CCM Mainstage Acting presents "Love and Information" on Feb. 8-11, 2018. Photos by Mark Lyons.

CCM Slideshows: Caryl Churchill’s ‘Love and Information’

CCM Mainstage Acting presents "Love and Information" on Feb. 8-11, 2018. Photos by Mark Lyons.

CCM Mainstage Acting presents “Love and Information” on Feb. 8-11, 2018 in Patricia Corbett Theater. Photos by Mark Lyons.

British playwright Caryl Churchill is known for writing thought-provoking works that are rife with theatrical experimentation. Many of her plays offer some sort of political or societal commentary — they ask questions but offer no answers, which allows the audience to find their own.

Such is the case in Churchill’s Love and Information, which runs today, Feb. 8 through Sunday, Feb. 11, 2018 in CCM’s Patricia Corbett Theater. The play is presented in a series of self-contained scenes that examine the various ways people search for and consume information. Over the course of CCM’s 90-minute production, 28 acting students portray more than 100 characters who are looking for ways to connect with each other in today’s technology-driven culture.

View the slideshow below for your first look at CCM’s production:

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“Leave it to Ms. Churchill to come up with a work that so ingeniously and exhaustively mirrors our age of the splintered attention span,” writes The New York Times in a review of the NY Theater Workshop of Love and Information. “Throughout her career, which spans more than four decades, this British playwright has proved herself without peer in creating expressly topical works in which form and function are one.”

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CCM's Mainstage Series presents 'Hamlet' Sept. 28-Oct. 1. Photo by Mark Lyons.

CCM Behind-the-Scenes: Fight Choreography in ‘Hamlet’

 

Catch CCM’s 150th Anniversary Mainstage Series opening production of Hamlet at 8 p.m. on Thursday, Sept. 28. Presented in the newly renovated Patricia Corbett Theater, the Bard’s classic tragedy runs through Sunday, Oct. 1. Tickets available through the CCM Box Office.

Set in the 1920s, CCM’s production of William Shakespeare’s Hamlet tells a story of lost romance, betrayal, murder and madness. Hamlet Fight Choreographer Gina Mechley gives audiences an inside look at how she prepared students to illustrate the play’s conflict with stage combat.

This is Mechley’s first show at CCM as a fight choreographer, but she is no stranger to the realm of stage combat. She is currently teaching at CCM as an adjunct instructor. One of the few female certified teachers in the country with the Society of American Fight Directors, Mechley has served as the fight director at Cincinnati Playhouse in the Park, Cincinnati Shakespeare Company, Cincinnati Ballet Company and the Cincinnati Opera, among others. Get a sneak peek at CCM’s Hamlet in the photo gallery below:

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Working on CCM’s production of Hamlet has been “the icing on the teaching cake,” Mechley says. She adds that her job was made easier because CCM Acting students are heavily trained in stage combat.

The intensive training in CCM’s Acting program is designed to prepare students for careers on stage, film, television and in the creation of new works. The curriculum includes training in various acting techniques, dialects, voice-over work, as well as armed and unarmed stage combat.

CCM's Mainstage Series presents 'Hamlet' Sept. 28-Oct. 1. Photo by Mark Lyons.

Hamlet Director Susan Felder set CCM’s production of the play in the 1920s, but the contemporary setting does not dramatically change the tragedy’s violent climax that occurs when Hamlet confronts his enemies in Act II.

“Being set in the 1920s did not have a huge impact on the final duel,” Mechley says. “We are still using rapiers as a part of the sport or game that will unfold. Textually, it is set up as a contest and the use of swords would remain the same no matter what year it takes place.”

Mechley’s favorite moments in Hamlet’s fight choreography are when the fights get “close, personal and sloppy.” She looks forward to seeing how the audience will react to certain moments in the stage combat.

The most challenging aspect of the fight choreography was transferring what was learned in the rehearsal hall to the stage, Mechley adds. Hamlet‘s set includes steps and a trap door that opens to a 3-to-4-foot hole at center stage, which is used during the fight scenes.

“Fight direction is about storytelling — physically expanding on an emotional journey,” Mechley says. “The fights in Hamlet are so heavily based in character-driven emotion, that it just didn’t feel right to create a fight from only my viewpoint. It had to be created from the eyes of the director, the heart of Laertes and Hamlet, the physical souls of the actors and the skills of a fight director.”

“Collaboration created what I believe to be an extraordinary journey!”

CCM’s Mainstage Series presents Hamlet through Oct. 1, 2017 in Patricia Corbett Theater. Tickets are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Additional student discounts are available through the CCM Box Office. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/hamlet.

Learn more about CCM’s Acting program at ccm.uc.edu/acting. Applications are now open for CCM’s fall 2018 class; apply online at ccm.uc.edu/info.html.

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Creative Team

  • Susan Felder, director
  • Logan Greenwell, scenic designer*
  • Oliver Tidwell Littleton, lighting designer*
  • Matthew Birchmeier, sound designer*
  • Ashley Berg, costume designer*
  • Meredith Keister, hair and make-up designer
  • Gina Mechley, fight choreographer
  • Anna Naderer, stage manager*

* CCM student

Cast List

  • Chandler Bates as Bernardo/Ensemble
  • Jeremy Maislin as Francisco/Priest/Ensemble
  • Gabriella DiVincenzo as Horatio
  • Will Clark as Marcellus/Ensemble
  • Carter LaCava as Ghost/Gravedigger/Ensemble
  • Landon Hawkins as Claudius
  • Ella Eggold as Gertrude
  • Briley Oakley as Lord Voltemand/Ensemble
  • Madison Pullman as Cornelius/Messenger/Ensemble
  • Rupert Spraul as Hamlet
  • Isaac Hickox-Young as Lord Polonius
  • Nicholas Heffelfinger as Laertes
  • Kenzie Clark as Ophelia
  • Josh Reiter as Rosencrantz
  • Matt Fox as Guildenstern
  • Mafer Del Real as Player King/Ensemble
  • Sarah Durham as Player Queen/Ensemble
  • Abby Palen as Gravedigger/English Ambassador/Ensemble
  • Jacqueline Daaleman as Osric/Ensemble
  • Lauren Carter as Fortinbras/Ensemble

Performance Times

  • 8 p.m. Thursday, Sept. 28
  • 8 p.m. Friday, Sept. 29
  • 2 and 8 p.m., Saturday, Sept. 30
  • 2 p.m. Sunday, Oct. 1

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Hamlet are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Tickets to the Sept. 27 preview performance are just $15.

Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Customizable subscription packages are also available for CCM’s 2017-18 Mainstage Series.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/hamlet.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

CCM News
A model of the scenic design for CCM's production of 'Idomeneo.'

CCM Behind-the-Scenes: Lighting Design for Mozart’s ‘Idomeneo’

First-year graduate student Oliver Littleton’s first lighting design work was in churches, small theaters and tiny clubs. Now his designs will be seen in the Mainstage production of Idomeneo at UC’s College-Conservatory of Music.

The opera opens on Thursday, Mach 30 and continues through Sunday, April 2 in CCM’s Patricia Corbett Theater. Tickets are available through the CCM Box Office.

Littleton began his theatre training in Alabama at the age of 12. He wanted to be an actor, but always had an interest in lighting design. After earning a BFA in technical theatre from Adelphi University in New York, Littleton chose to pursue his graduate studies at CCM. He enrolled in CCM’s Theatre Design and Production program, where he studies lighting design and technology.

Light plays a key role in creating the “gods and monsters” in CCM’s production of Idomeneo. In an interview with CCM graduate assistant Charlotte Kies, Littleton shared some of his thoughts on the expressive power of lighting and its effect in Mozart’s first great opera seria.

What drew you to the lighting design program at CCM?
I loved the opportunity to be the lighting designer for a huge variety of genres including dance, opera, theatre and musicals. I value our large production scale and commitment to modern technology in all areas of the technical and design departments. Most important is probably my comfort within the culture of the CCM community.

It’s a hardworking environment that demands excellence, and does its best to surpass being just an educational institution in order to produce great art in a variety of fields.

How does your lighting design for Idomeneo compare to your work in other CCM productions?
This is my first Mainstage production at CCM so obviously scale is the big one! I designed Middletown in the fall and Transformations just a month ago, both in the Cohen Family Studio Theatre. Though they presented unique challenges, the sheer size of those productions was much smaller than this.

We’ve heard that lighting plays a significant role in establishing the abstract setting and in creating the “gods and monsters” of Idomeneo. Can you describe how you use light to create these “special effects?”
The metaphors of gods and monsters in this production of Idomeneo, in my mind, are far more important than their physical presence in the opera. To this end the “gods and monsters” are expressed in lighting with the contrast between restraint and excess.  Using color, intensity and texture to contrast between safe comfort, otherworldly mystery and grimy disappointment helps tell the story of monsters and heroes.  Our sea monster is of the mind.  It is doubt, hate, selfishness and it gets expressed with rich vivid color and powerful waves of light.  I want the lighting to drive this change and make the audience question who really are the monsters and gods of the piece.

A god-like face can be seen in Littleton's lighting design concept for 'Idomeneo.'

A god-like face can be seen in Oliver Littleton’s lighting design concept for ‘Idomeneo.’ Photo provided by Oliver Littleton.

What other roles does the lighting play in this opera?
When you start looking at abstract or ethereal lighting design, the first pitfall you see lighting designers take is forgetting that the point of the production is for audience members to sit in seats and watch people do things. All the fancy design in the world doesn’t amount to anything if the patrons can’t see the performers and understand what is going on in the story. The first job of every lighting designer is the help interpret the story and we do that in a number of ways. Lighting some areas of the stage while leaving others dark tells the audience where to look and focus. Using toplight and backlight that makes it difficult to see facial features gives a sense of drama and tension, while front light imbues a naturalistic nature to the stage. Every choice is informed by the question, “How does this serve the story,” and any choice that is not enslaved to it must be mercilessly eliminated.

Do you have anything else to add about your experience working on Idomeneo?
Idomeneo is a criminally underrated opera that is one of Mozart’s greatest offerings musically. I hope that everyone who watches the show leaves the theater saying things like “what a wonderful and interesting production” or “that was a beautiful way to share that music and story with us.” If they are talking about my lights or the set more than the characters’ choices or vocal prowess, then we as a design team have failed.

The greatest joy I take in my work is contributing to performers sharing stories and feeling with the audience. I hope this show does that for everyone who comes to see it.

CCM’s production of Idomeneo is directed by CCM artist diploma candidate Marcus Shields and conducted by Assistant Professor of Music Aik Khai Pung. It is sung in Italian with English supertitles. Find more information on the production in our press release.

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IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco
Aik Khai Pung, conductor
Marcus Shields, director

Performance Times
8 p.m. Thursday, Mar. 30
8 p.m. Friday, Mar. 31
8 p.m. Saturday, April 1
2 p.m. Sunday, April 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

 Purchasing Tickets
Tickets to Idomeneo are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/idomeneo.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s
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Story by CCM Graduate Student Charlotte Kies

CCM News Student Salutes

CCM Slideshows: ‘Mack and Mabel’

Jerry Herman’s Mack and Mabel makes its CCM Mainstage debut at 8 p.m. Thursday, March 2, in UC’s Corbett Auditorium. Directed by Aubrey Berg with choreography by Patti James and musical direction by CCM graduate student Evan Roider, the musical runs through Sunday, March 5. Tickets are available through the CCM Box Office.

Mack and Mabel is a star-crossed, bittersweet love story that explores both the lighter and the darker side of the Golden Age of Comedy. It focuses on the tumultuous relationship between legendary silent film director Mack Sennett and his greatest star, Mabel Normand.

“The CCM production of Mack and Mabel is a rare opportunity to see an all-but-forgotten work by one of the masters of Musical Theatre, Jerry Herman,” Berg says. “It is notable for its interesting concept and its melodic, memorable score, one that Herman cherishes as his personal favorite.”

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You can get a sneak peek of the production by viewing the photos in our slideshow. Read more about the Mack and Mabel in The News Record‘s interview with CCM Musical Theatre student Emily Fink, who plays Mabel in the show.

“People can expect, as always, a dazzling production quality,” Fink told The News Record. “The Technical Design and Production Department will amaze the audience with the magnitude and beauty of its set, costumes and lighting,” said Fink. ”People can also expect a whip-smart story with a lot of heart set in America’s booming film industry.”

To learn more about CCM’s production of Mack and Mabel, read our press release.
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MACK AND MABEL
Based on an idea by Leonard Spigelglass
Book by Michael Stewart
Music and Lyrics by Jerry Herman

Performance Times
8 p.m. Thursday, March 2
8 p.m. Friday, March 3
8 p.m. Saturday, March 4
2 p.m. Sunday, March 5

Location
Corbett Auditorium, College-Conservatory of Music
University of Cincinnati

Purchasing Tickets
Tickets to Mack and Mabel are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/mack-and-mabel.html.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mack and Mabel is presented by a special arrangement with SAMUEL FRENCH, INC.

CCM News CCM Slideshows Faculty Fanfare Student Salutes

Jerry Herman’s ‘Mack and Mabel’ Makes CCM Mainstage Debut

CCM proudly presents Mack and Mabel on Thursday, March 2 through Sunday, March 5 in Corbett Auditorium. Aubrey Berg directs with choreography by Patti James and musical direction by CCM graduate student Evan Roider.

ccm-mack-mabel-eblastThe performance is rare treat for Cincinnati audiences; a major production of Mack and Mabel has not been staged in the Queen City for over a decade, and it has never been presented as a CCM Mainstage production. With a memorable score by Broadway master Jerry Herman (Hello, Dolly!; Mame; La Cage aux Folles), Mack and Mabel received eight Tony Award nominations after its original premiere in 1975.

“The CCM production of Mack and Mabel is a rare opportunity to see an all-but-forgotten work by one of the masters of Musical Theatre, Jerry Herman,” Berg says. “It is notable for its interesting concept and its melodic, memorable score, one that Herman cherishes as his personal favorite.”

Mack and Mabel is a star-crossed, bittersweet love story that explores both the lighter and the darker side of the Golden Age of Comedy. It focuses on the tumultuous relationship between legendary director Mack Sennett and his greatest star, Mabel Normand.

Mack, an aging director whose silent films become obsolete in the age of “talkies,” tells the story in a series of flashbacks. He recalls his first encounter with Mabel, a feisty barista who Mack turns into a silent film star. However, following a torrid affair with Mack, Mabel leaves to act in dramas for a rival director.

Mack and Mabel struggle to find their places in the changing film industry, and both experience their own triumphs and failures along the way.

Praised by the New York Times as “a musical in the old and true tradition,” Mack and Mabel’s musical style is reminiscent of the silent film era in which it is set. CCM’s production includes silent movie clips, hundreds of costumes and props, a Keystone Kops ballet and a large cast of 38 performers. The show is a perfect vehicle and challenge for CCM’s student performers and technicians, says Berg.

“This is a great opportunity to see and hear a rarely-performed Jerry Herman musical with all the stops pulled out,” adds Evan Roider, music director of the show and a CCM graduate student in orchestral conducting.

“The score highlights Herman’s tremendous talent for melody — brassy two-steps, voluptuous ballads and a tap number that rivals those of the early 20th century,” Roider says. “Audiences can expect an old fashioned score that will have them humming as they leave the theater.”
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MACK AND MABEL
Based on an idea by Leonard Spigelglass
Book by Michael Stewart
Music and Lyrics by Jerry Herman

Performance Times
8 p.m. Thursday, March 2
8 p.m. Friday, March 3
8 p.m. Saturday, March 4
2 p.m. Sunday, March 5

Location
Corbett Auditorium, College-Conservatory of Music
University of Cincinnati

Purchasing Tickets
Tickets to Mack and Mabel are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/mack-and-mabel.html.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mack and Mabel is presented by a special arrangement with SAMUEL FRENCH, INC.

CCM News
'Her Naked Skin' Wigs

CCM Behind-the-Scenes: Creating Wigs & Make-Up for ‘Her Naked Skin’

Danae R. Jimenez, third-year graduate student at CCM, always dreamed of doing hair and make-up for theatre. When she was a little girl, she remembers telling her grandma, “I’m gonna do hair and make-up for the stars!”

Now, at least during CCM’s production of Her Naked Skin, Jimenez is turning her focus to suffragettes.

Danae Jimenez with two wigs from CCM's production of 'Her Naked Skin.'

Danae Jimenez with two wigs from CCM’s production of ‘Her Naked Skin.’

Jimenez is the Wig and Make-Up Designer for Her Naked Skin, a political drama about women who fought for the right to vote in London in 1913. Directed by CCM Acting Chair Richard E. Hess, the play runs Feb. 8 (preview) through Feb. 12 in Patricia Corbett Theater.

There are 24 wigs in the production and 5 different facial hair pieces, Jimenez says. It is a big production for CCM’s five-person Wig and Make-up Shop, but the students are no strangers to hard work.

CCM has one of the only graduate-level Wig and Make-Up programs in the country, which is why Jimenez choose to study at the college after she graduated with an undergraduate degree in theatre from Saint Mary’s College in Indiana.

“Im from Ohio and CCM has always been one of those places with prestige attached to it,” she says. “My professors at Saint Mary’s said this was the place I needed to be.”

Since she became at student at CCM, Jimenez has designed wigs and make-up for several shows, including Mainstage productions of A Chorus Line and Pentecost. She began designing for Her Naked Skin in the fall and the students started building the hair pieces when everyone returned from winter break.

“This show is very different for me design-wise because we had to do so much pre-planning,” she says. “I think one of the largest challenges was to not over design. We wanted to make sure that our choices were made smartly.”

She looked at historical photos to shape her designs around how people actually wore their hair in the early 1900s. She even found photos of the real suffragettes who were sent to Holloway Prison, a setting depicted in Her Naked Skin.

“Being able to look at real photos of women from that time in those situations was very cool,” says Jimenez, who minored in women’s studies when she was an undergraduate student. “Finding actual true historical research was probably the best and easiest part of the design process.”

The hard part was planning around the multiple wig and make-up changes that occur throughout the production. Most of the actors in Her Naked Skin play multiple roles, so the wig and make-up changes often signify character changes. Jimenez was challenged to create practical designs that can be quickly fixed and altered behind-the-scenes during the performance.

Some of the lead female characters have two wigs. The backup wigs are used during certain “action scenes” so the primary wigs can remain styled correctly. For example, Jimenez designed a second wig for a character who is forcibly hosed with water when she is jailed in Holloway prison.

Danae Jimenez with CCM acting student Spencer Lackey.

Danae Jimenez with CCM acting student Spencer Lackey.

She kept the make-up fairly simple to give the women a natural look because make-up was not widely used until the 1920s. However, the men wear more make-up and have more wigs and hair pieces to represent their character changes.

“Some of the men get fun character make-up because they are playing specific historical characters so we are adjusting that make-up to make them look more like the real people,” Jimenez says.

“My favorite one right now is Spencer Lackey, who is playing Keir Hardie [a former leader of the United Kingdom’s Labour Party]. We are doing a beard for him and we are going to do his make-up to make him look aged.”

The students also built a curly white “judge” wig from scratch for CCM actor Landon Hawkins, who plays the Speaker of the House in Her Naked Skin. Jimenez is working with Assistant Professor of Make-Up Kelly Yurko on the complicated wig. She has never built such a wig before but she previously created a fully hand-tied wig for  class that took her between 50 and 60 hours to complete — from laying the wig’s lace foundation and sewing it together to tying all of the hair into place.

The wig and make-up crew did not build all of the wigs from scratch, most were built by previous students for past CCM productions. However, Jimenez styled all of the wigs. They also had to be altered to fit the actors; the students traced the actors heads to create new measurements for the wigs.

Danae Jimenez with fellow wig and make-up student Meredith Keister as she "wefts," or creates tracks of hair, for a wig.

Danae Jimenez with fellow wig and make-up student Meredith Keister as she “wefts,” or creates tracks of hair, for a wig.

Many of the wigs needed to be “refronted,” which means the students replaced part of the wigs to blend with the actors’ natural hairlines. This process involves tying hair piece-by-piece into a lace foundation from the middle of the crown to the hairline. This can take about 10 to 12 hours.

“Everyone has been so helpful,” Jimenez says about the other students working with her. “For there only being five of us in the shop, everyone has been great.”

Audiences can see the products of their handy work when CCM presents Her Naked Skin from Feb. 8-12 in Patricia Corbett Theater. Tickets are available online through CCM’s Box Office.

After Her Naked Skin closes the shop will focus on CCM’s next Mainstage production, Jerry Herman’s powerful musical Mack and Mabel. Jimenez has been assisting Yurko in creating wig and make-up designs for the musical, which is set in the 1920s.

“I know it’s going to be a lot of wigs and a lot of changes, Jimenez says. “It’s going to be another big one.”

___________________

Event Information
Her Naked Skin contains adult themes and situations, including brief nudity, and is intended for mature audiences.

Performance Times

  • 8 p.m. Wednesday, Feb. 8 (preview)
  • 8 p.m. Thursday, Feb. 9
  • 8 p.m. Friday, Feb. 10
  • 2 & 8 p.m. Saturday, Feb. 11
  • 2 p.m. Sunday, Feb. 12

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to Her Naked Skin are $27-31 adults, $17-20 non-UC students and $15-18 UC students with a valid ID. Tickets to the Feb. 8 preview performance are just $15.

Student rush tickets will be sold one hour before each performance to non-UC students for $12-15, based on availability. UC students can receive one free student rush ticket with a valid ID, also based on availability.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/her-naked-skin.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
___________________

Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

CCM News Student Salutes
Romeo and Juliet preview photography by Mark Lyons.

CCM Opens 2016-17 Mainstage Series with a Retelling of “Romeo and Juliet”

The University of Cincinnati’s College-Conservatory of Music opens its 2016-17 Mainstage Series with a preview performance of William Shakespeare’s Romeo and Juliet on Wednesday, Sept. 28 in Patricia Corbett Theater.  With this modern production of the Bard’s beloved tragedy, director Brant Russell aims to preserve Shakespeare’s intentions and give CCM students the opportunity to bring these iconic roles to life.

CCM’s retelling of Romeo and Juliet weaves the familiar story of ill-fated young love with a modern comedic twist. “It’s a comedy…until it’s not,” said Assistant Professor of Acting Brant Russell.

“What I’m hoping the audience will take away from this is everything that CCM does so well; lavish production values and excellent young actors coming together to tell a story that means something to everyone,” Russell said. “Everything an audience has come to expect from CCM and its eye-popping productions will be present in this show.”

Romeo & Juliet

Photography by Mark Lyons.

CCM Acting seniors Spencer Lackey and Katie McDonald play the title roles — an experience that would be a dream come true for many young actors. Russell is happy to showcase fresh faces, which is what the script actually calls for. According to the play’s text, Juliet is almost 14 years old and Romeo’s age is never explicitly mentioned.

“This production puts the beauty and eloquence of Shakespeare’s language front and center, but, in the mouths of these young actors, you’ll hear the language like you’ve never heard it before,” Russell said.

Romeo and Juliet opens on Wednesday, Sept. 28 (preview) and runs through Sunday, Oct. 2 at the CCM’s Patricia Corbett Theater.
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Creative Team
• Brant Russell, director
• Whitney Glover, scenic designer*
• Nick Saiki, lighting designer*
• Jeremy Lee, sound designer
• Sean K. Tingle, sound designer*
• Raphael Regan, costume designer*
• Erin Schwob, wig and make-up designer*
• Hope Rice, dramaturg*
• Brianna Latrash, choreographer*
• Hamilton Moore, choreographer*
• k. Jenny Jones, fight choreographer
• Andi Radujkovic, stage manager*
* CCM student

Cast List
Owen Alderson as Capulet
• Carissa Cardy as Montague
• Jabari Carter as Gregory
• Clare Combest as Lady Capulet
• Jacqueline Daaleman as Lady Montague/ Chorus 1
• Gabriella Divincenzo as Friar Lawrence’s Assistant/ Watchman
• Sarah Durham as Watchwoman
• James Egbert as Friar Lawrence
• Ryan Garrett as Paris
• Annie Grove as Mercutio
• Landon Hawkins as Tybalt
• Carter La Cava as Sampson/ Watchman
• Spencer Lackey as Romeo
• Katie Langham as Nurse/ Actor
• Katie McDonald as Juliet
• Julia Netzer as Abraham/ Apothecary/ Watchman
• Josh Reiter as Balthasar
• Mickey Tropeano as Benvolio
• Emily Walton as Prince

Performance Times
• 8 p.m. Wednesday, Sept. 28 (preview)
• 8 p.m. Thursday, Sept. 29
• 8 p.m. Friday, Sept. 30
• 2 and 8 p.m. Saturday, Oct. 1
• 2 p.m. Sunday, Oct. 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Romeo and Juliet are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Tickets to the Sept. 28 preview performance are just $15.

Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Customizable subscription packages are also available for CCM’s 2016-17 Mainstage Series.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/romeo-and-juliet.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

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Story by CCM graduate student Alexandra Doyle

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