Cincinnati Enquirer’s Jackie Demaline Reviews CCM’s ‘Street Scene’

'Street Scene' photography by Mark Lyons.

‘Street Scene’ photography by Mark Lyons.

Jackie Demaline reviews CCM’s first-ever production of Street Scene for the Cincinnati Enquirer, proclaiming: “It’s a glorious synthesis by composer Kurt Weill and the artistic team and their company of singers and musicians deliver a production that will stand as a high point of the Cincinnati stage season.” Running tonight through Nov. 18 in UC’s Patricia Corbett Theater, Street Scene is part of CCM’s year-long Kurt Weill Festival.

You can read the full review here.

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CCM Slideshows: Street Scene

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CCM proudly presents Kurt Weill, Langston Hughes and Elmer Rice’s Tony-Award winning opera Street Scene tonight through Nov. 18 in UC’s Patricia Corbett TheaterMark Gibson conducts with stage direction by Steven Goldstein.

Jackie Demaline previewed the American opera in last Sunday’s Cincinnati Enquirer. You can read the full story here.

Anne Arenstein also previewed Street Scene, along with the rest of CCM’s groundbreaking Kurt Weill Festival, in this week’s issue of CityBeat. You can read the feature here.

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A Behind-the-Scenes Look at the Scenic Design of ‘Street Scene’

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CCM’s history-making production of Kurt Weill, Langston Hughes and Elmer Rice’s Tony-Award winning opera Street Scene opens tomorrow evening (Nov. 15) and runs through Sunday, Nov. 18 in UC’s Patricia Corbett Theater.

With its mammoth cast, this highly theatrical opera has something for everyone: rising melodic lines, lively American jazz phrases and even a few Broadway style dance numbers. It is a story of love, passion, greed and death – all set in front of a tenement building in 1946 Manhattan.

Today, we provide a behind-the-scenes look at how this tenement building came to life, courtesy of Scenic Designer Brian Ruggaber and the rest of Street Scene‘s production staff.

Street Scene is the latest installment in CCM’s 2012-13 Kurt Weill Festival, which is funded in part by the Kurt Weill Foundation for Music, IncMark Gibson conducts with stage direction by Steven Goldstein. Street Scene will be sung in English without supertitles.

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CCM Presents Kurt Weill’s ‘Street Scene’ Nov. 15-18

Second-year Artist's Diploma student Meghan Tarkington as Rose Maurrant in CCM's first-ever production of 'Street Scene.'

Second-year Artist’s Diploma student Meghan Tarkington as Rose Maurrant in CCM’s first-ever production of ‘Street Scene.’

CCM makes history this month as it proudly presents Kurt Weill, Langston Hughes and Elmer Rice’s Tony-Award winning opera Street Scene Nov. 15-18 in UC’s Patricia Corbett Theater. The American opera in two acts presents a simple, yet dramatic story of a mid-century Manhattan neighborhood, and CCM’s performance combines the forces of hundreds of students across several departments. Due to Street Scene‘s incredible scale, CCM has never before presented this great American opera. This historic production is funded in part by the Kurt Weill Foundation for Music, Inc. Mark Gibson conducts with stage direction by Steven Goldstein. Street Scene will be sung in English without supertitles.

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CCM Wins Big in National Opera Association’s Annual Production Competition

CCM's Spring 2011 Mainstage Production of Poulenc's 'Dialogues of the Carmelites.' Photography by Mark Lyons.

CCM's Spring 2011 Mainstage Production of Poulenc's 'Dialogues of the Carmelites.' Photography by Mark Lyons.

The National Opera Association has announced the results of its annual Opera Production Competition and CCM’s 2010-11 Mainstage, Studio and Undergraduate Series of Operas have again received some of the competition’s highest honors.

CCM News Faculty Fanfare Student Salutes

“The Cunning Little Vixen” Gives Undergraduate Opera Students a Chance to Shine

CCM Undergraduate Opera students gain experience in Janáček’s reflective opera The Cunning Little Vixen, playing at 8 p.m. in the Cohen Family Studio Theater on April 1 & 2. The opera, which was adapted from a daily newspaper comic strip, is an anthropomorphic fable that jumps from the human to the animal world. In the human realm, the protagonists fret about loneliness and isolation, lost youth and old age. Janáček uses the animals to pay homage to the amazing beauty and power of nature and marvel at the natural cycle of birth, love and death.

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