Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM's Mainstage Series production of 'Peter Pan.' Photography by Mark Lyons.

CCM’s Mainstage Series Proudly Presents Broadway’s Timeless Musical ‘Peter Pan’ March 5-8, 2015

CCM continues its 2014-15 Mainstage Series with the classic fairytale musical Peter Pan. Directed and choreographed by guest artist Joe Locarro, with musical direction by CCM Professor of Musical Theatre Roger Grodsky, this production promises to whisk audiences away to a place where dreams are born and no one ever grows up! Peter Pan makes its CCM debut at 8 p.m. on Thursday, March 5, in Corbett Auditorium and plays through March 8, 2015. Tickets are on sale now.

Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM's Mainstage Series production of 'Peter Pan.' Photography by Mark Lyons.

Hannah Zazzaro as Peter Pan and Nathaniel Irvin as Captain Hook in CCM’s Mainstage Series production of ‘Peter Pan.’ Photography by Mark Lyons.

Based on J.M. Barrie’s classic tale and featuring an unforgettable score by Morris “Moose” Charlap and Jule Styne with lyrics by Carolyn Leigh and Betty Comden and Adolph Green, Peter Pan is one of the most beloved family favorites of all time. This high-flying Tony Award-winning musical has been performed around the world and delighted audiences for 60 years.

Peter Pan’s enduring status comes as no surprise to Locarro, who brings years of Broadway experience to CCM’s production. In addition to providing perspective on the end of the Victorian Era, Locarro explains that Barrie’s fairy tale is also “a story of longing and the continuum of life. Although Peter Pan is the catalyst, it is really Wendy’s journey through adolescence and subsequently the journey of her daughter Jane and Jane’s daughter after that. Having a 20-year-old daughter of my own, I too see the importance of this journey for all of our children and understand why Peter Pan is popular to this day.”

While CCM is widely known for its remarkable stage productions, audiences can expect something truly remarkable for this production of Peter Pan. This is thanks to Locarro’s unique vision and also to an exciting collaboration between CCM’s faculty, student and staff talent and the expertise of theatrical flying effects and equipment industry leaders, ZFX, Inc. CCM Professor of Drama and Peter Pan fight choreographer k. Jenny Jones explains, “ZFX Flying Effects and I are creating sword fights with aerial dynamics that have never been tried before. Several years ago, I commissioned ZFX for a study of the variables of fighting while flying, and how flying may enhance the action of staged combat. The duel between Peter and Hook in this production is a perfect representation of this research and it will make CCM’s Peter Pan quite special.”

ZFX is one of the many professional industry leaders in theatre technology that will be in Cincinnati for the 55th annual United States Institute for Theatre Technology (USITT) Conference and Stage Expo, which comes to the Duke Energy Convention Center March 18-21, 2015. Expo attendees will have the opportunity to visit CCM Village to see Peter Pan‘s groundbreaking flying effects set up for themselves even after the production has closed.

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Hannah Zazzaro, a senior from Clearwater, Florida, is one of two CCM students playing the demanding part of Peter Pan. She shares the role with junior musical theatre major Clara Cox. The role of Peter Pan will alternate between Cox (March 6; March 7 matinee) and Zazzaro (March 5; March 7; March 8 matinee).

Download Peter Pan‘s cast list here.

Zazzaro’s preparation began back in November when she read and re-read the script and watched every version of Peter Pan that she could find. Her goal was to understand her part in the storytelling and to know the text forward and backward. “Peter Pan is a demanding role in every way,” says Zazzaro. “I have to run, jump, fly, dance, sing while flying, do cartwheels, and sword fight both in the air and on the ground. I started a 60-day physical training program called ‘Insanity’ that I will continue to do regularly through the end of the show… and maybe even after because I like it so much!”

In addition to her copious musical theatre experience, Zazzaro is a classically trained singer, which makes her a perfect choice for this role. “My favorite part of the show is when Peter Pan turns into a ‘lady’ and sings a short aria with Captain Hook. This show has given me the opportunity to finally show off my low notes, my high belt and my high soprano! It’s so much fun,” she says enthusiastically.

Under Jones’ guidance, Zazzaro has also learned to sword fight. “Three things that I know I have to focus on are: trusting my wrists and allowing my sword to swing rather than forcing it to, having a spacial understanding with whomever I’m swinging at, and communicating with them through body language in order to be successful and safe,” Zazzaro explains. Mastering all of these things at once has been challenging, but Zazzaro states it’s been “completely worth it.”

Senior Dallas Padoven plays the role of Cecco the pirate alongside Zazzaro, but he faces his own unique challenges. Padoven is also Captain Hook’s understudy, meaning he has to be prepared to take on the iconic villain’s role on short notice. “Preparing for two characters is extremely interesting,” says Padoven. “I have to be on my toes while working at all times. While I am learning the pirate role, I also have to keep one eye on Hook to make sure I know what he is doing. I am in the same scenes as two different characters.”

Both Zazzaro and Padoven agree that working with Locarro has been wonderful. “He has a lot of experience in the field,” says Padoven. “While we are working with him we are figuring out our blocking and choreography but he also tells us about various shows he’s been in. He really teaches through personal stories, so we’ve learned a lot, especially things like what to do and not to do in audition and rehearsal situations.”

Zazzaro particularly appreciates Locarro’s attention to detail. “One of the hardest things is the Corbett Auditorium. The stage is huge, but it has seemed almost effortless for Joe to create pictures that fill out the entire stage.”

CCM’s production of Peter Pan also features scenic design by Mark Halpin, costume design by Dean Mogle and Rebecca Senske, lighting design by Chris Carter, sound design by Jeremy Lee and wig and make-up design by Kelly Yurko. With the iconic songs “I’m Flying,” “I Gotta Crow,” “I Won’t Grow Up” and “Never Never Land,” and a rousing book full of magic, warmth and adventure, Peter Pan is the perfect show for the child in all of us who dreamed of soaring high and never growing up.

About Joe Locarro
Joe Locarro is a director, choreographer and producer who has directed for stage, film and television. His film Finding Billy was nominated for two New York Emmy Awards (for best direction and best documentary) and was an official selection of the 2012 Dance on Camera Festival. Finding Billy has also been broadcast nationally on PBS for the past five years.

Locarro’s recent directing credits include two seasons of the PBS National series Intelligence Squared Debates, productions of Les Misérables for the University of Michigan Musical Theatre Department (April 2014) and Music Theatre of Wichita (August 2013), and the PBS series Vine Talk starring Stanley Tucci. Some of his PBS specials include Remember Me with Parsons Dance Co & The East Village Opera Company, A Tale of Two Cities in Concert and three specials with Deepak Chopra.

Locarro specializes in filming and editing dance, theatre and music and is currently guest director for the live web broadcasts from Jazz at Lincoln Center’s Appel Room. He has also directed numerous stage productions including regional productions of Ragtime and Les Misérables.

Locarro began his career as a dancer and choreographer, dancing with the Boston, Joffrey and Hartford Ballet Companies creating and choreographing 30 works for dance companies across the U.S. After a career in ballet, he went on to perform on Broadway and first national tours in six musicals including the role of ‘Enjolras’ in Les Misérables (both on Broadway and in the first national tour), the original Broadway companies of Ragtime, Goodbye Girl and Merlin as well as the role of Munkstrap in Cats and West Side Story.

Locarro brings his many years of performance experience to his work with artists and arts organizations. He continues to film and edit for dance companies around the world, as well as create promotional videos and documentaries for arts organizations and individual artists.

About ZFX, Inc.
Founded in 1994, ZFX, Inc. is the complete service provider for Flying Effects. They don’t just handle the rigging or flying harnesses. They’re not just skilled at automation, choreography and flying design. ZFX covers every aspect of flying possibilities. From high schools to Broadway, churches to special events, ZFX zealously pursues its goal of worldwide domination of the performer flying industry. Their infectious enthusiasm comes at no additional charge. They don’t wake up and put their pants on one leg at a time like the other guys. They wrap themselves in kilts and stride boldly out into the world. ZFX offers performer flying, high speed hoists, flying of props, automated systems, stunt gags, truss equipment mounting, aerial acts, manually operated systems, corporate shows and events, custom harnesses, spectacle flying and safety consultation. Learn more by visiting www.zfxflying.com.

Performance Times

  • 8 p.m. Thursday, March 5
  • 8 p.m. Friday, March 6
  • 2 and 8 p.m. Saturday, March 7
  • 2 p.m. Sunday, March 8

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Peter Pan are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/peter-pan-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mainstage Production Sponsor: Wells Fargo Advisors, LLC

Community Partner: ArtsWave

Peter Pan is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com

CCM News CCM Slideshows
From left to right: CCM graduating seniors Eric Geil, Nate Irvin, Thomas Knapp and Dallas Padoven rehearse “Holiday” from American Idiot. The song is featured in this year’s New York Musical Theatre Showcase. Photo by Dallas Padoven.

CCM Snags the Award-Winning Punk Rock Musical ‘American Idiot’ for An Exciting and Eclectic 2015-16 Mainstage Series

From left to right, CCM graduating seniors Eric Geil, Thomas Knapp, Dallas Padoven and Nate Irvin rehearsing “Holiday” from American Idiot. This song is also featured in CCM's New York Musical Theatre Showcase later on this semester.

From left to right, CCM graduating seniors Eric Geil, Thomas Knapp, Dallas Padoven and Nate Irvin rehearsing “Holiday” from American Idiot. This song is also featured in CCM’s New York Musical Theatre Showcase later on this semester.

CCM has secured the rights to present the Tony Award-winning musical blockbuster American Idiot as part of its 2015-16 Mainstage Series. Running March 3 – 13, 2016, in CCM’s Patricia Corbett Theater, this will be the first local production of the acclaimed rock opera.

A critical smash on Broadway and in London, American Idiot is based on the Grammy Award-winning album of the same name by American punk rock band Green Day. The two-time Tony Award-winning musical tells the story of three disillusioned youths who are forced to choose between freedom and the safety of suburbia.

Inspired in part by such classic concept albums as The Who’s Tommy, The Rocky Horror Picture Show and Jesus Christ Superstar, American Idiot premiered at the Berkeley Repertory Theatre in 2009 and finished its most recent national tour in May 2014. With a raucous and exhilarating punk rock score, American Idiot boldly takes musical theatre where it has never gone before. For both the students and the faculty members at CCM, the boundary-pushing nature of this contemporary musical perfectly complements the college’s educational mission.

“Our production philosophy in the Musical Theatre program is simple,” explains Aubrey Berg, CCM’s Patricia A. Corbett Distinguished Chair of Musical Theatre and the director of this upcoming production. “During the four years a student spends with us, they will be exposed to every kind of musical theatre work. In the last few years, we have undertaken shows as varied as the groundbreaking Oklahoma!, the fancy foot-work of Singin’ in the Rain, the moving spectacle of Les Misérables and the beloved childhood fantasy of Peter Pan. And that does not include our Studio Series, which features such cutting-edge works as Carrie and Blood Brothers. Forgotten musicals are also well represented in our Musicals Redux Series, which digs into the great storehouse of musical theatre history to find some lost gems.” Chairman of CCM’s Department of Musical Theatre since 1987, Berg received the League of Cincinnati Theatres Continuing Achievement Award and was inducted into the CEA Hall of Fame in 2010.

CCM Adjunct Instructor Stephen Goers will join Berg as musical director for this production. The two have frequently collaborated on such musical productions as Into the Woods, Carrie and, most recently, Les Misérables. Over the years, their work together has garnered a large number of local arts awards, including Best Direction, Best Musical Direction and Best Musical.

Taking on a 21st century musical is already proving to be an exciting prospect for students at CCM, many of whom grew up with the original American Idiot concept album, which was released in 2004.

“I think it’s so special to be part of a program that embraces new musicals as well as the classics, in order to provide the most well rounded education possible for its students,” says third-year musical theatre major Tom Meglio. “American Idiot already has everyone in CCM’s Division of Theatre Arts rocking out and ready for some Junior High nostalgia!”

Classmate Taylor Alexander agrees: “The original Green Day album was a groundbreaking staple to our generation with its unique view on youth in America. The whole campus is going to be pumped to hear music we all grew up listening to!”

Described by the New York Times as “invigorating, moving and thrilling… a true rock opera,” American Idiot features a book by Billie Joe Armstrong and Michael Mayer, lyrics by Billie Joe Armstrong and music by the band Green Day. The score features the hits “Boulevard of Broken Dreams,” “21 Guns,” “Wake Me Up When September Ends,” “Holiday” and the iconic title track.

CCM will announce its entire 2015-16 Mainstage Series lineup in March of 2015. Running from October of 2015 through April of 2016, the series will include two operas, two musicals, two dramas and one story ballet.

Details on subscription packages and single ticket sales will be announced this summer. Visit ccm.uc.edu/about/villagenews/subscribe to register for CCM’s mailing list, and the Box Office will provide you with additional information on this year’s subscription options.

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

American Idiot is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com
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A preeminent institution for the performing and media arts, the University of Cincinnati College-Conservatory of Music (CCM) is the largest single source of performing arts presentations in the state of Ohio.

Titles and dates are subject to change. For a complete calendar of events, please visit us online at ccm.uc.edu.

CCM News
CCM alumna Faith Prince as Ursula in Disney's 'The Little Mermaid.'

CCM Alumna Faith Prince Opens Memorial Hall’s Signature Event Series on Nov. 14

Distinguished CCM alumna Faith Prince.

Distinguished CCM alumna Faith Prince.

Cincinnati Memorial Hall‘s Signature Series of events will kick off on Friday, Nov. 14, with an evening of Broadway hits performed by Tony Award-winner and distinguished CCM alumna Faith Prince (BM Musical Theatre, 1979; HonDoc, 2009).

Prince, whose career includes Adelaid in Guys and Dolls with Nathan Lane, Ursula in Broadway’s The Little Mermaid and Miss Hannigan in the recent revival of Annie will perform at 8 p.m., following a 6:30 p.m. reception.

The pre-performance reception will including a sampling of Heidelberg wines from the Bordeaux region of France and lire-bites courtesy of A Catered Affair and Elegant Fare, with desserts by Eatwell.

All inclusive tickets start at $47 and are available online here.

About Faith Prince
After Faith Prince graduated as “Most Talented” with her bachelor’s degree from CCM’s Musical Theatre program in 1979, she began a career on stage that continues to see her star rise. Perhaps best known for her award-winning performance as Miss Adelaide in Guys and Dolls, which earned her a Tony Award, Drama Desk Award and Outer Critics Circle Award in 1992, Prince was nominated for the same awards for her performance in A Catered Affair on Broadway in 2008. Other award-nominated performances on Broadway include Bells are Ringing (2001), Jerome Robbins’ B’way (1989) and Nick and Nora (1991).

Besides her stage performances, the Lynchburg, Va., native has had a number of film and television roles, including appearances on primetime hits Grey’s Anatomy and Spin City. Musical accomplishments include concert performances, Tony awards and a CD.

In June 2009, Prince received an honorary doctor of performing arts and addressed UC’s graduating students as commencement speaker. She offered career advice, touching on the temporary nature ofher field and of life in general, reminding graduates that just like them, come Monday, she’d be looking for her next job, too.

Learn more about Faith Prince courtesy of UC Magazine.

About Cincinnati’s Memorial Hall
Established in 1908, Memorial Hall is conveniently located in the heart of the revitalized arts district of Over-the-Rhine. This Exquisite venue is adjacent to Music Hall and the School for Creative and Performing Arts and overlooks Washington Park.

Designed by Samuel Hannaford, marble staircases adorned with intricate wrought iron lead to the 600 seat proscenium theater. Exceptional acoustics, decorative murals and Tiffany chandeliers enhance this historic theater. Memorial Hall offers an elegant setting for performances and exquisite social and business events.

Learn more by visiting http://cincinnatimemorialhall.com.

CCM Alumni Applause CCM News
Senior Musical Theatre major Max Clayton is Don Lockwood in CCM's Mainstage Series production of 'Singin' in the Rain,' running Oct. 31 – Nov. 3 in Corbett Auditorium.

CCM Alumnus Max Clayton Cast in Broadway-Bound Revival of ‘Gigi’

CCM alumnus Max Clayton.

CCM alumnus Max Clayton.

We are thrilled to report that CCM alumnus Max Clayton (BFA Musical Theatre, 2014) has just been cast in the Broadway-bound revival of Alan Jay Lerner and Frederick Loewe’s Oscar and Tony Award-winning musical Gigi.

Gigi is set to play a pre-Broadway engagement in the Eisenhower Theater at the John F. Kennedy Center for the Performing Arts in Washington, D.C. The show will officially open on Jan. 29, 2015, and will play a limited engagement through to Feb. 12, before moving on to the Great White Way later next year.

Clayton has kept busy since graduating just last spring. He was recently seen as Gabey in On the Town at the Marriott Lincolnshire Theatre in Chicago and as Slim in Lyric Opera of Chicago’s production of Oklahoma! The Chicago Tribune hailed Clayton’s performance in On the Town, calling him “an excellent lead.”

CCM audiences last saw Clayton as Don Lockwood in Singin’ in the Rain and as Macheath in The Threepenny Opera.

CCM Alumni Applause CCM News
Photography by Mark Lyons.

CCM’s ‘Legally Blonde’ Receives Rave Reviews

Photography by Mark Lyons.The critics are praising CCM’s current production of Legally Blonde – The Musical, which plays through a matinee performance on Sunday, Nov. 2!

In his review for the Sappy Critic, Kirk Sheppard writes, “Legally Blonde – The Musical is an energetic, satisfying show and CCM has brought all of the elements together continuing their reputation as one of the best musical theatre programs in the country.” Sheppard singles out the performance of senior Lawson Young (one of two CCM students playing Elle Woods in this double-cast production), going so far as to say, “Of the five [different] productions I’ve seen, she’s by far the best and that includes the national tour and the [Pittsburgh Civic Light Opera] last summer.”

David Lyman has similar praise for the production and for senior Sarah Bishop in his review for the Cincinnati Enquirer. “What’s really refreshing about this production,” he observes, “is that, as Elle, Sarah Bishop gives a measure of humanity that we rarely get to see. We see Elle develop a conscience and compassion and – heaven forbid – come to love a man to whom she never would have given the time of day at the outset of the show.”

The News Record‘s review praised the entire company, with Aidan Smith writing, “The humor offered by every cast member made this musical stand out, and it showed in the audience’s constant giggling.”

“Featuring strong performances, fun choreography, and a superb set design, this mounting is a true crowd pleaser,” Scott Cain observes in his review for Talkin’ Broadway.

In his review for Behind the Curtain Cincinnati, Rob Bucher calls CCM’s production, “a very fun and entertaining show. Excellent work.”

Rick Pender profiles Legally Blonde director/choreographer and CCM Professor of Musical Theatre Diane Lala in his “Curtain Call” column for Cincinnati CityBeat, observing that “the evidence of her success is currently onstage at CCM’s Patricia Corbett Theater.”

You have five more chances to catch this all-singing, all-dancing production… and tickets are still available!

Performance Times

  • 8 p.m. Thursday, Oct. 30
  • 8 p.m. Friday, Oct. 31
  • 2 and 8 p.m. Saturday, Nov. 1
  • 2 p.m. Sunday, Nov. 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to Legally Blonde are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID, with $12-$15 student rush tickets available for the Saturday matinee beginning at 1 p.m. on Nov. 1.

Customizable subscription packages are also available. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/legally-blonde-mainstage.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mainstage Production Sponsor: Wells Fargo Advisors, LLC

Community Partner: ArtsWave

Legally Blonde: The Musical is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com

CCM News Student Salutes
Senior musical theatre major Lawson Young as Elle in CCM's production of LEGALLY BLONDE, playing Oct. 23 - Nov. 2, 2014. Photography by Mark Lyons.

CCM’s Mainstage Series Proudly Presents ‘Legally Blonde – The Musical’

Senior Lawson Young as Elle and junior Chris Collins-Pisano as Emmett in CCM's production of LEGALLY BLONDE, playing Oct. 23 - Nov. 2, 2014. Photography by Mark Lyons.

Senior Lawson Young as Elle and junior Chris Collins-Pisano as Emmett in CCM’s production of LEGALLY BLONDE, playing Oct. 23 – Nov. 2, 2014. Photography by Mark Lyons.

CCM continues its 2014-15 Mainstage Series this week with the upbeat musical, Legally Blonde.

Directed and choreographed by Professor of Musical Theatre Diane Lala with musical direction by second-year graduate student Craig DaltonLegally Blonde makes its CCM debut Oct. 23 – Nov. 2 in Patricia Corbett Theater.

Based on the novel by Amanda Brown and the MGM motion picture of the same name, Legally Blonde is a modern-day coming of age tale featuring perky and lovable sorority girl Elle Woods. Elle enrolls in Harvard Law School in an attempt to win back her lost love, Warner. In order for Elle to make it at Harvard she must prove to everyone, including herself, that she has what it takes. When her resolution is tested, Elle discovers what she is truly made of, surpassing her own wildest expectations and finding her inner strength and intelligence.

Guest artist Joe Leonard provides the scenic design for this musical movie adaptation. A 1989 graduate of CCM’s Department of Theatre Design and Production, Leonard’s vision for Legally Blonde was incredibly dynamic. This result is a set in which everything moves, flips, turns and flies. “The positive energy of Elle’s story is carried through to every element of the production,” Lala explains.

Legally Blonde features 16 memorable musical numbers by the Drama Desk and Tony Award nominated composer and lyricist team of Laurence O’Keefe and Nell Benjamin, with a book by Heather Hach.

The role of Elle Woods is incredibly fun but is also very demanding. Because Elle appears in every scene of this high-energy musical, the role has been double cast and will be played by Sarah Bishop and Lawson Young, both senior musical theatre majors. Likewise, the role of Emmett will be played by senior Nathanial Irvin and junior Chris Collins-Pisano.

Legally Blonde also features two special performers who are brand new to the CCM stage. Jackson and Jilly will play the parts of Rufus and Bruiser, two of musical theatre’s most beloved dogs. Jilly is a Legally Blonde veteran, having played the part of Bruiser in Covedale Theater’s production of Legally Blonde last spring. Jackson is making his acting debut in this fun-filled production.

Legally Blonde is a lively musical romp with a touching lesson. Audiences will thoroughly enjoy this production and may even learn not to judge a book by its cover!

Read more about the production here.

CCM News
The Tony-winning writing team of composer Stephen Flaherty and lyricist Lynn Ahrens.

CCM Alumnus Stephen Flaherty Composes ‘Little Dancer’ For Kennedy Center

The official poster for the Kennedy Center musical 'Little Dancer.' Illustration/Kennedy Center.

The official poster for the Kennedy Center musical ‘Little Dancer.’ Illustration/Kennedy Center.

Thanks to the brilliant composition by CCM alumnus Stephen Flaherty (BM, ’82), Edgar Degas’ most renowned sculpture “Little Dancer, Aged 14” will magically come to life in the world premiere Kennedy Center musical Little Dancer beginning this Sunday, Oct. 5 Saturday, Oct. 25, and running through Nov. 30, 2014!

Those without tickets to the sold-out world premiere can get a box seat right on their couches when the center streams the show live, beginning at 7:30 p.m. ET.

Flaherty, the Tony-winning composer of the Broadway musical Ragtime, composed the music for what is being called “the splashiest Kennedy Center production of the season.”

His lyricist partner Lynn Ahrens penned the lyrics and book for Little Dancer. In 1998, they both won Tony and Drama Desk awards for Best Original Musical Score for Ragtime. In 1991, they won the Best Musical Tony Award for Once on This Island.

Learn even more about this new musical via Deborah Rieselman and the UC Magazine.

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