Cincinnati World Piano Competition 60th Anniversary Concert

Cincinnati World Piano Competition to hold 60th Anniversary Concert at CCM

In lieu of a summer competition series, the Cincinnati World Piano Competition (CWPC) will hold a 60th Anniversary Concert at 7:30 p.m. on Saturday, July 30, at CWPCCorbett Auditorium, located at the University of Cincinnati College-Conservatory of Music (CCM).

This special one-night-only performance honors CWPC founder and former Executive Director Gloria Ackerman, who retired in 2013. It features pianists Angela Cheng, Daria Rabotkina and CWPC Artistic Director Awadagin Pratt performing repertoire for piano and orchestra with the Cincinnati Symphony Orchestra (CSO) led by Associate Conductor Keitaro Harada.

“This recognition for Gloria’s remarkable contributions is overdue and it’s particularly fitting that we honor her with a concert featuring two past CWPC medalists along with Awadagin, who is, of course, a world-renowned pianist in his own right,” said CWPC Board Chair Jack Rouse.

The program will open with Ravel’s Piano Concerto, performed by 1983 CWPC Gold Medalist Angela Cheng. Cheng, who went on to win the Gold Medal at the Arthur Rubinstein International Piano Masters Competition, was also the first Canadian to win the prestigious Montreal International Piano Competition. She is consistently praised for her brilliant technique, tonal beauty and superb musicianship. In addition to guest appearances with the major orchestras in her home country of Canada, Cheng regularly performs with orchestras and in recital across the US and Europe.

Strauss’ Burleske will be performed by 2002 CWPC Silver Medalist Daria Rabotkina who, according to the Washington Post, has impressed audiences and critics alike with her “clearly prodigious musical gifts.” She went on to win the 2007 Concert Artists Guild International Competition, has received top prizes at many international competitions, and has worked with conductors Michael Tilson Thomas, Valery Gergiev and Giancarlo Guerrero, among others.

The concert closes with Pratt performing Brahms’ Piano Concerto No. 1. In addition to serving as CWPC Artistic Director and Professor of Piano at CCM, Pratt is internationally acclaimed for his musical insight and intensely involved performances in recital and with symphony orchestras. He last performed with the CSO in 2011 for Paavo Järvi’s triumphant final concerts as the Orchestra’s Music Director.

“It is always an honor and pleasure to make music with the world-class musicians of the Cincinnati Symphony Orchestra,” Pratt said.

As previously announced, this special CWPC performance on July 30 at CCM’s Corbett Auditorium is being presented in lieu of this summer’s competition while the organization examines and explores ways to further build on recent successes.

“Most international competitions do not occur annually and that’s one of the many issues we’re exploring,” Pratt said. “The CWPC remains committed to fostering the talent of young pianists.”

Tickets for the CWPC’s 60th Anniversary Concert are on sale at the Music Hall Box Office, online at cincinnatiwpc.org, or by phone, 513-381-3300.

About the Cincinnati World Piano Competition

Founded in 1956, the CWPC has undergone many changes, artistic, strategic, and otherwise in its 60-year history. One of the most pivotal of these changes occurred in 2013 when the CWPC joined forces with two of Cincinnati’s most revered cultural institutions: the Cincinnati Symphony Orchestra and the University of Cincinnati College-Conservatory of Music, where Artistic Director Awadagin Pratt also serves on the faculty. The Competition occurs on CCM’s campus and three finalists are afforded the opportunity to perform with the CSO during the final round. Both CCM and the CSO also assist the CWPC with administrative resources.

Awadagin Pratt
Among his generation of concert artists, pianist Pratt is acclaimed for his musical insight and intensely involving performances in recital and with symphony orchestras. At the age of 16, he entered the University of Illinois where he studied piano, violin, and conducting. He subsequently enrolled at the Peabody Conservatory of Music where he became the first student in the school’s history to receive diplomas in three performance areas – piano, violin and conducting. In recognition of this achievement and for his work in the field of classical music, Pratt recently received the Distinguished Alumni Award from Johns Hopkins. Has also been awarded an Honorary Doctorate from Illinois Wesleyan University.

In 1992 Pratt won the Naumburg International Piano Competition and two years later was awarded an Avery Fisher Career Grant. Since then, he has played numerous recitals throughout the US including performances at Lincoln Center, Kennedy Center, Dorothy Chandler Pavilion in Los Angeles and Chicago’s Orchestra Hall. His many orchestral performances include appearances with the New York Philharmonic, Minnesota Orchestra and the Pittsburgh, Atlanta, Baltimore, St. Louis, National, Detroit and New Jersey symphonies among many others. Internationally, Pratt has toured Japan four times and performed in Germany, Italy, Switzerland, Poland, Israel, Colombia and South Africa.

In November 2009, Pratt was one of four artists selected to perform at a White House classical music event that included student workshops hosted by the First Lady, Michelle Obama and performing in concert for guests including President Barack Obama. He has performed two other times at the White House, both at the invitation of former President Bill Clinton and former First Lady Hillary Clinton.

Pratt is currently Professor of Piano and Artist in Residence at the University of Cincinnati College-Conservatory of Music. He is also the Artistic Director of the Cincinnati World Piano Competition in Cincinnati as well as the Artistic Director of the Art of the Piano Festival at CCM. He is a Yamaha artist.

Cheng 4(1)Angela Cheng
In addition to regular guest appearances with virtually every orchestra in Canada, Cheng has also performed with the Alabama Symphony, Buffalo Philharmonic, Colorado Symphony, Houston Symphony, Indianapolis Symphony, Jacksonville Symphony, Louisiana Philharmonic, Saint Louis Symphony, San Diego Symphony, Syracuse Symphony, Utah Symphony and the Israel Philharmonic. In the spring of 2012, Ms. Cheng made her highly acclaimed Carnegie Hall debut with the Edmonton Symphony. She also made her debut at the prestigious Salzburg Festival in a recital with Pinchas Zukerman during the summer of 2012. Highlights this coming season include the National Arts Centre Orchestra in Ottawa, Sinfonia Toronto, Vancouver Symphony and the Winnipeg Symphony.

In 2009, at the invitation of Pinchas Zukerman, Cheng toured both Europe and China as a member of the Zukerman Chamber Players. She joined them again in the spring of 2010 for a U.S. tour, which included concerts at Kennedy Center in Washington, D.C. and the 92nd Street Y in New York. Subsequent seasons have seen multiple tours of Europe, Asia and South America, including performances at the Musikverein in Vienna, the Concertgebouw in Amsterdam, and at the Schleswig-Holstein, Salzburg and Ravinia festivals.

An avid recitalist, Cheng appears regularly on recital series throughout the United States and Canada and has collaborated with numerous chamber ensembles including the Takács, Colorado and Vogler quartets. Her festival appearances include Chautauqua, Banff, Colorado, Houston, Vancouver, the Festival International de Lanaudière in Quebec and the Cartegena International Music Festival in Colombia.

Cheng has been Gold Medalist of the Arthur Rubinstein International Piano Masters Competition, as well as the first Canadian to win the prestigious Montreal International Piano Competition. Other awards include the Canada Council’s coveted Career Development Grant and the Medal of Excellence for outstanding interpretations of Mozart from the Mozarteum in Salzburg.

Daria Rabotkina
Rabotkina’s concerto highlights include San Francisco and New World Symphonies, Kirov (Mariinsky) Orchestra, Moscow State Symphony, Winnipeg Symphony, Hudson Philharmonic, Charleston Symphony, Harrisburg Symphony, Orquesta Sinfonica de Concepción and Turku Philharmonic Orchestra. Her orchestral collaborations include conductors Michael Tilson Thomas, Valery Gergiev, Vladimir Feltsman, Julian Kuerti, JoAnn Falletta, Benjamin Shwartz, and Giancarlo Guerrero. Rabotkina has given recitals at the Kennedy Center, Weill Recital Hall at Carnegie Hall and Merkin Concert Hall in New York, Ravinia’s Rising Stars, Dame Myra Hess and PianoForte Salon Series in the Chicago area, the Moscow Tchaikovsky Conservatory and in Denmark, Switzerland and Japan.

Winner of the 2007 Concert Artists Guild International Competition, Rabotkina has received top prizes at many international competitions and participated in Russia’s White Nights Festival, Finland’s Kuhmo Festival, Copenhagen’s Summer Festival and Germany’s MusikFest in Kreuth. In the US, Rabotkina has appeared at the Rockport Chamber Music Festival, International Keyboard Institute and Festival, Music Academy of the West and PianoSummer at New Paltz.

Rabotkina was born in Kazan, Russia, into a family of musicians and gave her first solo recital at the age of ten. Her earliest musical steps were guided by her parents, Guzel Abdoullina and Sergei Rabotkin, both outstanding pianists, and Nora Kazachkova at the Special Music School in Kazan. She received her education at the Kazan State Conservatory and Mannes College of Music in New York City under the tutelage of Vladimir Feltsman. Rabotkina also holds a Doctorate degree and the Artist Certificate from the Eastman School of Music where she studied with Natalya Antonova. Rabotkina will be joining the faculty of Texas State University in San Marcos, Texas in the fall of 2016.

KHKeitaro Harada
Harada’s passion for musical excellence has led him to be a recipient of multiple awards including the Solti Foundation U.S. Career Assistance Award, Bruno Walter National Conductor Preview and the Seiji Ozawa Conducting Fellowship at Tanglewood Music Festival. Completing his first season as Associate Conductor of the CSO, Harada regularly assists Music Director Louis Langrée and conducts the CSO, Cincinnati Pops, and Cincinnati World Piano Competition, as well as assists James Conlon for the May Festival. Harada also holds the positions of Associate Conductor of the Arizona Opera and Associate Conductor of the Richmond Symphony.

With a growing schedule as a guest conductor, the coming season holds several high profile engagements for Harada. He starts the summer at the 2016 Pacific Music Festival by invitation of Valery Gergiev, makes his conducting debut with Tokyo Symphony Orchestra and Tokyo Philharmonic Orchestra in the fall, and leads the world premiere performances of Riders of the Purple Sage for Arizona Opera in 2017. He also makes his conducting debut with Boise Philharmonic, West Virginia Symphony and South Bend Symphony Orchestra.

Most recently, Harada made his conducting debut in Japan with the New Japan Philharmonic in a sold out performance as well as his debut with Indianapolis Symphony Orchestra. He led performances of Carmen for Arizona Opera and conducted concerts with Tucson Symphony, Phoenix Symphony, Virginia Symphony, Sierra Vista Symphony, and Orquesta Filarmónica de Sonora.

A native of Tokyo, Japan, Harada is a graduate of Interlochen Arts Academy and Mercer University. He completed his formal conducting training at the University of Arizona with Thomas Cockrell and Charles Bontrager. He has also studied under Christoph von Dohnányi, Robert Spano and Michael Tilson Thomas among others. Harada champions creative programming, development of the orchestra as a part of a community’s cultural fabric, advancement of each musician he encounters, and responsibility as an artistic and civic leader.

 

CCM News
CCM Graduation Convocation and luncheon 2016. Photos by Lisa Britton.

CCM Slideshows: Graduation Convocation 2016

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CCM celebrated the Class of 2016 with a luncheon and Graduation Convocation Ceremony on April 30. The ceremony featured students receiving baccalaureate, masters, doctoral, and artist diploma degrees and recognized this year’s distinguished alumni and service award recipients.

Dean Peter Landgren began the ceremony with a welcome address and recognition awards. Steve Shin (MM Trombone 2013, MA/MBA Arts Administration 2016) received the Distinguished Young Alumnus Award. The Distinguished Alumnus Award went to David Daniels (BM Voice, 1990) and Trish Bryan was recognized with the Distinguished Service Award.

Congratulations to all of the 2016 graduates of the UC College-Conservatory of Music! We can’t wait to see what you accomplish in the years ahead.

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CCM Presents 'Swan Lake'

CCM Slideshows: Tchaikovsky’s ‘Swan Lake’

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CCM’s Mainstage Series comes to a close this weekend with the lavish new production of Tchaikovsky’s ‘Swan Lake.’ Join us for this timeless tale of love and magic and watch the skilled performance from CCM’s BFA Ballet program April 22-24 in Corbett Auditorium.

Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, fully staged ballet features accompaniment by CCM’s Concert Orchestra under the direction of Assistant Professor of Music Aik Khai Pung.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

CCM News CCM Slideshows
Rehearsals for CCM's April 2016 production of SWAN LAKE.

Building a Ballet: E-Media students give inside look at CCM’s ‘Swan Lake’

CCM Electronic Media and UC journalism students take us behind-the-scenes with a look at the rehearsals for next week’s production of Swan Lake. The video series chronicles all of the work and dedication students, faculty and staff put into the lavish new production of Tchaikovsky’s timeless ballet.

Students within the News Writing and Reporting class, taught by Assistant Professor of E-Media Hagit Limor and Journalism Professor Bob Jonason, created the videos, which star faculty and students within CCM’s Dance Department.

In the video above, Dance Department chair and Swan Lake co-director Jiang Qi discusses the work that goes into presenting such an iconic ballet. He explains:

Swan Lake is one of the top classical ballets in the repertoire. It’s almost textbook. You learn Swan Lake and then you get much stronger. This is an art form that requires a lot of physical and mental endurance to get through.”

The videos and photos, created by students Brevin Couch, Mark D’Andrea, Tyler Dunn, Daniel Honerkamp, Ailish Masterston and Andrew Wilkins, can be viewed on the Building a Ballet website. Visit the website to view interviews with dance students Madison Holschuh (Odette), Sam Jones (Prince Siegfried), and Kiahna Saneshige (Odile). The package was recently featured in Cincinnati Magazine.

Swan Lake is only the second story ballet ever presented as part of CCM’s Mainstage Series. The production runs April 22 – 24 in CCM’s Corbett Auditorium.

Co-directed by Jiang and Professor Deirdre Carberry, the production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.”

The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Professor Aik Khai Pung.

This production marks the first time in CCM’s nearly 150-year history that a dance production has featured brand new costumes designed and built in-house. You can learn more about the work that went into costuming Swan Lake here.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

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Story by Curt Whitacre

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Dean Mogle holds the white and black swan design sketches for CCM's production of Swan Lake.

From Sketch to Stage: The Making of CCM’s ‘Swan Lake’ Costumes

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There is a shortage of tutu makers in the world, said CCM Professor and Head of the Costume Design and Technology Program Dean Mogle, who faced the daunting task of designing costumes for Tchaikovsky’s Swan Lake ballet.

CCM is working to fix that shortage by training the next generation of costume designers and technicians, whose work will debut on stage in the conservatory’s first ballet production to have costumes designed and built in-house.

A timeless tale of love, magic and mystery, Swan Lake will grace the Corbett Auditorium stage from April 22-24, marking the second time in CCM’s nearly 150-year history that a full-length story ballet has been included in the Mainstage Series.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Staff and students within the Costume Design and Technology program have worked on the ‘Swan Lake’ costumes for the past 18 months.

Presented by CCM’s Department of Dance, the ballet uses three different casts and the principal roles are all double cast ­— which is challenging for the costume shop students and staff responsible for ensuring the pieces fit each dancer correctly.

“You have to understand what dancers go through—what they need,” Mogle said. “Balance becomes really important.”

Costume designers and technicians must consider the weight of the fabrics and headpieces so the dancer can retain their natural balance. There is also limited “real estate” on the costume for artistic expression or characterization, Mogle said. If a female dancer needs to be lifted, safety dictates the fabric around her waist can’t be too slick and can’t get caught on anything.

“The ballet world is a totally different beast.”

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Newly designed costumes for the Hungarian Czardas in Act III of ‘Swan Lake,’ made by costume students and staff. To the far right is Prince Siegfried’s jacket, made by Jessica Barksdale.

Mogle, with a team of students and faculty within the Costume Design and Technology program, has worked on the Swan Lake costumes for the past 18 months. They’ve borrowed and modified some costumes from a previous CCM performance of Brigadoon and the Broadway production of Cyrano, The Musical. Costumes for the principal and specialty roles in the ballet are newly designed and made.

Iconic white tutus, bodices, vibrant dresses and rich fabrics have taken over their workshop. The costumes are designed in the traditional style typically associated with the classic ballet. CCM plans to reuse and rent out some of them after the performance.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Jessica Barksdale is building Mogle’s design for Prince Siegfried’s costume, which will be worn in Acts III and IV.

Mogle, who previously designed costumes for the Cincinnati Ballet’s The Nutcracker, watched five or six different productions of Swan Lake to prepare for his costume designs. The pieces are still evolving on a daily basis, he said.

“Since we are making the production to last about 30 or 40 years, we don’t ever want to get too wild and crazy with the concept because it is pretty traditional,” Mogle said. “The things that really change in a traditional ballet like this are going to be the specialty characters.”

Those include the newly designed and made pieces that will be worn at the ball in Act III, where the Queen invites potential wives from Poland, Hungary, Italy, Spain, Naples and Poland to match with her son, Prince Siegfried.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

A sketch and sleeve of Von Rothbart’s Act III costume, made by Erin Winslow.

At the ball, Prince Siegfried will wear a newly designed black and gold jacket made by Jessica Barksdale, first-year costume technology graduate student. Rothbart, the evil sorcerer who cursed the prince’s love Odette, will wear an intricately detailed costume made by senior costume technology student, Erin Winslow, as part of her capstone project.

Barskdale and Winslow are also making the iconic white and black swan costumes for leading female characters Odette and Odile. Associate Professor of Costume Technology Regina Truhart is managing all costume production for the ballet.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

The in-progress white and black swan costumes for characters Odette and Odile are being made by Jessica Barksdale and Erin Winslow, respectively.

After 27 years at CCM, Mogle is familiar with the 30,000 costume pieces the conservatory has in stock. Luckily, the costume department was able to pull pieces from past performances of Brigadoon and Cyrano to modify them for courtier and peasant costumes in Swan Lake.

The costume department dyed some of the costumes in bright jewel tones and added details such as sashes, sleeves, aprons and hats. Net petticoats were used to make the costumes lighter and easier to dance in.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Costumes from the CCM production of ‘Brigadoon’ are being modified for the female peasants in Act I of ‘Swan Lake.’

“Every time we do [Swan Lake], we’ll add more to it and rely less on our costume stock,” Mogle said, adding that when the ballet is performed again in 6 years they will likely build new peasant costumes.

“That’s how some companies do it anyway. They’ll use tutus from many kinds of shows. Pulling together a show like this from all of these different places is a great exercise.”

Acquiring materials is one hurdle but then, of course, the costumes must actually fit.

It helps that musical theatre bodies and dancer bodies are similar in stature, Mogle said. It would cost around $5,000 to reproduce one of the Cyrano costumes today.

Costuming for CCM's 'Swan Lake.' Photo by Ryan Strand.

Costume technicians included three clasp sizes on the ‘Swan Lake’ bodices so they can be adjusted for different dancers.

With three different casts, and double-cast principals, it was important to make the costumes interchangeable for different dancers. The technicians included three clasp sizes for the bodices to make them more adjustable and, in some cases, built extra costumes.

The process and pieces are evolving daily, with more adjustments expected after fittings and the dress rehearsals. A beautiful design can look perfect on a mannequin but flawed when put on a body that needs to breathe, dance and kick. That is why it’s important for the costuming students to learn each step in the creative process, said Mogle.

 “The whole focus of our program is teaching design and technology so designers know how to make stuff and makers know how to design stuff. So they all have the same sensibility as to how things should look and how they should be handled. If the knowledge base in those two roles isn’t strong then things fall apart.”

After the designs are sketched, the appropriate fabrics need to be found, Mogle said of the costuming process. Then there’s making the patterns and cutting them out of the cloth and stitching them together. There’s also fabric painting and dying and mask and jewelry making.

“Each one of those is a profession in itself,” Mogle said. “The more skills you have as a technician and the more kinds of plays and operas and ballets that you can design as a designer, your job market opens up. It’s a good part of training and real life experience.”

Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, the Mainstage Series production features students from CCM’s BFA Ballet program. The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Assistant Professor of Music Aik Khai Pung.

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Tchaikovsky’s Swan Lake runs April. 22 – 24 in Corbett Auditorium. Tickets are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s
____________________

Story by Rebecca Butts

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CCM’s production of Leoš Janáček’s 'The Cunning Little Vixen.’ Photo by Mark Lyons.

CCM Slideshows: Leoš Janáček’s ‘The Cunning Little Vixen’

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Come see Leoš Janáček’s fantastical opera The Cunning Little Vixen, which opens tonight (Friday) at 8 p.m. and runs through Sunday as part of this year’s Mainstage Series.

Directed by Vince DeGeorge, this anthropomorphic opera explores the intimate relationship between man and nature. This production will be conducted by Mark Gibson and sung in English, with a new translation by CCM Professor Emeritus David Adams.

Learn more about the performance or view the cast list.

Leoš Janácek’s
THE CUNNING LITTLE VIXEN
An Opera in Three Acts
Critical revised version by Jiri Zahrádka
Used by arrangement with European American Music Distributors Company, U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner.

Performance Times

  • 8 p.m. Friday, April 8
  • 8 p.m. Saturday, April 9
  • 2 p.m. Sunday, April 10

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to The Cunning Little Vixen are $31-35 for adults, $20-24 for non-UC students and $18-22 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/cunning-little-vixen.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News CCM Slideshows
CCM Dance presents 'Swan Lake.'

CCM Dance Presents Lavish New Production of Enduring Classic Ballet ‘Swan Lake’ April 22-24, 2016

Swan Lake

Madison Holschuh as Odette and Samuel Jones as Prince Siegfried in CCM’s production of ‘Swan Lake.’ Photo by René Micheo.

CCM’s Department of Dance presents Tchaikovsky’s timeless ballet, Swan Lake, April 22-24 in Corbett Auditorium. Co-directed by Dance Department Chair Jiang Qi and Associate Professor of Dance Deirdre Carberry, the Mainstage Series production features students from CCM’s BFA Ballet program, which Dance Magazine has hailed as one of the country’s “top programs to consider.” The lavishly staged spectacle features accompaniment by CCM’s lauded Concert Orchestra under the direction of Assistant Professor of Music Aik Khai Pung.

A tale of unending love and haunting mystery, Swan Lake is one of the most well-known fables of our time. The classic Russian ballet is performed in four acts and tells the story of Odette, a maiden turned into a swan by the evil sorcerer, Von Rothbart.

Disinterested in potential love matches arranged by his mother, Prince Siegfried is in search of a wife when he stumbles upon Odette during a night hunt. The two fall madly in love but their romance is hindered by Odette’s curse – which forces her and her fellow maidens to become swans by day and human by night.

Swan Lake marks only the second time in CCM’s nearly 150-year history that a full-length story ballet has been included in the Mainstage Series. As a result, this production features brand new costumes designed and built in-house, which is actually a CCM first.

Costume Design and Technology Program Head Dean Mogle spent 18 months on the creation of Swan Lake’s intricate costumes. For the past 40 years, Mogle has designed for numerous drama, musical theatre, opera and dance productions, including the Cincinnati Ballet’s The Nutcracker.

“The ballet world is a totally different beast,” Mogle said of the challenging costume designs. “In dance, it’s all about the body and movement.”

In addition to the famous white swan costumes traditionally associated with the ballet, the story will come to life with vibrant colors and rich fabrics adorning the talented performers of CCM Dance. In particular, keep an eye out for the intricately designed costumes worn by Prince Siegfried’s potential wives on display during the opulent ball in Act III.

For this production, the iconic role of Odette will be performed by dance majors Yu-Ting Huang (on Friday and Sunday) and Madison Holschuh (on Saturday).

Guest artist Patric Palkens, appearing by permission of the Cincinnati Ballet, will perform as Prince Siegfried in the Friday and Sunday performances of Swan Lake. Palkens joined the Cincinnati Ballet in 2011 and was promoted to Principal Dancer in 2015. He returns to Cincinnati after spending a year in Europe with Salzburg State Theater Austria Dance.

The ballet will also feature Assistant Professor of Dance André Megerdichian, who will dance the role of evil sorcerer Von Rothbart. Megerdichian has performed professionally over two decades with such companies and choreographers as the Jose Limón Dance company, Janis Brenner and Dancers, The Mary Anthony Dance Theatre, Soundance Repertory Company, Reidel Dance Theatre, Daniel Charon and Sean Curran.

Join us for this timeless tale of love and magic in CCM’s Corbett Auditorium April 22-24.

Performance Times

  • 8 p.m. Friday, April 22
  • 8 p.m. Saturday, April 23
  • 2 p.m. Sunday, April 24

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Swan Lake are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/swan-lake.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Production Sponsors: Rosemary & Mark Schlachter, Teri Jory & Seth Geiger and Graeter’s

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Story by CCM and UC Lindner College of Business graduate student Ryan Strand (BFA Musical Theatre, 2006)

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