CCM presents 'You're Welcome (A Cycle of Bad Plays),' running April 23 - 25, 2015.

CCM’s Studio Series Comes to a Close With the Debate Society’s ‘You’re Welcome (A Cycle of Bad Plays),’ Running April 23 – 25

CCM’s Studio Series concludes with a production of Hannah Bos, Paul Thureen and Oliver Butler’s You’re Welcome (A Cycle of Bad Plays), running April 23 – 25 in the intimate Cohen Family Studio Theater. Admission is free, but reservations are required. Tickets become available through the CCM Box Office at noon on Monday, April 20.

First produced by Bos, Thureen and Butler’s Brooklyn-based theatre company, the Debate Society, You’re Welcome makes its CCM debut under the direction of Assistant Professor of Drama Brant Russell, who also performs in the play. This marks the first time that Russell has both directed and acted in a production.

Russell explains that You’re Welcome is loosely about why people pursue theatre and why we love it. He says it’s a “raucous comedy and a damning critique of theatre as an art form.”

Comprised of five short plays, including a farce, an anti-drunk driving PSA, a staged reading of a play called “Monsters Trucks,” a 15-minute improvised piece and a “wheels come off” piece, You’re Welcome is theatre at its best, making fun of itself while maintaining its truthfulness.

Amidst the comedy and silliness, there are also moments of emotional honesty. Russell recently directed CCM’s Mainstage Drama Macbeth this past October and wanted to do something different. He chose You’re Welcome because he wanted to find the “smartest, stupidest thing… a play that was self-effacing, intelligent but not heady, goofy but with integrity.”

With a cast of only nine composed mostly of juniors and a few sophomores, the students have been able to work closely together. Recently, the members of the Debate Society came to CCM for a workshop and got the students into teams for writing and acting exercises.

Junior Drama major Alison Sluiter says she plays herself in this production. She explains, “There’s a lot of give and take amongst my fellow cast mates. Creativity is in the air constantly whenever we are in the space, especially during a scene where we have incorporated improvisation. It has been both challenging and joyous during these rehearsals, pushing my scene partners without breaking character. When working with people you’ve known in the past three years, we know each others’ buttons and it’s fun to play and explore possibilities.”

Performance Times

  • 8 p.m. Thursday, April 23
  • 8 p.m. Friday, April 24
  • 2 & 8 p.m. Saturday, April 25

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission to You’re Welcome (A Cycle of Bad Plays) is free, but reservations are required. Tickets become available at noon on Monday, April 20. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation 

Drama Studio Series Sponsor: Neil Artman and Margaret Straub

Community Partner: ArtsWave

CCM News
From left to right: Ben Biggers, John Battagliese and Brianna Barnes in CCM's 110 IN THE SHADE. Photograph by Adam Zeek.

CCM’s Acclaimed Musicals Redux Series Returns with ‘110 in the Shade’ Next Week

CCM resumes its annual Musicals Redux series with a production of the Tony Award-nominated 110 in the Shade, which will grace the stage of the Cohen Family Studio Theater beginning at 8 p.m. on Thursday, April 9, and run through Saturday, April 11, 2015.

Directed and choreographed by CCM’s Joseph Weinberger Chair of Acting for the Lyric Stage Vince DeGeorge with musical direction by Adjunct Instructor of Musical Theatre Steve Goers110 in the Shade delves into the heart of 1930s Americana. Based upon the play The Rainmaker by N. Richard Nash (who also wrote the book for the musical adaptation), 110 in the Shade tells the tale of Lizzie Curry, a forthright “old maid” living on a ranch with her father and brothers in the American southwest.

When charismatic con man Bill Starbuck (posing as a rainmaker) arrives and promises to bring relief to the drought-stricken area, he awakens new feelings of love and self-discovery in the heart of the lonely woman. This also impacts the local sheriff File, a divorcé who remains alone due to fears of being hurt again by love.

The lyrics and music are (respectively) created by the acclaimed duo of Tom Jones and Harvey Schmidt, the men who are also responsible for the award-winning musicals The Fantasticks (the first Off-Broadway show to ever win a Tony Award) and I Do! I Do! For 110 in the Shade, they created a lush score that serves as a lovely reminder of the “Golden Age” of American Musical Theatre.

Admission to this show is free to the public, but reservations are required, so don’t miss the chance to get lost in a winding tale of love, hope and Americana!

The Cast

  • Brianna Barnes as Lizzie Curry
  • John Battagliese as Starbuck
  • Ben Biggers as File
  • Chris Collins-Pisano as H.C.
  • Erik Hernandez as Noah
  • Alec Cohen as Jim
  • Michelle Coben as Snookie Updergraff

Men’s Ensemble

  • Dan Gettler
  • Kyle Ivey
  • Stavros Koumbaros
  • Nick Pelaccio
  • Nate Riccio
  • Paul Schwensen

Women’s Ensemble

  • Ciarra Harris
  • Marissa Hecker
  • Cameron Hill
  • Brianna Latrash
  • Emily Morris
  • Gina Santare
  • Shauna Topian
  • Casey Wenger-Schulman

Performance Times

  • 8 p.m. Thursday, April 9
  • 8 p.m. Friday, April 10
  • 2 and 8 p.m. Saturday, April 11

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets

Admission to 110 in the Shade is free, but reservations are required. Tickets become available at noon on Monday, April 6. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM News
CCM Dance Student Choreographer's Showcase rehearsal photos by Adam Zeek.

CCM’s Department of Dance Presents Nine Student-Created Original Works March 11-14

Photography by Mark Lyons.

Photography by Mark Lyons.

CCM’s Department of Dance proudly presents its annual Dance Student Choreographers’ Showcase from March 11 – 14 in UC’s intimate Cohen Family Studio Theater. Dance Department faculty members Deirdre Carberry and Andre Megerdichian direct this exciting production. Admission is free, but reservations are required.

This year’s production will feature pieces by eight undergraduate women: Emily Chu, Katie Norton-Bliss, Scarlett Rustemeyer, Christine Settembrino and Katelyn Somers, along with a work by guest choreographer Tian Tian.

Senior Katie Norton-Bliss will debut her 10-minute piece,“Po$t $omething.” Her  piece was inspired by the similarities between trends found in pop culture and in dance. “Trends run the pop culture world, and often they are updates of older styles… Trends come and go in the dance world, but we don’t usually refer to them as trend. Instead, we consider them to be genres of dance. For example, there was modern dance followed by post modern dance. This makes it harder and harder for styles of choreography to be defined,” she explains.

Norton-Bliss describes her choreographic style as an amalgamation of many different influences. Her movements are inspired by “ballet, contemporary ballet, modern, contemporary, hip hop, and even current dance trends like the Schmoney dance or classics like the moon walk.” She also generates a good deal of her choreography through improvisation. Her piece will feature three different songs: “Gooo” by TNGHT, “Dawn in Luxor” by Shabbaz Palaces and a remix of “Wrecking Ball” by Miley Cyrus. Additionally, she will be mixing in audio from a YouTube video called “Making Dances: Seven Post Modern Choreographers.”

Senior Emily Chu discusses her 13-year-old sister as inspiration for her currently untitled piece. Chu says she has always tried to be a role model for her sister and has made sure that her sister is exposed to a variety of strong women. And “it’s worked,” says Chu. “She dressed up as Amelia Erhart for Halloween.” Other women that will be represented in Chu’s choreography include Joan of Arc and Gertrude Etterly, the first woman to swim the English channel.

Chu’s approximately 10-minute long contemporary ballet piece will feature eight talented female dancers, not on pointe. They will perform to a mix of strings and an electronic song called “See the Sea Red” by Vitalic.

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All of the pieces this year represent a huge diversity of styles and are a compliment to the broad range of experiences and teachings available to CCM’s dance students.

Performance Times

  • 8 p.m. Wednesday, March 11
  • 8 p.m. Thursday, March 12
  • 8 p.m. Friday, March 13
  • 2 p.m. Saturday, March 14

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets
Admission to the Dance Student Choreographer’s Showcase is free, but reservations are required. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Dance Department gratefully acknowledges the support of the Corbett Foundation at CCM.

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CCM's Cohen Family Studio Theater.

CCM Lighting Design Majors Show Off Their Skills With Help From Vincent Lighting Systems

LightingDesign0226The stars-of-tomorrow in CCM’s Lighting Design and Technology program will have the chance to shine brighter than ever this week thanks to the generosity of Vincent Lighting Systems.

Each year, students in CCM’s course on “Moving Light Programming” get an opportunity to show off their mastery of the art and science of lighting design in a dazzling class presentation entitled “BAMM!”

Students spend weeks planning for this capstone event and are then given only a few days to execute their plans, programming complex lighting on a rig of various fixtures – each with different attributes and abilities – in CCM’s versatile Cohen Family Studio Theater.

This year, long-time CCM supporter Vincent Lighting Systems has donated equipment to the event, allowing students to install and work with some of the most advanced gear available in the lighting industry.

This unique experience puts these students on the forefront of lighting education, reinforcing CCM’s reputation as the finest training program for lighting professionals in the country.

CCM’s faculty, staff and students would like to thank UC alumni Paul Vincent and Adam Hayward, along with the rest of the Vincent Lighting Team, for making this experience possible.

CCM Lighting Design and Technology presents BAMM! at 8 p.m. on Friday, Jan. 16. This is an open class presentation, however seating is limited.

Learn more about CCM’s Lighting Design and Technology program by visiting ccm.uc.edu/theatre/tdp/lighting.

Learn more about Vincent Lighting Systems by visiting http://www.vls.com.

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Ryan Garrett, Katie Langham and Owen Alderson in CCM's 'Speech and Debate' Photo by Richard E. Hess.

CCM’s Studio Series Presents the Dark Comedy ‘Speech and Debate’ Nov. 6-8

Owen Alderson, Ryan Garrett and Katie Langham in CCM's production of 'Speech and Debate.' Photo by Richard E. Hess.

Owen Alderson, Ryan Garrett and Katie Langham in CCM’s production of ‘Speech and Debate.’ Photo by Richard E. Hess.

CCM’s Department of Drama presents the regional premiere of Pulitzer Prize nominee Stephen Karam’s Speech and Debate as part of this fall’s Studio Series. Directed by CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance Richard E. Hess, the production opens Thursday, Nov. 6, and plays through Saturday, Nov. 8.

Like all Studio Series productions, admission to Speech and Debate is free, but reservations are required. Tickets become available at noon on Monday, Nov. 3. This production features adult themes and is recommended for mature audiences.

According to Hess, Speech and Debate is “a 90 minute intermission-less romp through high school experienced by three socially awkward misfits. The play is a cry to be noticed from students on the fringe.”

“Both gender and sexual identity play a large role in this play.  [It’s] a recipe for comedy in dark and disturbing moments of angst,” Hess explains.

Sophomore Katie Langham discusses her experience playing the irreverent Diwata, a young woman who envisions her future on Broadway but can’t seem to get a part in the school play: “She keeps me on my toes and constantly surprises me. Playing this character is delightfully freeing because she’s so experimental in her own artistic life.”

“Each rehearsal is a time to play and explore, maybe regress back to the days of high school and re-discover adolescent feelings of precociousness, uncertainty and insecurity,” says Langham. It’s this attitude of discovery that makes the characters of Speech and Debate so authentic and engaging.

The play will take advantage of technology to enhance the storytelling. “A crucial plot element in the play is revealed in the very first scene,” Hess explains, “A computer conversation told entirely through projections when an 18 year old high school senior begins cruising on a gay chat line. This event sets the play in motion.”

About Richard E. Hess
Richard E. Hess has been the Chair of CCM Drama for the past 20 years. Recent directing credits at CCM include The CrucibleThe Laramie ProjectCoram BoyRENTYou Can’t Take It With You (ACCLAIM Award winner Outstanding University Play), Anon(ymous) (ACCLAIM Award winner Outstanding Play), Brigadoon (Cincinnati Entertainment Award for Outstanding Musical) and Tony Kushner’s Angels in AmericaPart One: Millennium Approaches (Cincinnati Entertainment Award for Best Ensemble Acting).

He made his New York directing debut at the Laurie Beechman Theatre on 42nd Street directing AN EVENING OF (Mostly) TRUE SONGS (with Andrea Burns), a new incarnation of Don’t Look Down, the music and lyrics of Adam Wagner, first seen in the Cincinnati Fringe Festival. Favorite directing credits at the Human Race Theatre Co., where he has been a resident artist since 1996, include RaceRedDoubtProofI Am My Own Wife and A Delicate Balance. He directed Miracle on South Division Street for the Human Race in September 2014.

Other credits include the Los Angeles staging of the one-woman show Besame MuchoO.K. That’s Enough (with Diana Maria Riva) and the smash hits The Pages of My Diary I’d Rather Not Read and The Catholic Girl’s Guide to Losing Your Virginity, both of which enjoyed sold out runs at the Hudson Theatre in Los Angeles. For five years Hess was the artistic director of Hot Summer Nights in Cincinnati, where he directed Violet (with Ashley Brown), Hello, Dolly! (with Pamela Myers), Godspell (with Shoshana Bean and Leslie Kritzer) and the premiere of We Tell The Story: The Songs of Ahrens and Flaherty, in collaboration with Stephen Flaherty.

He studied with the internationally acclaimed director Anne Bogart and members of the Saratoga International Theatre Institute (SITI Co.) in New York and Los Angeles for the past decade. He has worked with the KNOW Theatre, the Cincinnati Playhouse in the Park, the Chautauqua Institution, Cincinnati Symphony Orchestra, Cincinnati Pops and Cincinnati Opera Education. He is proud of fostering the new work of playwrights and has directed first productions of Richard Oberacker and Rob Taylor’s Don’t Make Me Pull This Show Over: Dispatches from the Front Lines of Parenting, Mark Halpin’s The Kid in the Dark, Ben Magnuson’s Four Minutes and Tom Korbee’s Will It Ever Stop Raining?

He made his debut as a playwright/creator in the Cincinnati Fringe Festival with (UN)Natural Disaster created with 13 actors and performed in an abandoned building in Over-the-Rhine. (UN)Natural Disaster was named the Producer’s Pick of the Fringe and subsequently re-mounted on the 2010 New York International Fringe Festival.

In June of 2011, Hess directed The Collapsible Space Between Us with the Dadaab Theater Project, comprised of five CCM Drama students, which was presented with eight refugees from the Dadaab Refugee Camp in Kenya for World Refugee Day sponsored by the United Nations in Nairobi, Kenya. He returned to Kenya as a Fulbright Scholar in 2014 and taught acting and directing at Kenyatta University in Nairobi and researched the creation of original works by creating KUMI NA MBILI (12), a stage show and a short film.

Hess was named Ernest Glover Outstanding Teacher at UC in 1999 and again in 2012 and was also named the ACCLAIM Award Theatre Trailblazer in 2009. He is an associate member of the Society of Directors and Choreographers (SDC).

Cast List

Ryan Garrett as Howie
Owen Alderson as Solomon
Katie Langham as Diwata
Sarah Davenport as Teacher and others
Colleen Ladrick as Reporter and others

Performance Times

  • 8 p.m. Thursday, Nov. 6
  • 8 p.m. Friday, Nov. 7
  • 2 & 8 p.m. Saturday, Nov. 8

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets

Admission is free, but reservations are required. Tickets become available at noon on Monday, November 3. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots. For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

Drama Studio Series Sponsor: Neil Artman & Margaret Straub

CCM News
BadenBadenWeillHindemith

CCM Opera Presents Two One-Acts by Kurt Weill and Paul Hindemith in Free Production Oct. 24 – 26

CCM’s Department of Opera will present a mini recreation of the legendary Baden-Baden Contemporary Music Festival of 1927 with a cabaret lab production running Friday, Oct. 24, through Sunday, Oct. 26 in the Cohen Family Studio Theater.

Like all Studio Series productions, admission to Baden-Baden 1927 is free, but reservations are required. Tickets become available at noon on Monday, Oct. 20.

During the original composer-organized summer festival, which occurred in Baden-Baden, Germany, in 1927, four one-act operas were presented in one evening. CCM’s recreation will present two of these mini-operas: Kurt Weill’s Mahagonny Songspiel and Paul Hindemith’s Hin und Zurük (There and Back). Despite being nearly 100 years old, each of these pieces will resonate with audiences today.

According to graduate student Frances Rabalais (AD Opera, Stage Directing) who is directing Baden-Baden 1927 under the guidance of CCM Assistant Professor of Opera/Directing Emma Griffin, post-Word War I Germany was a time and place of great artistic exploration as artists rejected past understanding and searched for new ways to ask, “How can we use art to better society? How can we find new ways [to involve] the audience in a fulfilling opera experience?”

“The intimacy of a smaller venue like the Cohen Family Studio Theater is thrilling and special,” says Rabalais. “The audience can experience the art in a way that’s very personal.” A single piano accompanist will compliment the talented singers in both performances. Baden-Baden 1927 features musical preparation by graduate student Levi Hammer (DMA, Orchestral Conducting), under the guidance of Junghyun Cho. Hammer and Kihwa Kim provide accompaniment.

This up-close performance is an especially unique experience because the pieces by Hindemith and Weill contrast both stylistically and narratively. Hin und Zurük is a kind of dramatic palindrome, a tragedy unfolds involving jealousy, murder and suicide. It is then replayed with the lines sung in reverse order to produce a happy ending. “Mahagonny Songspiel takes a dark approach to tackling questions about society and authority,” says Rabalais. Visually, the pieces will be styled similarly and use the same scenic elements. “I think the unified look will heighten the contrasting strengths and emphasize the stylistic impact of each opera,” explains Rabalais.

CCM News
From left to right: Karl Amundson, Hannah Kornfeld and Thomas Knapp in CCM's Studio Series production of BLOOD BROTHERS, running Oct. 9 - 11 in the Cohen Family Studio Theater. Photography by Adam Zeek.

CCM’s Studio Series Opens Next Week With Award-Winning Musical ‘Blood Brothers’

Karl Amundson as Eddie and Thomas Knapp as Mickey in CCM's Studio Series production of BLOOD BROTHERS, playing Oct. 9 - 11 in the Cohen Family Studio Theater.

Karl Amundson as Eddie and Thomas Knapp as Mickey in CCM’s Studio Series production of BLOOD BROTHERS, playing Oct. 9 – 11 in the Cohen Family Studio Theater.

CCM kicks off its 2014-15 Studio Series with Willy Russell’s Blood Brothers. Opening Thursday, Oct. 9 and running through Saturday, Oct. 11 in CCM’s Cohen Family Studio Theater, Blood Brothers will enthrall audiences with four performances.

Like all Studio Series productions, admission to Blood Brothers is free, but reservations are required. Tickets become available at noon on Monday, Oct. 6.

Visiting Professor Vince DeGeorge returns to the Studio Series stage as both choreographer and director of this much-anticipated musical. Last season, DeGeorge’s studio production of The 25th Annual Putnam County Spelling Bee received numerous accolades, including nominations for three League of Cincinnati Theatre Awards: Best Musical, Best Director of a Musical and Best Ensemble in a Musical.

Blood Brothers, winner of the 1983 Olivier Award for Best New Musical, is loosely based on the 1844 novella The Corsican Brothers by famed author Alexandre Dumas. DeGeorge describes it as “an epic story of nature versus nurture and class distinction.” It tells the tale of twin brothers separated at birth, but DeGeorge explains that it is also “the personal narrative of two women and the extremes that they’ll go to in order to keep their children safe.”

It was the emotional strength of this story that initially drew DeGeorge to the title. “This is an incredibly well crafted musical with book, music and lyrics by Willy Russell. Every character, scene and song in this piece pushes the narrative forward to its inevitable, tragic conclusion,” he says.

Brianna Barnes, a junior in the musical theatre program at CCM, will play the role of Mrs. Lyons, a major character in Blood Brothers. Barnes talks about developing her character: “playing a character that is significantly older than your actual age is always a challenge, [especially] grasping that level of maturity and wisdom. Love, however, is a universal feeling everyone can relate to. And that’s what is at the core of these two women, their unconditional and relentless love for their children.”

Barnes has immensely enjoyed working with DeGeorge. “Vince undoubtedly has an incredible vision for the production, and really collaborates that vision with our specific abilities.”

The CCM production of Blood Brothers is elegant in its simplicity. The staging serves to emphasize the musical’s raw emotion and the choreography plays a part in setting the stage. Audiences will enjoy movement inspired by the swing era of the mid 40s and 50s. Musical director Steve Goers supports the purity of the performance with his effortless arrangements and graceful piano accompaniment. Blood Brothers is a performance that will deeply affect audiences through its emotional delivery and masterful artistry.

With free admission and limited seating, CCM’s Studio Series productions remain one of the hottest tickets in town. Learn more about how secure your tickets by visiting ccm.uc.edu/about/villagenews/did-you-know/how-to-studio-series.

Cast List
Mrs. Johnstone……………………………………………………………. Hannah Kornfeld
Mrs. Lyons………………………………………………………………….. Brianna Barnes
Mr. Lyons……………………………………………………………………. John Battaliegse
Mickey Johnstone………………………………………………………… Thomas Knapp
Edward Lyons……………………………………………………………..  Karl Amundson
Sammy……………………………………………………………………….. Zach Erhardt
Linda………………………………………………………………………….. Kaela O’Conner
Narrator………………………………………………………………………. Tyler Huckstep
Ensemble……………………………………………………………………. Alec Cohen, Emily Fink, Louis Griffin, Jackson Mattek, Emily Royer, Keaton Whittaker, Hannah Zazzaro

Performance Times

  • 8 p.m. Thursday, Oct. 9
  • 8 p.m. Friday, Oct. 10
  • 2 and 8 p.m. Saturday, Oct. 11

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets

Admission is free, but reservations are required. Tickets become available at noon on Monday, Oct. 6. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM News