Guest Conductor and Alum Leslie B. Dunner Joins CCM Orchestras in Halloween Concert

The CCM Philharmonia and Chamber Orchestra present “CSI Halloween: Post Mortem” at 7:30 p.m. on Friday, Nov. 1. Tickets available through the CCM Box Office.

The CCM Philharmonia and Chamber Orchestra continue the CCMONSTAGE Orchestra Series with a Halloween-inspired performance at 7:30 p.m. on Friday, Nov. 1 in Corbett Auditorium. Featuring guest conductor and distinguished alumnus Leslie B. Dunner as the “chief medical examiner,” CSI Halloween Post-Mortem resurrects well-known works by Franz Liszt, Benjamin Britten and Camille Saint-Saëns.

The ghostly performance features Liszt’s Totentanz (Dance of Death), which was inspired by the composer’s fascination with death and by his visits to the Paris gallows. The concert also includes Saint-Saëns’ Carnival of the “Dead” Animals, featuring 14 ravenous movements such as “Death March of the Lion” and “Torture-oises.” For the grand finale, Britten’s “Dead” Person’s Guide to the Orchestra “dissects” the different sections of the orchestra.

CCM welcomes back alumnus Leslie B. Dunner (DMA, ’82) for the November 1 concert. An award-winning conductor with a glowing international reputation, Dunner is the Music Director of the South Shore Opera Company in Chicago and serves as the conductor of the Interlochen Arts Academy Orchestra, the World Youth Symphony Orchestra and the Interlochen Arts Camp. Read more about Dunner’s accomplishments below.

View all upcoming CCMONSTAGE Orchestra Series performances at ccmonstage.universitytickets.com.

About Leslie B. Dunner
Leslie B. Dunner serves as the conductor of the Interlochen Arts Academy Orchestra, the World Youth Symphony Orchestra and the Interlochen Arts Camp. He has been Music Director of the South Shore Opera Company in Chicago since 2014. He has also served as Music Director of the Joffrey Ballet and the symphony orchestras of Annapolis, Dearborn and Nova Scotia. He spent 11 seasons at the Detroit Symphony Orchestra (DSO), first as Resident, then Associate and finally as Assistant Conductor, while serving concurrently as Music Director of the DSO’s youth orchestra, the Detroit Symphony Civic Orchestra. Besides holding principal conducting positions at the Dance Theatre of Harlem, Harlem Festival Orchestra and Louisville Ballet, he undertook a season as Interim Music Director of the Orquesta Filarmónica de Jalisco in Guadalajara, Mexico.

Dunner’s guest engagements with major orchestras throughout the world include two years with the Chicago Symphony and five as Cover Conductor of the New York Philharmonic, where he assisted during a four-week European tour. He has appeared with such distinguished ensembles as the Atlanta Symphony, Baltimore Symphony, Cleveland Orchestra, Dallas Symphony, Minnesota Orchestra, Philadelphia Orchestra, San Francisco Symphony and Seattle Symphony, as well as orchestras in Canada, Mexico, Spain, Italy, Portugal, Ukraine, Russia and South Africa. An avid ballet conductor, Dunner has taken the podiums of the American Ballet Theater, New York City Ballet, Michigan Opera Theatre, Royal Ballet at Covent Garden, Birmingham Royal Ballet and South African Ballet Theatre, among others.

In addition to his professional conducting work, Dunner is a dedicated music educator. He began his career in music education as Assistant Professor at Minnesota’s Carleton College and has continued to lead youth orchestras throughout his career. The first American prize-winner in the Arturo Toscanini International Conducting Competition, he is also a recipient of the Leonard Bernstein American Conductors Award and the NAACP’s James Weldon Johnson and Distinguished Achievement Awards.

Dunner holds a Bachelor’s degree in clarinet performance from the Eastman School of Music at the University of Rochester, a Master’s in music theory and musicology from Queens College at the City University of New York, and a Doctor of Musical Arts in orchestral conducting from CCM.

CSI Halloween: Post-Mortem

CCM Philharmonia and Chamber Orchestra
Mark Gibson, music director
Featuring guest artist Leslie B. Dunner, guest conductor and chief medical examiner

LISZT: Totentanz
SAINT-SAËNS: Carnival of the “Dead” Animals
BRITTEN: “Dead” Person’s Guide to the Orchestra

7:30 p.m. Friday, Nov. 1
Corbett Auditorium

Purchasing Tickets

Single ticket prices start at $20 each; student and group discounts available. Pricing is inclusive of all fees. All performances are reserved seating.

Tickets can be purchased online though our e-box office, over the phone at 513-556-4183 or in person at the CCM Box Office in the Atrium of UC’s Corbett Center for the Performing Arts.

Learn about additional ticket options for current CCM students.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in the CCM Garage (located at the end of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit the UC Parking Services website for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


Story by CCM Graduate Student Kelly Barefield

Featured image: The Dance of Death (Totentanz) from Liber Chronicarum [Nuremberg Chronicle], 1493, attr. to Michael Wolgemut

CCM News CCMONSTAGE Faculty Fanfare Student Salutes

CCM’s Wind Orchestra Performs The Works of French Composers

CCM's Wind Orchestra. Photography by Dottie Stover.

CCM’s Wind Orchestra. Photography by Dottie Stover.

The CCM Wind Orchestra concludes 2013 with a spectacular performance of French wind classics at 8 p.m. on Wednesday, Dec. 4, in Corbett Auditorium.

Director of Wind Studies Glenn D. Price wields the baton as conductor and music director of the prestigious CCM Wind Orchestra, treating the audience to the spectacular composition “Suite Française” by Darius Milhaud, an early 19th century French composer and teacher. Milhaud’s “suite” takes the listener on a daring audible journey through the French countryside beginning on the west coast and moving through France, telling the tale of each region. Audiences will be delighted as the orchestra touches on themes from the beloved Normandie, Bretagne, Ile-de-France, Alsace-Lorraine and Provence regions.

The Wind Orchestra also presents an intriguing composition by Charles-Camille Saint-Saëns, one of France’s most renowned composers. “Occident et Orient” will once again take the audience on a musical journey, crossing cultures from west to east. The piece begins with a rousing march, then transitions into an homage to Turkish janissary music before returning to western themes for its exhilarating finale. Saint-Saëns is also known for his compositions “Carnival of the Animals,” the opera “Samson and Delilah,” “Danse Macabre” and the “Organ Symphony.”

The Wind Orchestra will also perform “Children’s Overture,” a gem by early 20th century French composer Eugene Joseph Bozza. Audiences will be enchanted by Bozza’s elegant, lyrical style.

“Dionysiasques” is a spirited composition by Florent Schmitt inspired by Dionysis, Greek god of the grape harvest, wine and madness. This composition describes a raucous evening festival held in Dionysis’ honor. It begins with the slower party preparations and evolves into a march as the fête kicks into high gear. The music becomes more and more hectic until the final jubilant climax. Schmitt’s other works include “La tragédie de Salome” and “Psalm 47.”

“Pantomime,” one of Pierre Mercure’s first compositions, was completed in 1948. During this time period, Canada, Mercure’s homeland, was going through a national identity shift. This has sparked a debate as to whether “Pantomime” is a nationalistic piece or whether it expresses the influences of the budding surrealist movement. Despite the debate surrounding Mercure’s intentions, “Pantomime” is a lyrical and dramatic piece. It reflects the influences of the French masters, while retaining its own personality and sense of joy. Audiences will happily follow the story of “Pantomime” which depicts a sleeping figure waking, playing gleefully and returning to a resting state.

Performance Times
8 p.m. Wednesday, Dec. 4

Location

Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to the “The French Revolution” are $12 for general admission, $6 for non-UC students and FREE for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

____

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM News