Photography by Will Brenner.

CCM Dance Presents Five Exciting Works, Including Stravinsky’s Stunning ‘Les Noces,’ During Spring Concert

CCM’s Department of Dance presents its annual Spring Dance Concert, running Thursday, April 23, through Saturday, April 25, in Corbett Auditorium. CCM Dance Professors Jiang Qi and Michael Tevlin direct this concert of mixed repertoire, which features five exciting works choreographed by CCM faculty members as well as esteemed guest artists. Tickets are on sale now.

Highlights of this year’s concert include Igor Stravinsky’s Les Noces (The Wedding), a stunning dance cantata filled with joy and solemnity. Premiered in Paris in 1923, Les Noces captures the scenes and flavors of a Russian peasant wedding through the unique texture of four pianists, six percussionists, solo quartet and a 40 member chorus. For this piece, the Ballet Ensemble will be accompanied by the CCM Chamber Choir and student percussionists, along with CCM’s Eminent Scholar in Chamber Music James Tocco and members of his piano studio. Professor of Music and Director of Choral Studies Earl Rivers conducts.

CCM Assistant Professor of Dance Andre Megerdichian.

CCM Assistant Professor of Dance Andre Megerdichian.

Assistant Professor of Dance Andre Megerdichian creates an original adaptation of Les Noces using both Stravinsky and original choreographer Bronislava Nijinska’s concepts as a springboard. His cast of 18 dancers twists traditional perspectives on marriage, taking the audience on a Faustian journey of discovery.

“Stravinsky used traditional Russian peasant wedding songs and rituals as a base, and Nijinska focused on the gloom of arranged marriages. I’m looking at the idea of union in contemporary society. In a shifting landscape of gender roles, sexual orientation, alternative lifestyles and marriage opportunities, the real question is what happens when we lift the veil?” says Megerdichian.


Associate Professor of Dance Deirdre Carberry
 will restage excerpts from Raymonda with choreography by Marius Petipa and music by Alexander Glasunov. A ballet originally staged in three acts and four scenes with an apotheosis, Raymonda was first presented at the Imperial Ballet at the Imperial Mariinsky Theatre on January 19, 1898, in St. Petersburg, Russia.

Associate Professor of Dance Michael Tevlin displays his choreography in Prelude to Tomorrow with music by Sergei Rachmaninoff. This new ballet by Tevlin was inspired by Rachmaninoff’s Preludes and Etudes for Piano. Featuring many of the members of CCM’s Dance Department’s graduating class, Prelude to Tomorrow explores relationships and camaraderie in many forms. From bittersweet to brash, powerful to tender, Rachmaninoff’s sweeping music provides a perfect backdrop for a cast of 10 dancers.

Guest artist Anthony Krutzkamp choreographs the contemporary ballet Similar with music by Brian Crain and Chad Lawson. Based loosely on the various stages of a couple’s relationship, Similar is an exploration of movement that is different with a common theme that makes it similar.

Visiting scholar Tian Tian will choreograph Chiaroscuro. With music by Liu Sanzang, Chiaroscuro is based on the Chinese ancient philosophy, which reflects the dichotomy of the strong contrasts between darkness and light. An instructor from Beijing Dance Academy and a PhD candidate at the School of Arts at Peking University, Tian Tian is focusing on the production of dance performance at CCM.

Performance Times

  • 8 p.m. Thursday, April 23
  • 8 p.m. Friday, April 24
  • 2 & 8 p.m. Saturday, April 25

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to the Spring Dance Concert are $15 for general admission, $10 for non-UC students and FREE for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Dance Department gratefully acknowledges the support of the Corbett Endowment at CCM.

CCM News
CCM Village in the spring of 2014. Photography by Dottie Stover.

CCM Welcomes John Martin as Assistant Dean of Preparatory and Community Engagement

CCM Dean Peter Landgren has announced the appointment of John William Martin to the position of Assistant Dean of Preparatory and Community Engagement at CCM. Martin comes to CCM shortly after finishing his tenure as Executive Director of the Brookline Music School, a preparatory-style, community arts education institution in Brookline, Massachusetts.

John William Martin begins his tenure as CCM's Assistant Dean of Preparatory and Community Engagement on Monday, April 13, 2015.

John William Martin.

In addition to Brookline, he has built a long career as a music administrator dating back to the 1980s: director of admissions and founding director of the Community Music School at Michigan State University; coordinator of music services, director of the Celebrity Artists Series and instructor in the Music Administration program at the University of Alabama; director of the Wausau Conservatory of Music in Wisconsin; and arts coordinator for the Jefferson County School system in Florida.

As a flutist, Martin’s performing career has also been impressive. He served as principal flutist of the Wausau (WI) Symphony Chamber Orchestra and associate principal flutist with the Central Wisconsin Symphony Orchestra. He has also had several engagements as a teacher: flute instructor for the University of Wisconsin-Marathon Center, visiting lecturer for the University of Wisconsin Stevens Point and an artist-in-residence for the state arts councils of Florida, Wisconsin and Alabama.

Martin is currently a board member of the National Guild for Community Arts Education and has served as chairperson of the Guild’s Central Great Lakes Chapter, as well a member of the Council of School Directors and the membership committee. He has served as a consultant to numerous community and university arts programs throughout the country and has been a participant in the National Guild’s Management Assessment Training Program.

A native of Charleston, South Carolina, John William Martin received his bachelor’s degree from the University of Montevallo (AL). He then earned a master of music degree in flute performance from Florida State University, where he studied under Charles DeLaney.

Martin’s other interests have included collaborations as both performer and composer with numerous dance companies including Happendance (Michigan’s oldest, continuing professional company), Children’s Dance Touring Theatre of Florida and dancers from the Martha Graham Company. He served as an officer on the board of directors and production manager of the Children’s Ballet Theatre of Michigan, 2003-09.

Martin’s appointment reflects CCM’s ongoing commitment to enhancing its already innovative educational and community outreach programs. Martin officially joins CCM on Monday, April 13, 2015. Please join us in welcoming him to the CCM family!

CCM News Faculty Fanfare
CCM Dance Student Choreographer's Showcase rehearsal photos by Adam Zeek.

CCM’s Department of Dance Presents Nine Student-Created Original Works March 11-14

Photography by Mark Lyons.

Photography by Mark Lyons.

CCM’s Department of Dance proudly presents its annual Dance Student Choreographers’ Showcase from March 11 – 14 in UC’s intimate Cohen Family Studio Theater. Dance Department faculty members Deirdre Carberry and Andre Megerdichian direct this exciting production. Admission is free, but reservations are required.

This year’s production will feature pieces by eight undergraduate women: Emily Chu, Katie Norton-Bliss, Scarlett Rustemeyer, Christine Settembrino and Katelyn Somers, along with a work by guest choreographer Tian Tian.

Senior Katie Norton-Bliss will debut her 10-minute piece,“Po$t $omething.” Her  piece was inspired by the similarities between trends found in pop culture and in dance. “Trends run the pop culture world, and often they are updates of older styles… Trends come and go in the dance world, but we don’t usually refer to them as trend. Instead, we consider them to be genres of dance. For example, there was modern dance followed by post modern dance. This makes it harder and harder for styles of choreography to be defined,” she explains.

Norton-Bliss describes her choreographic style as an amalgamation of many different influences. Her movements are inspired by “ballet, contemporary ballet, modern, contemporary, hip hop, and even current dance trends like the Schmoney dance or classics like the moon walk.” She also generates a good deal of her choreography through improvisation. Her piece will feature three different songs: “Gooo” by TNGHT, “Dawn in Luxor” by Shabbaz Palaces and a remix of “Wrecking Ball” by Miley Cyrus. Additionally, she will be mixing in audio from a YouTube video called “Making Dances: Seven Post Modern Choreographers.”

Senior Emily Chu discusses her 13-year-old sister as inspiration for her currently untitled piece. Chu says she has always tried to be a role model for her sister and has made sure that her sister is exposed to a variety of strong women. And “it’s worked,” says Chu. “She dressed up as Amelia Erhart for Halloween.” Other women that will be represented in Chu’s choreography include Joan of Arc and Gertrude Etterly, the first woman to swim the English channel.

Chu’s approximately 10-minute long contemporary ballet piece will feature eight talented female dancers, not on pointe. They will perform to a mix of strings and an electronic song called “See the Sea Red” by Vitalic.

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All of the pieces this year represent a huge diversity of styles and are a compliment to the broad range of experiences and teachings available to CCM’s dance students.

Performance Times

  • 8 p.m. Wednesday, March 11
  • 8 p.m. Thursday, March 12
  • 8 p.m. Friday, March 13
  • 2 p.m. Saturday, March 14

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission to the Dance Student Choreographer’s Showcase is free, but reservations are required. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Dance Department gratefully acknowledges the support of the Corbett Foundation at CCM.

CCM News CCM Slideshows Student Salutes
A photo from CCM's Mainstage Series production of 'Peter Pan' from March of 2015. Photography by Mark Lyons.

CCM Announces 2015-16 Mainstage Series of Opera, Musical Theatre, Drama and Dance

CCM is pleased to announce details for its 2015-16 Mainstage Series of opera, musical theatre, drama and dance productions. Between Sept. 30, 2015, and April 24, 2016, CCM’s stars-of-tomorrow will present seven masterworks for the stage under the guidance of its internationally acclaimed faculty artists.

These works include David Edgar’s epic drama Pentecost, Rodgers and Hammerstein’s classic musical Carousel, Franz Lehár’s comedic operetta The Merry Widow, Eugene O’Neill’s acclaimed coming-of-age story Ah, Wilderness!, Green Day’s iconic punk rock musical American Idiot, Janácek’s farcical opera The Cunning Little Vixen and Tchaikovsky’s beloved romantic ballet Swan Lake.

Production details are listed below. Details on subscription packages and single ticket sales will be announced this summer.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

Additional Information
Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.
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CCM 2015-16 MAINSTAGE SERIES
Opera, Musical Theatre, Drama, Dance

Pentecost
Written by David Edgar
Richard E. Hess, director

A play of politics and ideas, Pentecost details the discovery of a painting stunningly similar to Giotto di Bondone’s The Lamentation in an abandoned church in Eastern Europe. If proven to pre-date the master’s work, the fresco will revolutionize Western Art. A dramatic power struggle ensues, as representatives from the worlds of art history, religion and politics stake their claims for the ultimate prize. The unexpected arrival of 12 refugees sets events spiraling toward an explosive climax. Described by the Daily Telegraph as “funny, frightening and deeply moving,” this powerful play by the Tony Award-winning adapter of Nicholas Nickleby and author of numerous plays won the Evening Standard Award for Best Play of 1995.

Performance Dates: Sept. 30 (preview), Oct. 1–4, 2015
Location: Patricia Corbett Theater
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Carousel
Music by Richard Rodgers
Book and lyrics by Oscar Hammerstein II
Based on the play Liliom by Ferenc Molnar
As Adapted by Benjamin F. Glazer
Original Dances by Agnes de Mille
Diane Lala, director

Set in a Maine coastal village toward the end of the 19th century, Carousel is the story of carefree carnival barker Billy Bigelow and his reckless adventures with women, gambling and the wrong side of the law. Billy loses his job just as he learns that his wife is pregnant and, desperate to provide a decent life for his family, is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent “up there.” 15 years later, Billy is allowed to return to earth for one day and encounters the daughter he never knew. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love. Declared “Best Musical of the Century” by Time Magazine in 1999, it’s easy to understand why Carousel became Rodgers and Hammerstein’s personal favorite.

Performance Dates: Oct. 29–Nov. 1, 2015
Location: Corbett Auditorium
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The Merry Widow (Die lustige Witwe)
Music by Franz Lehár
Libretto by Viktor Léon and Leo Stein
Emma Griffin, director

A 20th century opera molded in the tradition of the great opera seria of the 1700s, The Merry Widow tells a dizzying tale of star-crossed lovers and political intrigue in Paris. Baron Zeta of Pontevedro must prevent the wealthy widow Hanna Glawari from marrying a foreigner; if she does, all of her wealth will leave Pontevedro, thus bankrupting the country. Zeta urges Hanna’s former fiancée Count Danilovich (who pretends to not care for her anymore) to marry her, but Zeta’s wife pushes the flirtatious Camille de Rosillon to go after Hanna instead. Farcical confusion, romance and jealousy abound in this light-hearted romp. Sung in English.

Performance Dates: Nov. 19–22, 2015
Location: Patricia Corbett Theater
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Ah, Wilderness!
Written by Eugene O’Neill
R. Terrell Finney, director

Set in an idyllic Connecticut town during the Fourth of July weekend of 1906, Eugene O’Neill’s Ah, Wilderness! offers a tender portrait of small town family values, teenage growing pains and young love. Described as “a breath of fresh air” and “vividly alive” by the New York Post and nominated for a Tony Award for Best Revival in both 1989 and 1998, this charming comedy is directed by CCM Professor Emeritus R. Terrell Finney.

Performance Dates: Feb. 10 (preview), Feb. 11–14, 2016
Location:
 Patricia Corbett Theater
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American Idiot
Book and lyrics by Billie Joe Armstrong
Book by Michael Mayer
Music and lyrics by Green Day
Aubrey Berg, director

The two-time Tony Award-winning hit musical American Idiot, based on Green Day’s Grammy Award-winning multi-platinum album of the same name, boldly takes the American musical where it’s never gone before. Johnny, Tunny and Will struggle to find meaning in a post-9/11 world. When the three disgruntled men flee the constraints of their hometown for the thrills of city life, their paths diverge when Tunny enters the armed forces, Michael is called back home to attend familial responsibilities, and Johnny’s attention becomes divided by a seductive love interest and a hazardous new friendship. An energy-fueled rock opera, American Idiot features minimal dialogue and instead relies on the lyrics from Green Day’s groundbreaking album to execute the story line.

Performance Dates: March 3–13, 2016
Location: Patricia Corbett Theater
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The Cunning Little Vixen (Príhody lišky Bystroušky)
Composed by Leoš Janácek
Libretto by Leoš Janácek (after Rudolf Tesnohlídek)
Vince DeGeorge, director

Based on a famous 1920s Czech comic strip, Janácek’s opera The Cunning Little Vixen humorously explores the universal longing for youth. The three main characters – all older men – attempt to connect to their younger days through various means: one longs for a village girl, one obsesses over a childhood indiscretion and one chases a young vixen through the countryside. Will they continue to cling to their delusions? Or will their experiences help them come to terms with the inevitability of time? Sung in English.

Performance Dates: April 8–10, 2016
Location: Patricia Corbett Theater
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Swan Lake
Composed by Pyotr Tchaikovsky
Jiang Qi, director

Tchaikovsky’s timeless ballet about love and magic returns to CCM in a fully-staged spectacle! The young Prince Siegfried, disinterested in the potential wives that his mother has picked for him, heads into the woods to hunt one night and comes across a beautiful swan…who then turns into the maiden Odette! She tells him of the curse she and others have been placed under by the evil knight Rothbart, forcing them to become swans by day and human by night. Siegfried instantly falls in love, but will he and Odette be able to overcome the curse, or will Rothbart succeed in keeping his enchantment intact?

Performance Dates: April 22–24, 2016
Location: Corbett Auditorium
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Mainstage Series Subscriptions
The 2015-16 CCM Mainstage Series of opera, musical theatre and drama productions includes subscription packages for six-show, four-show and three-show combinations. Subscribers also have the ability to add the Mainstage Series production of Swan Lake to any subscription package “a la carte.”

Full details on subscription packages and single ticket sales will be announced this summer. CCM’s customizable subscription packages range in price from $84 – $180. Current subscribers will get priority access to next season’s subscription packages.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.
____________________

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave
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A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
Old 'Thinking About Music' lecture logo.

CCM’s ‘Thinking About Music’ Lecture Series Resumes on Feb. 6

Each semester, CCM welcomes distinguished experts for a series of free Friday afternoon musical discussions. This spring, the Thinking About Music lecture series will present five free public talks, beginning with a presentation by Tufts University Professor Joseph Auner on Friday, Feb. 6.

Sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, these music theory and history discussions feature diverse topics presented by distinguished experts from all over the United States and are designed to engage participants’ imaginations and to consider music in new ways.

This semester’s guest lecturers also include University of Minnesota Professor Michael Cherlin (Feb. 20), Cornell University Professor Annette Richards (March 6), National Jazz Museum Artistic Director Loren Schoenberg (March 13) and Eastman School of Music Professor Ellen Koskoff (April 17). See the listings below for more information on this semester’s presentation topics.

Since its inception in 1997, the Thinking About Music Series has presented over 120 lectures and one symposium by guests from a number of different colleges, universities, schools of music, foundations, institutes, museums and publications.

The subjects of the lectures have covered historical musicology, music theory and ethnomusicology, along with the ancillary fields of organology, dance, music business and law, cognitive psychology, and the philosophy, theology and sociology of music.

Event Information
Unless otherwise indicated, all Thinking About Music lectures take place on Fridays at 2:30 p.m. in the Baur Room of CCM’s Corbett Center for the Performing Arts, which is located on the campus of the University of Cincinnati.

These events are free and open to the public. All event dates and programs are subject to change. Visit ccm.uc.edu for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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2015 SPRING JOSEPH AND FRANCES JONES POETKER THINKING ABOUT MUSIC LECTURE SERIES

061117_0344_testpianos180.jpg

Guest speaker Joseph Auner.

2:30 p.m. Friday, Feb. 6
THE STOPPED CLOCK: SOME MOMENTS IN TONALITY AND TECHNOLOGY SINCE 1950
Joseph Auner, Tufts University

This talk will focus on the second half of the 20th century and two technologies that have contributed to different ways of working with tonality and tonal materials: namely, voltage controlled modular synthesizers and the tape loop. With reference to a wide range of music, Professor Joseph Auner will argue that the synthesizer and the tape loop, and related technologies like a tape-delay system, facilitated and required a kind of close listening to and manipulation of sound that could open up new perspectives on any acoustic phenomenon, including triads and tonal materials.
Location: Baur Room
Admission: FREE
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Guest speaker Michael Cherlin.

Guest speaker Michael Cherlin.

2:30 p.m. Friday, Feb. 20
LUIGI NONO’S FRAGMENTE-STILLEAN DIOTIMA AND THE INEFFABLE
Michael Cherlin, University of Minnesota

The Romantic fragment, in poetry and music, points toward something that is ineffable – the sounds listeners hear point toward those that cannot be realized.  Whether it is beyond or still within Romanticism, it is this aesthetic that Michael Cherlin associates with Schoenberg and Webern, most particularly. Nono’s string quartet, a meditation on Diotima, continues that tradition. The lecture will explore the implications of this composition for a poetics of musical interpretation (whose falsifying “scientific” name is analysis).
Location: Baur Room
Admission: FREE
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Guest speaker Annette Richards.

Guest speaker Annette Richards.

2:30 p.m. Friday, March 6
This talk has been postponed due to weather-related flight delays.
SENSIBILITY TRIUMPHANT: C. P. E. BACH AND THE ART OF FEELING
Dr. Annette Richards, Cornell University
In Goethe’s Triumph der Empfindsamkeit (1777), sensibility, feeling and sympathy are brutally exposed as trivial obsessions with postures and props. Excess, bad taste and poor behaviour are the focus of Goethe’s hilarious critique of the craze unleashed by his own Sorrows of Young Werther. Embodied in this strange and funny text is satire aimed not only at the cult of Empfindsamkeit and at the works of the artist himself, but also at the conspicuous blurring of public and private spheres, the untoward exposure of personal proclivities and private feeling. Given the ubiquitous text-book designation of C. P. E. Bach as the architect of the ‘Empfindsamer Stil’ in music, Dr. Annette Richards takes another look at what ‘Empfindsamkeit’ might mean, especially for Bach’s late keyboard works. Revisiting the broader cultural contexts within which Bach lived and worked, she will map out the contemporary landscape of feeling constructed by critical and literary texts, as well as musical and visual artworks (including portraits in Bach’s collection). She hopes to suggest that some of Bach’s late music, especially the rondos and fantasias, complicate humour with satire and pathos with parody, in a way that presents a complex and disconcerting picture of what it might mean to sympathise, and to feel, musically. In the process, Bach’s own claims about the competing aesthetics of public and private music will be reconsidered.
Location: Baur Room
Admission: FREE
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Guest speaker Loren Schoenberg.

Guest speaker Loren Schoenberg.

2:30 p.m. Friday, March 13
LESTER YOUNG: NEW DISCOVERIES
Loren Schoenberg, Artistic Director, The National Jazz Museum in Harlem

As an American jazz tenor saxophonist and a member of Count Basie’s orchestra, Lester Young was one of the young genre’s most influential forces. In the last few years, a significant amount of previously unheard recordings have shed new light on his innovations. As Loren Schoenberg will attest, every surviving sound recorded by Young is vital, since there are no documents that capture the qualities that his peers remember most vividly.
Location: Baur Room
Admission: FREE
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Guest speaker Ellen Koskoff.

Guest speaker Ellen Koskoff.

2:30 p.m. Friday, April 17
IS ETHNOMUSICOLOGY INHERENTLY FEMINIST?
Dr. Ellen Koskoff, Eastman School of Music, University of Rochester
Dr. Ellen Koskoff will present excerpts from her recent book, A Feminist Ethnomusicology. In the process, she will raise several important questions. What, if anything, is feminist about ethnomusicology? What do fieldwork, ethnography and music contribute to the process of dismantling hierarchies of power based on gender? Furthermore, what does feminism contribute to a deeper understanding of social and musical difference? These questions will set the stage for a lively discussion.
Location: Baur Room
Admission: FREE
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM’s Thinking About Music Series is sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel; along with support from Dean Landgren’s Office, the Graduate Student Association, and the Division of Composition, Musicology and Theory at CCM.

CCM News
MoveableFeast2013

Thanks to YOU For Making This Year’s MOVEABLE FEAST So Successful!

CCM's Moveable Feast benefit event returns on Friday, Jan. 23, 2015.

CCM’s Moveable Feast benefit event returns on Friday, Jan. 23, 2015.

To the sponsors, partners, Friends of CCM Members, volunteers, faculty members, student artists, staff, event attendees and everyone else responsible for making this year’s Moveable Feast such an overwhelming success: THANK YOU!

  • Check out Cincinnati Refined‘s coverage of the evening here.
  • Check out the Cincinnati Enquirer‘s coverage of the evening here.
  • Check out the News Record‘s coverage of the evening here.

It was a night to remember – thank you for sharing it with us!

CCM Alumni Applause CCM News CCM Slideshows Faculty Fanfare Student Salutes
CCM's Cohen Family Studio Theater.

CCM Lighting Design Majors Show Off Their Skills With Help From Vincent Lighting Systems

LightingDesign0226The stars-of-tomorrow in CCM’s Lighting Design and Technology program will have the chance to shine brighter than ever this week thanks to the generosity of Vincent Lighting Systems.

Each year, students in CCM’s course on “Moving Light Programming” get an opportunity to show off their mastery of the art and science of lighting design in a dazzling class presentation entitled “BAMM!”

Students spend weeks planning for this capstone event and are then given only a few days to execute their plans, programming complex lighting on a rig of various fixtures – each with different attributes and abilities – in CCM’s versatile Cohen Family Studio Theater.

This year, long-time CCM supporter Vincent Lighting Systems has donated equipment to the event, allowing students to install and work with some of the most advanced gear available in the lighting industry.

This unique experience puts these students on the forefront of lighting education, reinforcing CCM’s reputation as the finest training program for lighting professionals in the country.

CCM’s faculty, staff and students would like to thank UC alumni Paul Vincent and Adam Hayward, along with the rest of the Vincent Lighting Team, for making this experience possible.

CCM Lighting Design and Technology presents BAMM! at 8 p.m. on Friday, Jan. 16. This is an open class presentation, however seating is limited.

Learn more about CCM’s Lighting Design and Technology program by visiting ccm.uc.edu/theatre/tdp/lighting.

Learn more about Vincent Lighting Systems by visiting http://www.vls.com.

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