International Trombone Festival Features Performances by CCM Alumni

CCM alumni are preparing to take over that stages at the International Trombone Festival, which features performances and recitals from a number of alums and professor Tim Anderson. Hosted at the University of Iowa, the festival runs July 11-14, 2018.

The Elysian Trombone Consort. From left to right, Chad Arnow, Nate Silar, Brett Shuster and Timothy Anderson.

The Elysian Trombone Consort. From left to right, Chad Arnow, Nate Silar, Brett Shuster and Timothy Anderson.

The festival features a performance by the Elysian Trombone Consort, which includes Nate Siler (DMA Trombone, 2012), Chad Arnow (BM Trombone, 1997; MM Trombone, 1999; DMA Trombone, 2014), Anderson and Brett Shuster. The quartet will give a new music recital at 1:30 p.m. on July 11 at the festival.

Devoted to the development of trombone repertoire, the Elysian Trombone Consort frequently premieres and performs new works including the compositions of David Fetter, Rodney Oakes, Frank Gulino and John Siler. The group also premiered John Crouch’s Concerto for Four Trombones and Wind Ensemble with the Peabody Wind Ensemble and previously with the CCM Wind Symphony and Wind Ensemble in 2012.

On the second day of the International Trombone Festival, alumnus Russ Zokaites (MM Trombone, 2010; DMA Trombone, 2017) presents a lecture on commissioning new music at 9 a.m. and a recital of new works for bass trombone at 11:30 a.m.

Russ Zokaites.

Russ Zokaites.

Zokaites will be assisted by alumna Brianna Matzke (MM Piano Performance, 2011; DMA Piano Performance, 2014) and Anderson. His recital features works by Will Timmons (MM Trombone Performance, 2009), Inez McComas (DMA Composition, 2009) and Carrie Magin (MM Composition, 2010; DMA Composition, 2013).

“I aim to increase appreciation for classical music through education and performance,” Zokaites says. “By creating a community surrounding musical pursuits, we can make music for everyone. Collaboration creates energy and excitement. This enthusiasm is contagious and encourages curiosity in audience members. We create for them.”

Zokaites has commissioned and premiered 19 works that utilize the bass trombone, and he has performed new music at the American Trombone Workshop, the International Horn Symposium, National Sawdust and the ArtSeedZ Festival in the Netherlands. He was a fellow at the 2012 Alessi Seminar and is an artist for Lätzsch custom trombones.

The International Trombone Association, whose mission is to promote the trombone and all trombone-related activities around the world, hosts the annual International Trombone Festival at a different university each year. In addition to the festival, the I.T.A. also produces a quarterly magazine, publishes sheet music, commissions new works for trombone and holds competitions, along with other activities. Visit the festival’s website for more information.

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Composition Professor Michael Fiday Previews New Work at CCM

Cincinnatians can get an inside look at the development of a new work by CCM Composition Professor Michael Fiday at an informal workshop at 5:30 p.m. this Thursday, Feb. 22, 2018 at CCM’s Mary Emery Hall Room 3250.

The workshop will serve as an experimental laboratory for Fiday’s developing piece for New York-based music ensemble Mantra Percussion. While the workshop will not be a performance of the completed work, it is open to those who wish to hear the ensemble and witness Fiday’s compositional process in action.

The Fromm Music Foundation honored Fiday with a $12,000 grant to write the new work. He was one of twelve composers and one ensemble recognized by the foundation, which is housed at Harvard University.

The foundation requires that applicants submit a proposal of the details of the work and its potential performers, but there are no rules about what those details might be. Fiday’s proposal specifically focused on a new piece for Mantra Percussion because of its daring attitude and long relationship with the composer.

“My idea was to write a piece where each member of the ensemble plays an electric guitar, but plays it as a percussion instrument, i.e. laid flat and struck with various kinds of beaters and foreign objects,” Fiday says.

“This idea was the result of previous discussions I’d had with Mantra Percussion over the years, and it’s the kind of idea that can only come from players who do not shy away from a sense of risk and adventure.”

The final product will be somewhere between 20 and 25 minutes long, and Fiday expects that it will premiere either in 2019 or 2020.

Mantra Percussion will hold a free guest artist recital from 12:30-1:30 p.m. on Thursday, Feb. 22 in the CCM Atrium. The lunchtime concert features Michael Gordon’s Timber. Mantra Percussion performs the piece in the below video, which can also be viewed online at mantrapercussion.org/timber.

In addition to the piece for Mantra Percussion, Fiday was recently commissioned to compose two other works for national and local arts organizations. He is currently on sabbatical from CCM to focus on his compositions.

Fiday was awarded a commission for $5,500 from the Barlow Endowment at Brigham Young University to write a 15-minute piece for the Hypercube ensemble. The quartet of saxophone, percussion, guitar and piano held a residency at CCM in February 2017, which included a workshop and two concerts.

“I’m infinitely grateful to both foundations for their generous support, and I’m especially grateful to CCM for the full-year sabbatical I’ve been granted during 2018, all of which will make conducting this work possible.”

The third major project in store for Fiday is a commission from CCM alumna Brianna Matzke (MM Piano Performance 2011). Matzke is the artistic director of The Response Project, a commissioning initiative that asks composers to write a piece of music in response to a pre-existing work or idea.

Fiday is one of 12 composers who are writing works for The Response Project’s Something Is Happening Here, which will feature solo piano works in response to tracks from Bob Dylan’s 1964 album, Highway 61 Revisited. Fiday’s work is in response to “From a Buick 6,” and it will premiere, alongside the other new works, in fall 2018 in Cincinnati.

Fiday is regularly commissioned to write new compositions for multiple organizations, including the National Flute Association and the American Composers Orchestra. In 2016, he was commissioned by the Cincinnati Symphony Orchestra to write a piece for the One City, One Symphony initiative.

He not only works to create his own new music but also fosters that creativity within his students. CCM has one of the nation’s top 10 music composition programs, according to the US News & World Report. Student composers enjoy opportunities to work with CCM ensembles and community organizations for hearings and performances.

Learn more about CCM’s Composition program at ccm.uc.edu/music/cmt.
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Story by CCM graduate student Alexandra Doyle

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CCM Prep’s 2014-15 Program Offerings Guide Is Now Available Online

CCMPrepProgramOfferings2014Immerse yourself in the performing arts through CCM’s Preparatory Department!

CCM Prep offers a wide variety of programs in Music, Dance and the Theatre Arts for both pre-professional students and arts enthusiasts of all ages.

CCM Prep offers a relaxed and welcoming environment where students of all ages may explore their artistic interests. Download a digital copy of this year’s Program Offerings brochure to find out about CCM Prep’s program offerings, tuition rates and more.

Download a copy of CCM Prep’s 2014-15 Program Offerings today. Copies are also available at the CCM Prep Office.

You can request a free physical copy of the Program Guide by calling 513-556-2595 or emailing ccmprep@uc.edu.

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