Get Ready To Watch CCM’s Next Digital Concerts

Please join us this Friday and Saturday for the next two episodes of CCMONSTAGE Online, our new ongoing series of digital concerts and performances.

Tonight’s installment features the CCM Chamber Choir performing an eclectic program of nine musical selections dating from the Renaissance to the 21st century. The program will stream from 7:30-8:30 p.m. EDT.


Tomorrow night’s installment features the CCM Ballet Ensemble performing a mixed repertoire dance concert. The program will stream from 7:30-9 p.m. EDT.


Where To Watch

Each digital concert begins streaming at 7:30 p.m. EDT with a brief countdown clock sequence.

If the video does not start autoplaying on your viewing device, please refresh the web page and then click the play button on the video player. If you have any trouble with CCM’s streams, visit our website for additional viewing options.

Each performance will be available for on-demand viewing shortly after the premiere stream concludes.



Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.

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Enjoy a digital performance by the CCM Ballet Ensemble on March 20

CCM Dance provides a “travelogue” of classical and contemporary works during this installment of CCM’s virtual performance series!

The fourth episode of CCMONSTAGE Online debuts at 7:30 p.m. EDT on Saturday, March 20, 2021. The premiere will stream simultaneously on CCM’s websiteYouTube channel and Facebook page.

Travelogue is a 90-minute long virtual performance featuring the CCM Ballet Ensemble. “Travelogue is a mixed repertory performance featuring a vivid array of classical and contemporary ballet, modern and jazz works,” explains CCM Dance Department Chair Shauna Steele, who directs the performance. “As we sat and planned our potential fall season during the unprecedented coronavirus shutdown in spring 2020, we kept returning to the idea that dance is community, it is catharsis, and it is vitally essential, thus Travelogue … where we as the artists could share through a visual medium places and experiences encountered by a ‘traveler.’ It can let us visit people, communities, myths, legends and monumental moments in our shared history allowing the audience to travel without moving.”

The program opens with Les Sylphides, with choreography by Mikhail Fokine restaged by CCM faculty member Deirdre Carberry. This popular one-act Romantic ballet is set to the music of Frédéric Chopin.

The concert features three premieres choreographed by CCM faculty members: Handel Concerto choreographed by Thomas BellThe Space Between choreographed by Shauna Steele and Death and the Maiden choreographed by Jiang Qi.

The performance concludes with August Bournonville’s iconic Napoli restaged by CCM faculty member Tricia Sundbeck. Subtitled “The Fisherman and His Bride,” this ballet depicts a love story in a small Italian fishing village and is celebrated for its solos. Steele explains: “In Napoli, we see through the eyes of August Bournonville, who visited a small Italian village in 1841, and was so enchanted that he created a composition that would forever capture that joyous, bright day and coincidentally created an enduring and touching ballet.”

A collaboration with CCM’s Department of Theatre Design and ProductionTravelogue also features scenic designs by CCM student Karissa Hodge and lighting and projection designs by CCM student Ian MacIntosh.

Like other episodes in CCM’s new virtual performance series, Travelogue features commentary from CCM students and faculty. All episodes of CCMONSTAGE Online can be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s websiteYouTube channel and Facebook page.

Travelogue was recorded live in CCM’s Corbett Auditorium on Nov. 14, 2020. Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.

Learn more about CCM’s upcoming video releases courtesy of Janelle Gelfand and the Cincinnati Business Courier.

Streaming Premiere

7:30 p.m. EDT Saturday, March 20, 2021

Performance Details

Les Sylphides

Choreography
Mikhail Fokine

Restaged by
Deirdre Carberry

Music by Frédéric Chopin
Nocturne in A flat Major, Op. 32, No. 2
Valse in G flat Major, Op. 70, No. 1
Mazurka in D Major, Op. 33, No. 2
Mazurka in C Major, Op. 67, No. 3
Valse in C sharp Minor, Op. 64, No. 2
Valse in E flat Major, Op. 18, No. 1

Soloists
Lauren Sokol, waltz
Hannah Adamczak, mazurka
Louie Novak, mazurka
Carly Herrmann, prelude

Corps de Ballet
Carmen Doll
Sydney D’Orso
Rae Dougherty
Emily Glaccum
Meg Green
Lily Kozub
Jennifer Listerman
Grace Mitchell
Anna Lee Rohovec
Bethany Roup
Mandi Weitz
Claire Zakrajsek

Understudies
Rae Dougherty for Carly Herrmann
Anna Lee Rohovec for Lauren Sokol
Claire Zakrajsek for Hannah Adamczak

Les Sylphides has been abridged and adapted to honor the restrictions of social distancing and Covid-19.


Handel Concerto

Choreography
Thomas Bell

Music by George Frideric Handel
Concerto Grosso Op. 6, No. 5 in D Major:
Larghetto e staccato, Allegro, Largo, Menuet, Allegro

Dancers
Sarah Bartlett
Isabelle Cummings
Clementine Greely
Madeline Montgomery
Eva Moore
Megan Schroeder
Sofia Stitz
Madelin Talbot
Gracie Zamiska


The Space Between

Choreography
Shauna Steele

Music by Emeli Sandé
Read All About It, Pt. III
Hope
River

Dancers
Hannah Adamczak
Maia Blake
Carmen Doll
Sydney D’Orso
Meg Green
Amanda Kenner
Jennifer Listerman
Ying-Chi Lu
Anne McGovern
Lauren Sokol

Junichiro Tanizaki believed that to “Find beauty not only in the thing itself but in the pattern of the shadows, the light and dark which that thing provides. The eye is always caught by light, but shadows have more to say. Life is a mixture of light and shadow, calm and storm…” For me, that point where light and dark meet and form endless unique shadows is the trigger for the wonderous and endless possibilities in our world. Neither the light nor the dark are evil or good. It is the purpose we assign to them that will either “illuminate our paths or darken our way. [As Maya Angelou said] It is a matter of choice.”


Death and the Maiden

Choreography
Jiang Qi

Music by Franz Schubert
String Quartet No. 14 in D Minor

Dancers in Black
Elaina Didier
Ava Gyurcsik
Emma Phillips

Dancers in White
Hazel Alexander
Rebekah Docea
Rose Engel
Emerson Lecrone
Morgan Montour
Alyssa Pankey
Keenan Pennington
Ellen Pierce
Jillian Sadler
Sarah Santarsiero
Mira Sidhu

“Death is the dropping of the flower, that the fruit may, swell.” – Henry Ward Beecher


Napoli

Choreography
August Bournonville

Restaged by
Tricia Sundbeck

Music by Niels W. Gade, Edvard Helsted and Holger Simon Paulli
Pas De Six

Dancers
Maia Blake
Amanda Kenner
Ying-Chi Lu
Anne McGovern
Gabby Savka
David Lopena
Garrett Steagall

Napoli has been abridged and adapted to honor the restrictions of social distancing and Covid-19.


Choreographers

August Bournonville (1805-1879)

Born in Copenhagen, August Bournonville was a dancer and choreographer who directed the Royal Danish Ballet for nearly 50 years and established the Danish style based on bravura dancing and expressive mime. He studied under his father, Antoine Bournonville, one of the major dancers of his day, before going to Paris for further training under Auguste Vestris and Pierre Gardel. After appearances at the Paris Opera and in London, Bournonville returned to Copenhagen as soloist and choreographer for the Royal Danish Ballet. A strong dancer with excellent elevation and an accomplished mime, he emphasized these qualities in his ballets. His choreographic style also reflected the pre-Romantic approach of his teacher Vestris. Many of his ballets have remained in the repertoire of the Royal Danish Ballet for more than a century. Bournonville also directed the Swedish Royal Opera at Stockholm (1861-64) and staged several of his works in Vienna (1855-56). In 1877, after his return to Denmark, he retired and was knighted. He died on November 30, 1879 in Copenhagen.


Mikhail Fokine (1880-1942)

Born in St Petersburg, Russian choreographer Mikhail Fokine trained at the Imperial Ballet Academy before joining the Mariinsky Theatre. In 1904 he became a premier danseur and the following year he created his first choreographic work, Acis and Galatea, for a pupils’ performance, and The Dying Swan, which would become Anna Pavlova’s most famous role. Fokine was engaged by Diaghilev for his 1909 Paris season and created Le Pavillon d’ArmidePolovtsian DancesLes Sylphides, and Cleopâtre. He worked for some time for both the Imperial Theatre and for Diaghilev; he did not return to Russia after 1918. For Diaghilev his works include Le CarnavalSheherazadeFirebirdLe Spectre de la roseNarcissePetrushkaPapillons, and The Golden Cockerel. When he left Diaghilev’s company he worked as a freelance choreographer, creating new works and reviving his successes. He settled in the USA, where he worked with several dance companies, and in musical theatre and film. The Fokine American Ballet Company made its debut in 1924. Fokine, however, spent much of his time in Europe, and in 1936 was engaged as choreographer-in-chief by the Ballet Russe de Monte Carlo, where he created three successful ballets – L’Épreuve d’amourDon Juan (both 1936) and Les Éléments (1937). He died in 1942, having created more than sixty works.


Faculty choreographer bios can be found on the Dance Department’s webpage.

Performers and Creative Team

Performance Producer
Denton Yockey, TAPAA Division Head

Stage Management Advisor
Michele Kay

Technical Director Advisor
Stirling Shelton

Lighting Design Advisor
Sharon Huizinga

Sound Design Advisor
Matt Tibbs

Dance Department Faculty
Shauna Steele, chair
Deirdre Carberry
Jiang Qi
Michael Tevlin
John Thomas Bell
Isabele Elefson
Stephen Ferre
Jeri Gatch
Jonnie Lynn Jacobs-Percer
Kathleen Johannigman
Molly Perez
Tricia Sundbeck

Physical Therapists
Amber Boyd
Heidi Dunning
Heather Graden
Rose Smith

Dance Program Manager
Colleen Condit

Costume Coordinator
Jonnie Lynn Jacobs-Percer

Costumes
Courtesy of CCM Dance Department

Accompanists
Angelika Bonyhati-Kovacs
Brian Cashwell
Douglas Sutton
Yudong Wang

Technical Director
Jacob Bober

Assistant Technical Director
Jacob Blumberg

Performance Production Manager
Amanda Powell

Scenic Shop Foreman
Kyle Wichman

Scenic Designer
Karissa Hodge

Lighting Designer/Projection Designer
Ian MacIntosh

Screens Producer
Tayler Durantini

Master Electrician
Ethan Fleek

Board Operator
Dionte Mercado

Projection Associate
Rama van Gils

Sound GA Lead
Alex Brock

Stage Manager
Marley Giggey

Assistant Stage Managers
Rosie Burns-Pavlik
Hannah Lee
Haileigh Warren
Master Carpenter
Maya Eberhardt


Video Production
MasseyGreenAVP, llc
Director – John Massey
Producer/Editor – Austin Maynard

Camera Operators
John Tapogna
Glenn Hartong
Matt Green

Video Production Assistant
Paule Casale

Audio Engineer
Simón Sotelo

Senior Director of Performance Operations
Ray Dobson

CCMONSTAGE Online Series Concept Developed and Managed by
Curt Whitacre

CCM Digital Content Team
Kenneth D. Allen
Clarence M. Brown
Kevin Burke
Rebecca Butts
Rayburn Dobson
Mikki Graff
Melissa Neeley-Nicolini
Simón Sotelo
Curt Whitacre

Special thanks to Amber Boyd, Will Brenner, Dr. Kyuran Ann Choe, Dr. Jon Divine, Dr. Tonya Dixon, Dr. Michael Donaworth, Heidi Dunning, Heather Graden, Dale Pickett, Diana Queen of Diana’s Dancewear, and Rose Smith.


About the Series

CCMONSTAGE Online is a series of free digital concerts and performing arts presentations showcasing the unparalleled artistry and expertise of CCM’s students, faculty and staff. Enjoy a sneak peek at a few of our upcoming episodes:

The series has recently been featured by Broadway WorldCincinnati Business CourierCincinnati CityBeatCincinnati EnquirerCincinnati MagazineCincinnati Public RadioLocal 12 WKRC-TVMovers and MakersMusical America and The Violin Channel.


A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music offers nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs.

The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

For more information, please visit us online at ccm.uc.edu.


Featured image at top: the CCM Ballet Ensemble performs “Les Sylphides.” Photo/Dale Pickett

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Get Ready For Tonight’s Video Premiere!

Please join us at 7:30 p.m. EST tonight for the next episode of CCMONSTAGE Online, our new ongoing series of digital concerts and performances.

Our latest installment features CCM string quartet-in-residence the Ariel Quartet collaborating with master’s degree students Cristian Diaz and Denielle Wilson, who are also both second-year participants in CCM’s Diversity Fellowship initiative with the Cincinnati Symphony Orchestra.


Where To Watch

Tonight’s digital concert will begin with a brief countdown clock sequence and will then stream from 7:30-8:05 p.m. EST.

If the video does not start autoplaying on your viewing device, please refresh the web page and then click the play button on the video player. Tonight’s performance will be available for on-demand viewing shortly after the premiere stream concludes.


Learn More About The Series


Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.

CSO/CCM Diversity Fellowship supported by The Andrew W. Mellon Foundation and Patricia Kisker Foundation.

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A photo of CCM resident artists the Ariel Quartet performing with students.

CCM’s Streaming Concert Series Continues on Feb. 12

Watch the Ariel Quartet collaborate with CSO/CCM Diversity Fellows Cristian Diaz and Denielle Wilson during this upcoming virtual performance.

Arts lovers from around the world are invited to tune in to the next episode of CCMONSTAGE Online at 7:30 p.m. EST on Friday, Feb. 12, 2021. The premiere will stream simultaneously on CCM’s websiteYouTube channel and Facebook page.

Titled Joining Hands, this 30-minute-long virtual concert features CCM string quartet-in-residence the Ariel Quartet collaborating with master’s degree students Cristian Diaz and Denielle Wilson, who are also both second-year participants in CCM’s innovative Diversity Fellowship initiative with the Cincinnati Symphony Orchestra.

To open the concert, Wilson and Diaz – a cellist and a violist respectively – join the Ariel Quartet on the stage of CCM’s Robert J. Werner Recital Hall for a performance of the first movement of Johannes Brahms’ String Sextet in B-flat Major.

The Ariel Quartet – which is comprised of CCM faculty members Alexandra “Sasha” Kazovsky, violin; Amit Even-Tov, cello; Gershon Gerchikov, violin; and Jan Grüning, viola – then perform the third movement of Felix Mendelssohn’s String Quartet in D Major.

For the finale of this digital program, the Ariel Quartet are rejoined by Diaz for a performance of the fourth movement of Wolfgang Amadeus Mozart’s String Quintet in G Minor.

Like other episodes in CCM’s new virtual performance series, Joining Hands also features commentary from CCM students and faculty. All episodes of CCMONSTAGE Online will be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s websiteYouTube channel and Facebook page.

Video production by MasseyGreenAVP, LLC. Additional footage provided by the Cincinnati Symphony Orchestra. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.


The CSO/CCM Diversity Fellowship

A promotional image for the CSO/CCM Diversity Fellowship program featuring two student participants playing with the CSO under the banner: Bravos Without Barriers.

Funded by The Andrew W. Mellon Foundation, the CSO/CCM Diversity Fellowship provides an unparalleled learning experience for graduate-level violin, viola, violoncello and double bass players coming from populations that are historically underrepresented in classical music.

Participants get paid to perform with the acclaimed Cincinnati Symphony Orchestra while completing your two-year graduate degree at CCM with full scholarship support plus stipend. Learn more


Streaming Premiere

7:30 p.m. EST Friday, Feb. 12, 2021

Performance Details

Repertoire

  • Johannes Brahms: String Sextet in B-flat Major No. 1, Op. 18 (1860)
    • I. Allegro ma non troppo
  • Felix Mendelssohn: String Quartet in D Major No. 3, Op. 44, No. 1 (1838)
    • III. Andante espressivo ma con moto
  • Wolfgang Amadeus Mozart: String Quintet in G Minor No. 4, K. 516 (1787)
    • IV. Adagio – Allegro

Performers

The Ariel Quartet

A portrait of the four members of CCM string quartet-in-residence the Ariel Quartet.

Distinguished by its virtuosity, probing musical insight, and impassioned, fiery performances, the Ariel Quartet has garnered critical praise worldwide over the span of nearly two decades. Formed in Israel as teenagers at the Jerusalem Academy Middle School of Music and Dance and celebrating their 20th anniversary in 2020-21, the Ariel was named recipient of the prestigious Cleveland Quartet Award, granted by Chamber Music America in recognition of artistic achievement and career support. Since 2012 the members of the ensemble have served as the faculty quartet-in-residence at CCM since, where they direct the chamber-music program and present a concert series in addition to maintaining a busy touring schedule in the United States and abroad.

The ensemble has dedicated much of its artistic energy and musical prowess to the groundbreaking Beethoven quartets, and has performed the complete Beethoven cycle on five occasions throughout the United States and Europe. The Quartet has written a powerful and comprehensive series of program notes on the sixteen quartets, open to the public on their website. The Ariel Quartet regularly collaborates with today’s eminent and rising young musicians and ensembles, including pianist Orion Weiss, violist Roger Tapping, cellist Paul Katz, and the American, Pacifica and Jerusalem String Quartets. The Quartet has toured with cellist Alisa Weilerstein and performed frequently with pianists Jeremy Denk and Menahem Pressler. In addition, the Ariel served as quartet-in-residence for the Steans Music Institute at the Ravinia Festival, the Yellow Barn Music Festival and the Perlman Music Program, as well as the Ernst Stiefel String Quartet-in-Residence at the Caramoor Festival.

Formerly the resident ensemble of the Professional String Quartet Training Program at the New England Conservatory, from which the players obtained their undergraduate and graduate degrees, the Ariel was mentored extensively by acclaimed string quartet giants Walter Levin and Paul Katz. It has won numerous international prizes in addition to the Cleveland Quartet Award: Grand Prize at the 2006 Fischoff National Chamber Music Competition and the Székely Prize for the performance of Bartók’s String Quartet No. 4, and Third Prize at the Banff International String Quartet Competition. About its performances at the Banff competition, the American Record Guide described the group as “a consummate ensemble gifted with utter musicality and remarkable interpretive power” and noted, in particular, their playing of Beethoven’s monumental Quartet in A minor, Op. 132, as “the pinnacle of the competition.”

The Ariel Quartet has received significant support for its studies in the United States from the American-Israel Cultural Foundation, Dov and Rachel Gottesman, the Legacy Heritage Fund and the A.N. and Pearl G. Barnett Family Foundation. The members of the Ariel Quartet are graduates of the Young Musician’s unit of the Jerusalem Music Centre. Visit the Ariel Quartet’s website to learn more.

Cristian Diaz

A portrait of CSO/CCM Diversity Fellow Cristian Diaz.

Cristian Diaz is a violist from Colombia who holds a bachelor’s degree in violin performance from Colombia’s National University-Conservatory of Music, and a master’s degree in chamber music from Kent State University. His former professors include members of the acclaimed Miami String Quartet, Keith Robinson and Cathy Meng Robinson, and his viola professor Joanna Patterson Zakany, member of the prestigious Cleveland Orchestra.

Diaz has been part of many orchestras across the globe, and was runner up in the Kent State University concerto competition (2017), he was selected to become part of the Mahler Chamber Orchestra Academy 2018 in Dortmund, Germany, winner of the inaugural Diversity Fellowship of the CityMusic Cleveland Chamber Orchestra and is also a member of the Efferus String Quartet.

He has attended the XI Cartagena Music Festival (Colombia, 2017), the first and second International Festival of String Quartets (Colombia, 2015 and 2016), III Bogota’s Viola Festival (Colombia, 2015), Santa Catarina Music Festival FEMUSC (Brazil, 2012) and also the Kent Blossom Music Festival (2019). Diaz began his master’s degree at CCM in the fall of 2019 where he studies with Professor Catharine Lees.

Denielle Wilson

A portrait of CSO/CCM Diversity Fellow Denielle Wilson.

Denielle Wilson is a cellist from Lithonia, Georgia. A former resident of Evanston, Illinois, she has played in the Civic Orchestra of Chicago and maintains a studio of private cello students. She completed an undergraduate degree at Northwestern University in 2017, having majored in cello performance and music education.

Wilson’s musical mentors have included Hans Jørgen Jensen, Joel Dallow and Nan Kimberling. She has spent summers at the Meadowmount School of Music, Bowdoin Music Festival, Aspen Music Festival and School, and the Grant Park Music Festival.

Wilson plays in a piano trio with her siblings, and they enjoy sharing classical and religious music with their local community.


About the Series

CCMONSTAGE Online is a series of free digital concerts and performing arts presentations showcasing the unparalleled artistry and expertise of CCM’s students, faculty and staff. Enjoy a sneak peek at a few of our upcoming episodes:

The series has recently been featured by Broadway WorldCincinnati Business CourierCincinnati CityBeatCincinnati EnquirerCincinnati MagazineCincinnati Public RadioLocal 12 WKRC-TVMovers and MakersMusical America and The Violin Channel.

CCM News CCM Video

CCM’s Virtual Moveable Feast Premieres Tonight

CCM’s Moveable Feast is making its online debut, and you have the best seats in (your) house! Join the arts fundraiser at 8 p.m. tonight, Jan. 22 to enjoy student and alumni performances that span the spectrum of the performing arts. Tickets are available online.

Get your first taste of Moveable Feast: From Coast to Coast by watching the teaser trailer, featuring clips of performances that will be featured in the event.

Moveable Feast: From Coast to Coast features performances by student and alumni stars from across the country, including offerings from New York, Los Angeles, San Francisco, Cincinnati and more! Program highlights include:

  • CCM Opera alum and 2020 Glyndebourne Opera cup winner Edward Nelson singing “Someone to Watch Over Me”
  • Current students of CCM Musical Theatre Class of 2022 performing with Broadway alumni Leslie Kritzer (Beetlejuice, Something Rotten!), Noah J. Ricketts (Frozen, Beautiful The Carol King Musical), Stephanie Jae Park (Hamilton, War Paint), John Riddle (Frozen, The Visit) and Nikki Renée Daniels (Hamilton, The Book of Mormon)
  • An original piece called “We Dare to Dream” featuring CCM acting alumni Diana Maria Riva (Dead to Me), Dominic Bogart (Fear the Walking Dead), Blake Kubena (Vikings), Torie Wiggins (Ensemble Theatre Cincinnati), Brandon Jones (Wildflowers) and more!
  • Student performances by the CCM Wind Symphony, CCM Philharmonia and CCM Jazz Orchestra
  • Student performances also showcase CCM Dance and CCM Piano as well as video pieces by CCM E-Media and Theatre Design and Production students

In addition to the performances, Moveable Feast’s virtual debut features a silent auction, private VIP chat rooms and dinner at home from Jeff Thomas Catering for Cincinnati audiences.

Audiences can learn more about Moveable Feast: From Coast to Coast in the event details below and in news coverage by Broadway World, Musical America, Cincinnati Enquirer, Local 12, WGUC, Behind the Curtain Cincinnati and arts reporter Janelle Gelfand.

Hosted by CCMpower — a dedicated volunteer group comprised of friends, advocates and alumni — Moveable Feast generates essential support to fund student scholarships, projects and travel opportunities. These unique educational offerings are essential to the CCM experience and provide creative opportunities for students that are vital to their growth as creators and collaborators. This year, COVID-19 cancelled paid work that students rely on and drastically changed students’ family financial circumstances. Our students need scholarship and emergency funds now more than ever. Your support will set the stage for our students to be and to create what is next in the arts.

Virtual Moveable Feast: From Coast to Coast

8 p.m. Jan. 22, 2021

Schedule of events:

  • Sponsor pre-show chat: 6:30-7:45 p.m.
  • Performances: 8-9 p.m.

Program details:

CCM Jazz Orchestra
Scott Belck, director
KAI ECKHARDT: The Shadow, arranged by Joe Duran (BM, ’13; MM, ’15)


CCM Wind Symphony
Kevin Michael Holzman, conductor
OMAR THOMAS: A Mother of a Revolution!


Edward Nelson, baritone (BM, ’11; MM, ’13)
Accompanied by San Francisco Opera guest artist Ronny Michael Greenberg, piano
GEORGE GERSHWIN: Someone to Watch Over Me


CCM Ballet Ensemble
Excerpts from Napoli (1842)
Originally choreographed by August Bournonville
Restaged by Tricia Sundbeck
Set to “Pas De Six” by Niels W. Gade, Edvard Helsted and Holger Simon Paulli
Featuring student dancers Maia Blake, Amanda Kenner, Ying-Chi Lu, Anne McGovern, Gabby Savka, David Lopena and Garrett Steagall


CCM Chamber Choir
Joe Miller, conductor
THOMAS MORLEY: Nolo mortem peccatoris


The Ariel Quartet with CSO/CCM Diversity Fellow Cristian J. Diaz, viola
W. A. MOZART: String Quintet in G. Minor No. 4, K. 516 (1787), IV. Adagio-Allegro


Electronic Media
Documentary: The Making of “Hope After Hate”
Hagit Limor, executive producer
Featuring students and alumni Carlee Coulehan, Nicole Fishburn, Kela Parker, Skylar Heizer, Jonathan Kilberg, Ed Kohls, Jason Obergefell, Ethan Qureshi, Dillon Trafzer, Gianna Vitali, Madison White, Thomas Zins and Michael Stanwick
Special thanks to Michael Benedic and Eric Dietrich


CCM Acting
“We Dare to Dream”
Richard Hess, producer
Original music composed and performed by Colin Edgar
Text: Nobody Knows My Name (James Baldwin) and He Wishes for the Cloths of Heaven (W.B. Yeats)
Featuring alumni Torie Wiggins (BFA, ’03), Aaron Serotsky (BFA, ’97), Sarah Ellen Stephens (BFA, ’08), Jabari Carter (BFA, ’20),  Jaclyn Chantél (BFA, ’14),  Blake Kubena (BFA, ’07),  Ellyn Jameson (BFA, ’13), Brandon Jones (BFA, ’03),  Diana Maria Riva (BFA, ’91; MFA, ’95) and Dominic Bogart (BFA, ’00)


CCM Piano
Featuring student Jiajun (David) Lai, piano
J.S. BACH: Italian Concerto in F Major, BWV 971 – I


CCM Philharmonia
Mark Gibson, conductor
Featuring student artist Brittany Logan, soprano
GUSTAVE CHARPENTIER: “Depuis le jour” from Louise (1900)


CCM Jazz Orchestra
Featuring student artists Maya Threat, vocals; Ricky Roshell, tenor saxophone; Myles Twitty, trumpet; Anthony Bryson, trombone; Chris Caporale, piano; Mason Daugherty, bass; Derek Johnson, drums
ABEL MEEROPOL: “Strange Fruit” arranged by Myles Twitty


CCM Musical Theatre
Eric Santagata, editor and producer
Featuring the Musical Theatre Class of 2022 and alumni guest artists John Riddle (BFA, ’12), Stephanie Jae Park (BFA, ’14), Leslie Kritzer (BFA. ’99), Noah J. Ricketts (BFA, ’14) and Nikki Renée Daniels (BFA, ’01)
STEPHEN SONDHEIM: “No One is Alone” from Into the Woods, arranged by Julie Spangler


Silent Auction

Guests will pre-register for access to the silent auction through the Moveable Feast event website. The auction officially opened on January 15 and closes at 11:59 p.m. EST on January 25.

There are over 50 items to peruse and bid on, ranging from “buy it now” experiences including:

  • A special serenade from CCM students and accompanying gift certificate to Graeter’s Ice Cream to make a birthday or anniversary memorable
  • An evening with CCM alumnus Aaron Lazar (star of Fox’s Filthy Rich)
  • A visit to a Warner Bros. Sound Stage to witness a recording for a popular primetime television show episode
  • A private coaching by Aubrey Berg and Patricia Linhart for an aspiring CCM Musical Theatre student.
  • And more!

There are also many items for those who also love the visual and sculptural arts including pieces from local artist Bill Feinberg, a football signed by Bengals head coach Zac Taylor and a special Zoom experience with Reds Legend Johnny Bench.

Purchasing Tickets

Tickets to Moveable Feast are on sale now and can be purchased online at foundation.uc.edu/MoveableFeast2021 or over the telephone at 513-556-2100.

General Admission and Young Professional tickets cost $25 each; CCM Alumni tickets cost $15.

After purchasing tickets, audience members will receive registration information on how to access the event website. If you don’t live in the Eastern Standard Time zone or simply want to watch Moveable Feast at a different time, the performances will be accessible at your convenience on the event website with your login information.

Sponsorship and host levels range from $150-$10,000. To discuss benefit details or sponsorship opportunities, please contact Libby Coletta, Assistant Director of Development, at 513-556-2100 or olivia.coletta@uc.edu.

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CCM’s Moveable Feast makes virtual debut on Jan. 22, 2021

Enjoy the artistry of CCM students and prominent alumni — all from the comfort of your own home during the college’s virtual fundraising event. Tickets are on sale now.

Cincinnati’s premier arts fundraiser gets a virtual makeover when CCM presents Moveable Feast online on Jan. 22, 2021. Join us as we travel around the country to see firsthand how CCM sets the bar in the arts world.

Enjoy an evening with the CCM family, despite the miles or the social distance that may separate us. Audiences from coast to coast can experience CCM’s student and alumni stars in a variety of online performances that showcase the full spectrum of the performing and media arts.

Alumni guest artists include stars from popular titles of the stage and screen like Hamilton, Frozen, Amazon’s The Marvelous Mrs. Maisel, Netflix’s Dead to Me and more! Featuring CCM Musical Theatre alumni Nikki Renée Daniels (BFA, ‘01), Noah J. Ricketts (BFA, ’14) and Stephanie Jae Park (BFA, ’14); Opera alumnus Edward Nelson (BM, ’11; MM, ‘13); and Acting alumni Diana Maria Riva (BFA, ’91; MFA, ’95), Aaron Serotsky (BFA, ’97), Torie Wiggins (BFA, ’03), Blake Kubena (BFA, ’07) and more. Moveable Feast offerings feature performances by the college’s Wind Symphony, Philharmonia and Jazz Ensemble, and by students in CCM’s Musical Theatre, Dance and Piano programs. The program also showcases video pieces by CCM Media Production and Theatre Design and Production students. The full lineup of alumni guest artists and program details will be announced in the coming weeks!

In addition to the performances, Moveable Feast’s virtual debut features a silent auction, private VIP chat rooms and dinner at home from Jeff Thomas Catering for Cincinnati audiences.

Hosted by CCMpower — a dedicated volunteer group comprised of friends, advocates and alumni — Moveable Feast generates essential support to fund student scholarships, projects and travel opportunities. These unique educational offerings are essential to the CCM experience and provide creative opportunities for students that are vital to their growth as creators and collaborators. This year, COVID-19 cancelled paid work that students rely on and drastically changed students’ family financial circumstances. Our students need scholarship and emergency funds now more than ever. Your support will set the stage for our students to be and to create what is next in the arts. Learn how to become a sponsor of Moveable Feast.

Virtual Moveable Feast: From Coast to Coast

8 p.m. Jan. 22, 2021

Schedule of events:

  • Sponsor pre-show chat: 6:30-7:45 p.m.
  • Performances: 8-9 p.m.

Purchasing Tickets

Tickets to Moveable Feast are on sale now and can be purchased online at foundation.uc.edu/MoveableFeast2021 or over the telephone at 513-556-2100.

General Admission and Young Professional tickets cost $25; CCM Alumni tickets cost $15.

After purchasing tickets, audience members will receive registration information on how to access the event website. If you don’t live in the Eastern Standard Time zone or simply want to watch Moveable Feast at a different time, the performances will be accessible at your convenience on the event website with your login information.

Sponsorship and host levels range from $150-$10,000. To discuss benefit details or sponsorship opportunities, please contact Libby Coletta, Assistant Director of Development, at 513-556-2100 or olivia.coletta@uc.edu.

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Students in the CCM Philharmonia perform in a still image from the first installment of CCMONSTAGE Online. Photo/MasseyGreenAVP.

Watch a preview of CCM’s new digital performance series

CCM’s ‘stars of tomorrow’ are back on stage, and you get the best seats in the house

The show goes on with CCMONSTAGE Online beginning Dec. 11!

Enjoy excerpts from the first four episodes of CCM’s new digital performance series in our official teaser trailer:

Click here to view from email.

CCMONSTAGE Online is a dynamic new series of digital concerts and performing arts presentations showcasing the unparalleled artistry and expertise of CCM’s students, faculty and staff. Each episode can be digitally streamed for free. After the premiere broadcast, each installment in this ongoing series will remain available for on-demand viewing on CCM’s website and YouTube channel.

Learn more about the series.

Save the date for our series premiere at 7:30 p.m. EST on Friday, Dec. 11, 2020. Additional episodes will be released throughout 2021!

Video production by MasseyGreenAVP, LLC. This digital performance series is made possible by support from CCMONSTAGE Online Broadcast Sponsors CCMpower and ArtsWave, and CCMONSTAGE Online Production Sponsors Dr. & Mrs. Carl G. Fischer.


About The Premiere Episode

Watch the CCM Philharmonia perform a program of “Classical Virtuosity” with works by Claude Debussy/Maurice Ravel, Ottorino Respighi, Julia Perry and Wolfgang Amadeus Mozart during the premiere episode of CCMONSTAGE Online.

Download the program.

Under the direction of Professor Mark Gibson, the CCM Philharmonia is CCM’s premier orchestral ensemble and is recognized as one of the world’s elite conservatory orchestras. The CCM Philharmonia has risen to world prominence through the quality of its performances, recordings, and its national and international tours.


A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music offers nearly 120 possible majors, along with a wide variety of pre-collegiate and post-graduate programs.

The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

For more information, please visit us online at ccm.uc.edu.


Featured image at top: students in the CCM Philharmonia perform in a still image from the first installment of CCMONSTAGE Online. Photo/MasseyGreenAVP

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Program Spotlight: CCM Classical Guitar

Declared “one of this country’s leading conservatories” by the New York Times, CCM provides first-rate Bachelor of Music and Master of Music programs in Classical Guitar. Applications are open to join CCM’s fall 2021 class; apply by December 1.

Study is strongly performance-based and the cornerstone of the program is private lessons with faculty, who serve as mentors for students and direct their individual musical, performing and teaching growth.

Classical Guitar curriculum emphasizes the development of the well-rounded, holistic musician by providing a solid background in music history and theory as well as areas specific to each musical medium. Undergraduate students enjoy a close collaboration with the University of Cincinnati through a general education core that supplements their education with academic course work while graduate students specialize more precisely in their chosen field.

“In the CCM guitar program we never neglect the past, but we can’t afford to pretend we don’t live in the present,” says Chris Wilke, director of CCM Classical Guitar. “Our ultimate goal is to prepare true musicians for a professional career in the 21st century.”

All incoming students in 2021-22 will receive an iPad, which will be equipped for audio-visual work to help students gain digital career skills crucial for 21st-century musicians.

Program highlights include:

  • Free iPad to all incoming 2021-22 classical guitar students
  • Generous scholarships available for promising students
  • Chamber music and networking opportunities
  • Opportunities to explore historical plucked instruments and broaden skill sets
  • 21st-century digital career integration

Applications and Additional Information

CCM is now accepting applications for fall 2021. The application deadline is December 1. Learn more at ccm.uc.edu/admissions.

Learn more about the CCM Classical Guitar program.

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CCM Village at night

CCMONSTAGE Online: Stay connected with the latest news from the college

Although we are still unable to perform for you live, you can continue to experience the artistry and expertise of our students, alumni, faculty and staff through our CCMONSTAGE Online e-newsletter. Our latest edition features performance videos, stories and other resources designed to help us stay connected even when we have to temporarily stay apart.

Sign up to receive CCM’s e-newsletter at ccm.uc.edu/subscribe.

Get the latest news from CCM:

CCMONSTAGE: Watch the CCM Philharmonia’s Sept. 12 performance

The virtual concert also features mezzo-soprano and CCM Professor Quinn Patrick Ankrum. Read more


CCM alumni in Tony Award-nominated productions

Watch Aaron Tveit and CCM alumna Karen Olivo sing “Come What May” from Moulin Rouge! musical. Read more.


CCM shares Spring 2021 registration details

Last week, CCM Associate Dean for Academic Affairs Stephanie P. Schlagel provided information on spring course registration and CCM’s online accommodation resources. Read more.


CCM piano professor featured in upcoming streamed performances

Awadagin Pratt will perform as a soloist with three symphony orchestras in the next two months. Read more.


Dada Rafiki honors CCM staff member for community engagement work

Anne Cushing-Reid has supported arts education in Greater Cincinnati for more than 25 years. Read more.


Students take spotlight in UC commercial

Meet the Bearcats behind the university’s latest TV spot, “Push Forward.” Read more.

 


Arts Engines: CSO/CCM Diversity Fellow graduate speaks to the power of music

Aaron Dworkin interviews alumnus Ian Saunders about his experience in the program and his career. Read more.


Classical Singer Magazine: CCM alumna harnesses girl power on the operatic stage

CCM Stage director Jennifer Williams discusses how to create empowered portrayals of women in opera. Read more.


Additional Resources

Bridging the divide

Meet the women tackling tough conversations about race at UC. Read more.

 


UC Answers: How can mindfulness help us cope?

UC Center for Integrative Health and Wellness Director Sian Cotton, expert in mindfulness and its benefits, offers advice to the UC community. Read more.


UC’s Center for Integrative Health and Wellness

The University of Cincinnati’s Center for Integrative Health and Wellness is providing information and resources to promote wellness. Learn more about the center’s wellness tips during times of stress and consider signing up for their email newsletter.


FAQs and Online Resources

Please continue to refer to CCM’s coronavirus resource website to help answer your frequently asked questions. This website is updated as new information develops, so please check back often.
For more information about the University of Cincinnati’s response to COVID-19, please visit uc.edu/publichealth.

Sign up to receive CCM’s bi-weekly e-newsletter at ccm.uc.edu/subscribe.
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CCM Village at night

CCM’s Music Theory and Musicology Society hosts student conference Sept. 11-12, 2020

CCM Village at night

The conference is designed to engage UC and non-UC students in the broad field of music scholarship

The Music Theory and Musicology Society (MTMS) at the University of Cincinnati College-Conservatory of Music (CCM) hosts its eighth biennial student conference on Sept. 11 and 12, 2020 (rescheduled from April 3-4). Entitled “Conversations in Music,” the conference is designed to engage both UC students and students from other institutions in the broad field of music scholarship.

The conference features keynote speakers Daniel Goldmark (Case Western Reserve University) and Jennifer Beavers (University of Texas at San Antonio). It will be held in conjunction with the long-running Joseph and Frances Jones Poetker Thinking About Music Lecture Series at CCM.

The conference will include pre-recorded video presentations and live interactive sessions held virtually via Zoom. Please fill out the registration form below to receive emails with further information and links to access the presentation videos and Zoom platform.

Please note that the times listed in the schedule are in Eastern time zone.

Schedule

Friday, Sept. 11

2 p.m.

PIXAR’S MEMORIES: CONTEMPORARY CARTOON MUSIC SPEAKS TO THE PAST
Daniel Goldmark, Case Western Reserve University

The ever-increasing popularity of Hollywood animation, driven in part by the dominance of Pixar, has come about not just through technological advances or the breaking down of decades-old biases about cartoons being just for kids, but also through the emotionally nuanced storytelling deployed recently by studios. While practically all of Pixar’s features are overrun with issues of nostalgia, their more recent films—Inside OutFinding DoryCars 3Incredibles 2Toy Story 4—do more than simply revel in the remembrance of times past (real or imagined): they also explore the creation of memory and the reasons why memories fade or endure. Sound and music have played key roles in the recollections and impressions of all these films. In this presentation, I look at trends in scoring and sound design in animation to show how the melodies of childhood—and adulthood—are being used to drive the stories of recent Hollywood animated features—and how these stories revolve around how our notions of the past speak to the present and guide our future.


4:30 p.m.

MEET-AND-GREET “RECEPTION”


5:30 p.m.

PRESENTER Q&A SESSION


Saturday, Sept. 12

8-9:30 a.m.

CONFERENCE WORKSHOP
This year’s conference will include a workshop led by ethnomusicologist and CCM faculty member Scott Linford, PhD, inviting conference participants to engage in an interactive discussion focused on the application of sound studies in the areas of musicology, music theory and ethnomusicology.


10 a.m.-2 p.m.

PRESENTER Q&A SESSIONS


2 p.m.

The Music Theory and Musicology Society Conference Keynote
RAVEL’S SONIC ILLUSIONS
Jennifer Beavers, University of Texas at San Antonio
Ravel’s interwar compositions and transcriptions reveal a sophisticated engagement with timbre and orchestration. Of interest, is the way he uses timbre to connect and conceal passages in his music. In this talk, I look at the way he manipulates instrumental timbre to create sonic illusions that transform expectations, mark the form, and create meaning. I examine how he uses instrumental groupings to create distinct or blended auditory events. Using a sound-based analytical approach, I develop these descriptions of timbre and auditory scenes to interpret ways in which different timbre-spaces function. Through techniques such as timbral transformations, magical effects, and timbre and contour fusion, I examine the ways in which Ravel conjures sound objects in his music that are imaginary, transformative or illusory.


Conference Registration

Register for the conference by filling out an online form.

CCM’s Music Theory and Musicology Society engages all interested members of the UC community to discuss issues relating to music theory and musicology. The MTMS regularly maintains forums for the purpose of discussing theoretical, historical and cultural topics in music. Past MTMS Conference programs are available online.

Please e­mail all inquiries to MTMS Executive Board Members Rebecca Schreiber, Jacy Pedersen, Hannah Blanchette and Kabelo Chirwa at ccm.mtms@gmail.com.

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