Luther Charitable Trust

Community Partners

Macy’s
Mainstage Season Production Sponsor

Mr. & Mrs. Edward S. Rosenthal
Opera Department Sponsor

Genevieve Smith
Opera Production Sponsor

The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel
Visiting Artists Sponsor

Anonymous
Estate of Mr. William A. Friedlander
Mrs. William A. Friedlander
Dr. & Mrs. Randolph L. Wadsworth
Mr. & Mrs. Frank Bloom
Mr. & Mrs. J. David Rosenberg
Mr. & Mrs. Harry H. Santen
Mr. & Mrs. Paul G. Sittenfeld
Mr. & Mrs. Thomas E. Stegman
Mr. & Mrs. Theodore W. Striker
The Thomas J. Emery Memorial

Ariel Quartet Sponsors

Jan Rogers
Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation

Choral Studies Sponsors

Ms. Margaret L. Straub & Mr. Neil R. Artman
Studio Drama Series Sponsor

Judith Heiny and Piotr Chomczynski
Polish Festival 
Sponsor

The Sarah Marvin Foundation for the Performing Arts
Classical Guitar Sponsor

Mr. & Mrs. Joseph W. Hirschhorn
Orchestral Sponsor

CCMpower
The CCM Harmony Fund: Challenging Hate
and Prejudice through Performing Arts

The Otto M. Budig Family Foundation
Jeff Thomas Catering
PNC
Trish & Rick Bryan
Keating, Muething & Klekamp P.L.L.
Rhonda & Larry Sheakley

Event Sponsors
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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
'Romeo and Juliet' photo by Mark Lyons.

CCM Announces 2016-17 Mainstage Series of Acting, Dance, Musical Theatre and Opera

CCM is pleased to announce details for its 2016-17 Mainstage Series of acting, dance, musical theatre and opera productions. Between Sept. 29, 2016 and April 15, 2017, CCM’s stars-of-tomorrow and world-class faculty and staff members will present eight diverse masterworks, which span the spectrum of the theatre arts.

Mainstage Hero Image

Click the graphic for more information.

Dubbed “a season of passion, courage and romance,” CCM’s 2016-17 Mainstage Series will bring new interpretations of popular classics in the fall with a retelling William Shakespeare’s Romeo and Juliet, a revival of the nine-time Tony Award-winning musical A Chorus Line, a flirty and fun-filled production of the fairytale opera Cendrillon and a mixed repertoire dance concert featuring Classics with a Twist.

In the spring, CCM will also present the Mainstage Series debuts of stirring drama Her Naked Skin, powerful musical Mack and Mabel and epic opera Idomeneo, along with the Dance Department’s celebration of Masterworks and Beyond.

Production and ticketing details are listed below. Single tickets go on sale beginning Aug. 29, 2016, but subscribing is the best way to guarantee your seats for these must-see shows! Fully customizable renewal subscriptions are on sale now with priority seating before July 15, 2016. Subscription packages for new subscribers will go on sale July 18, 2016.

Additional Information
Titles and dates are subject to change – rights pending. To order subscriptions, contact the CCM Box Office at 513-556-4183.

For a complete calendar of events, please visit us online at ccm.uc.edu.
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CCM 2016-17 MAINSTAGE SERIES
Acting, Dance, Musical Theatre, Opera

ROMEO AND JULIET
Written by William Shakespeare
Brant Russell, director

“For never was a story of more woe than this of Juliet and her Romeo.” William Shakespeare’s legendary tale of young love and bitter hatred returns to the CCM stage like you’ve never seen it before. Witness the deadly feud between the Montagues and Capulets in this subversive retelling of the Bard’s iconic story. It’s a comedy ­— until it’s not.

Performance Dates: Sept. 28 (preview), Sept. 29–Oct. 2, 2016
Location: Patricia Corbett Theater
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A CHORUS LINE
Conceived and originally directed and choreographed by Michael Bennett
Book by James Kirkwood Jr. and Nicholas Dante
Music by Marvin Hamlisch
Lyrics by Edward Kleban
Diane Lala, director and choreographer
Roger Grodsky, musical director

A nine-time Tony Award-winner, and one of the longest-running productions in Broadway history, A Chorus Line tells a strikingly honest tale about the backstage world of musical theatre as 17 dancers vie to make the final cut for the latest smash hit. As the auditions proceed, the diverse backgrounds and motivations of the hopefuls come to the fore, revealing stories that run the gamut of human experience and emotion as they all compete with and learn about one another. It is a process that will change them all forever… for better or worse. A Pulitzer Prize-winning fusion of dance, song and drama, A Chorus Line is a powerful metaphor for all human aspiration.

Performance Dates: Oct. 20–30, 2016
Location: Patricia Corbett Theater
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CENDRILLON (CINDERELLA)
Composed by Jules Massenet
Libretto by Henri Caïn
Mark Gibson, conductor
Robin Guarino, director

One of the world’s most beloved fairy tales comes to the CCM stage in a new modernist production! Despite being under the thumb of her evil stepmother, a poor girl wishes for her dream to come true. Enter her fairy godmother, who provides a ticket to the ball! The poor girl meets Prince Charming and they fall in love. When the clock strikes 12, though, she vanishes… leaving only a single shoe behind. Jules Massenet’s elegant score brings wit and charm to this timeless romance based on Charles Perrault’s telling of the Cinderella fairy tale. This production is sung in French with English supertitles.

Performance Dates: Nov. 17 – 20, 2016
Location: Corbett Auditorium
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CLASSICS WITH A TWIST
CCM Ballet Ensemble
Jiang Qi and Andre Megerdichian, co-directors

CCM’s Department of Dance opens its performance season with a concert of mixed repertoire featuring alumnus James Cunningham of the Cincinnati Ballet, who will choreograph a new work La Nymph with music by Youngwon French. Highlights also include a performance of Schubert’s Winterreise with choreography by Dance Department Chair Jiang Qi and accompaniment by CCM students Yijia Fang, cello and Xinyuan Li, piano. In addition, the graceful performers from CCM Dance will mount a staging of Glazunov’s Scénes de Ballet with choreography by Associate Professor Michael Tevlin, and Assistant Professor Andre Megerdichian will choreograph a collage of dance scenes spanning diverse genres.

Performance Dates: Dec. 1–4, 2016
Location: Patricia Corbett Theater
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HER NAKED SKIN
Written by Rebecca Lenkiewicz
Richard Hess, director

London 1913. Women are demanding the right to vote. Thousands of suffragettes of all classes serve time in Holloway Prison in their determination to gain equality through the vote. Their willingness to suffer for social injustice serves as the backdrop for an unlikely love story set in a period of turmoil. Described by the Independent as “a great drama about women, by a woman,” Her Naked Skin premiered to great acclaim at London’s National Theatre in 2008. By exploring the hunger for political and personal emancipation, this play plants a defiant feminist flag center stage. This production contains adult themes and is not recommend for young audiences.

Performance Dates: Feb. 8 (preview), Feb. 9–12, 2017
Location: Patricia Corbett Theater
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MACK AND MABEL
Based on an idea by Leonard Spigelglass
Book by Michael Stewart
Music and lyrics by Jerry Herman
Aubrey Berg, director
William Evan Roider, musical director
Patti James, choreographer

Set against the madcap world of Keystone Kops, Bathing Beauties and pies-in-the-face, the tumultuous relationship between workaholic film director Mack Sennett and his silent-screen star Mabel Normand was the stuff of Hollywood legend. With a memorable score by Broadway master Jerry Herman (Hello, Dolly!, Mame, La Cage aux Folles) Mack and Mabel is a star-crossed, bittersweet love story that explores both the lighter and the darker side of the Golden Age of Comedy. Nominated for eight Tony Awards, Mack and Mabel was praised by the New York Times as “a musical in the old and true tradition.”

Performance Dates: March 2–5, 2017
Location: Corbett Auditorium
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IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco (after Antoine Danchet)
Aik Khai Pung, conductor
Marcus Shields, director

Set in the aftermath of the Trojan War, Mozart’s opera seria weaves a tale of gods and monsters, unrequited love and selfless heroism. During his perilous journey back to Greece after years at war, King Idomeneo pledges to sacrifice the first mortal he finds to Neptune in exchange for a safe journey home. When that mortal turns out to be his son Idamante, Idomeneo struggles to find another way to appease the gods, which creates dire repercussions for the people of Crete. Completed in 1780 when the composer was only 24 years old, Idomeneo is widely considered the first of Mozart’s great operas and remains a favorite of opera houses around the world. This production is sung in Italian with English supertitles.

Performance Dates: March 30–April 2, 2017
Location: Patricia Corbett Theater
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MASTERWORKS AND BEYOND
Jiang Qi and Deirdre Carberry, co-directors

Celebrate spring’s arrival with the CCM Ballet Ensemble as they present an exciting mixed bill. Highlights of the program include George Balanchine’s masterwork Valse-Fantaisie with a restaging by guest artist Viki Psihoyos. This concert also includes a world premiere created by Alabama Ballet associate artistic director Roger Van Fleteren, along with new works by CCM faculty members Michael Tevlin and Andre Megerdichian. Valse-Fantaisie is performed by permission of George Balanchine Trust.

Performance Dates: April 13–15, 2017
Location: Patricia Corbett Theater
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Mainstage Series Subscriptions
The 2016-17 CCM Mainstage Series of acting, dance, musical theatre and opera productions includes subscription packages for six-or-more show, four-show and three-show combinations.

Renewal subscription packages are on sale now. CCM’s fully customizable subscription packages range in price from $69 – $188. Subscribers to CCM’s 2015-16 Mainstage Series can receive priority access to seating by renewing their subscriptions by Friday, July 15, 2016.

New subscriptions go on sale July 18, 2016. Single tickets will be available for purchase beginning Monday, Aug. 29, 2016.

To order subscriptions, contact the CCM Box Office at 513-556-4183.

Concert Series Options
As the largest single source of performing arts events in Ohio, CCM also offers world-class chamber music, choral, jazz, orchestra, percussion, piano and wind ensemble concerts each season. CCM’s Mainstage subscribers receive priority access to Ariel Quartet subscription packages, CCM Concert Series flex ticket packages, prepaid parking and other exclusive perks.

Full programming and package details for CCM’s 2016-17 Ariel Quartet Series and Concert Series will be announced in July. Visit ccm.uc.edu for more information.
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A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change. For a complete calendar of events, please visit us online at http://ccm.uc.edu.

CCM News
Rehearsals for CCM's April 2016 production of SWAN LAKE.

Building a Ballet: E-Media students give inside look at CCM’s ‘Swan Lake’

CCM Electronic Media and UC journalism students take us behind-the-scenes with a look at the rehearsals for next week’s production of Swan Lake. The video series chronicles all of the work and dedication students, faculty and staff put into the lavish new production of Tchaikovsky’s timeless ballet.

Students within the News Writing and Reporting class, taught by Assistant Professor of E-Media Hagit Limor and Journalism Professor Bob Jonason, created the videos, which star faculty and students within CCM’s Dance Department.

In the video above, Dance Department chair and Swan Lake co-director Jiang Qi discusses the work that goes into presenting such an iconic ballet. He explains:

Swan Lake is one of the top classical ballets in the repertoire. It’s almost textbook. You learn Swan Lake and then you get much stronger. This is an art form that requires a lot of physical and mental endurance to get through.”

The videos and photos, created by students Brevin Couch, Mark D’Andrea, Tyler Dunn, Daniel Honerkamp, Ailish Masterston and Andrew Wilkins, can be viewed on the Building a Ballet website. Visit the website to view interviews with dance students Madison Holschuh (Odette), Sam Jones (Prince Siegfried), and Kiahna Saneshige (Odile). The package was recently featured in Cincinnati Magazine.

Swan Lake is only the second story ballet ever presented as part of CCM’s Mainstage Series. The production runs April 22 – 24 in CCM’s Corbett Auditorium.

Co-directed by Jiang and Professor Deirdre Carberry, the production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.”

The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Professor Aik Khai Pung.

This production marks the first time in CCM’s nearly 150-year history that a dance production has featured brand new costumes designed and built in-house. You can learn more about the work that went into costuming Swan Lake here.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

____________________

Story by Curt Whitacre

CCM News CCM Video Faculty Fanfare Student Salutes
Dean Mogle holds the white and black swan design sketches for CCM's production of Swan Lake.

From Sketch to Stage: The Making of CCM’s ‘Swan Lake’ Costumes

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There is a shortage of tutu makers in the world, said CCM Professor and Head of the Costume Design and Technology Program Dean Mogle, who faced the daunting task of designing costumes for Tchaikovsky’s Swan Lake ballet.

CCM is working to fix that shortage by training the next generation of costume designers and technicians, whose work will debut on stage in the conservatory’s first ballet production to have costumes designed and built in-house.

A timeless tale of love, magic and mystery, Swan Lake will grace the Corbett Auditorium stage from April 22-24, marking the second time in CCM’s nearly 150-year history that a full-length story ballet has been included in the Mainstage Series.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Staff and students within the Costume Design and Technology program have worked on the ‘Swan Lake’ costumes for the past 18 months.

Presented by CCM’s Department of Dance, the ballet uses three different casts and the principal roles are all double cast ­— which is challenging for the costume shop students and staff responsible for ensuring the pieces fit each dancer correctly.

“You have to understand what dancers go through—what they need,” Mogle said. “Balance becomes really important.”

Costume designers and technicians must consider the weight of the fabrics and headpieces so the dancer can retain their natural balance. There is also limited “real estate” on the costume for artistic expression or characterization, Mogle said. If a female dancer needs to be lifted, safety dictates the fabric around her waist can’t be too slick and can’t get caught on anything.

“The ballet world is a totally different beast.”

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Newly designed costumes for the Hungarian Czardas in Act III of ‘Swan Lake,’ made by costume students and staff. To the far right is Prince Siegfried’s jacket, made by Jessica Barksdale.

Mogle, with a team of students and faculty within the Costume Design and Technology program, has worked on the Swan Lake costumes for the past 18 months. They’ve borrowed and modified some costumes from a previous CCM performance of Brigadoon and the Broadway production of Cyrano, The Musical. Costumes for the principal and specialty roles in the ballet are newly designed and made.

Iconic white tutus, bodices, vibrant dresses and rich fabrics have taken over their workshop. The costumes are designed in the traditional style typically associated with the classic ballet. CCM plans to reuse and rent out some of them after the performance.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Jessica Barksdale is building Mogle’s design for Prince Siegfried’s costume, which will be worn in Acts III and IV.

Mogle, who previously designed costumes for the Cincinnati Ballet’s The Nutcracker, watched five or six different productions of Swan Lake to prepare for his costume designs. The pieces are still evolving on a daily basis, he said.

“Since we are making the production to last about 30 or 40 years, we don’t ever want to get too wild and crazy with the concept because it is pretty traditional,” Mogle said. “The things that really change in a traditional ballet like this are going to be the specialty characters.”

Those include the newly designed and made pieces that will be worn at the ball in Act III, where the Queen invites potential wives from Poland, Hungary, Italy, Spain, Naples and Poland to match with her son, Prince Siegfried.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

A sketch and sleeve of Von Rothbart’s Act III costume, made by Erin Winslow.

At the ball, Prince Siegfried will wear a newly designed black and gold jacket made by Jessica Barksdale, first-year costume technology graduate student. Rothbart, the evil sorcerer who cursed the prince’s love Odette, will wear an intricately detailed costume made by senior costume technology student, Erin Winslow, as part of her capstone project.

Barskdale and Winslow are also making the iconic white and black swan costumes for leading female characters Odette and Odile. Associate Professor of Costume Technology Regina Truhart is managing all costume production for the ballet.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

The in-progress white and black swan costumes for characters Odette and Odile are being made by Jessica Barksdale and Erin Winslow, respectively.

After 27 years at CCM, Mogle is familiar with the 30,000 costume pieces the conservatory has in stock. Luckily, the costume department was able to pull pieces from past performances of Brigadoon and Cyrano to modify them for courtier and peasant costumes in Swan Lake.

The costume department dyed some of the costumes in bright jewel tones and added details such as sashes, sleeves, aprons and hats. Net petticoats were used to make the costumes lighter and easier to dance in.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Costumes from the CCM production of ‘Brigadoon’ are being modified for the female peasants in Act I of ‘Swan Lake.’

“Every time we do [Swan Lake], we’ll add more to it and rely less on our costume stock,” Mogle said, adding that when the ballet is performed again in 6 years they will likely build new peasant costumes.

“That’s how some companies do it anyway. They’ll use tutus from many kinds of shows. Pulling together a show like this from all of these different places is a great exercise.”

Acquiring materials is one hurdle but then, of course, the costumes must actually fit.

It helps that musical theatre bodies and dancer bodies are similar in stature, Mogle said. It would cost around $5,000 to reproduce one of the Cyrano costumes today.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Costume technicians included three clasp sizes on the ‘Swan Lake’ bodices so they can be adjusted for different dancers.

With three different casts, and double-cast principals, it was important to make the costumes interchangeable for different dancers. The technicians included three clasp sizes for the bodices to make them more adjustable and, in some cases, built extra costumes.

The process and pieces are evolving daily, with more adjustments expected after fittings and the dress rehearsals. A beautiful design can look perfect on a mannequin but flawed when put on a body that needs to breathe, dance and kick. That is why it’s important for the costuming students to learn each step in the creative process, said Mogle.

 “The whole focus of our program is teaching design and technology so designers know how to make stuff and makers know how to design stuff. So they all have the same sensibility as to how things should look and how they should be handled. If the knowledge base in those two roles isn’t strong then things fall apart.”

After the designs are sketched, the appropriate fabrics need to be found, Mogle said of the costuming process. Then there’s making the patterns and cutting them out of the cloth and stitching them together. There’s also fabric painting and dying and mask and jewelry making.

“Each one of those is a profession in itself,” Mogle said. “The more skills you have as a technician and the more kinds of plays and operas and ballets that you can design as a designer, your job market opens up. It’s a good part of training and real life experience.”

Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, the Mainstage Series production features students from CCM’s BFA Ballet program. The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Assistant Professor of Music Aik Khai Pung.

_________

Tchaikovsky’s Swan Lake runs April. 22 – 24 in Corbett Auditorium. Tickets are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s
____________________

Story by Rebecca Butts

CCM News CCM Slideshows Faculty Fanfare Student Salutes
CCM Dance presents 'Swan Lake.'

CCM Dance Presents Lavish New Production of Enduring Classic Ballet ‘Swan Lake’ April 22-24, 2016

Swan Lake

Madison Holschuh as Odette and Samuel Jones as Prince Siegfried in CCM’s production of ‘Swan Lake.’ Photo by René Micheo.

CCM’s Department of Dance presents Tchaikovsky’s timeless ballet, Swan Lake, April 22-24 in Corbett Auditorium. Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, the Mainstage Series production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.” The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Assistant Professor of Music Aik Khai Pung.

A tale of unending love and haunting mystery, Swan Lake is one of the most well-known fables of our time. The classic Russian ballet is performed in four acts and tells the story of Odette, a maiden turned into a swan by the evil sorcerer, Von Rothbart.

Disinterested in potential love matches arranged by his mother, Prince Siegfried is in search of a wife when he stumbles upon Odette during a night hunt. The two fall madly in love but their romance is hindered by Odette’s curse – which forces her and her fellow maidens to become swans by day and human by night.

Swan Lake marks only the second time in CCM’s nearly 150-year history that a full-length story ballet has been included in the Mainstage Series. As a result, this production features brand new costumes designed and built in-house, which is actually a CCM first.

Costume Design and Technology Program Head Dean Mogle spent 18 months on the creation of Swan Lake’s intricate costumes. For the past 40 years, Mogle has designed for numerous drama, musical theatre, opera and dance productions, including the Cincinnati Ballet’s The Nutcracker.

“The ballet world is a totally different beast,” Mogle said of the challenging costume designs. “In dance, it’s all about the body and movement.”

In addition to the famous white swan costumes traditionally associated with the ballet, the story will come to life with vibrant colors and rich fabrics adorning the talented performers of CCM Dance. In particular, keep an eye out for the intricately designed costumes worn by Prince Siegfried’s potential wives on display during the opulent ball in Act III.

For this production, the iconic role of Odette will be performed by dance majors Yu-Ting Huang (on Friday and Sunday) and Madison Holschuh (on Saturday).

Guest artist Patric Palkens, appearing by permission of the Cincinnati Ballet, will perform as Prince Siegfried in the Friday and Sunday performances of Swan Lake. Palkens joined the Cincinnati Ballet in 2011 and was promoted to Principal Dancer in 2015. He returns to Cincinnati after spending a year in Europe with Salzburg State Theater Austria Dance.

The ballet will also feature Assistant Professor of Dance André Megerdichian, who will dance the role of evil sorcerer Von Rothbart. Megerdichian has performed professionally over two decades with such companies and choreographers as the Jose Limón Dance company, Janis Brenner and Dancers, The Mary Anthony Dance Theatre, Soundance Repertory Company, Reidel Dance Theatre, Daniel Charon and Sean Curran.

Join us for this timeless tale of love and magic in CCM’s Corbett Auditorium April 22-24.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

____________________

Story by CCM and UC Lindner College of Business graduate student Ryan Strand (BFA Musical Theatre, 2006)

CCM News Faculty Fanfare
Rock out for summer credit at CCM.

Dance, Rock Out and Binge Watch for College Credit this Summer with CCM’s New Online Arts Elective Classes!

Do you need to fulfill your fine arts credits? Have you always wanted to learn to dance but couldn’t get over the stage fright? Do you have free time this summer to jam with a virtual band on your laptop or study the music of The Beatles, all while earning class credit?

This summer, you can complete your elective requirements online. UC’s College-Conservatory of Music offers 20 different general studies and fine arts elective courses during five different sessions this summer. These credit-granting courses cover a wide range of topics and are open to UC and non-UC students alike!

Online arts courses are just a click away: select a course type or session from the list below or visit ccm.uc.edu/summer/finearts to learn more!

Dance for summer credit at CCM. Jam for summer credit at CCM.
Binge watch for summer credit at CCM. Rock out for summer credit at CCM.

May-Mester: May 9 – 29
Full Summer Semester: May 9 – August 6
Session A: May 31 – July 3
Session E: June 22 – August 6
Session B: July 5 – August 6

Course Fees & Registration Info

May-Mester: May 9 – 29

JAPANESE POP, ANIME AND VIDEO GAME MUSIC – ONLINE
FAM 2050-001 | Credits: 3
Learn the evolution of Japanese Pop, Anime and Video Game Music (post 1980), including Anime theme songs, video game music and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, while also investigating the cultural differences between Japan and America.
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Summer Semester (Full): May 9 – August 6

MUSIC APPRECIATION – ONLINE
FAM 2005-002 | Credits: 3

Get introduced to a wide range of composers, compositions, musical styles and musical terms and will place these musical works in the historical and culture context of each period.
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MUSIC OF THE BEATLES – ONLINE
FAM 2061-001 & 002 | Credits: 3

The Music of the Beatles has made an impact throughout the world both musically and sociologically. Their music reflects the cultural and social revolution of the 1960s and serves as a model for understanding all subsequent popular music. This class chronologically traces the band’s development from the early days through their dissolution and examines their groundbreaking production techniques, writing styles and the impact their music had on other musicians and social trends.
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WHAT’S HOT IN POPULAR MUSIC – ONLINE
FAM 2062-001 & 002 | Credits: 3

Examine current popular music and its trending styles and genres. Students will critique selected songs from the weekly Billboard charts and various other media resources, considering both the hottest artists as well as promising up-and-comers. Students will identify and compare unique composing and performing styles of today’s artists and identify links between the music business and societal trends. Weekly activities include reading, viewing and listening to examples, as well as completing assignments online
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Session A: May 31 – July 3

INTEGRATED MEDIA PRODUCTION – ONLINE
EMED 1015-001 | Credits: 3

Integrated Media Production I is an introductory course that provides students with a theoretical and practical foundation in the intersecting worlds of digital media production, content development, and new media design. This course is an overview of concepts and processes in convergent media production.
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MODERN DANCE BASICS – ONLINE
DNCE 1022-001 | Credits: 3
This one semester, repeatable course for non-dance majors introduces the techniques and movement vocabulary for contemporary and modern dance. Students will explore fundamental movement principles while developing improvisational and performance skills. They will also develop the perspectives necessary to critically analyze and further appreciate dance as an art form and educational tool with cultural values. Through interactive online instruction, students use recording devices (smartphones, laptops, camcorders, etc.) to develop their dance technique and build a dance community.
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GOING TO THE MOVIES – ONLINE
EMED 1075-001 | Credits: 3
Through lectures and screenings of classic films, students will explore the evolution of the motion picture as a unique and significant form of expression. The course includes investigation into film style, structure, distribution and consumption. Students will be guided in the development of aesthetic criteria for critical examination.
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MUSIC APPRECIATION – ONLINE
FAM 2005-001 | Credits: 3
Get introduced to a wide range of composers, compositions, musical styles and musical terms and will place these musical works in the historical and culture context of each period.
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AMERICAN MUSIC – ONLINE
FAM 2006-001 | 3 Credit Hours
A history of music in America from approximately 1620 to the present. The course considers musical developments in America and the social, political and religious movements that have shaped American musical life. Examines musical genres, styles, personalities and trends. No prior musical experience required.
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WORLD MUSIC – ONLINE
FAM 2007-001 | Credits: 3
An overview of traditional music from many cultures and regions throughout the world, with emphasis on non-Western traditions. This course examines music as a cultural phenomenon influencing the lives and traditions of contemporary cultures and past civilizations. World Music focuses primarily on traditional and folk music, both in the culture’s region of origin and its diaspora.
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JAMMIN’ WITH LAPTOPS – ON CAMPUS (MWF 10:00am–12:40pm)
FAM 2014-001 | Credits: 3
Explore the potentials of laptop computers for music making! Various technical topics (including analog versus digital sound, audio software, effects, gear, MIDI and audio programming languages) will be surveyed. In addition, a survey of the history of computer music will be conducted through seminal readings and recordings. These will provide participants with the technical and analytical skills to utilize their laptops to creative ends in both individual and group projects.
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EXPERIMENTAL ROCK – ON CAMPUS (MWF 1:30–4:10pm)
FAM 2016-001 | Credits: 3
This course will provide a detailed overview of the tools, techniques and musical styles which impacted Rock Music in the 1960s and 70s, as well as many mainstream and non-mainstream musical trends of the last 30 years. It will focus on innovations such as multi-tracking tape machines (which allowed for sound on sound, tape-delay and flange) and provide a technical overview of electronic instruments such as the synthesizer. Musical trends including the 1950s avant-garde and Minimalism will serve as a bridge to examinations of seminal acts such as the Beatles, Pink Floyd, Kraftwerk, Can, Neu!, Brian Eno and Talking Heads among others.
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JAMMIN’ WITH LAPTOPS – ONLINE
FAM 2023-001 | Credits: 3

Play, record, and make music with online instruments! There are three units, each with a distinctive music-making session: Individual Session (Unit 1), Collaborative Session (Unit 2) and Creative Jam Session (Unit 3). In Unit 1, you will study the basic knowledge of music making, including identifying musical instruments, playing online instruments and recording music you played through the exercises. In Units 2 and 3, you will form your own laptop band with online classmates to play and record music.
_____

JAPANESE POP, ANIME AND VIDEO GAME MUSIC – ONLINE
FAM 2050-002 | Credits: 3
Learn the evolution of Japanese Pop, Anime and Video Game Music (post 1980), including Anime theme songs, video game music and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, while also investigating the cultural differences between Japan and America.
_____

HISTORY OF ROCK ‘N ROLL I – ONLINE
FAM 3031-001 | Credits: 3
Rock and Roll had humble beginnings in the Southeastern United States, but over time it developed into a force that has defined youth culture on a global scale. This course provides a chronological survey that examines the relationship between the music, its most successful and colorful artists, the associated recording technology and the impact of the genre on American culture. Through critical listening and reading, students will be able to make historically informed and thoughtful decisions about the music they select and enjoy. Finally, the course will encourage students to seek and appreciate new styles (and perhaps inspire those who seek a career as a pop music artist). No prerequisite necessary.
_____

Session E: June 22 – August 6

MEDIA IN YOUR LIFE – ONLINE
EMED 1011-001 | Credits: 3

The typical American spends about 11 hours a day consuming media. Could it be, based upon time usage alone, that media consumption is the most important activity in our lives? The media industry plays an enormously important role in our lives and is foundational to the effective functioning of our democracy. Would you like to possess a more sophisticated understanding of media production and its artistic and theoretical underpinnings? Wouldn’t you like to know more about the latest digital production tools? If you answered “yes” to any one of these questions, then this course is for you.
_____

Session B: July 5 – August 6

MODERN DANCE BASICS – ONLINE
DNCE 1022-002 | Credits: 3
This one semester, repeatable course for non-dance majors introduces the techniques and movement vocabulary for contemporary and modern dance. Students will explore fundamental movement principles while developing improvisational and performance skills. They will also develop the perspectives necessary to critically analyze and further appreciate dance as an art form and educational tool with cultural values. Through interactive online instruction, students use recording devices (smartphones, laptops, camcorders, etc.) to develop their dance technique and build a dance community.
_____

JAMMIN’ WITH LAPTOPS – ONLINE
FAM 2023-002 | Credits: 3

Play, record, and make music with online instruments! There are three units, each with a distinctive music making session: Individual Session (Unit 1), Collaborative Session (Unit 2) and Creative Jam Session (Unit 3). In Unit 1, you will study the basic knowledge of music making, including identifying musical instruments, playing online instruments and recording music you played through the exercises. In Units 2 and 3, you will form your own laptop band with online classmates to play and record music.
_____

JAPANESE POP, ANIME AND VIDEO GAME MUSIC – ONLINE
FAM 2050-003 | Credits: 3
Learn the evolution of Japanese Pop, Anime and Video Game Music (post 1980), including Anime theme songs, video game music and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, while also investigating the cultural differences between Japan and America.
_____

HISTORY OF ROCK ‘N ROLL II – ONLINE
FAM 3032-001 | Credits: 3
Rock and Roll had humble beginnings in the Southeastern United States, but over time it developed into a force that has defined youth culture on a global scale. This course provides a chronological survey that examines the relationship between the music, its most successful and colorful artists, the associated recording technology and the impact of the genre on American culture. Through critical listening and reading, students will be able to make historically informed and thoughtful decisions about the music they select and enjoy. Finally, the course will encourage students to seek and appreciate new styles (and perhaps inspire those who seek a career as a pop music artist). No prerequisite necessary.
_____

Course Fees and Registration Info

Course fees for part-time students are $519 per credit hour for Ohio residents and $1158 per credit hour for non-residents. Costs include program fees.

UC students can register online at webapps2.uc.edu/ScheduleOfClasses.

Non-UC students can begin the registration process by visiting admissions.uc.edu/transfer/transfer_non-matric.

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