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Guest Artists in HYPERCUBE Quartet Perform at CCM Next Week

New-York-based quartet HYPERCUBE combines contemporary art music with rock-and-roll in true Big Apple fashion, and it will bring that energetic style to CCM next week during its three-day residency with the Composition Program. The residency includes two performances and a workshop with CCM composition students.

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HYPERCUBE. Photo by Michael Yu.

HYPERCUBE will be in residence at CCM from Monday, Feb. 20 to Wednesday, Feb. 22. The residency includes an 8 p.m. recital on Monday in CCM’s Robert J. Werner Recital Hall and an open workshop with CCM student composers from 10 a.m. to 2 p.m. on Tuesday, also in Werner. The ensemble’s final concert will feature work composed especially for HYPERCUBE by CCM student composers at 8 p.m. on Wednesday in Werner.

The group consists of Erin Rodgers, saxophone; Jay Sorce, guitar; Andrea Lodge, piano and Chris Graham, percussion. While they often play works that call for all four instruments, the members will often perform duos and trios during their recitals.

Formerly known as the IKTUS Combo, HYPERCUBE has been performing as an ensemble since 2012 and has made appearances at universities and new music festivals across the eastern U.S.

“Hypercube is no stranger to CCM; they performed and did some workshops with our students last year as the IKTUS Combo. They are amazing performers who give electrifying performances,” said Michael Fiday, associate professor of composition at CCM.

Visit hypercubemusic.org for more information about HYPERCUBE. This residency is graciously supported by the Dean’s Office.

Event Information

8 p.m. Monday, Feb. 20
• Guest Artist Series •
Hypercube, Composition Program Ensemble-in-Residence
A quartet of saxophone, guitar, piano and percussion, New York’s Hypercube is a slick combination of chamber music and straight up rock-’n’-roll. This first concert of Hypercube’s CCM residency features high-quality, cutting-edge, challenging work from their repertoire.
Location: Robert J. Werner Recital Hall
Admission: FREE

8 p.m. Wednesday, Feb. 22
• Guest Artist Series •
Hypercube, Composition Program Ensemble-in-Residence
A quartet of saxophone, guitar, piano and percussion, New York’s Hypercube is a slick combination of chamber music and straight up rock-’n’-roll. This second concert of Hypercube’s CCM residency features work composed especially for Hypercube by CCM student composers.
Location: Robert J. Werner Recital Hall
Admission: FREE

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U-Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

CCM News
ccm-mack-mabel-header

Jerry Herman’s ‘Mack and Mabel’ Makes CCM Mainstage Debut

CCM proudly presents Mack and Mabel on Thursday, March 2 through Sunday, March 5 in Corbett Auditorium. Aubrey Berg directs with choreography by Patti James and musical direction by CCM graduate student Evan Roider.

ccm-mack-mabel-eblastThe performance is rare treat for Cincinnati audiences; a major production of Mack and Mabel has not been staged in the Queen City for over a decade, and it has never been presented as a CCM Mainstage production. With a memorable score by Broadway master Jerry Herman (Hello, Dolly!; Mame; La Cage aux Folles), Mack and Mabel received eight Tony Award nominations after its original premiere in 1975.

“The CCM production of Mack and Mabel is a rare opportunity to see an all-but-forgotten work by one of the masters of Musical Theatre, Jerry Herman,” Berg says. “It is notable for its interesting concept and its melodic, memorable score, one that Herman cherishes as his personal favorite.”

Mack and Mabel is a star-crossed, bittersweet love story that explores both the lighter and the darker side of the Golden Age of Comedy. It focuses on the tumultuous relationship between legendary director Mack Sennett and his greatest star, Mabel Normand.

Mack, an aging director whose silent films become obsolete in the age of “talkies,” tells the story in a series of flashbacks. He recalls his first encounter with Mabel, a feisty barista who Mack turns into a silent film star. However, following a torrid affair with Mack, Mabel leaves to act in dramas for a rival director.

Mack and Mabel struggle to find their places in the changing film industry, and both experience their own triumphs and failures along the way.

Praised by the New York Times as “a musical in the old and true tradition,” Mack and Mabel’s musical style is reminiscent of the silent film era in which it is set. CCM’s production includes silent movie clips, hundreds of costumes and props, a Keystone Kops ballet and a large cast of 38 performers. The show is a perfect vehicle and challenge for CCM’s student performers and technicians, says Berg.

“This is a great opportunity to see and hear a rarely-performed Jerry Herman musical with all the stops pulled out,” adds Evan Roider, music director of the show and a CCM graduate student in orchestral conducting.

“The score highlights Herman’s tremendous talent for melody — brassy two-steps, voluptuous ballads and a tap number that rivals those of the early 20th century,” Roider says. “Audiences can expect an old fashioned score that will have them humming as they leave the theater.”
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MACK AND MABEL
Based on an idea by Leonard Spigelglass
Book by Michael Stewart
Music and Lyrics by Jerry Herman

Performance Times
8 p.m. Thursday, March 2
8 p.m. Friday, March 3
8 p.m. Saturday, March 4
2 p.m. Sunday, March 5

Location
Corbett Auditorium, College-Conservatory of Music
University of Cincinnati

Purchasing Tickets
Tickets to Mack and Mabel are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/mack-and-mabel.html.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mack and Mabel is presented by a special arrangement with SAMUEL FRENCH, INC.

CCM News
grimm

CCM Studio Series Presents Fantastical Opera ‘Transformations’ Feb. 17-19

Transformations, a chamber opera by American composer Conrad Susa crafted from Anne Sexton’s 1971 book of the same name, runs Friday, Feb. 17 through Sunday, Feb. 19 at CCM’s Cohen Family Studio Theater. The opera presents ten of Sexton’s confessional and somewhat sardonic poems that are based on stories by the Brothers Grimm, including Hansel and Gretel, Rapunzel and Briar Rose.

Admission is free but reservations are required; tickets become available at noon on Monday, Feb. 13 through the CCM Box Office. Transformations is directed by Assistant Professor Emma Griffin and conducted by Avishay Shalom, CCM graduate orchestral conducting student.

Transformations contains adult themes and is not recommend for young audiences. Sexton struggled with mental illness for most of her life, which culminated in her suicide in 1974. Her work explores mature themes of sexuality, both consensual and imposed, and mental illness, including its traumatic causes and its public reception.

“There are many surprising moments in this show, but I think the most unanticipated thing about them is the grace with which they come together as a whole, even though some sections contain events that are unbelievable or uncomfortable,” says Transformations dramaturg Hope Rice, a senior art history student at UC’s College of Design, Architecture, Art and Planning. “No surprising moment in this show is gratuitous; it really was Sexton’s experience, and everything comes together in the end with purpose.”

While the time and place of the action in Transformations are unspecified, many productions present it in the American 1970s, in part because of the many pop culture references scattered throughout the libretto. CCM’s production does the same, although it also contains stylistic elements from present day.

“The world of the play was born in the 1970s, but, like fairytales, it contains themes that are relevant to the human condition in any time period,” Rice says. “Transformations is visceral because its time and place are not specified.”

It is very much a modern opera in terms of the score, which uses a significant amount of dissonance, but not necessarily to jarring effect. The rhythms that composer Conrad Susa uses are very much influenced by pop culture, according to Transformations conductor Avishay Shalom.

“In the opera you will find grooves like tango, samba, blues and many more that frame the dissonant harmonies within the traditional and familiar grooves,” Shalom says. “Anne Sexton’s world of metaphors is eclectic and full of references. Susa’s approach to setting her text celebrates Sexton’s unique voice and matches her wide-ranging imagination with his use of pitch, harmony and rhythm.”

The opera calls for eight singers and each play at least six roles. There is also an Anne Sexton character who guides the action throughout the opera and experiences her own transformation along the way.

“While the singers in this show are characters from fairytales, like princesses, dwarves or talking mirrors, they all speak to experiences that many audience members may be able to relate to,” Rice said. “Like fairytales, Sexton’s poetry is born out of reality but contains elements of myths in order to speak to a broad audience.”

This production contains adult themes and is not recommend for young audiences.

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Cast List
Caitlin Gotimer*, Annie Barr** as Anne Sexton
Ashley Fabian as Green Cowboy Boots
Eleni Antonia Franck as Woman with Black Hair
Thomas J. Capobianco as Blonde Man with Beard
Pedro André Arroyo as Headphones
John Tibbetts as Red Hat
Benjamin Lee as White T-shirt
Jacob Kincade as Tall Man with Beard

* Feb. 17 and 19
** Feb. 18

Performance Times
8 p.m. Friday, Feb. 17
8 p.m. Saturday, Feb. 18
2 p.m. Sunday, Feb. 19

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Admission
Admission is free. Reservations are required. Tickets become available at noon on Monday, Feb. 13. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

Season Presenting Sponsor: The Otto M. Budig Family Foundation

CCM News Student Salutes
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CCM Slideshows: ‘Her Naked Skin’

Let CCM’s Mainstage production of political drama Her Naked Skin take you back in time to London in 1913, when women fought the establishment for the right to vote. Directed by CCM Acting Chair Richard E. Hess, Her Naked Skin plays Feb. 9-12 at Patricia Corbett Theater. Tickets are available through the CCM Box Office.

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Rebecca Lenkiewicz’s Her Naked Skin explores a crucial moment in the Suffragette Movement when thousands of women were sent to Holloway Prison after demanding equal rights. Political battles collide with personal struggles when Celia Cain, trapped by the policies of the day and a frustrating marriage, begins an affair with seamstress Eve Douglass while they are imprisoned.

This production contains adult themes and situations, including brief nudity, and is intended for mature audiences.

Performance Times

  • 8 p.m. Thursday, Feb. 9
  • 8 p.m. Friday, Feb. 10
  • 2 & 8 p.m. Saturday, Feb. 11
  • 2 p.m. Sunday, Feb. 12

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to Her Naked Skin are $27-31 adults, $17-20 non-UC students and $15-18 UC students with a valid ID. Tickets to the Feb. 8 preview performance are just $15.

Student rush tickets will be sold one hour before each performance to non-UC students for $12-15, based on availability. UC students can receive one free student rush ticket with a valid ID, also based on availability.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/her-naked-skin.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
___________________

Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

CCM News CCM Slideshows
Xinghai Concert Hall. Photo by 慕尼黑啤酒.

Musical Theatre Students Travel to China for Valentine’s Day Performance

CCM Director of Orchestra Studies Mark Gibson and four musical theatre students are taking a whirlwind trip to China to perform with the Guangzhou Symphony Orchestra at the Xinghai Concert Hall on Valentine’s Day.

Students Michelle Coben, David Paul Schwensen, Emily Morris and Zach Erhardt will head to China with Gibson on Friday, Feb. 10. They will rehearse over the weekend and present the program, “A Valentine to New York,” on Tuesday, Feb. 14.

michellecoben

Michelle Coben.

david-paul-schwensen

David Paul Schwensen.

emilymorris

Emily Morris.

zach-erhardt

Zach Erhardt.

 

 

 

 

The program includes excerpts from Leonard Bernstein’s West Side Story, Kurt Weill’s Street Scene, Frank Loesser’s Guys and Dolls and How to Success In Business Without Really Trying and Cole Porter’s Kiss Me, Kate. The concert will also feature George Gershwin’s Overture to Girl Crazy and Jule Styne’s Overture to Gypsy. 

“This will be a first for the GSO, a first for CCM as a school, a first for each of the gifted students involved and, frankly, a first for me — my very first all-Broadway concert,” Gibson says.

The trip began with an invitation from CCM alumna Huan Jing (MM Orchestral Conducting, 2010), who studied under Gibson and was also a visiting faculty member at CCM. Jing is the resident conductor of the prestigious Guangzhou Symphony Orchestra, the only Chinese orchestra to tour and perform on five continents.

“The Guangzhou Symphony Orchestra is one of the half-dozen top orchestras in China,” Gibson says.  “Huan Jing is not the only CCM alumna in the orchestra. CCM alumna Nicole Leong is the GSO’s new principal harpist, making this a true family affair!”

CCM Musical Theatre professor Roger Grodsky prepared the students for the concert with assistance from Luke Flood, a master’s of music student in Orchestral Conducting. Gibson and the students will return to Cincinnati on Wednesday, Feb. 15.

“We are going to rock Guangzhou!” Gibson says. “Thanks to Huan Jing, Roger Grodsky, Aubrey Berg, Interim Provost Peter Landgren, Interim Dean bruce mcclung, Patti Hall and many more for making this all possible!

CCM Alumni Applause Faculty Fanfare Student Salutes
'Her Naked Skin' Wigs

CCM Behind-the-Scenes: Creating Wigs & Make-Up for ‘Her Naked Skin’

Danae R. Jimenez, third-year graduate student at CCM, always dreamed of doing hair and make-up for theatre. When she was a little girl, she remembers telling her grandma, “I’m gonna do hair and make-up for the stars!”

Now, at least during CCM’s production of Her Naked Skin, Jimenez is turning her focus to suffragettes.

Danae Jimenez with two wigs from CCM's production of 'Her Naked Skin.'

Danae Jimenez with two wigs from CCM’s production of ‘Her Naked Skin.’

Jimenez is the Wig and Make-Up Designer for Her Naked Skin, a political drama about women who fought for the right to vote in London in 1913. Directed by CCM Acting Chair Richard E. Hess, the play runs Feb. 8 (preview) through Feb. 12 in Patricia Corbett Theater.

There are 24 wigs in the production and 5 different facial hair pieces, Jimenez says. It is a big production for CCM’s five-person Wig and Make-up Shop, but the students are no strangers to hard work.

CCM has one of the only graduate-level Wig and Make-Up programs in the country, which is why Jimenez choose to study at the college after she graduated with an undergraduate degree in theatre from Saint Mary’s College in Indiana.

“Im from Ohio and CCM has always been one of those places with prestige attached to it,” she says. “My professors at Saint Mary’s said this was the place I needed to be.”

Since she became at student at CCM, Jimenez has designed wigs and make-up for several shows, including Mainstage productions of A Chorus Line and Pentecost. She began designing for Her Naked Skin in the fall and the students started building the hair pieces when everyone returned from winter break.

“This show is very different for me design-wise because we had to do so much pre-planning,” she says. “I think one of the largest challenges was to not over design. We wanted to make sure that our choices were made smartly.”

She looked at historical photos to shape her designs around how people actually wore their hair in the early 1900s. She even found photos of the real suffragettes who were sent to Holloway Prison, a setting depicted in Her Naked Skin.

“Being able to look at real photos of women from that time in those situations was very cool,” says Jimenez, who minored in women’s studies when she was an undergraduate student. “Finding actual true historical research was probably the best and easiest part of the design process.”

The hard part was planning around the multiple wig and make-up changes that occur throughout the production. Most of the actors in Her Naked Skin play multiple roles, so the wig and make-up changes often signify character changes. Jimenez was challenged to create practical designs that can be quickly fixed and altered behind-the-scenes during the performance.

Some of the lead female characters have two wigs. The backup wigs are used during certain “action scenes” so the primary wigs can remain styled correctly. For example, Jimenez designed a second wig for a character who is forcibly hosed with water when she is jailed in Holloway prison.

Danae Jimenez with CCM acting student Spencer Lackey.

Danae Jimenez with CCM acting student Spencer Lackey.

She kept the make-up fairly simple to give the women a natural look because make-up was not widely used until the 1920s. However, the men wear more make-up and have more wigs and hair pieces to represent their character changes.

“Some of the men get fun character make-up because they are playing specific historical characters so we are adjusting that make-up to make them look more like the real people,” Jimenez says.

“My favorite one right now is Spencer Lackey, who is playing Keir Hardie [a former leader of the United Kingdom’s Labour Party]. We are doing a beard for him and we are going to do his make-up to make him look aged.”

The students also built a curly white “judge” wig from scratch for CCM actor Landon Hawkins, who plays the Speaker of the House in Her Naked Skin. Jimenez is working with Assistant Professor of Make-Up Kelly Yurko on the complicated wig. She has never built such a wig before but she previously created a fully hand-tied wig for  class that took her between 50 and 60 hours to complete — from laying the wig’s lace foundation and sewing it together to tying all of the hair into place.

The wig and make-up crew did not build all of the wigs from scratch, most were built by previous students for past CCM productions. However, Jimenez styled all of the wigs. They also had to be altered to fit the actors; the students traced the actors heads to create new measurements for the wigs.

Danae Jimenez with fellow wig and make-up student Meredith Keister as she "wefts," or creates tracks of hair, for a wig.

Danae Jimenez with fellow wig and make-up student Meredith Keister as she “wefts,” or creates tracks of hair, for a wig.

Many of the wigs needed to be “refronted,” which means the students replaced part of the wigs to blend with the actors’ natural hairlines. This process involves tying hair piece-by-piece into a lace foundation from the middle of the crown to the hairline. This can take about 10 to 12 hours.

“Everyone has been so helpful,” Jimenez says about the other students working with her. “For there only being five of us in the shop, everyone has been great.”

Audiences can see the products of their handy work when CCM presents Her Naked Skin from Feb. 8-12 in Patricia Corbett Theater. Tickets are available online through CCM’s Box Office.

After Her Naked Skin closes the shop will focus on CCM’s next Mainstage production, Jerry Herman’s powerful musical Mack and Mabel. Jimenez has been assisting Yurko in creating wig and make-up designs for the musical, which is set in the 1920s.

“I know it’s going to be a lot of wigs and a lot of changes, Jimenez says. “It’s going to be another big one.”

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Event Information
Her Naked Skin contains adult themes and situations, including brief nudity, and is intended for mature audiences.

Performance Times

  • 8 p.m. Wednesday, Feb. 8 (preview)
  • 8 p.m. Thursday, Feb. 9
  • 8 p.m. Friday, Feb. 10
  • 2 & 8 p.m. Saturday, Feb. 11
  • 2 p.m. Sunday, Feb. 12

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to Her Naked Skin are $27-31 adults, $17-20 non-UC students and $15-18 UC students with a valid ID. Tickets to the Feb. 8 preview performance are just $15.

Student rush tickets will be sold one hour before each performance to non-UC students for $12-15, based on availability. UC students can receive one free student rush ticket with a valid ID, also based on availability.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/her-naked-skin.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

CCM News Student Salutes
CCM Winds' 2010 Prism XIII Concert

CCM’s Winds Series Presents Masterworks, A World Premiere And More This Semester

CCM Winds' 2010 Prism XIII Concert

CCM’s Department of Wind Studies kicks off a diverse series of spring semester performances on Thursday, Feb. 16. Under the direction of Terence Milligan and Angela Holt, the CCM Wind Orchestra and Wind Ensemble perform a concert of masterworks, featuring iconic pieces by Ralph Vaughn Williams, Leonard Bernstein, Aaron Copland and William Schuman.

The series continues on March 1 with the world premiere of the Concerto for Percussion and Wind Orchestra by award-winning Colombian composer Federico Garcia-de Castro. Featuring the CCM Wind Orchestra with guest percussionist Carlos Camacho, the program includes works by Richard Strauss, Gioachino Rossini, Felix Mendelssohn and Florent Scmitt.

On April 6, audiences can listen to CCM’s Wind Ensemble play the sounds of spring in a free concert at the Covenant-First Presbyterian Church, located Downtown. CCM Musical Theatre students join the Wind Orchestra for its final concert on April 12, featuring music for dancing, marching and singing. Feel free to tap your feet and hum along!

Learn more about CCM Winds’ Concert Series below!

Event Information
All events listed below take place on the campus of the University of Cincinnati unless otherwise indicated. Some events do require purchased tickets; please see individual event information for single ticket prices and ordering information.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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2017 SPRING WINDS SERIES

8 p.m. Thursday, Feb. 16
MASTERWORKS
CCM Wind Orchestra and Wind Ensemble
Terence Milligan, music director and conductor
Angela Holt, music director and conductor
This concert features cornerstone masterworks from the wind band tradition. The Wind Orchestra will perform Vaughan Williams’ Toccata Marziale, Bernstein’s “Profanation” from Symphony No. 1 (Jeremiah) and Copland’s Emblems. The Wind Ensemble will perform Grainger’s Irish Tune from County Derry and William Schuman’s George Washington Bridge.
Location: Corbett Auditorium
Tickets: $15 general, $10 non-UC students, UC students FREE
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8 p.m. Tuesday, Feb. 28
HOT OFF THE PRESS!
CCM Wind Ensemble
Angela Holt, music director and conductor
Hear the creative output of CCM’s composition students through the sounds of the CCM Wind Ensemble. This concert highlights brand new music written at CCM – music that is hot off the press! In addition, CCM student cellist Yijia Fang performs Friedrich Gulda’s Concerto for Cello and Wind Orchestra.
Location: Patricia Corbett Theater
Admission: FREE
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8 p.m. Wednesday, March 1
EUROPE AND SOUTH AMERICA: PAST AND PRESENT
CCM Wind Orchestra
Featuring guest artist Carlos Camacho, percussion
Terence Milligan, music director and conductor
This performance features works by European composers from the nineteenth and twentieth centuries, as well as the world premiere of the Concerto for Percussion and Wind Orchestra by Federico Garcia-de Castro, a composer of Colombian heritage living and composing today in Pittsburgh.
STRAUSS: Fanfare zur Eröffnung der Musikwoche der Stadt Wien im 1924
ROSSINI: Overture to La gazza ladra
FEDERICO GARCIA-DE CASTRO: Concerto for Percussion and Wind Orchestra (world premiere)
Featuring Carlos Camacho
MENDELSSOHN: Overture for Winds, Op. 24
SCHMITT: Dionysiaques
Location: Patricia Corbett Theater
Tickets: $15 general, $10 non-UC students, UC students FREE
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4 p.m. Sunday, March 5
CCM Chamber Players
Terence Milligan, music director and conductor
WAGNER: Siegfried Idyll
FRANCAIX: Hommage à l’ami Papageno
WILSON: Dancing with the Devil
Location: Robert J. Werner Recital Hall
Admission: FREE
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8 p.m. Thursday, April 6
THE SOUNDS OF SPRING
CCM Wind Ensemble
Angela Holt, music director and conductor
Spring is in the air! Join the CCM Wind Ensemble as we present a concert assortment of musical sounds and colors.
Location: Covenant-First Presbyterian Church, 717 Elm Street – Cincinnati, OH 45202
Admission: FREE
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4 p.m. Sunday, April 9
CCM Chamber Players
Terence Milligan, music director and conductor
STRAVINSKY: Octet
MARKOWSKI: Octet
CAPLET: Légende
WEILL: Kleine Dreigroschenmusik
Location: Robert J. Werner Recital Hall
Admission: FREE
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8 p.m. Tuesday, April 11
THE SOUNDS OF SPRING
CCM Wind Ensemble
Angela Holt, music director and conductor
Spring is in the air! Join the CCM Wind Ensemble as we present a concert assortment of musical sounds and colors.
Location: Dieterle Vocal Arts Center Room 300
Admission: FREE
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8 p.m. Wednesday, April 12
DANCES AND MARCHES AND SONGS, OH MY!
CCM Wind Orchestra
Terence Milligan, music director and conductor
We are happy to present music for dancing, marching and singing on this final Wind Orchestra concert of the academic year, which will feature students from CCM’s Musical Theatre program in a cameo appearance. Feel free to tap your feet and hum along as we perform music with a sunny disposition and a universal appeal.
BRITTEN/BACH: “Courtly Dances” from Gloriana
GANDALFI: Vientos y Tangos
GANNE: March Lorraine
GRAINGER: Lincolnshire Posy
BENNETT: Suite of Old American Dances
FUCIK: Florentiner March
Location: Dieterle Vocal Arts Center Room 300
Admission: FREE
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8 p.m. Thursday, April 13
CCM Chamber Winds
Terence Milligan, music director and conductor
SCHMITT: Lied et Scherzo
IBERT: Concerto for Cello and Winds
RAYMOND MURRAY SCHAFER: Concerto for Harpsichord and Eight Winds
Location: Robert J. Werner Recital Hall
Admission: FREE
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Visiting Artists Sponsor: The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel

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