CCM Slideshows: Leoš Janáček’s ‘The Cunning Little Vixen’

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Come see Leoš Janáček’s fantastical opera The Cunning Little Vixen, which opens tonight (Friday) at 8 p.m. and runs through Sunday as part of this year’s Mainstage Series.

Directed by Vince DeGeorge, this anthropomorphic opera explores the intimate relationship between man and nature. This production will be conducted by Mark Gibson and sung in English, with a new translation by CCM Professor Emeritus David Adams.

Learn more about the performance or view the cast list.

Leoš Janácek’s
THE CUNNING LITTLE VIXEN
An Opera in Three Acts
Critical revised version by Jiri Zahrádka
Used by arrangement with European American Music Distributors Company, U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner.

Performance Times

  • 8 p.m. Friday, April 8
  • 8 p.m. Saturday, April 9
  • 2 p.m. Sunday, April 10

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to The Cunning Little Vixen are $31-35 for adults, $20-24 for non-UC students and $18-22 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/cunning-little-vixen.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

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CCM's spring 2016 production of 'Ah, Wilderness!' Photography by Mark Lyons.

CCM Slideshows: Eugene O’Neill’s Ah, Wilderness!

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CCM’s Mainstage Series continues tonight through this Sunday, Feb. 14, with a charming revival of Eugene O’Neill’s Tony Award nominated Ah, Wilderness!: A Comedy of Recollection in Three Acts.

Directed by R. Terrell Finney, this tender portrait of teenage growing pains and young love has been described as “a breath of fresh air” and “vividly alive” by the New York Post.

Tickets are still available for this weekend’s performances. Learn more about the production here.

Performance Times

  • 8 p.m. Friday, Feb. 12
  • 2 and 8 p.m. Saturday, Feb. 13
  • 2 p.m. Sunday, Feb. 14

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Ah, Wilderness! are $27-31 for adults, $17-20 for non-UC students and $15-18 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/ah-wilderness.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Ah, Wilderness!: A Comedy of Recollection in Three Acts is presented by special arrangement with SAMUEL FRENCH, INC.

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Photography from CCM's Nov. 2015 production of 'The Merry Widow' by Mark Lyons.

CCM Slideshows: Franz Lehár’s The Merry Widow

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CCM’s Mainstage Series resumes this evening through this Sunday, Nov. 22, with a delightful new production of Franz Lehár’s witty operetta The Merry Widow. Conducted by Aik Khai Pung with stage direction by Emma Griffin, this production of The Merry Widow will be sung in English with a translation by renowned American lyricist Sheldon Harnick. Tickets are still available for select performances.

Featuring a score that Stage and Cinema describes as “a rich musical mix of Viennese waltzes, Hungarian folk dances and French insouciance,” The Merry Widow is a sparking romp in which farce, romance and jealousy abound. Join us for a fantastical Parisian bar crawl, as the fate of an entire nation hangs in the balance!

Learn more about the creation of The Merry Widow‘s costumes by clicking here.

Performance Times

  • 8 p.m. Thursday, Nov.19
  • 8 p.m. Friday, Nov. 20
  • 8 p.m. Saturday, Nov. 21
  • 2 p.m. Sunday, Nov. 23

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Franz Lehár’s The Merry Widow are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

$12-$15 student rush tickets will become available one hour prior to each performance; limit two student rush tickets per valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/merry-widow.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

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'The Merry Widow' photography by Mark Lyons.

Discussing ‘The Merry Widow’ Costumes with Student Designer Greta Stokes

The Merry Widow Costume Designer Greta Stokes recently sat down with CCM Public Information Assistant and DMA student Charlotte Kies to discuss the work that went into this delightful new production of Franz Lehár’s most popular operetta.

Charlotte Kies: Hi Greta! What can you tell me about your inspiration for these costumes?

Juliana Rucker draped and built this charming blue dress for Valencienne. Photography by Steve Shin.

Juliana Rucker draped and built this charming blue dress for Valencienne. Photo by Steve Shin.

Greta Stokes: Although the opera was written right around the turn of the 20th century, we knew we wanted to create a more modern silhouette for the women’s garments, like the same kind of idea behind Dior’s new look of the 1950s.

But when we began working with the text and thinking about how the actors are interacting we kind of let go of the design being so strict. It became more 50s, 60s, 90s, now. It became looser and less of a period piece, because it’s not a stiff opera. It doesn’t need to be historical.

When I first got assigned this show I watched an old production of it, I looked at old stills and I got a feel for what the opera used to be. At this point we had already decided on the 50’s. If you look at my Pinterest board it starts with these beautiful black and white photos. And then you can see how after every conversation I had with [Merry Widow director] Professor Emma Griffin the board gets crazier and crazier, and brighter, and begins to include things that aren’t from the 50’s at all, like these modern fashion collections and this weird art. It started out very demure, with lots of little black dresses. And then it just got wild, and the cast is really into it. It has been a great kind of build up to that and I think that the result is really interesting and different and fun.

Greta Stokes' design concept for Hanna's dress.

Greta Stokes’ design concept for Hanna’s dress.

CK: So the costumes are not specific to one decade?

GS: They’re mid-century flavored. There are a lot of brighter colors, and we took a lot of inspiration from more modern fashion houses. There’s a lot of Prada and Dolce & Gabbana resort lines right now that are very colorful. Our costumes are those two ideas [vintage and modern] married together.

When people come in for a fitting for a period piece and they’re putting high-fitted pleated pants on you, they look great if you’re doing a strictly 50’s show. Even though they look great on stage, you can tell the actors are uncomfortable in them. So to have a modern cut with a vintage feel, I know my performers will go on stage feeling comfortable and good about how they look, and you can really see that in their movements.

CK: Can you tell me about your design process?

GS: We started looking at research in the middle of last semester before it was cast. All of the designers got together to discuss concepts, colors schemes and how we would interact with each other. We built research collages and talked about what inspired us. From there I decided what pieces needed to be built for the performers. Our lead character’s costume is getting built from scratch. We discussed how the characters are in this made-up country at an embassy in Paris and what that might look like. We got to decide what and where that country was. We decided on something eastern European, but I incorporated little bits of different European cultures into a made-up folk costume so you’ll see elements of that. There are two characters that are wearing kilts and one in lederhosen. There are little flavors of recognizable folk traditions scattered among the Petrovenians. It’s off the wall but still a little controlled. When I’m in the costume shop and all around me are flower crowns and lederhosen and kilts and a bunch of tuxedoes, I feel I should be telling people “I swear I’m not crazy, I promise this will make sense!” Fingers crossed!

Maria Lenn built and draped this dashing red and black dress for Jessica Faselt (playing Hanna Glawari on Friday and Sunday) from Greta Stokes’ designs. Lenn is fitting Faselt while Stokes and her assistant, Sarah Red Redden look on as Stokes’ designs come to life. Photography by Steve Shin.

Maria Lenn built and draped this dashing red and black dress for Jessica Faselt (playing Hanna Glawari on Friday and Sunday) from Greta Stokes’ designs. Lenn is fitting Faselt while Stokes and her assistant, Sarah Red Redden look on as Stokes’ designs come to life. Photo by Steve Shin.

CK: Does Hanna have a costume change in the middle of the show?

GS: She kind of does, she has this outer shell made with beautiful pink dupioni. The shell comes off later in the opera as the acts and the parties go on. And there are so many crystals on that black skirt, it’s gonna be on fire.

CK: How are these costumes different from costumes you might see in another version?

GS: In the original versions there are HUGE choruses and they’re all wearing these crazy costumes that are all very expensive and lavish. Older productions were all about the costumes, and the performers just kind of walk around the stage going “lalala, look at my giant hat, lalalalala.”

Ours is a condensed, smaller cast. It’s still a lot of people, but because we have created more modern clothing, it has become really more about their movement. The idea is that they’re drinking, moving from one party to the next. They’re having a really good time.

CK: How much liberty do you have? Do you get to design whatever you want? Do you have any restrictions or guidelines?

In Act II, the party guests reconvene at Hanna Glawari’s house for a garden party. Brian Horton built these hats for the characters, who decide that Hanna’s garden is better suited for their outfits. Photography by Steve Shin.

In Act II, the party guests reconvene at Hanna Glawari’s house for a garden party. Brian Horton built these hats for the characters, who decide that Hanna’s garden is better suited for their outfits. Photo by Steve Shin.

GS: We operate under the guidance of Professor Dean Mogle, head of the Costume Design and Technology program at CCM. I would say we are restricted by what we are able to get. Obviously there are time restrictions, as well. I couldn’t ask them to build every single tuxedo, so we purchased tuxedos. I designed Hanna’s costume to look like a mix between Marilyn Monroe and Anna Nicole Smith.

As for the dancers, I actually found these vintage dresses that we had in stock that were specifically dance dresses. Because we are not doing a traditional can-can we can use these really full, floofy skirts with all these sparkles and stuff. In Act II they’re all at Hanna’s house for a garden party and the women take these flowers off of the set and put them on their hats. They are completely ruining her garden, and she totally does not care.

Professor Griffin is incredible to work with. She is so great at letting designers have liberties, while still reining us in or pushing us forward. It is really nice to have all those liberties, to be able to create this world out of nothing and figure out what exists in it.

CK: Is it the same dress design for the two Hanna’s?

GS: Yes, but they are built to fit each performer. The design will be the same, but the fit will be different just because the bodies are.

CK: How much work are you doing outside of CCM while you’re also a student?

GS: Oh, not a lot, because I’m a little busy! I am working on The Little Prince right now for Cincinnati Chamber Opera as the costume designer/coordinator.

I also work for New Edgecliff Theatre. We just closed Frankie & Johnny in the Clare de Lune and we’ll be back in the spring with The Shape of Things.

CK: Have you enjoyed your time as a student at CCM?

GS: Of course yes! I am from Columbus, so I’m not too far from my family. This school is incredible. I love how hands-on it is and how we’re really working as a professional theatre would. We are learning to interact with each other and not just in our own little worlds.

CK: How did you get into costume design?

GS: I am a non-traditional student, so I ‘m quite a bit older. I did theatre in high school. I worked in the costume shop. I did a little acting, but I wasn’t very good! I stitched. I was friends with all of the theatre kids and I really liked it. My grandmother was a dress designer so I would always go play with her dressmaking tools and pocket a few of them. I continued to work in vintage stores for a long time doing alterations for vintage clothing.

I have always been working with clothing, and this made more sense than fashion. I have always really loved the theatre community and I feel like it has a really good turnover. It’s not like “oh, polka-dots are so in right now.” It’s a constant challenge.

Maria Lenn built and draped this dashing red and black dress for Jessica Faselt (playing Hanna Glawari on Friday and Sunday) from Greta Stokes’ designs. Lenn is fitting Faselt while Stokes and her assistant, Sarah Red Redden look on as Stokes’ designs come to life. Photo by Steve Shin.

Maria Lenn built and draped this dashing red and black dress for Jessica Faselt (playing Hanna Glawari on Friday and Sunday) from Greta Stokes’ designs. Lenn is fitting Faselt while Stokes and her assistant, Sarah Red Redden look on as Stokes’ designs come to life. Photo by Steve Shin.

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Franz Lehár’s The Merry Widow runs Nov. 19 – 22 in Patricia Corbett Theater. Tickets are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID. $12-$15 student rush tickets will become available one hour prior to each performance; limit two student rush tickets per valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/merry-widow.

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

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CCM presents COSÌ FAN TUTTE from April 9-12, 2015. Photography by Mark Lyons.

CCM Slideshows: Così fan tutte

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CCM’s 2014-15 Mainstage Series comes to a spectacular conclusion TONIGHT through Sunday, April 12, with a groovy new production of Mozart’s Così fan tutte.

Don’t miss your opportunity to experience this masterpiece this week ONLY. Mark Gibson conducts, with direction by Robin Guarino. Photography by Mark Lyons.

Performance Times

  • 8 p.m. Thursday, April 9
  • 8 p.m. Friday, April 10
  • 8 p.m. Saturday, April 11
  • 2 p.m. Sunday, April 12

Location
Patricia Corbett Theater, CCM Village, University of Cincinnati

Purchasing Tickets
Tickets to Così fan tutte are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/cosi-fan-tutte-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

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CCM’s Mainstage Production of ‘Les Miserables’ Receives 5-Star Rating from the League of Cincinnati Theatres

CCM proudly presents a new production of the iconic musical "Les Misérables," playing Feb. 27 - March 9, 2014. Photography by Mark Lyons.

CCM proudly presents a new production of the iconic musical “Les Misérables,” playing Feb. 27 – March 9, 2014. Photography by Mark Lyons.

Panelists for the League of Cincinnati Theatres (LCT) have recognized CCM’s production of the long running musical classic Les Misérables with a Five Star Rating! Congratulations to everyone involved with the show!

Panelists praised the production as, “Spectacular… an outstanding and phenomenal production… Bravo for everyone involved for taking a musical I have seen multiple times and making it as fresh, exciting and powerful as the first.”

Director Aubrey Berg was praised for his “seamless” direction: “Aubrey Berg said he had waited over 20 years to direct this musical at CCM and he could not have done it more effectively, with some masterful choices.” Musical Director Steve Goers also was commended for his, “direction of these fine voices and in the outstanding orchestral accompaniment;” he did a, “wonderful job with taking a beast of a show and making it sing beautifully”.

The panelists were impressed by the entire ensemble: “the show absolutely showcased the incredible depth of CCM‘s students… the talent level continues to amaze.” Blaine Krauss, as Jean Valjean, “gave a sensitive, true portrayal of the character… his voice was moving… he should go directly to Broadway.”

Panelists also singled out Colin Kessler, as Javert, for his “outstanding” performance and “remarkable voice”, as well as Matthew Paul Hill’s portrayal of Thenardier: “hilarious in an evil and unctuous manner. He almost stole the show.”

Note: this review was based on the opening night cast. On alternate nights, the roles of Jean Valjean and Javert are also played by Julian Decker and Noah Ricketts, respectively.

Final LCT awards will be determined at the end of the season and announced at the LCT gala in the spring. You can learn more about CCM’s production of Les Misérables here.

About the League of Cincinnati Theatres
The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. Learn more about the LCT here.

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CCM Slideshows: Les Misérables

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Tonight through March 9, CCM’s Mainstage Series proudly presents production of Alain Boublil and Claude-Michel Schönberg’s Tony Award-winning musical Les Misérables. In honor of opening night, we present a stunning preview slideshow courtesy of photographer Mark Lyons!

Aubrey Berg, CCM’s Patricia A. Corbett Distinguished Chair of Musical Theatre, directs this new production.

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CCM MFA Student Alan Hanson Wins iSquint and Stage Directions’ 2013 Lighting Design Competition

"Chess" runs Oct. 25 - 28 in UC's Corbett Auditorium. Photography by Mark Lyons.

“Chess” runs Oct. 25 – 28 in UC’s Corbett Auditorium. Photography by Mark Lyons.
Tickets on sale now! Visit ccm.uc.edu for more information. Photography by Mark Lyons.

We are thrilled to announce that CCM class of 2013 MFA Lighting Design student Alan Hanson has won the 2013 Student Lighting Design Competition organized by online entertainment lighting industry publication iSquint and theatre art and technology journal Stage Directions!

Hanson’s lighting design for CCM’s Fall 2012 Mainstage Series production of Chess took the title in this third annual competition, which offers a valuable prize package of lighting software and literature.

View a slideshow of Hanson’s award winning work on Chess here.

The Student Lighting Design Competition is sponsored by lighting technology companies City Theatrical, Nemetschek Vectorworks and Field Template Soft Symbols, and is judged by leading experts in the lighting design field and developers of the software entrants must use to create their design entries. Visit iSquint.net to learn more about this competition.

Congratulations to Alan on this exciting award!

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CCM Slideshows: A Midsummer Night’s Dream

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CCM proudly presents a colorful new twist on William Shakespeare’s A Midsummer Night’s Dream, running through Oct. 7 in UC’s Patricia Corbett Theater.

Are you coming to campus for UC Homecoming this weekend? Come to CCM Village after the Homecoming Kickoff Party at the Myers Alumni Center on Friday for an 8 p.m. performance or come early on Saturday and catch a matinee of A Midsummer Night’s Dream at 2 p.m. (kick-off is scheduled for 7 p.m.).

This is a perfect weekend to experience EVERYTHING going on at the University of Cincinnati! Don’t miss the opening of CCM’s must-see 2012-13 Mainstage Series.

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