Preparatory Ballet Concert. Photography by Kyuran Ann Choe.

CCM Preparatory Presents the Spring Youth Ballet Concert

CCM Preparatory students perform traditional and contemporary works at the annual Spring Youth Ballet Concert. Directed by Jonnie Lynn Jacobs-Percer, the ballet concert is at 7:30 p.m. on Friday, April 28, and Saturday, April 29, in CCM’s Patricia Corbett Theater.

The program features a partially restaged performance of Act III of Tchaikovsky’s The Sleeping Beauty, with choreography by Marius Petipa and restaging by CCM Prep Ballet faculty.

Other highlights include three works performed and choreographed by graduating high school seniors in the CCM Prep Ballet program.

The CCM Prep Youth Ballet program is open to any dancer ages 9-18. “Our goal is to expose our young dancers to many of the classic ballets, which helps develop their performance skills and ballet technique,” said Jacobs-Percer, who teaches in CCM’s collegiate Dance Department and serves as the ballet director in CCM Prep.

For more information about CCM Prep Dance, visit ccm.uc.edu/prep/dance.

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Performance Times
7:30 p.m. Friday, April 28
7:30 p.m. Saturday, April 29

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to CCM Prep’s Spring Youth Ballet Concert are $15 general, $10 non-UC students and FREE for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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Story by CCM graduate student Alexandra Doyle

Photography by Kyuran Ann Choe

Faculty Fanfare Student Salutes
Children playing on tank drums made of repurposed propane tanks, which will be installed at Percussion Park.

CCM Jazz Alumnus Ben Sloan to Open Percussion Park in East Price Hill

If you build it, they will drum — East Price Hill is getting a new park that is built to make noise. Part playground, part instrument, Percussion Park opens in grand style on Friday, April 21, with a celebration at the corner of Warsaw and McPherson avenues.

Percussion Park is the creation of Ben Sloan, who graduated from UC’s College-Conservatory of Music (CCM) in 2011 with a BM in Jazz Studies. It all began when Sloan watched a video of a child playing on a drum set made of paint cans and buckets. He thought, “I could build something like that” and set to work.

A bass marimba inspired by the marimbas commonly found in Zimbabwe. The instrument will soon be installed at Percussion Park. Photo provided by Ben Sloan.

A bass marimba inspired by the marimbas commonly found in Zimbabwe. The instrument will soon be installed at Percussion Park. Photo provided by Ben Sloan.

The park is a collection of outdoor percussion instruments; a brass marimba, tank drums made with propane tanks, suspended stainless tubes and wooden tongue drums. The instruments are easy to play, some are meditative and others are bouncy and playful. “It’s sculptural, it’s playful, it’s bright, it’s inviting,” Sloan says. “It’s a space for making noise.”

He hopes people will enjoy the instruments and make connections through music.

“Perhaps someone finds some clarity playing an instrument on their own on a dreary afternoon, or a couple of friends have a laugh while playing something as they pass by, or total strangers find themselves communicating through music,” Sloan says. “I would love to see the park become a gathering space for the community, a place for events, for impromptu performances — a place for creative expression.”

 

Sloan works as a teaching artist and site coordinator at MYCincinnati, an after school youth orchestra program directed by CCM alumnus Eddy Kwon (BM Jazz Studies, 2011). He teaches the pre-orchestra students, ages 5-10, in a class that combines singing, movement, percussion and “a lot of silliness.”

Keep Cincinnati Beautiful and Price Hill Will help clean up the vacant lot, which will soon host the Percussion Park.

Keep Cincinnati Beautiful and Price Hill Will help clean up the vacant lot, which will soon host the Percussion Park.

Last spring Sloan shared his idea for Percussion Park with MYCincinnati founder Laura Jekel, who is also the head of Creative Placemaking at Price Hill Will, a nonprofit focused on community development. She shared Sloan’s idea with Price Hill Will and a few days later there was space for Percussion Park in an empty lot at the corner of Warsaw and McPherson avenues.

Sloan received a $10,000 grant for the park from People’s Liberty, a philanthropic lab that brings together civic-minded talent to address challenges and uncover opportunities to accelerate the positive transformation of Greater Cincinnati. He also worked with Price Hill Will and Keep Cincinnati Beautiful to revitalize the vacant lot. They have added a rain garden, plants and trees in addition to Sloan’s outdoor instruments.

When he isn’t teaching or building a new community park, Sloan performs in a handful of other local music projects including A Delicate Motor, Lazy Heart and Fresh Funk.

“Many of the musicians I play regularly with are CCM alums,” Sloan says. “My biggest takeaway from CCM are the friendships forged over those four years.”

Sloan recently connected with fellow alums from CCM and UC’s College of Design, Architecture, Art, and Planning (DAAP) at an event hosted by the UC Alumni Association. He spoke about Percussion Park at the event, which was held at People’s Liberty.

Percussion Park’s opening celebration is from 4-6 p.m. on Friday, April 21 at the corner of Warsaw and McPherson avenues in East Price Hill. The celebration features short performances from MYCincinnati musicians and free catered food from local restaurants Veracruz Mexican Grill and Urban Grill.

For more information on Percussion Park, visit percussionpark.com.

CCM Alumni Applause CCM News
CCM Spring 2017 composer-in-residence Tom Cipullo.

CCM Showcases the Music of Composer-in-Residence Tom Cipullo on April 12

CCM’s Guest Artist Series showcases the music of award-winning composer Tom Cipullo with a free concert performance on Wednesday, April 12, in the Robert J. Werner Recital Hall.

Described by Opera News as “a shrewd dramaturge as well as a compelling composer,” Cipullo will spend three days in residence at CCM, coaching singers, pianists and instrumentalists from April 10-12, 2017.

Cipullo’s residency will culminate in a public performance featuring 26 of CCM’s stars-of-tomorrow. The concert’s program includes Cipullo’s Insomnia for vocal quartet and piano; The Husbands for soprano, baritone and piano; Late Summer for soprano and piano and the Entr’acte from Glory Denied for cello and piano, as well as other works. View full concert repertoire online here

Tom Cipullo at the Liguria Study Center in Bogliasco, Italy. Photo by Hedwig Brouckaert.

Tom Cipullo at the Liguria Study Center in Bogliasco, Italy. Photo by Hedwig Brouckaert.

About Tom Cipullo
Hailed by the American Academy of Art and Letters for music of “inexhaustible imagination, wit, expressive range and originality,” composer Tom Cipullo is the winner of the 2016 Pellicciotti Opera Composition Prize from SUNY/Potsdam. He is also the recipient of a 2012 Guggenheim Fellowship, the 2013 Sylvia Goldstein Award from Copland House and the 2013 Arts & Letters Award from the American Academy.

Cipullo has received commissions from dozens of performing ensembles and singers, and he has received fellowships and awards from Yaddo, the MacDowell Colony, the Liguria Study Center (Italy), the Fundacion Valparaiso (Spain) and the Oberpfaelzer Kuenstlerhaus (Bavaria).

The New York Times has called his music “intriguing and unconventional,” and the Pittsburgh Post-Gazette has called him “an expert in writing for the voice.” Cipullo’s music is published by Oxford University Press and Classical Vocal Reprints and recorded on the Naxos, Albany, CRI, PGM, MSR, GPR, Centaur and Capstone labels.

Cipullo has composed orchestral works, solo piano pieces and a vast quantity of vocal music, including over 200 songs and several vocal chamber works. His song cycle Of a Certain Age won the National Association of Teachers of Singing (NATS) Art Song Award in 2008. Cipullo’s first opera, Glory Denied, has enjoyed numerous productions, and the Fort Worth Opera recording on Albany Records was cited by Opera News as among the best of 2014. Reviewers have hailed the work as “terrifically powerful… superbly written” (Fanfare), praising its “luminous score (Washington Post),” and noting “the dramatic tension was relentless (Opera News).” Cipullo’s second opera, After Life (libretto by David Mason), has been called “a finely wrought exploration of the role of art in times of grave crisis (Washington Post)” and “unfailingly inventive (Opera News).” Recorded on the Naxos label, After Life is the winner of the 2017 the Domenick Argento Chamber Opera Composition prize from the National Opera Association.

Cipullo received his Master’s degree in composition from Boston University and his B.S. from Hofstra University, Phi Beta Kappa with highest honors in music.

Performance Time
8 p.m. Wednesday, April 12

Location
Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Admission
Admission to this performance is FREE. Reservations are not required.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

CCM gratefully acknowledges the Philippe Fund for their generous support of Mr. Cipullo’s residency.

CCM News
CCM Dance presents Masterworks and Beyond on April 13-15 in Patricia Corbett Theater. Photo by Will Brenner.

CCM’s 2016-17 Mainstage Series Concludes with Dance Masterworks and Beyond

UC’s College-Conservatory of Music concludes its 2016-17 Mainstage Series with Masterworks and Beyond, performed by the Department of Dance on Thursday, April 13-Saturday, April 15 in Patricia Corbett Theater. Co-directed by Dance Department Chair Jiang Qi and Associate Professor Deirdre Carberry, the performance features a mixed bill of contemporary and classical ballet.

Alongside a selection of traditional and new works, Masterworks and Beyond includes the world premiere of day of wakening over the sea of night, with choreography by CCM Assistant Professor André Megerdichian and music by CCM composition alumnus and accompanist Bradley Harris.

The program begins with George Balanchine’s masterwork Valse-Fantaisie, a classic ballet set to music by Mikhail Glinka. CCM’s performance is restaged by guest artist Viki Psihoyos, who works with the George Balanchine Trust to offer Balanchine Technique Workshops. Up next in Masterworks and Beyond is Flower Festival, with music composed by Edvard Helsted and choreography by August Bournonville. This one-act ballet is restaged by Qi and Carberry.

The program continues with two works that feature brand new choreography. CCM Associate Professor Michael Tevlin choreographs Revelries, a new traditional ballet performed with music by Gaetano Donizetti. Guest artist Roger Van Fleteren, who is the Associate Artistic Director and Resident Choreographer of the Alabama Ballet Company, choreographs “unRAVELed” a new contemporary ballet with music by Maurice Ravel.

The grand finale of the program is the world premiere of day of wakening over the sea of night. Inspired by Joseph Campbell’s mythological writings, this new work is a viscerally engaging, athletically mesmerizing landscape of contemporary dance. The piece features a reimagined stage space, which creates a shifted perspective, heightened by live musicians with a mystic world groove.

Masterworks and Beyond is a collection of diverse works, which showcase the versatility of the students and faculty in CCM’s Department of Dance. Tickets are available for purchase through the CCM Box Office.

Valse-Fantaisie is performed by permission of the George Balanchine Trust.

Performance Times
8 p.m. Thursday, April 13
8 p.m. Friday, April 14
2 & 8 p.m. Saturday, April 15

Please note: UC’s Nippert Stadium will also host an FC|Cincinnati game at 7 p.m. on Saturday, April 15, 2017. The full FC|Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2017-schedule.

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Masterworks and Beyond are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/masterworks-and-beyond.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Dance Sponsor: Rosemary & Mark Schlachter

The Dance Department gratefully acknowledges the support of the Corbett Endowment at CCM
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Story by CCM graduate assistant Charlotte Kies

Photo by Will Brenner.

CCM Alumni Applause CCM News Faculty Fanfare Student Salutes

CCM Presents Staged Version of Bach’s ‘St. Matthew Passion’

UC’s College-Conservatory of Music will showcase J.S. Bach’s monumental St. Matthew Passion at Cincinnati’s Christ Church Cathedral at 3 p.m. on Sunday, April 9. Conducted by CCM Director of Choral Studies Earl Rivers with stage direction from artist diploma candidate Andreas Hager, the performance features faculty artist Daniel Weeks and student aria soloists.

Known for its stunning choruses, interplay between recitative and aria and sublime storytelling, St. Matthew Passion has made an enduring mark in music history as a sublime example of a musical setting of the passion story. Thanks in part to a grant from the Cambridge Charitable Foundation, CCM’s staged performance illuminates the dramatic intensity of this Baroque masterwork, which retells the compelling story of the events leading up to the trial of Jesus, his crucifixion and burial.

“Bach was interested in the spiritual drama of the crucifixion, not only of Jesus but of society,” said Hager, a first-year artist diploma candidate in opera stage direction. “Our production explores the moral culpability we all face living in a complex world. From Judas to Peter to Pilate — no one can escape from the consequences of their choices.”

“Our production is spare and minimalist, allowing the full force of Bach’s music to take the forefront.”

The CCM Chamber Choir, Cincinnati Children’s Choir and CCM Philharmonia will combine forces to perform this massive work. To make this work come to life on stage, the CCM production emphasizes the piece’s storylines by designating arias to specific characters.

The story is presented by a narrator called the Evangelist, played by faculty artist Daniel Weeks, tenor, with student soloists as Jesus (Samson McCrady, bass-baritone), Pilate (Christian Pursell, baritone) and aria singers (Ashley Fabian and Jackie Stevens, sopranos; Reilly Nelson and Paulina Villarreal, mezzo-sopranos; Thomas J. Capobianco, tenor and Eric Shane Heatley and Joseph Mazzara, baritones).

CCM has a long history with St. Matthew Passion, which dates back to a February 1970 performance that featured alumna Kathleen Battle (MM Voice, 1971) singing the aria, “Aus liebe.” The college most recently performed the work in November, 2011. This staged performance, held at Cincinnati’s St. Peter in Chains Cathedral, was the first of its kind in the Midwest.

Join us for CCM’s latest production of this iconic masterwork. St. Matthew Passion will be performed at 3 p.m. on Palm Sunday, April 9 at Christ Church Cathedral, located at 318 East Fourth Street.

Performance Date
3 p.m. Sunday, April 9

Location
Christ Church Cathedral
318 East Fourth Street, Cincinnati, OH 45246

Purchasing Tickets
Single tickets are $15 general admission, $10 for non-UC students and FREE for UC students with valid ID.

Single tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Directions
Christ Church Cathedral is located at the corners of Fourth and Sycamore Streets in Cincinnati, Ohio. For directions and additional information, please refer to http://cincinnaticathedral.com/belong.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Sponsored by the Cambridge Charitable Foundation

CCM News Faculty Fanfare Student Salutes
Summer scenes on campus, CCM.

CCM Summer Hosts Opera Bootcamp for Singers, Conductors and Pianists

The UC College-Conservatory of Music combines its annual Opera Bootcamp and Opera Studio summer programs into a dynamic new program designed to develop career skills for conductors and singers alike. If you are an aspiring pianist, coach, stage director, conductor or singer, apply for the new Opera Bootcamp summer program, which occurs July 8-30 at CCM.

Training singers and conductors alongside each other builds a depth of understanding often not acquired until well into your professional career. In the three-week program, participants will mount two opera productions, Gianni Schicchi and Les mamelles de Tirésias, and one program of staged Mozart scenes and arias — all with orchestra and in their respective original languages. Both French and Italian language instruction will be offered to support the assigned repertoire.

Opera Bootcamp faculty includes internationally renowned professionals from CCM and visiting faculty members. CCM faculty includes Mark Gibson, Amy Johnson, Kathryn Lorenz, William McGraw, Andrea Tutt, Marie-France Lefebvre and professor emeritus David Adams. Visiting faculty members include Vernon Hartman, stage director; Steven Mosteller, coach; Joyce Miller, Italian language instructor; Jose Maria Condemi, stage director; Ken Weiss, coach; and Louis Pelletier, coach.

Professional biographies for each faculty member are available online at ccm.uc.edu/summer/collegiate-adult/opera-bootcamp/faculty.

All singers begin Opera Bootcamp with a two-day intensive on July 8 and 9, which includes training in traditional lyric stagecraft, Michael Chekhov acting technique, period movement, dances used in opera and career mentorship specific to the industry. These special sessions are led by Johnson, Tutt and Hartman. Conductors and pianists begin their Opera Bootcamp training on July 10.

This program is process oriented. It’s bootcamp! You are trained. The skills taught can be applied quickly and effectively to have great impact on your success as an artist.

CCM’s 2017 Opera Bootcamp is now accepting applications. The application deadline is April 15, 2017; enrollment for CCM Summer Programs is limited.

Visit ccm.uc.edu/summer/collegiate-adult/opera-bootcamp for application details and more information on Opera Bootcamp.

CCM News Faculty Fanfare Student Salutes
A model of the scenic design for CCM's production of 'Idomeneo.'

CCM Behind-the-Scenes: Lighting Design for Mozart’s ‘Idomeneo’

First-year graduate student Oliver Littleton’s first lighting design work was in churches, small theaters and tiny clubs. Now his designs will be seen in the Mainstage production of Idomeneo at UC’s College-Conservatory of Music.

The opera opens on Thursday, Mach 30 and continues through Sunday, April 2 in CCM’s Patricia Corbett Theater. Tickets are available through the CCM Box Office.

Littleton began his theatre training in Alabama at the age of 12. He wanted to be an actor, but always had an interest in lighting design. After earning a BFA in technical theatre from Adelphi University in New York, Littleton chose to pursue his graduate studies at CCM. He enrolled in CCM’s Theatre Design and Production program, where he studies lighting design and technology.

Light plays a key role in creating the “gods and monsters” in CCM’s production of Idomeneo. In an interview with CCM graduate assistant Charlotte Kies, Littleton shared some of his thoughts on the expressive power of lighting and its effect in Mozart’s first great opera seria.

What drew you to the lighting design program at CCM?
I loved the opportunity to be the lighting designer for a huge variety of genres including dance, opera, theatre and musicals. I value our large production scale and commitment to modern technology in all areas of the technical and design departments. Most important is probably my comfort within the culture of the CCM community.

It’s a hardworking environment that demands excellence, and does its best to surpass being just an educational institution in order to produce great art in a variety of fields.

How does your lighting design for Idomeneo compare to your work in other CCM productions?
This is my first Mainstage production at CCM so obviously scale is the big one! I designed Middletown in the fall and Transformations just a month ago, both in the Cohen Family Studio Theatre. Though they presented unique challenges, the sheer size of those productions was much smaller than this.

We’ve heard that lighting plays a significant role in establishing the abstract setting and in creating the “gods and monsters” of Idomeneo. Can you describe how you use light to create these “special effects?”
The metaphors of gods and monsters in this production of Idomeneo, in my mind, are far more important than their physical presence in the opera. To this end the “gods and monsters” are expressed in lighting with the contrast between restraint and excess.  Using color, intensity and texture to contrast between safe comfort, otherworldly mystery and grimy disappointment helps tell the story of monsters and heroes.  Our sea monster is of the mind.  It is doubt, hate, selfishness and it gets expressed with rich vivid color and powerful waves of light.  I want the lighting to drive this change and make the audience question who really are the monsters and gods of the piece.

A god-like face can be seen in Littleton's lighting design concept for 'Idomeneo.'

A god-like face can be seen in Oliver Littleton’s lighting design concept for ‘Idomeneo.’ Photo provided by Oliver Littleton.

What other roles does the lighting play in this opera?
When you start looking at abstract or ethereal lighting design, the first pitfall you see lighting designers take is forgetting that the point of the production is for audience members to sit in seats and watch people do things. All the fancy design in the world doesn’t amount to anything if the patrons can’t see the performers and understand what is going on in the story. The first job of every lighting designer is the help interpret the story and we do that in a number of ways. Lighting some areas of the stage while leaving others dark tells the audience where to look and focus. Using toplight and backlight that makes it difficult to see facial features gives a sense of drama and tension, while front light imbues a naturalistic nature to the stage. Every choice is informed by the question, “How does this serve the story,” and any choice that is not enslaved to it must be mercilessly eliminated.

Do you have anything else to add about your experience working on Idomeneo?
Idomeneo is a criminally underrated opera that is one of Mozart’s greatest offerings musically. I hope that everyone who watches the show leaves the theater saying things like “what a wonderful and interesting production” or “that was a beautiful way to share that music and story with us.” If they are talking about my lights or the set more than the characters’ choices or vocal prowess, then we as a design team have failed.

The greatest joy I take in my work is contributing to performers sharing stories and feeling with the audience. I hope this show does that for everyone who comes to see it.

CCM’s production of Idomeneo is directed by CCM artist diploma candidate Marcus Shields and conducted by Assistant Professor of Music Aik Khai Pung. It is sung in Italian with English supertitles. Find more information on the production in our press release.

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IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco
Aik Khai Pung, conductor
Marcus Shields, director

Performance Times
8 p.m. Thursday, Mar. 30
8 p.m. Friday, Mar. 31
8 p.m. Saturday, April 1
2 p.m. Sunday, April 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

 Purchasing Tickets
Tickets to Idomeneo are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/idomeneo.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s
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Story by CCM Graduate Student Charlotte Kies

CCM News Student Salutes