CCM's renowned Philharmonia Orchestra.

CCM Philharmonia Begins Exciting Trek Through the ‘Great Decade’ This Friday, Sept. 4

The acclaimed CCM Philharmonia begins its 2015­–16 season at 8 p.m. on Friday, Sept. 4, with a performance that will inaugurate the orchestra’s adventure through what CCM Professor Mark Gibson has dubbed the “Great Decade.”

CCM's 2015-16 Orchestra Series.The period in question – ranging from 1900 through 1909 – is noteworthy due to the explosion of cutting edge compositional techniques and modernist composers that would completely reshape the musical landscape.

In place of the homogeny that defined previous eras such as the Classical and Romantic periods, art music at the dawn of the 20th century saw the emergence of composers with very distinct, individual voices, as well as established composers evolving in new, creative ways.

“This particular period of time may be the outstanding symphonic decade in all of western classical music,” explains Gibson, the head of CCM’s Department of Orchestral Studies and music director for the CCM Philharmonia. “From an orchestral standpoint, CCM has never had a more exciting season.”

The CCM Philharmonia’s season-opening concert on Friday, Sept. 4, focuses on composers from Russia and Austria, giving the audience a taste of these new tracts in classical music.

Igor Stravinsky, often considered the father of both Primitivism (The Rite of Spring) and Neoclassicism (Pulcinella), is represented with one of his earliest works: the orchestral suite Fireworks.

Arnold Schoenberg is also showcased with his Five Orchestral Pieces, a highly chromatic work that can be seen as a gateway into his revolutionary work with atonality (Pierrot Lunaire) and 12-tone technique (Variations for Orchestra).

Finally, the concert ends with the rich orchestral colors of famed pianist/composer Sergei Rachmaninoff’s Symphony No. 2 in E Minor, Op. 28, a work that represents the transition from the previous Romantic era to a new and different world.

This special concert event also opens with an added treat: cellists from the Cincinnati Young Artists (CYA) program will join the CCM Philharmonia in a special version of “The Star-Spangled Banner” arranged by Distinguished Teaching Professor of Music Theory and Composition Miguel Roig-Francolí. The arrangement, written for 50 cellos, represents the 50 states.

This same rendition of the national anthem will also be performed the following evening (7 p.m. Saturday, Sept. 5), as UC President Santa J. Ono joins musicians from both CCM and the CYA on cello to perform the work at the inauguration of the newly renovated Nippert Stadium prior to the Bearcats’ football home opener against Alabama A&M. You can learn more about this performance by visiting uc.edu/news/NR.aspx?id=22149.

The CCM Philharmonia’s Sept. 4 performance gives a small glimpse of what is to come during this season’s celebration of the “Great Decade.” Learn more about this four-concert adventure below!
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THE GREAT DECADE (1900–1909): A SEASON OF EXPLORATION

8 p.m. Friday, Sept. 4
WORKS FROM RUSSIA AND AUSTRIA
CCM Philharmonia
Mark Gibson, music director and conductor
STRAVINSKY: Fireworks
SCHOENBERG: Five Orchestral Pieces
RACHMANINOFF: Symphony No. 2 in E Minor, Op. 28

Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.

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8 p.m. Friday, Oct. 2
WORKS FROM ITALY AND ENGLAND
CCM Philharmonia
Mark Gibson, music director and conductor
RAVEL: Alborada del Grazioso
PUCCINI: Duetto: “Bimba, bimba non piangere” (from Madama Butterfly)
ELGAR: Symphony No. 1 in A-flat Major, Op. 55
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.

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8 p.m. Friday, Nov. 20
MAHLER’S SYMPHONY NO. 7
CCM Philharmonia
Mark Gibson, music director
Ulrich Nicolai, guest conductor
MOZART: Piano concerto TBA
Feat. the winner of the CCM Piano Concerto Competition
MAHLER: Symphony No. 7
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.

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8 p.m. Friday, Jan. 29
RICHARD STRAUSS’ SALOME
CCM Philharmonia
Featuring faculty artists Amy Johnson, Kenneth Shaw and Tom Baresel, along with several student soloists
Mark Gibson, music director and conductor
Robin Guarino, stage director
The capstone of CCM’s festival celebrating the “Great Decade,” Richard Strauss’ 1905 masterpiece Salome represents the epitome of pre-World War I decadence, opulence and extravagance. An adaptation of Oscar Wilde’s controversial stage work of the same name, this staging is an hour and a half of irresistible drama and ecstatic hyper-romanticism. It is a must see for opera fans, theatre enthusiasts and lovers of massive orchestral sound.
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.

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Purchasing Tickets
Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office!

Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

Orchestral Sponsor: Mr. & Mrs. Joseph W. Hirschhorn
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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
Through this new Diversity Fellowship Program, students will get to perform with the CSO while completing a graduate degree at CCM.

Cincinnati Symphony Orchestra and University of Cincinnati College-Conservatory of Music Awarded $900,000 by The Andrew W. Mellon Foundation

The Cincinnati Symphony Orchestra (CSO) and University of Cincinnati College-Conservatory of Music (CCM) are honored to announce the two institutions are the combined recipient of a $900,000 grant from The Andrew W. Mellon Foundation. This grant will be used to pilot a groundbreaking collaborative fellowship program aimed at developing young, graduate-level musicians from underrepresented populations and preparing them for the professional orchestra world.

The CSO/CCM Diversity Fellowship Program responds to a need among American orchestras and professional music conservatories, which face issues of underrepresentation, and is driven by the mutual desire of the CSO and CCM to foster a more inclusive environment in the orchestral industry. Selected graduate school Fellows from underrepresented populations will participate in a specialized two-year program that is already garnering attention among leaders throughout the music world. This educational opportunity will consist of frequent performances with the CSO, focused mentorship by professional CSO musicians, and simultaneous enrollment in a master’s or artist diploma degree program at CCM where fellows will be guided by CCM’s illustrious faculty.

Learn more at Cincinnati.com.

Learn more at Cincinnati.com.

“We looked at the data and saw that only four percent of American orchestra musicians were African-American or Latino, a figure that is also reflected in conservatory settings,” said Trey Devey, CSO President. “The CSO and CCM felt it essential to address this issue head-on and provide life-changing experiences within a highly creative and multidisciplinary artistic environment for graduate-level musicians across the country.”

“There are many fine programs designed to address underrepresentation in our industry, but none of those experiences include both a major American symphony orchestra and a major conservatory. Together, CCM and the CSO will provide unparalleled experiential learning opportunities for young musicians on the verge of a professional career,” said CCM Dean Peter Landgren.

“CCM and the CSO are perfectly positioned for this initiative. Our organizations’ recent partnership with the Cincinnati World Piano Competition, our joint Conducting Fellowship, as well as the large number of CSO musicians who are CCM alumni and serve as CCM faculty, speak to the deep connections between our two institutions. As the birthplace of cooperative education, the University of Cincinnati also serves as the perfect backdrop for this new approach to professional mentorship for musicians,” said Mr. Landgren.

CCM's Concert Orchestra, performing at the annual Moveable Feast gala event.

CCM’s Concert Orchestra, performing at the annual Moveable Feast gala event.

How the Fellowship Works
The four-year pilot program, as funded by The Andrew W. Mellon Foundation, will graduate two classes of up to five Fellows each through June 2019. Fellows will consist of graduate level string musicians who are simultaneously enrolled in CCM’s master’s or artist diploma degree programs. Each class of Fellows will include up to two violins, and one each of viola, cello and double bass. They will perform five weeks per season with the CSO in a progressive sequence of concert weeks based on program difficulty, with one week focused on community engagement and educational activities.

These Fellows will be provided with a unique support system built on intensive professional mentorship. In addition to the community formed with other Fellows, they will receive focused mentorship by CSO musicians, which includes advance coaching sessions prior to a rehearsal cycle, ongoing stand partner coaching throughout rehearsal weeks and post-performance feedback. There will also be structured time for non-performance related mentorship such as career counseling and audition preparation.

Additionally, Fellows will receive a CCM Fellowship Stipend and one time Graduate Dean’s Excellence Award, with opportunities for additional performing and non-performing community engagement activities through CCM, eight career development seminars including mock auditions and full tuition scholarships.

Application procedures and deadlines will be announced at a later date.

The Anticipated Impact
It is anticipated this new fellowship opportunity will attract talented young musicians from throughout the nation.

“I think I speak for all the musicians of the CSO, and particularly those of us who will be deeply involved in mentoring, that in seeking to identify and prepare more underrepresented musicians for orchestral auditions, we will be helping make American orchestras richer,” said Stacey Woolley, CSO violinist. “There is such a varied career path available to musicians in every facet of professional music, and fostering this awareness with the next generation will continue to serve orchestras and communities for decades to come.”

An alumnus of CCM, Landgren has a first-hand understanding of the life changing opportunities this new initiative will provide. “As a student at CCM, I had the rare privilege of performing as an extra musician with the CSO. That transformative learning experience led to my 29-year career as a musician with the Baltimore Symphony Orchestra,” he explained. “When I returned to CCM as the Dean, developing a program to provide similar opportunities for tomorrow’s professional musicians became a driving priority.”

Both the CSO and CCM extend sincere gratitude to The Andrew W. Mellon Foundation for its extraordinary impact in making this Diversity Fellowship Program a reality.

“Without the extraordinary support from The Andrew W. Mellon Foundation, this groundbreaking new fellowship program simply wouldn’t be possible,” said Mr. Devey. “It advances the Orchestra’s already strong and award winning commitment to more inclusiveness, a goal we share with the community we serve.”

“This generous gift from The Andrew W. Mellon Foundation will enhance the already world-class UC College-Conservatory of Music and Cincinnati Symphony Orchestra by enabling a unique partnership between two great Cincinnati institutions,” said UC Foundation President Rodney Grabowski. “The collaboration is a great example of the university’s commitment to inclusion initiatives, focus on the cooperative education and dedication to the performing arts.”

For more information about about this historic announcement, check out Janelle Gelfand’s coverage on Cincinnati.com today and be sure to pick up the Sunday, July 19, edition of the Cincinnati Enquirer for the full story!

CCM News
From left to right: Alexandra Kazovsky, Jan Grüning, Amit Even-Tov and Gershon Gerchikov are the Ariel Quartet.

The Ariel Quartet’s 2014-15 CCM Concert Series Comes to a Stunning Conclusion on March 31

CCM’s internationally-acclaimed string quartet-in-residence the Ariel Quartet concludes its 2014–15 concert series at 8 p.m. on Tuesday, March 31, in Corbett Auditorium.

The program will include Joseph Haydn’s String Quartet in B-flat Major, Op. 76, No. 4, Béla Bartók’s String Quartet No. 5, Sz. 102 and Johannes Brahms’ String Quartet No. 3 in B-flat Major. Tickets for this performance are on sale now.

From left to right: Amit Even-Tov, Jan Grüning, Alexandra Kazovsky and Gershon Gerchikov are the Ariel Quartet. Photography by Saverio Truglia.

From left to right: Amit Even-Tov, Jan Grüning, Alexandra Kazovsky and Gershon Gerchikov are the Ariel Quartet. Photography by Saverio Truglia.

Last season, the Quartet performed its first complete Beethoven Cycle in Corbett Auditorium, a feat that the Cincinnati Enquirer‘s Janelle Gelfand characterized as “a challenge like climbing Mount Everest, and you could only marvel at their musicianship each step of the way.” You can watch excerpts from last season’s concert series by visiting www.arielquartet.com/video.

“The Cycle” proved so popular that the Ariel Quartet was invited to perform another complete cycle of Beethoven’s string quartets for New York City audiences at the SubCulture music venue on Bleeker Street.

The Ariel Quartet is comprised of Alexandra Kazovsky, violin; Amit Even-Tov, cello; Gershon Gerchikov, violin; and Jan Grüning, viola. The Quartet was formed in Israel 16 years ago when its members were young students, and they have been playing together ever since. Recently awarded the prestigious Cleveland Quartet Award, the Quartet serves as the string quartet-in-residence at CCM where they direct the chamber music program and perform their own annual series of concerts.

This concert will be dedicated to the loving memory of businessman and philanthropist William A. Friedlander. The Friedlanders’ generosity has helped to make the Ariel Quartet’s residency at CCM possible.

Below, watch the Ariel Quartet perform Haydn’s Quartet in E-flat Major, Op. 33, No. 2, “Joke,” at the 2012 Vermont Summer Music Festival:

Performance Time
8 p.m. Tuesday, March 31

Location

Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets are $20 for general admission, $15 for non-UC students and FREE for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office!

Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Ariel Quartet’s 2014–15 CCM concert series is made possible by the generous contributions of The Corbett Foundation, Dr. & Mrs. Randolph L. Wadsworth, Mr. & Mrs. William A. Friedlander, Mr. & Mrs. Harry H. Santen, Mr. & Mrs. Thomas E. Stegman and Dianne & J. David Rosenberg.

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From left to right: Alexandra Kazovsky, Jan Grüning, Amit Even-Tov and Gershon Gerchikov are the Ariel Quartet.

The Ariel Quartet’s CCM Concert Series Continues on Jan. 27

The internationally acclaimed Ariel Quartet continues its concert series at CCM on Tuesday, Jan. 27, with a performance featuring works by Schubert, Stravinsky and Schulhoff. Tickets for this performance are on sale now.

The Ariel Quartet is comprised of Alexandra Kazovsky, violin; Amit Even-Tov, cello; Gershon Gerchikov, violin; and Jan Grüning, viola. The Quartet was formed in Israel 16 years ago when its members were young students, and they have been playing together ever since. Recently awarded the prestigious Cleveland Quartet Award, the Quartet serves as the string quartet-in-residence at CCM, where they direct the chamber music program and perform their own annual series of concerts – a remarkable achievement for an ensemble so young.

Last season, the Quartet performed its first complete Beethoven Cycle at CCM, a feat that the Cincinnati Enquirer‘s Janelle Gelfand characterized as “a challenge like climbing Mount Everest, and you could only marvel at their musicianship each step of the way.” You can watch excerpts from last season’s concert series by visiting www.arielquartet.com/video.

“The Cycle” proved so popular that the Ariel Quartet was invited to perform another complete cycle of Beethoven’s string quartets for New York City audiences at the SubCulture music venue on Bleeker Street.

Last month, the Wall Street Journal‘s Barrymore Laurence Scherer praised the Quartet members for their “vigorous aplomb” and their “palpable joie de vivre born of understanding and affection for the works channeled through their own consummate musicianship.”

Repertoire
SCHULHOFF: Divertimento for String Quartet, Op. 14
STRAVINSKY: Three Pieces for String Quartet
SCHUBERT: String Quartet in G Major, D. 887

Performance Time
8 p.m. Tuesday, Jan. 27

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets are $20 for general admission, $15 for non-UC students and FREE for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

The Ariel Quartet’s 2014-15 CCM concert series is made possible by the generous contributions of The Corbett Foundation, Dr. & Mrs. Randolph L. Wadsworth, Mr. & Mrs. William A. Friedlander, Mr. & Mrs. Harry H. Santen, Mr. & Mrs. Thomas E. Stegman and Mr. & Mrs. J. David Rosenberg.

CCM News Faculty Fanfare
CCM alumnus Carmine Miranda. Photography by Cody Vickers.

CCM Alumnus Carmine Miranda Releases New Album to Rave Reviews

Album cover for Carmine Miranda's recording of Piatti's 12 Caprices.CCM alumnus and current doctoral candidate Carmine Miranda (BM Violoncello, 2010; MM Violoncello, 2012) is making waves with his latest recording project, which unearths Carlo Alfredo Piatti’s 12 Caprices for solo cello. This Navona Records release is already receiving rave reviews from music critics around the world.

“Piatti (1822-1901) was a renowned virtuoso and teacher whose name had faded into obscurity – except to cellists, who know his 12 Caprices from their studies,” explains Mary Ellyn Hutton in her review for Music in Cincinnati. “Miranda… seeks to return them to the active repertoire, to take their place beside Niccolo Paganini’s Caprices for Solo Violin and Bach’s Suites for Solo Cello and not treated ‘as mere etudes’,” she continues.

Fanfare Magazine describes the album as, “incredible performances of works that should interest every cellist and that should be in the library of anyone who appreciates the cello and hearing it played by a consummate master like Carmine Miranda.”

According to CCN, “at a mere 25 years of age, this recording places Carmine Miranda as the youngest cellist to professionally record and release this repertoire worldwide.”

Miranda’s Piatti: 12 Caprices for Solo Cello is available now through Amazon, iTunes, Classics Online, Spotify and the Naxos Music Library. Learn more about the album by visiting http://navonarecords.com.

About Carmine Miranda
Born in Valencia in 1988 to Italian immigrants and moving to the United States at an early age, Carmine Miranda is a Venezuelan/American cellist, international soloist and recording artist. Miranda began his musical studies at the age of seven at the Carabobo State Music Conservatory in Venezuela, where he studied his first years of Theory and Solfege, finally graduating from the Private Institute of Musical Education or I.P.E.M. He studied cello with cellists Luisa Fuentes, Valmore Nieves and William Molina, at the Latin-American Academy of Violoncello, and the Simon Bolivar Conservatory of Music (the institution that spawned the famous “El Sistema”). At the same time he was a member of the National Youth Orchestra and the Orchestra of Beethoven under the direction of maestro Giuseppe Sinoppoli.

At CCM, he studied with Lee Fiser and Yehuda Hanani, obtaining a Bachelors of Arts in music, Masters Degree and Doctorate’s degree candidacy. He has participated in several music competitions as a soloist and chamber player winning several recognitions and awards at a national and international level.

An avid soloist, Miranda has performed with several chamber ensembles, orchestras and has performed in prominent concert halls and music festivals including Carnegie Hall, the Aula Magna Hall (one of the largest and most important halls in Latin America), Bowdoin Music Festival, Close Encounters with Music Series in Great Barrington, NY, among others. Miranda has collaborated with recognized international artists such as Yehuda Hanani, Awadagin Pratt, Rodolfo Saglimbeni, Spanish composer Luis Serrano Alarcón and Grammy Nominated composer Michael Hoppé.

At the age of 22, Miranda recorded the Six Cello Suites by Johann Sebastian Bach under the label Centaur Records, joining the ranks of the youngest in the world to record the entire work. In 2013 Carmine completed the United States premiere of Nikita Koshkin’s “L’istesso Tempo” composition for cello and guitar. He was also selected to represent the University of Cincinnati as a soloist for a multi-state American tour with the CCM Wind Orchestra culminating with an opening night performance at the College Band Directors National Association (CBDNA) National Conference in North Carolina’s Aycock Auditorium. Currently Miranda is a recording artist for Parma Navona Records and plays on a 2005 Jules Azzi cello made in New York City.

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CCM Welcomes Cellist, Composer and Educator Mike Block for Master Classes and More Next Week

CCM welcomes Mike Block for two days of learning and creative music-making on April 8 and 9, 2014. Photography by Maria Camillo.

CCM welcomes Mike Block for two days of learning and creative music-making on April 8 and 9, 2014. Photography by Maria Camillo.

CCM welcomes pioneering multi-style cellist, composer and music educator Mike Block for two days of learning and creative music-making on April 8 and 9.

Hailed by Yo-Yo Ma as the “ideal musician of the 21st century,” Block studied at the Juilliard School where he joined Yo-Yo Ma’s Silk Road Ensemble, and soon after Mark O’Connor’s Appalachia Waltz Trio, which he played in for over three years.

Block will give a workshop geared toward teaching creativity to string students from 7 – 9 p.m. on Tuesday, April 8. High school and collegiate students are also welcome to attend this session.

Beginning at 9 a.m. on Wednesday, April 9, Block will host master classes and workshops, which will run through 6 p.m. A concert and reception will follow from 7:30 – 8 p.m. on Wednesday.

All events at CCM are free and open to the public and take place in room 300 of the Dieterle Vocal Arts Center in CCM Village, unless otherwise noted.

Area teachers and students are encouraged to sign up for any and all events by emailing Professor BettyAnne Gottlieb at bettyanne.gottlieb@uc.edu

CCM News

Annunziata Tomaro Returns to the CCM Podium

Annunziata Tomaro and the Concert Orchestra at CCM's 2012 Moveable Feast. Photography by Dottie Stover.

Annunziata Tomaro and the Concert Orchestra at CCM’s 2012 Moveable Feast. Photography by Dottie Stover.

CCM welcomes Assistant Professor of Conducting Annunziata Tomaro back to the podium for a celebratory concert beginning at 8 p.m. on Friday, Feb. 7, in Corbett Auditorium. Tickets are on sale now.

After a year and a half hiatus, Tomaro makes her homecoming debut conducting CCM’s acclaimed Concert Orchestra in an unforgettable evening of music, with works by Pyotr Ilyich Tchaikovsky and Édouard Lalo, featuring the winner of the CCM Cello Concerto Competition, Yang Liu. “It’s wonderful being with the students again,” Tomaro says. “They are playing their hearts out in this music!”

The opening piece of the program will be Modest Mussorgsky’s introduction to his opera Khovanshchina. Audience members will also be delighted to hear Tchaikovsky’s Symphony No. 6 in B minor, Op. 74, “Pathétique,” his final completed symphony (Opp. 75–80 were published after Tchaikovsky’s death).

And lastly, audience members will be treated to Édouard Lalo’s Cello Concerto in D Minor, featuring  Cello Concerto Competition winner Yang Liu, a student of CCM Professor of Violoncello Yehuda Hanani. Lalo wrote his Cello Concerto in D minor in 1876, in collaboration with Parisian cellist Adolphe Fischer. The work was premiered the following year at the Cirque d’Hiver with Fischer as soloist.

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CCM Video: The Ariel Quartet Presents ‘The Cycle’

In honor of tonight’s opening installment of the Ariel Quartet’s Beethoven Cycle, we proudly present an excerpt from the Quartet’s very first concert while in residence at CCM! Enjoy an excerpt from Beethoven’s String Quartet in F Major, Op. 135, recorded live in CCM’s Robert J. Werner Recital Hall on Sept. 11, 2012.

Also, be sure to pick up this week’s issue of CityBeat for an in-depth preview of “The Cycle,” courtesy of Anne Arenstein. The Jan. 22 issue of CityBeat is on newsstands now and is also available online here.

For more information about “The Cycle,” please visit http://ccm.uc.edu.

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Price Hill String Quartet Presents FREE All-Mendelssohn Concert on May 2

The Price Hill String Quartet.

The Price Hill String Quartet.

CCM’s new Community Partner the Price Hill String Quartet will present a FREE all-Mendelssohn program beginning at 7:30 p.m. this Thursday, May 2, at the LISH Art Gallery in Price Hill. This concert is open to the general public and will conclude with the first and last movements of the Mendelssohn Octet performed by the Quartet and four members of the Cincinnati Symphony Orchestra!

The Price Hill Quartet is the string quartet of Music for Youth in Cincinnati (MYCincinnati). The Quartet is comprised of two MYCincinnati directors and two current CCM students, and is funded in part by CCM and CCM’s ArtsWave Community Partnership grant.

Learn more about CCM’s New Community Engagement Initiatives here.

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Tchaikovsky Competition Winners Itamar Zorman and David Geringas Join James Tocco in Concert on April 11

CCM Eminent Scholar in Chamber Music and Artist-in-Residence James Tocco.

CCM Eminent Scholar in Chamber Music and Artist-in-Residence James Tocco.

CCM’s 2012-13 Eminent Scholars Concert Series comes to a close at 8 p.m. on Thursday, April 11, in UC’s Robert J. Werner Recital Hall with a performance by Eminent Scholar in Chamber Music James Tocco, piano, and distinguished guest artists and Tchaikovsky Competition Award Winners Itamar Zorman, violin, and David Geringas, cello.

Admission to this performance is free. Reservations are not required.

The centerpiece of this concert will be Tchaikovsky’s Piano Trio in A Minor, Op. 50. The program will also include Mieczyslaw Weinberg’s Sonata No. 2 in G Minor for Cello and Piano, Op. 63; and Paul Hindemith’s Sonata for Solo Violin No. 1, Op. 31.

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