Rehearsals for CCM's April 2016 production of SWAN LAKE.

Building a Ballet: E-Media students give inside look at CCM’s ‘Swan Lake’

CCM Electronic Media and UC journalism students take us behind-the-scenes with a look at the rehearsals for next week’s production of Swan Lake. The video series chronicles all of the work and dedication students, faculty and staff put into the lavish new production of Tchaikovsky’s timeless ballet.

Students within the News Writing and Reporting class, taught by Assistant Professor of E-Media Hagit Limor and Journalism Professor Bob Jonason, created the videos, which star faculty and students within CCM’s Dance Department.

In the video above, Dance Department chair and Swan Lake co-director Jiang Qi discusses the work that goes into presenting such an iconic ballet. He explains:

Swan Lake is one of the top classical ballets in the repertoire. It’s almost textbook. You learn Swan Lake and then you get much stronger. This is an art form that requires a lot of physical and mental endurance to get through.”

The videos and photos, created by students Brevin Couch, Mark D’Andrea, Tyler Dunn, Daniel Honerkamp, Ailish Masterston and Andrew Wilkins, can be viewed on the Building a Ballet website. Visit the website to view interviews with dance students Madison Holschuh (Odette), Sam Jones (Prince Siegfried), and Kiahna Saneshige (Odile). The package was recently featured in Cincinnati Magazine.

Swan Lake is only the second story ballet ever presented as part of CCM’s Mainstage Series. The production runs April 22 – 24 in CCM’s Corbett Auditorium.

Co-directed by Jiang and Professor Deirdre Carberry, the production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.”

The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Professor Aik Khai Pung.

This production marks the first time in CCM’s nearly 150-year history that a dance production has featured brand new costumes designed and built in-house. You can learn more about the work that went into costuming Swan Lake here.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

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Story by Curt Whitacre

CCM News CCM Video Faculty Fanfare Student Salutes
CCM Dance presents 'Swan Lake.'

CCM Dance Presents Lavish New Production of Enduring Classic Ballet ‘Swan Lake’ April 22-24, 2016

Swan Lake

Madison Holschuh as Odette and Samuel Jones as Prince Siegfried in CCM’s production of ‘Swan Lake.’ Photo by René Micheo.

CCM’s Department of Dance presents Tchaikovsky’s timeless ballet, Swan Lake, April 22-24 in Corbett Auditorium. Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, the Mainstage Series production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.” The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Assistant Professor of Music Aik Khai Pung.

A tale of unending love and haunting mystery, Swan Lake is one of the most well-known fables of our time. The classic Russian ballet is performed in four acts and tells the story of Odette, a maiden turned into a swan by the evil sorcerer, Von Rothbart.

Disinterested in potential love matches arranged by his mother, Prince Siegfried is in search of a wife when he stumbles upon Odette during a night hunt. The two fall madly in love but their romance is hindered by Odette’s curse – which forces her and her fellow maidens to become swans by day and human by night.

Swan Lake marks only the second time in CCM’s nearly 150-year history that a full-length story ballet has been included in the Mainstage Series. As a result, this production features brand new costumes designed and built in-house, which is actually a CCM first.

Costume Design and Technology Program Head Dean Mogle spent 18 months on the creation of Swan Lake’s intricate costumes. For the past 40 years, Mogle has designed for numerous drama, musical theatre, opera and dance productions, including the Cincinnati Ballet’s The Nutcracker.

“The ballet world is a totally different beast,” Mogle said of the challenging costume designs. “In dance, it’s all about the body and movement.”

In addition to the famous white swan costumes traditionally associated with the ballet, the story will come to life with vibrant colors and rich fabrics adorning the talented performers of CCM Dance. In particular, keep an eye out for the intricately designed costumes worn by Prince Siegfried’s potential wives on display during the opulent ball in Act III.

For this production, the iconic role of Odette will be performed by dance majors Yu-Ting Huang (on Friday and Sunday) and Madison Holschuh (on Saturday).

Guest artist Patric Palkens, appearing by permission of the Cincinnati Ballet, will perform as Prince Siegfried in the Friday and Sunday performances of Swan Lake. Palkens joined the Cincinnati Ballet in 2011 and was promoted to Principal Dancer in 2015. He returns to Cincinnati after spending a year in Europe with Salzburg State Theater Austria Dance.

The ballet will also feature Assistant Professor of Dance André Megerdichian, who will dance the role of evil sorcerer Von Rothbart. Megerdichian has performed professionally over two decades with such companies and choreographers as the Jose Limón Dance company, Janis Brenner and Dancers, The Mary Anthony Dance Theatre, Soundance Repertory Company, Reidel Dance Theatre, Daniel Charon and Sean Curran.

Join us for this timeless tale of love and magic in CCM’s Corbett Auditorium April 22-24.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

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Story by CCM and UC Lindner College of Business graduate student Ryan Strand (BFA Musical Theatre, 2006)

CCM News Faculty Fanfare
A photo from CCM's Mainstage Series production of 'Peter Pan' from March of 2015. Photography by Mark Lyons.

CCM Announces 2015-16 Mainstage Series of Opera, Musical Theatre, Drama and Dance

CCM is pleased to announce details for its 2015-16 Mainstage Series of opera, musical theatre, drama and dance productions. Between Sept. 30, 2015, and April 24, 2016, CCM’s stars-of-tomorrow will present seven masterworks for the stage under the guidance of its internationally acclaimed faculty artists.

These works include David Edgar’s epic drama Pentecost, Rodgers and Hammerstein’s classic musical Carousel, Franz Lehár’s comedic operetta The Merry Widow, Eugene O’Neill’s acclaimed coming-of-age story Ah, Wilderness!, Green Day’s iconic punk rock musical American Idiot, Janácek’s farcical opera The Cunning Little Vixen and Tchaikovsky’s beloved romantic ballet Swan Lake.

Production details are listed below. Details on subscription packages and single ticket sales will be announced this summer.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

Additional Information
Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.
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CCM 2015-16 MAINSTAGE SERIES
Opera, Musical Theatre, Drama, Dance

Pentecost
Written by David Edgar
Richard E. Hess, director

A play of politics and ideas, Pentecost details the discovery of a painting stunningly similar to Giotto di Bondone’s The Lamentation in an abandoned church in Eastern Europe. If proven to pre-date the master’s work, the fresco will revolutionize Western Art. A dramatic power struggle ensues, as representatives from the worlds of art history, religion and politics stake their claims for the ultimate prize. The unexpected arrival of 12 refugees sets events spiraling toward an explosive climax. Described by the Daily Telegraph as “funny, frightening and deeply moving,” this powerful play by the Tony Award-winning adapter of Nicholas Nickleby and author of numerous plays won the Evening Standard Award for Best Play of 1995.

Performance Dates: Sept. 30 (preview), Oct. 1–4, 2015
Location: Patricia Corbett Theater
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Carousel
Music by Richard Rodgers
Book and lyrics by Oscar Hammerstein II
Based on the play Liliom by Ferenc Molnar
As Adapted by Benjamin F. Glazer
Original Dances by Agnes de Mille
Diane Lala, director

Set in a Maine coastal village toward the end of the 19th century, Carousel is the story of carefree carnival barker Billy Bigelow and his reckless adventures with women, gambling and the wrong side of the law. Billy loses his job just as he learns that his wife is pregnant and, desperate to provide a decent life for his family, is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent “up there.” 15 years later, Billy is allowed to return to earth for one day and encounters the daughter he never knew. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love. Declared “Best Musical of the Century” by Time Magazine in 1999, it’s easy to understand why Carousel became Rodgers and Hammerstein’s personal favorite.

Performance Dates: Oct. 29–Nov. 1, 2015
Location: Corbett Auditorium
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The Merry Widow (Die lustige Witwe)
Music by Franz Lehár
Libretto by Viktor Léon and Leo Stein
Emma Griffin, director

A 20th century opera molded in the tradition of the great opera seria of the 1700s, The Merry Widow tells a dizzying tale of star-crossed lovers and political intrigue in Paris. Baron Zeta of Pontevedro must prevent the wealthy widow Hanna Glawari from marrying a foreigner; if she does, all of her wealth will leave Pontevedro, thus bankrupting the country. Zeta urges Hanna’s former fiancée Count Danilovich (who pretends to not care for her anymore) to marry her, but Zeta’s wife pushes the flirtatious Camille de Rosillon to go after Hanna instead. Farcical confusion, romance and jealousy abound in this light-hearted romp. Sung in English.

Performance Dates: Nov. 19–22, 2015
Location: Patricia Corbett Theater
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Ah, Wilderness!
Written by Eugene O’Neill
R. Terrell Finney, director

Set in an idyllic Connecticut town during the Fourth of July weekend of 1906, Eugene O’Neill’s Ah, Wilderness! offers a tender portrait of small town family values, teenage growing pains and young love. Described as “a breath of fresh air” and “vividly alive” by the New York Post and nominated for a Tony Award for Best Revival in both 1989 and 1998, this charming comedy is directed by CCM Professor Emeritus R. Terrell Finney.

Performance Dates: Feb. 10 (preview), Feb. 11–14, 2016
Location:
 Patricia Corbett Theater
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American Idiot
Book and lyrics by Billie Joe Armstrong
Book by Michael Mayer
Music and lyrics by Green Day
Aubrey Berg, director

The two-time Tony Award-winning hit musical American Idiot, based on Green Day’s Grammy Award-winning multi-platinum album of the same name, boldly takes the American musical where it’s never gone before. Johnny, Tunny and Will struggle to find meaning in a post-9/11 world. When the three disgruntled men flee the constraints of their hometown for the thrills of city life, their paths diverge when Tunny enters the armed forces, Michael is called back home to attend familial responsibilities, and Johnny’s attention becomes divided by a seductive love interest and a hazardous new friendship. An energy-fueled rock opera, American Idiot features minimal dialogue and instead relies on the lyrics from Green Day’s groundbreaking album to execute the story line.

Performance Dates: March 3–13, 2016
Location: Patricia Corbett Theater
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The Cunning Little Vixen (Príhody lišky Bystroušky)
Composed by Leoš Janácek
Libretto by Leoš Janácek (after Rudolf Tesnohlídek)
Vince DeGeorge, director

Based on a famous 1920s Czech comic strip, Janácek’s opera The Cunning Little Vixen humorously explores the universal longing for youth. The three main characters – all older men – attempt to connect to their younger days through various means: one longs for a village girl, one obsesses over a childhood indiscretion and one chases a young vixen through the countryside. Will they continue to cling to their delusions? Or will their experiences help them come to terms with the inevitability of time? Sung in English.

Performance Dates: April 8–10, 2016
Location: Patricia Corbett Theater
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Swan Lake
Composed by Pyotr Tchaikovsky
Jiang Qi, director

Tchaikovsky’s timeless ballet about love and magic returns to CCM in a fully-staged spectacle! The young Prince Siegfried, disinterested in the potential wives that his mother has picked for him, heads into the woods to hunt one night and comes across a beautiful swan…who then turns into the maiden Odette! She tells him of the curse she and others have been placed under by the evil knight Rothbart, forcing them to become swans by day and human by night. Siegfried instantly falls in love, but will he and Odette be able to overcome the curse, or will Rothbart succeed in keeping his enchantment intact?

Performance Dates: April 22–24, 2016
Location: Corbett Auditorium
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Mainstage Series Subscriptions
The 2015-16 CCM Mainstage Series of opera, musical theatre and drama productions includes subscription packages for six-show, four-show and three-show combinations. Subscribers also have the ability to add the Mainstage Series production of Swan Lake to any subscription package “a la carte.”

Full details on subscription packages and single ticket sales will be announced this summer. CCM’s customizable subscription packages range in price from $84 – $180. Current subscribers will get priority access to next season’s subscription packages.

Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave
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A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change—rights pending. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News

League of Cincinnati Theatres Announces 2014 Awards Finalists

League of Cincinnati TheatresThe League of Cincinnati Theatres (LCT) has announced the finalists for this year’s LCT Awards Celebration and we are delighted to report that CCM productions have received a staggering 23 nominations (CCM Professor Kelly Yurko and CCM student Brianna Barnes also received nods for work on non-CCM productions this year, bringing our unofficial tally up to 25 nominations)!

The annual LCT Award Celebration is designed to honor the best of Cincinnati professional theatre each season.

CCM’s 2013-14 productions of Carrie, Singin’ in the Rain, MetamorphosesLes Misérables, The 25th Annual Putnam County Spelling Bee and Living Dead in Denmark all received nominations in at least one category.

CCM faculty members Aubrey Berg, Vince DeGeorge, Steve Goers, Mark Halpin, Patti James, k. Jenny Jones, Diane Lala, Reba Senske and Kelly Yurko each received nominations in at least one category.

CCM students singled out in this year’s nominations included Brianna Barnes, Sara Bishop, Hannah Freeman, Dana Hall, Jenny Hickman, Matt Hill, Colin Kessler, Blaine Krauss, Wes Richter and Ryan Sigurdson.

Finalists were chosen from the nominations made by trusted panelists who saw the shows during the year. One winner from each category will be announced at the Awards Party on Monday, June 16, at Arnold’s Bar and Grill in Cincinnati.

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Discussing ‘The Magic Flute’ Costume Designs with CCM Professor Dean Mogle

From left to right, Tara Deieso (who sings the role of First Lady in CCM's production of 'The Magic Flute'), Assistant Costume Designer Kaitlyn Munro, Professor Dean Mogle and Draper/Dressmaker Christie Peitzmeier.

From left to right, Tara Deieso (who sings the role of First Lady in CCM’s production of ‘The Magic Flute’), Assistant Costume Designer Kaitlyn Munro, Professor Dean Mogle and Draper/Dressmaker Christie Peitzmeier.

CCM Professor of Costume Design Dean Mogle recently gave CCM Public Information Assistant and Arts Administration student Sara Kissinger a behind-the-scenes tour of the costume shop, which is in full swing in these last crucial weeks before the opening of The Magic Flute. All photography by CCM Arts Administration student Shawn Kelly.

Sara Kissinger: Dean, thank you so much for inviting me to visit the shop today. The Magic Flute is an iconic work in opera repertoire – have you designed for this show before?

Dean Mogle: I have not designed a production of Flute before. The last time CCM did Flute was the 1986-87 season, before I joined the faculty.

SK: Did you have a specific concept for your design?

DM: There were two major influences on the design. The first is the 18th century influence, which is a nod back to when Mozart wrote the opera. This is the Queen of the Night’s world. It’s midnight: there are a lot of blues and everything is deep and dark and rich. The second influence is a sort of modified Egyptian style, which is Sarastro’s world. The costumes are warm colors – gold and bronze.

Dean Mogle shares the original costume rendering for the Queen of the Night.

Dean Mogle shares the original costume rendering for the Queen of the Night.

SK: What was the process of making the costumes like?

CCM News Faculty Fanfare

Setting the Stage for CCM’s “Evita”

Evita, CCM's Fall Mainstage Musical

Photography by Mark Lyons.

In theatre, timing is everything. That couldn’t be more true for the cast and crew of CCM’s Evita, as they finalize all the details that go into a Mainstage musical production. Later this weekend, a crew of about 60 will load in the large sets, including the installment of a black floor comprised of about 96 four-by-eight-foot wood planks. Then there is the large movie screen that flies in that must be timed perfectly to align with the projection, along with sound effects, lighting, and other special effects that must seamlessly fit into the production.

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