CCM Choral Studies Presents Monteverdi Festival on April 8

CCM showcases the works of Claudio Monteverdi with a 90-minute performance at 3 p.m. on Sunday, April 8, 2018, in CCM’s Cohen Family Studio Theater. The CCM Chamber Choir, student soloists and early music guest artists unite under the direction of Earl Rivers for this feast of chamber and large-scale choral works.

The concert features Monteverdi’s madrigals from Book 7 (1619) and Book 8 (1638), as well as concertato motets from the Selva Morale e Spirituale of 1641. These pieces will be contrasted with four works from contemporary composers Dominick Argento, Claude Baker, William Hawley and Ildebrando Pizzetti, who were each influenced by Monteverdi’s compositions.

With support from the Cambridge Charitable Foundation, CCM has invited seven professional early music guest artists to perform on period violins, lute, baroque guitar, theorbo, baroque harp, baroque cello and contrabass at the concert. The guest artists will also coach CCM harpsichord and organ students who perform at the concert.

CCM’s Monteverdi Festival enhances student experiences in historical performance practice and provides CCM voice students with chamber music experiences within a large choral ensemble — all while presenting a feast of works by Monteverdi and his followers that audiences will relish.

The following week, the CCM Chorale and CCM piano professor Kenneth Griffiths perform Franz Liszt’s Via Crucis under the direction of Brett Scott. This masterwork was composed between 1866 and 1878 and portrays Jesus’ journey carrying the cross in 14 meditations. The program, which takes place at 4 p.m. on Saturday, April 14 in CCM’s Patricia Corbett Theater, will also include art songs by Liszt performed by eight student soloists.
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EVENT INFORMATION

3 p.m. Sunday, April 8
Monteverdi Festival
Location: Cohen Family Studio Theater
Tickets: $15 general, $10 non-UC students, UC Students FREE
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4 p.m. Saturday, April 14
Liszt’s Via Crucis
Location: Patricia Corbett Theater
Tickets: $15 general, $10 non-UC students, UC Students FREE
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PURCHASING TICKETS
Tickets for each choral performance are $15 general, $10 non-UC students, UC Students FREE.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.
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PARKING AND DIRECTIONS
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Choral Studies Sponsors: Jan Rogers; Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation
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Story by CCM Graduate Student Alexandra Doyle

CCM News Student Salutes

CCM Presents Staged Version of Bach’s ‘St. Matthew Passion’

UC’s College-Conservatory of Music will showcase J.S. Bach’s monumental St. Matthew Passion at Cincinnati’s Christ Church Cathedral at 3 p.m. on Sunday, April 9. Conducted by CCM Director of Choral Studies Earl Rivers with stage direction from artist diploma candidate Andreas Hager, the performance features faculty artist Daniel Weeks and student aria soloists.

Known for its stunning choruses, interplay between recitative and aria and sublime storytelling, St. Matthew Passion has made an enduring mark in music history as a sublime example of a musical setting of the passion story. Thanks in part to a grant from the Cambridge Charitable Foundation, CCM’s staged performance illuminates the dramatic intensity of this Baroque masterwork, which retells the compelling story of the events leading up to the trial of Jesus, his crucifixion and burial.

“Bach was interested in the spiritual drama of the crucifixion, not only of Jesus but of society,” said Hager, a first-year artist diploma candidate in opera stage direction. “Our production explores the moral culpability we all face living in a complex world. From Judas to Peter to Pilate — no one can escape from the consequences of their choices.”

“Our production is spare and minimalist, allowing the full force of Bach’s music to take the forefront.”

The CCM Chamber Choir, Cincinnati Children’s Choir and CCM Philharmonia will combine forces to perform this massive work. To make this work come to life on stage, the CCM production emphasizes the piece’s storylines by designating arias to specific characters.

The story is presented by a narrator called the Evangelist, played by faculty artist Daniel Weeks, tenor, with student soloists as Jesus (Samson McCrady, bass-baritone), Pilate (Christian Pursell, baritone) and aria singers (Ashley Fabian and Jackie Stevens, sopranos; Reilly Nelson and Paulina Villarreal, mezzo-sopranos; Thomas J. Capobianco, tenor and Eric Shane Heatley and Joseph Mazzara, baritones).

CCM has a long history with St. Matthew Passion, which dates back to a February 1970 performance that featured alumna Kathleen Battle (MM Voice, 1971) singing the aria, “Aus liebe.” The college most recently performed the work in November, 2011. This staged performance, held at Cincinnati’s St. Peter in Chains Cathedral, was the first of its kind in the Midwest.

Join us for CCM’s latest production of this iconic masterwork. St. Matthew Passion will be performed at 3 p.m. on Palm Sunday, April 9 at Christ Church Cathedral, located at 318 East Fourth Street.

Performance Date
3 p.m. Sunday, April 9

Location
Christ Church Cathedral
318 East Fourth Street, Cincinnati, OH 45246

Purchasing Tickets
Single tickets are $15 general admission, $10 for non-UC students and FREE for UC students with valid ID.

Single tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Directions
Christ Church Cathedral is located at the corners of Fourth and Sycamore Streets in Cincinnati, Ohio. For directions and additional information, please refer to http://cincinnaticathedral.com/belong.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Sponsored by the Cambridge Charitable Foundation

CCM News Faculty Fanfare Student Salutes
Old 'Thinking About Music' lecture logo.

CCM’s Thinking About Music Lecture Series Opens Friday, Sept. 9

Each semester, CCM welcomes distinguished experts for a series of free Friday afternoon musical discussions. This fall, the Thinking About Music lecture series will present four free public talks, beginning with a presentation by Indiana University Jacobs School of Music Professor Halina Goldberg on Friday, Sept. 9, held as part of CCM’s Fall Polish Festival.

CCM's Fall 2016 Thinking About Music Lecture Series schedule.Sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, these music theory and history discussions feature diverse topics presented by distinguished experts from all over the United States and are designed to engage participants’ imaginations and to consider music in new ways.

This semester’s guest lecturers also include University of Alabama Professor Stephen Peles (Sept. 16), Yale University Professor Brian Kane (Sept. 30) and Miami University Professor Tammy Kernodle (Oct. 28). See the listings below for more information on this semester’s presentation topics.

Since its inception in 1997, the Thinking About Music Series has presented nearly 130 lectures and one symposium by guests from a number of different colleges, universities, schools of music, foundations, institutes, museums and publications.

The subjects of the lectures have covered historical musicology, music theory and ethnomusicology, along with the ancillary fields of organology, dance, music business and law, cognitive psychology, and the philosophy, theology and sociology of music.

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2016 FALL JOSEPH AND FRANCES JONES POETKER THINKING ABOUT MUSIC LECTURE SERIES

CCM's Thinking About Music Lecture Series welcomes Halina Goldberg on Sept. 9, 2016.2:30 p.m. Friday, Sept. 9
THE NATIONAL COMPOSER / THE COSMOPOLITAN COMPOSER: IN SEARCH OF POLISH (?) MUSIC
Halina Goldberg, Jacobs School of Music

Dr. Halina Goldberg, acknowledged as one of the world’s foremost experts on Polish music, will present a lecture on aspects of Polish art and culture.
Location: Baur Room
Admission: FREE

Polish Festival Sponsor: Judith Heiny and Piotr Chomczynski
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CCM's Thinking About Music Lecture Series welcomes Stephen Peles on Sept. 16, 2016.2:30 p.m. Friday, Sept. 16
HOW THE GIVEN IS TAKEN: BABBITT, PRINCETON AND THE PSYCHOLOGIZATION OF POSTWAR AMERICAN MUSIC ANALYSIS
Stephen Peles, University of Alabama

The public controversy engendered by Babbitt’s call for a “scientific” music theory has tended to overshadow other more enduring aspects of his meta-theoretical program. This lecture argues for the significance to Babbitt’s legacy of his insistence on the centrality of the listener (real and imagined) to analytic claims.
Location: Baur Room
Admission: FREE
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CCM's Thinking About Music Lecture Series welcomes Brian Kane on Sept. 30, 2016.2:30 p.m. Friday, Sept. 30
HEARING DOUBLE: JAZZ ONTOLOGY
Brian Kane, Yale University
Philosophers have often considered the ontology of music, worrying over the relation between works, scores and performances — yet jazz has not received the same consideration. This lecture argues for a non-essentialist, network-based ontology of jazz standards.
Location: Baur Room
Admission: FREE
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CCM's Thinking About Music Lecture Series welcomes Tammy Kernodle on Oct. 28, 2016.2:30 p.m. Friday, Oct. 28
I TOO SING AMERICA: BLACK WOMEN MUSICIANS, LANGSTON HUGHES AND THE ADVANCEMENT OF BLACK RADICAL EXPRESSIVE CULTURE IN COLD WAR ERA AMERICA
Tammy Kernodle, Miami University

This talk will explore how poet/activist Langston Hughes’ collaborations with Margaret Bonds, Odetta and Nina Simone provided the foundation for the type of radical expressive culture that advanced, musically, the ideals of political and social equality during the 1950s and 1960s.
Location: Baur Room
Admission: FREE
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Event Information

Unless otherwise indicated, all Thinking About Music lectures take place on Fridays at 2:30 p.m. in the Baur Room of CCM’s Corbett Center for the Performing Arts, which is located on the campus of the University of Cincinnati.

These events are free and open to the public. All event dates and programs are subject to change. Visit ccm.uc.edu for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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A preeminent institution for the performing and media arts, CCM is the largest single source of performing arts presentations in the state of Ohio.

All event dates and programs are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
Monteverdi's Vespers.

CCM Performs Claudio Monteverdi’s Large-Scale Masterwork ‘Vespers of 1610’ on Nov. 16

Guest artists and student soloists for CCM's performance of Monteverdi's 'Vespers of 1610.' Photography by Jay Yocis.

Guest artists and student soloists for CCM’s performance of Monteverdi’s ‘Vespers of 1610.’ Photography by Jay Yocis.

Next Sunday, CCM will present Claudio Monteverdi’s masterwork Vespers of 1610, featuring regional and national Early Music guest artists, the CCM Chamber Choir, Philharmonia Chamber Orchestra and student soloists with CCM’s Director of Choral Studies Earl Rivers conducting. The performance will be staged at Christ Church Cathedral in downtown Cincinnati.

“Monteverdi’s Vespers of 1610 is the Beethoven 5th of Early Music,” Rivers explains. “Monteverdi retained many of the Renaissance traditions in the work but fused the older style with the advent of the new, florid Early Baroque style of music. Vespers of 1610 is a significant international repertory work that students will be performing throughout their careers.”

Anchoring the advent of music in the Baroque era as a large-scale masterwork, Monteverdi’s Vespers of 1610 displays a range of lavish colors for vocal and instrumental soloists; six, seven, eight and 10-voice choral textures; and virtuosic embellishments and improvisations. The first major choral/orchestral repertory work of the early Baroque period, Vespers of 1610 features solo, chamber and ensemble music displaying the historic past of Renaissance polyphony and Gregorian chant, as well as music of the future in the form of Baroque chamber duets, concerted choruses and large-scale instrumental movements.

This lavish presentation will involve many participants such as Early Music guest and local artists including:

  • Alexander Bonus and Stephen Escher, cornetto
  • Christopher Canapa, Alex Krawczyk and Linda Pearse, sackbut

Continuo Group comprised of:

  • Adriana Contino, cello
  • Dieter Hennings, theorbo
  • Annalisa Pappano, lirone and viola da gamba
  • Elizabeth Motter, Baroque harp
  • Rodney Stucky, archlute and Baroque guitar
  • Michael Unger, continuo organ and harpsichord

And featuring CCM student soloists:

  • Grace Kahl and Jacqueline Stevens, soprano
  • Paulina Villarreal, mezzo-soprano
  • Allan Palacios Chan and Marcus Shields, tenor
  • T. J. Capobianco, tenor (Duo Seraphim)
  • Jacob Kincaide, bass
  • Brandon Bell, bass-baritone (Laudate Pueri and Magnificat)

About Alexander Bonus, cornetto
Alexander Bonus maintains a varied career performing historic brass and keyboard instruments, in addition to his conducting, researching, and teaching activities. He has performed with ensembles including Tafelmusik Baroque Orchestra; the Philharmonia Baroque Orchestra; Folger Consort; Tragicomedia; Indianapolis Baroque Orchestra; the Washington Cornett and Sackbut Ensemble; the Newberry Consort; and Chicago Opera Theater. Dr. Bonus also appeared onstage in the Boston Early Music Festival production of Lully’s Psyché, and is heard on BEMF’s recording of this work, released on the CPO label. He holds a PhD in Musicology from Case Western Reserve University as well as MM and BM degrees from the Eastman School of Music. His scholarship appears in the latest edition of the Grove Dictionary of Musical Instruments and Oxford Handbooks online among other sources. Dr. Bonus is the Assistant Professor of Music at Bard College, where he directs the Bard Baroque Ensemble and teaches courses in music history, theory, and historical performance practices.

About Annalisa Pappano, viola da gamba and lirone
Artistic director of Catacoustic Consort, Annalisa Pappano performs throughout the United States and Europe. She is recognized for bringing together the best international talent to present groundbreaking programs and landmark performances. Pappano studied at Indiana University’s Early Music Institute (Wendy Gillespie) and at Oberlin Conservatory of Music (Catharina Meints).

She has performed throughout Belgium, England, Ireland, Colombia, Canada, and the U.S., has appeared on nationally syndicated radio and has played at the Berkeley and Vancouver Early Music Festivals and the Ojai Music Festival. Pappano is a member of Atalante (England) and has performed with numerous other ensembles including the Houston Grand Opera, the Cleveland Opera, the Portland Opera, the Portland Baroque Orchestra, Les Voix Baroques, Opera Atelier, the Toronto Consort, the Concord Ensemble, Cappella Artemisia (Bologna), the Dublin Drag Orchestra, Wildcat Viols, and Consortium Carissimi.

Pappano has taught at Viola da Gamba Society of America national conclaves, the Viola da Gamba Society Pacific Northwest and Northeast chapters, the San Diego Early Music Workshop, Viols West, the Madison Early Music Workshop and has been a guest lecturer at numerous universities.

She led the Catacoustic Consort to win the grand prize in the Naxos / Early Music America Live Recording Competition and recorded a program of Italian laments on the Naxos label. Pappano completed a performance practice orchestra workshop at Miami University in Ohio. She is currently teaching viola da gamba at the University of Cincinnati College-Conservatory of Music.

About Linda Pearse, sackbut
Canadian-born Linda Pearse is recognized as a specialist in the exquisite musical repertoire of early seventeenth-century Italy. Dr. Pearse is Assistant Professor of Brass at Mount Allison University (New Brunswick) and Lecturer for Baroque trombone at Indiana University Bloomington. Following studies at McGill University, a career in Europe included regular performances with the Stuttgart Philharmoniker, Stuttgart Opera House, the Basel Symphony, La Cetra, piano possible and the Stuttgart Musical Theater. Pearse is the Artistic Director of the San Francisco Early Music Summer Baroque Workshop and directs the award-winning ensemble ¡Sacabuche!

Recent performances include a twelve-concert tour to Beijing with the interdisciplinary program “Matteo Ricci: His Map and Music” (Dec 2010), a tour to Hong Kong and Macau China (June 2013), and tours to Victoria, Nanaimo, and Salt Spring Island, Vancouver, Minneapolis, Indianapolis, New York, San Francisco, Bloomington (IN), Madison (WI), Kansas City and Houston. Her most recent project “Venetia 1500” is inspired by the Barbari Aerial Woodcut of Venice from 1500 and creates a conversation between new music, early music, texts and images, that finds resonances with Maritime cultures in decline. Her critical edition of Seventeenth-Century Italian Motets with Trombone is published with A-R Editions (April 2014).

Performance Time
5 p.m. Sunday, Nov. 16

Location
Christ Church Cathedral
Fourth & Sycamore Streets
Cincinnati, OH 45202

Purchasing Tickets

Tickets to Monteverdi’s Vespers of 1610 are $20 for general admission, $15 for non-UC students and free for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/monteverdi-vespers. Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Tickets will also be available beginning at 4 p.m. on the day of the performance at Christ Church Cathedral; cash and checks only at the door.

Parking and Directions
For more information on Cathedral hours and parking, please visit www.christchurchcincinnati.org.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

CCM’s production of Monteverdi’s Vespers of 1610 is made possible by funding from the Cambridge Charitable Foundation and CCM’s Tangeman Sacred Music Center.

CCM News

CET Cincinnati Public Television Broadcasts Premiere of ‘Monteverdi From CCM’ on May 12

From left-to-right: Vivian Montgomery, harpsichord; vocalists: James Onstad, Derrell Acon and Xi Wang; Jennifer Roig-Francoli, Baroque violin; and Annalisa Pappano, viola da gamba. Photography by Dottie Stover.

From left-to-right: Vivian Montgomery, harpsichord; vocalists: James Onstad, Derrell Acon and Xi Wang; Jennifer Roig-Francoli, Baroque violin; and Annalisa Pappano, viola da gamba. Photography by Dottie Stover.

CET Cincinnati Public Television will premiere Monteverdi from CCM at 8 p.m. on Sunday, May 12, on the CET Arts channel. This program is part of an exciting new collaboration between CCM and CET, which will bring CCM’s world-class performances to PBS viewers throughout the Greater Cincinnati viewing area.

You can read more about this collaboration here.

Monteverdi from CCM was shot on location in CCM Village in November of 2012. The performance features CCM’s Chamber Choir, Early Music faculty members, students and guest artists presenting highlights from Claudio Monteverdi’s Madrigals of Love and War and Selva Morale e Spirituale.

You can learn more about the November performance here.

Monteverdi from CCM is scheduled to air on the CET Arts channel during the following times:

CCM News

‘Music in Cincinnati’ Reviews CCM’s Monteverdi Project

Mary Ellyn Hutton provides a comprehensive review of CCM’s Nov. 28 Monteverdi Project concert for Music in Cincinnati, declaring that “early music is thriving at CCM.” You can read her full review here.

As previously reported, the Nov. 28 Monteverdi concert was recorded for future broadcast as part of an exciting new collaboration between CCM and CET, Cincinnati Public Television. Learn more about this collaboration here or read the News Records‘ coverage here.

CCM News

CCM Choral Series Presents Culmination of ‘Monteverdi Project’ on Nov. 28

From left-to-right: Vivian Montgomery, harpsichord; vocalists: James Onstad, Derrell Acon and Xi Wang; Jennifer Roig-Francoli, Baroque violin; and Annalisa Pappano, viola da gamba. Photography by Dottie Stover.

From left-to-right: Vivian Montgomery, harpsichord; vocalists: James Onstad, Derrell Acon and Xi Wang; Jennifer Roig-Francoli, Baroque violin; and Annalisa Pappano, viola da gamba. Photography by Dottie Stover.

CCM’s Chamber Choir teams with Early Music faculty, students and guest artists for an evening featuring highlights from Claudio Monteverdi’s secular masterwork (Book 8: Madrigals of Love and War) and sacred collection (Selva Morale e Spirituale) beginning at 8 p.m. on Wednesday, Nov. 28 in Corbett Auditorium.

The performance is the apex of CCM’s Monteverdi Project, made possible through a generous grant from the Willard and Jean Mulford Charitable Fund of the Cambridge Charitable Foundation. Directed by Earl Rivers, and featuring the CCM Chamber Choir, the Monterverdi Project has been coached by CCM Early Music Faculty members Vivian Montgomery, harpsichord, and Annalisa Pappano, gamba and lirone. Guest artist continuo members include Michael Leopold, theorbo; Elizabeth Motter, Baroque harp; Jennifer Roig-Francolí, Baroque violin; James Lambert, contrabass and gamba; Yaël Senamaud, Baroque violin; and Rodney Stucky, archlute and Baroque guitar.

This concert event will be recorded for future broadcast as part of an exciting new collaboration between CCM and CET, Cincinnati Public Television.

CCM News

CCM Announces Updated Event Information for November and December 2012

Today, we are delighted to provide you with CCM’s updated schedule of major events for November and December 2012. All updated listings are highlighted in red.

All events listed below take place in CCM Village on the campus of the University of Cincinnati unless otherwise indicated. Admission is free to many CCM performances, although some events do require purchased tickets or reservations. Please see individual event information for details and ordering information.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

CCM News