A mask from CCM's 2016 production of THE CUNNING LITTLE VIXEN. Photography by Mark Lyons.

CCM’s Mainstage Series Presents ‘The Cunning Little Vixen’ April 8 – 10, 2016

CCM brings you Leoš Janácek’s anthropomorphic opera, The Cunning Little Vixen, from April 8 – 10 as part of this year’s Mainstage Series. Instead of the typical protagonists of kings, queens and courtly staff, the stars of Janácek’s opera are foxes, dragonflies and badgers, and a host of woodland creatures, as well as the humans who try to tame them. Mark Gibson conducts with stage direction and choreography by Vince DeGeorge. This production will be sung in English, with a new translation by CCM Professor Emeritus David Adams.

The story begins with a Forester who, asleep at the base of a tree after a long night of drinking, awakens to the sight of a playful vixen cub. Delighted with his newfound furry friend, the Forester stumbles home to his farm to show his family. Discontent with her life in captivity, the cunning Vixen plots her escape, ruffles some feathers among the farm animals, and flees into the night. The Forester is then devastated and left alone to pine after his lost treasure.

Meanwhile, the Forester’s drinking buddies have troubles of their own. The Schoolmaster lusts after a young woman engaged to another man, and the Priest struggles to reconcile a misstep in his past with his present life of piety. Each man finds himself tormented by his own obsession, and struggles to accept the natural progression of life and death when it is out of his control.

One of the design inspriations for CCM's new production of THE CUNNING LITTLE VIXEN.

One of the design inspriations for CCM’s new production of THE CUNNING LITTLE VIXEN.

Inspired by a serial comic strip printed in the local paper, Leoš Janácek uses music and dance to breathe life into the characters he saw on the page. DeGeorge said a muse in the form of a little wooden vixen, gifted from his wife 10 years ago, inspired his vision for CCM’s production of the opera.

The geometric nature of the figurine, which is featured on the program cover, is reflected in the masks worn and carried by the characters as they transform throughout the opera.

“One of the things that is most prevalent in this opera is the relationship between humans and animals. The actors come on stage as humans and they transform into animals in front of the audience,” DeGeorge said. “There’s a sort of formalism about this little creature that I love but there’s also a playfulness that embodies the spirit of this production.”

It’s that very spirit, the transformative essence and flow of cycles within the opera, that Janácek masterfully elicits in your ears. Janácek will mesmerize you with his lush harmonies and sweeping melodies, Hollywood strings, flittering elfin-like woodwinds solos, and powerful romantic brass, in this fantastical tale of the intimate relationship between man and nature.

Join us in CCM’s Corbett Auditorium, this April 8-10, to explore the human condition within the enchanted world of music and dance.

Leoš Janácek’s
THE CUNNING LITTLE VIXEN
An Opera in Three Acts
Critical revised version by Jiri Zahrádka
Used by arrangement with European American Music Distributors Company, U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner.

The Creative Team

  • Mark Gibson, conductor
  • Vince DeGeorge, stage director and choreographer
  • Marie-France Lefebvre, musical preparation
  • Mark Halpin, scenic designer
  • Jeremy Dominik, lighting designer*
  • Oran Wongpandid, costume designer*
  • Kelly Yurko, wig & make-up designer
  • Kristen Budke, properties designer*
  • Susan Moser, choreographer
  • Michael Medina, stage manager*
  • John Murton, assistant conductor (Sunday matinee)*
  • Maria Fuller, rehearsal pianist*
  • Levi Hammer, rehearsal pianist*
  • Michael Medina, rehearsal pianist*

* CCM student

Performance Times

  • 8 p.m. Friday, April 8
  • 8 p.m. Saturday, April 9
  • 2 p.m. Sunday, April 10

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Cunning Little Vixen are $31-35 for adults, $20-24 for non-UC students and $18-22 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/cunning-little-vixen.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News
Mark Gibson and the CCM Philharmonia.

CCM’s Spring Orchestra Series Commences With Richard Strauss’ Epic ‘Salome’ on Jan. 29

CCM’s Department of Orchestral Studies presents classics and contemporary masterworks alike in concert this semester.

Under the direction of Director of Orchestral Studies Mark Gibson and Assistant Professor of Music Aik Khai Pung, CCM’s acclaimed orchestral ensembles will give six concerts between January 29 and April 10, several of which are free and all of which are open to the public. Tickets are on sale now for all performances requiring paid admission.

CCM Assistant Professor Amy Johnson in Arizona Opera’s production of 'Salome.' Photography by Tim Fuller.

CCM Assistant Professor Amy Johnson in Arizona Opera’s production of ‘Salome.’ Photography by Tim Fuller.

The series commences at 8 p.m. on Friday, Jan. 29, with a concert production of Richard Strauss’ 1905 masterpiece Salome. Capping off a year-long CCM festival, which celebrates music from the first decade of the 20th century, the Jan. 29 concert features Strauss’ one-act adaptation of Oscar Wilde’s controversial stage work and is a must see for opera, theatre and orchestral fans alike. Mark Gibson conducts.

The opera’s title, Salome, is drawn from the name traditionally given to the dancing woman from the New Testament gospels of Matthew and Mark who, after dancing for Herod Antipas, asks for, and receives, John the Baptist’s head on a platter.

Regarded as a story of dangerous female seductiveness, it was the unique blend of biblical narrative, murder and eroticism that attracted Oscar Wilde to write his controversial 19th century play about the mysterious figure.

Strauss’ operatic adaptation was just as controversial and was even banned in London and Vienna after its premiere in 1905. Today, the piece has become a well-established part of the operatic repertoire but still retains the same tantalizing excitement that was present at its premiere over 100 years ago.

A massive collaborative effort, this production of Salome features the talents of two CCM Voice faculty artists: Amy Johnson in the title role and Kenneth Shaw as John the Baptist. Salome also features guest artists Allan Glassman as Herod and Elizabeth Bishop, who sings the role of Herodias, Herod’s wife. Student soloists include Brandon Russell, Chelsea Melamed, T.J. Capobianco, John Humphrey, Blake Lampton, Pedro Arroyo, Christian Pursell, John Murton, Jacob Kinkaide, Alex Harper, Nicole Hodgins, Scarlett Rustemeyer. The production is semi-staged by faculty director Emma Griffin.

Listen to Mark Gibson discuss Salome on WVXU’s Around Cincinnati here.

The Philharmonia continues the collaborative spirit on Friday, March 11, with faculty-artists James Bunte and Douglas Knehans in American Voices XVIII, CCM’s yearly salute to modern American composers. This year features inspiring works by composers Julia Wolfe, Jennifer Higdon and the world premiere of a new symphony by Professor Knehans.

Under the direction of Aik Khai Pung, CCM’s Concert Orchestra will close out the concert series on April 10 with Charlie Parker with Strings, a collaboration between CCM’s Orchestral Studies and Jazz Studies programs featuring music from the classic orchestral jazz album of the same name.

Event Information
All events listed below take place on the campus of the University of Cincinnati unless otherwise indicated. Some events do require purchased tickets; please see individual event information for single ticket prices and ordering information.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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2016 SPRING ORCHESTRA SERIES

8 p.m. Friday, Jan. 29
THE GREAT DECADE IN OPERA: RICHARD STRAUSS’ SALOME (1905)
CCM Philharmonia
Featuring faculty artists Amy Johnson, Kenneth Shaw and Tom Baresel, guest artists Elizabeth Bishop and Allan Glassman, and student soloists
Mark Gibson, music director and conductor
Emma Griffin, stage director
The capstone of CCM’s festival celebrating “The Great Decade,” Richard Strauss’ 1905 masterpiece Salome represents the epitome of pre-World War I decadence, opulence and extravagance. An adaptation of Oscar Wilde’s controversial stage work of the same name, this staging is an hour and a half of irresistible drama and ecstatic hyper-romanticism. It is a must see for opera fans, theatre enthusiasts and lovers of massive orchestral sound.

Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.

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8 p.m. Tuesday, Feb. 2
ACROSS THE ATLANTIC
CCM Concert Orchestra
Aik Khai Pung, music director and conductor
Featuring a new work by CCM student composer Xian Wang, along with classic works from European composers!
WANG: New Work TBA
BARTÓK: Viola Concerto
HINDEMITH: Symphonic Metemorphosis on Themes of Weber
Location: Corbett Auditorium
Admission: FREE

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8 p.m. Friday, Feb. 26
PROKOFIEV AND SHOSTAKOVICH
CCM Concert Orchestra
Aik Khai Pung, music director and conductor
PROKOFIEV: Lieutenant Kijé Suite, Op. 60
PROKOFIEV: Violin Concerto TBA
Featuring the winner of the CCM Violin Competition
SHOSTAKOVICH: Symphony No. 1 in F Minor, Op. 10
Location: Corbett Auditorium
Admission: FREE

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8 p.m. Friday, March 11
AMERICAN VOICES XVIII
CCM Philharmonia
Featuring faculty artist James Bunte, soprano saxophone
Also featuring recent music of faculty composer Douglas Knehans
Mark Gibson, music director and conductor
CCM presents the world premiere of a new symphony by faculty artist Douglas Knehans, along with the exhilarating soprano saxophone concerto of Jennifer Hidgon and “Cruel Sister” by Pulitzer Prize-winning composer Julia Wolfe.
KNEHANS: Unfinished Earth
HIGDON: Soprano Sax Concerto
James Bunte, soloist
WOLFE: Cruel Sister
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE.

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8 p.m. Friday, March 18
Café MoMus
Aik Khai Pung, music director
Featuring the winners of the CCM Composition Competition.
Location: Cohen Family Studio Theater
Admission: FREE

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7 p.m. Sunday, April 10
CHARLIE PARKER WITH STRINGS
CCM Jazz Orchestra and Concert Orchestra
Aik Khai Pung and Craig Bailey, conductors
Our annual collaboration between Jazz and Orchestra! Join us for an exciting night of orchestral jazz featuring music from the classic album Charlie Parker with Strings.
Location: Patricia Corbett Theater
Tickets: $15 general, $10 non-UC students, UC students FREE.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

Visiting Artists Sponsor: The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel

Orchestral Sponsor: Mr. & Mrs. Joseph W. Hirschhorn

CCM News
Opera Fusion Fall 2015: Shalimar the Clown.

CCM, Cincinnati Opera and Opera Theatre of Saint Louis Stream Excerpts from ‘Shalimar the Clown’ on Dec. 8

CCM and Cincinnati Opera awarded the fall 2015 Opera Fusion: New Works residency to the new American opera Shalimar the Clown, which will have its world premiere at Opera Theatre of Saint Louis on June 11, 2016. Composed by Jack Perla to a libretto by Rajiv Joseph, and adapted from the Salman Rushdie novel, the opera was workshopped from Oct. 7 -17, with a free public performance of excerpts on Oct. 17 at the Transept in Over-the-Rhine. The workshop was directed by James Robinson, artistic director at Opera Theatre of Saint Louis, who will also direct the mainstage premiere, and conducted by Roberto Kalb, the resident assistant conductor at Opera Theatre of Saint Louis.

On Tuesday, December 8, a recording of that live performance will stream online, one time only, at 3 p.m. Eastern/2 p.m. Central. To watch, visit livestream.com/cincinnatiopera/ShalimartheClown.

Artists featured in the workshop performance include instrumentalists Javad Butah (tabla) and Hans Utter (sitar), and singers Brandon Scott Russell, Andrea Wells, Tyler Alessi, Christian Pursell, Chelsea Melamed, Ann Toomey, Kayleigh Decker, Blake Lampton, Vernon Hartman, Robert Stahley and Ben Lee.

About Shalimar the Clown
Shalimar the Clown tells the story of Shalimar and his beloved Boonyi, who have grown up together in a pastoral Kashmiri village, making people laugh as acrobats and dancers in a traditional folk theater. Though one is Muslim and one is Hindu, they fall in love—and despite all odds, their village embraces their marriage. But when a new American ambassador sees Boonyi dance, dark clouds gather. The promise of a new life tears their love apart and sends Shalimar down a path of revenge.

About Opera Fusion: New Works
Opera Fusion: New Works, a unique collaboration between Cincinnati Opera and CCM’s Department of Opera, was created in 2011 to foster the development of new American operas. The program offers composers or composer/librettist teams the opportunity to workshop an opera during a 10-day residency in Cincinnati, utilizing the talent, personnel, and facilities of both organizations. The workshops are cast with a combination of CCM students and professional artists, and each workshop concludes with a public performance. The program is led by co-artistic directors Marcus Küchle, Director of Artistic Operations of Cincinnati Opera, and Robin Guarino, the J. Ralph Corbett Distinguished Chair of Opera at CCM. Opera Fusion: New Works is generously funded by a grant from The Andrew W. Mellon Foundation.

In 2011, Opera Fusion: New Works awarded its first workshop to composer Douglas J. Cuomo and librettist John Patrick Shanley in support of their new opera Doubt, which premiered at Minnesota Opera in January 2013. In 2012, Opera Fusion: New Works provided workshops for Champion, by composer Terence Blanchard and librettist Michael Cristofer, which premiered at Opera Theatre of Saint Louis in June 2013; and Morning Star, by composer Ricky Ian Gordon and librettist William M. Hoffman, which premiered at Cincinnati Opera in June 2015. In 2013, the residency went to Fellow Travelers, by composer Gregory Spears and librettist Greg Pierce, which will have its world premiere at Cincinnati Opera on June 17, 2016. In 2014, the program invited composer Jake Heggie and librettist Terrence McNally to workshop Great Scott, which premiered at The Dallas Opera on October 30, 2015. For the final workshop of the original six-workshop grant, the residency was awarded to Meet John Doe, with music and libretto by the late Daniel Catán. The first workshop of the second six-opera grant cycle was given in October 2015 to Shalimar the Clown.

About composer Jack Perla
Composer and pianist Jack Perla is active in opera, jazz, chamber, and symphonic music. His operas and instrumental compositions have been widely performed, and he has performed in the U.S., Europe, and Japan, forging a reputation for his unique cross-fertilization of jazz and classical music. Perla has been commissioned by Seattle Opera, Los Angeles Opera, Opera Theatre of Saint Louis, Houston Grand Opera, and the Barlow Endowment for Music Composition. He is also a recipient of the Thelonious Monk Institute Jazz Composers Award, as well as awards, support, and recognition from the Argosy Fund for New Music, the MacDowell Colony, Yaddo, and numerous other organizations. Called “a gripping piece of musical theater,” An American Dream, Perla’s fifth work for a major U.S. company, received its premiere with Seattle Opera in August 2015. Enormous Changes, Perla’s third jazz recording, was recently released on Origin Records, and Pretty Boy, a new disc of chamber and vocal music, is slated for release this winter. Perla grew up in Brooklyn and lived in New York City while attending NYU and the Manhattan School of Music. He earned his D.M.A. in composition from the Yale School of Music, and lives and works in San Francisco.

About librettist Rajiv Joseph
Rajiv Joseph is the author of the Broadway play Bengal Tiger at the Baghdad Zoo, which was a 2010 Pulitzer Prize finalist for Drama and was also awarded a grant for Outstanding New American Play by the National Endowment for the Arts. Joseph’s other plays include Guards at the TajThe North PoolGruesome Playground InjuriesAnimals Out of PaperMr. Wolf, and The Lake Effect. Joseph has written for television, including seasons 3 and 4 of the award-winning Showtime series Nurse Jackie. He also has written for film, and is the co-writer of the 2014 Lionsgate feature Draft Day and the upcoming release, Army of One. He received his B.A. in Creative Writing from Miami University and his M.F.A. in Dramatic Writing from New York University’s Tisch School of the Arts. He served for three years in the Peace Corps in Senegal and now lives in Brooklyn.

About stage director James Robinson
James Robinson is the artistic director at Opera Theatre of Saint Louis, where he has directed the world premieres of Terence Blanchard’s Champion and Ricky Ian Gordon’s 27 in addition to John Adams’s Nixon in China and The Death of Klinghoffer, the American premiere of Unsuk Chin’s Alice in Wonderland and Tobias Picker’s Emmeline. His work has been seen throughout the world at such companies as the Wexford Festival, the Royal Swedish Opera, Opera Australia, Canadian Opera Company, the London Symphony, Welsh National Opera, San Francisco Opera, Houston Grand Opera, Seattle Opera, New York City Opera, Dallas Opera, Washington National Opera, Los Angeles Opera, the Hollywood Bowl, and the Aspen Music Festival. He has directed several productions for the Santa Fe Opera, including the American premiere of Huang Ruo’s Dr. Sun Yat-Sen and will return in 2016 for Vanessa. Other future projects include Nixon in China for Houston Grand Opera, The Elixir of Love for the Canadian Opera Company, and the world premiere of Shalimar the Clown for Opera Theatre of Saint Louis.

Opera Fusion: New Works is sponsored by a generous grant from The Andrew W. Mellon Foundation.

 

CCM News
Photography from CCM's Nov. 2015 production of 'The Merry Widow' by Mark Lyons.

CCM Slideshows: Franz Lehár’s The Merry Widow

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CCM’s Mainstage Series resumes this evening through this Sunday, Nov. 22, with a delightful new production of Franz Lehár’s witty operetta The Merry Widow. Conducted by Aik Khai Pung with stage direction by Emma Griffin, this production of The Merry Widow will be sung in English with a translation by renowned American lyricist Sheldon Harnick. Tickets are still available for select performances.

Featuring a score that Stage and Cinema describes as “a rich musical mix of Viennese waltzes, Hungarian folk dances and French insouciance,” The Merry Widow is a sparking romp in which farce, romance and jealousy abound. Join us for a fantastical Parisian bar crawl, as the fate of an entire nation hangs in the balance!

Learn more about the creation of The Merry Widow‘s costumes by clicking here.

Performance Times

  • 8 p.m. Thursday, Nov.19
  • 8 p.m. Friday, Nov. 20
  • 8 p.m. Saturday, Nov. 21
  • 2 p.m. Sunday, Nov. 23

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Franz Lehár’s The Merry Widow are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

$12-$15 student rush tickets will become available one hour prior to each performance; limit two student rush tickets per valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/merry-widow.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News CCM Slideshows

CCM’s Mainstage Series Presents Franz Lehár’s ‘The Merry Widow,’ Nov. 19-22

CCM’s Fall 2015 Mainstage Series comes to a witty and whimsical conclusion with Franz Lehár’s comic operetta The Merry Widow, playing Nov. 19 – 22 in Patricia Corbett Theater.

Conducted by Aik Khai Pung with stage direction by Emma Griffin, this production of The Merry Widow will be sung in English with a translation by renowned American lyricist Sheldon Harnick.

'The Merry Widow' photography by Mark Lyons.

From left to right: Andrew G. Manea as Danilo and Nicolette Book as Hanna in CCM’s production of ‘The Merry Widow.’ Photography by Mark Lyons.

A glorious early-20th century operetta and forerunner to the modern musical, The Merry Widow tells the fizzy tale of star-crossed lovers and political shenanigans in a glitzy and idealized version of Paris. Madame Hanna Glawari, the widow of the wealthiest man in Petrovenia, is in Paris for the first time following her elderly husband’s demise. Concerned by the widow’s many suitors, Petrovenian Ambassador Baron Zeta assumes the role of matchmaker to ensure that Hanna’s wealth remains within the country, rather than fall into foreign hands. To set his plan in motion, the baron sends his secretary to fetch Hanna’s old flame, Danilo, from another party. Unfortunately, the baron becomes so obsessed with his own schemes that he fails to notice the affair between his wife and rival party member Camille.

What begins as a pleasant, professional party at the Petrovenian Embassy rapidly devolves into a drunken debacle by the time Hanna and her entourage arrive at the famous nightclub, “Maxim’s,” in the early hours of the morning.

“In some ways, it’s a very simple idea,” explains Griffin, an assistant professor of opera at CCM. “The Merry Widow is about the sort of things that happen when you’re 25 years old and you go to three parties over the course of a single night. The opera is about these beautiful people, which doesn’t diminish the love stories at the heart of The Merry Widow. Instead, it instills the show with a feverish and heightened romantic atmosphere.”

Griffin read 18 different translations of The Merry Widow before settling on Harnick’s adaptation, which is written in a decidedly American vernacular.

“Our voice and opera majors don’t always get much experience performing in American English, so this is an opportunity for our students to exercise some different muscles,” she explains. Bursts of spoken dialogue also give The Merry Widow the charming feel of musical theatre.

The hybrid sensibilities of this operetta are even reflected in the production’s sizable cast, which features students from CCM’s departments of opera, musical theatre and drama. With choreography by Patti James, who promises a can’t-miss can-can number, CCM’s Mainstage Series production of The Merry Widow is sure to be magical, colorful and – of course – delightfully merry.

Featuring a score that Stage and Cinema describes as “a rich musical mix of Viennese waltzes, Hungarian folk dances and French insouciance,” The Merry Widow is a sparkling romp in which farce, romance and jealousy abound. Join us for a fantastical Parisian bar crawl, as the fate of an entire nation hangs in the balance!

Performance Times

  • 8 p.m. Thursday, Nov.19
  • 8 p.m. Friday, Nov. 20
  • 8 p.m. Saturday, Nov. 21
  • 2 p.m. Sunday, Nov. 23

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Franz Lehár’s The Merry Widow are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID. $12-$15 student rush tickets will become available one hour prior to each performance; limit two student rush tickets per valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/merry-widow.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News
CCM's Mainstage Production of HANSEL AND GRETEL. Photography by Mark Lyons.

CCM’s ‘Hansel and Gretel’ Receives Glowing Reviews

CCM's Mainstage Production of HANSEL AND GRETEL. Photography by Mark Lyons.

CCM’s Mainstage Production of HANSEL AND GRETEL. Photography by Mark Lyons.

The critics have weighed in with unanimous praise for CCM’s recent production of Hansel and Gretel!

In her review of the fairy tale opera for the Cincinnati Enquirer, Janelle Gelfand calls the production “magical” and “breathtaking.” She singles out the performance of the CCM Philharmonia, writing that “you could get lost in the glowing orchestral score, so beautifully led by Mark Gibson.”

Mary Ellyn Hutton‘s review for Music in Cincinnati was similarly enthusiastic. “Highlights of the performance were many,” she writes, “One was the prayer scene… where Hansel and Gretel knelt and sang, with snow falling in the background. Another came during the dream pantomime… where the 14 angels, all children, cavorted on an angelic playground, with a swing, a seesaw and bicycles hanging over the stage, as the children looked on.”

Rafael de Acha calls the production a “sweet treat” in his review for Seen and Heard InternationalRobin Guarino sets the story during the Depression in America,” he observes, “but surprisingly, this setting undermines neither the lush Romanticism of the music nor the innocent fairytale story, and the results are nothing but happy.”

Hansel and Gretel concluded its run on Sunday, Nov.  23. CCM’s Opera Season resumes in February with a Studio Series production of Monteverdi’s L’incoronazione di Poppea running Feb. 20-22 and a CCM Opera d’arte Series production of Handel’s Alcina running Feb. 27 – March 1.

The season concludes April 9 – 12 with a Mainstage Series production of Mozart’s Così fan tutte, conducted by Mark Gibson with stage direction by Robin Guarino.

Last fall, Guarino directed the Metropolitan Opera’s production of Così fan tutte, which also served as James Levine’s highly anticipated return to the Met. In his review of the opera for the New York Times, Anthony Tommasini noted that “Guarino worked with this cast of gifted actors to inflect their characters with telling comic bits and hapless human touches.”

CCM News Faculty Fanfare Student Salutes
CCM's Mainstage Production of HANSEL AND GRETEL. Photography by Mark Lyons.

CCM Slideshows: Hansel and Gretel

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CCM’s Mainstage Series resumes this evening with a contemporary production of Engelbert Humperdinck’s timeless opera Hansel and Gretel. Running Nov. 20 – 23, this magical production also features the Cincinnati Children’s Choir, ensemble-in-residence at CCM. Mark Gibson conducts with stage direction by Robin Guarino.

Above, enjoy a preview slideshow of the opera that Richard Strauss regarded as “a masterpiece of the highest quality.”

WCPO calls the opera the number one thing to do in Cincinnati this weekend, and the Cincinnati Enquirer and CityBeat have also highlighted the production! Learn even more about Hansel and Gretel here.

Performance Times

  • 8 p.m. Thursday, Nov. 20
  • 8 p.m. Friday, Nov. 21
  • 8 p.m. Saturday, Nov. 22
  • 2 p.m. Sunday, Nov. 23

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to CCM’s Mainstage production of Hansel and Gretel are $31-35 adults, $20-24 non-UC students and $18-22 UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/hansel-and-gretel-mainstage.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News

CCM’s Mainstage Series Presents the Fairy Tale Opera ‘Hansel and Gretel’ Nov. 20-23

Talya Lieberman as Gretel and Adria Caffaro as Hansel. Photography by Mark Lyons.

Talya Lieberman as Gretel and Adria Caffaro as Hansel. Photography by Mark Lyons.

CCM’s Mainstage Series proudly presents Engelbert Humperdinck’s timeless opera Hansel and Gretel from Nov. 20 – 23 in UC’s Corbett Auditorium. This magical production also features the Cincinnati Children’s Choir, ensemble-in-residence at CCM.

Based on the German fairy tale popularized by the Brothers Grimm, this contemporary production is conducted by CCM Director of Orchestral Studies Mark Gibson with stage direction by the J. Ralph Corbett Distinguished Chair in Opera Robin Guarino. This opera will be sung in English with supertitles.

Composed by Humperdinck, with a libretto by his sister Adelheid Wette, the perennially popular opera premiered in 1893 to instant success. Showing the influence of German folksong, along with harmonic and textural influences of Richard Wagner, the opera was hailed by fellow German composer Richard Strauss (who conducted the premiere) as “a masterpiece of the highest quality.” The opera has since become a holiday tradition throughout the world.

Guarino’s production transports the classic fairy tale to the 1930s Depression Era. The precocious brother and sister duo are poor, hungry and dreaming of tasty treats. When their overworked mother sends them into the world to find food, they lose their way in the forest and encounter a scary witch with a deliciously sinister plan.

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