A mask from CCM's 2016 production of THE CUNNING LITTLE VIXEN. Photography by Mark Lyons.

CCM’s Mainstage Series Presents ‘The Cunning Little Vixen’ April 8 – 10, 2016

CCM brings you Leoš Janácek’s anthropomorphic opera, The Cunning Little Vixen, from April 8 – 10 as part of this year’s Mainstage Series. Instead of the typical protagonists of kings, queens and courtly staff, the stars of Janácek’s opera are foxes, dragonflies and badgers, and a host of woodland creatures, as well as the humans who try to tame them. Mark Gibson conducts with stage direction and choreography by Vince DeGeorge. This production will be sung in English, with a new translation by CCM Professor Emeritus David Adams.

The story begins with a Forester who, asleep at the base of a tree after a long night of drinking, awakens to the sight of a playful vixen cub. Delighted with his newfound furry friend, the Forester stumbles home to his farm to show his family. Discontent with her life in captivity, the cunning Vixen plots her escape, ruffles some feathers among the farm animals, and flees into the night. The Forester is then devastated and left alone to pine after his lost treasure.

Meanwhile, the Forester’s drinking buddies have troubles of their own. The Schoolmaster lusts after a young woman engaged to another man, and the Priest struggles to reconcile a misstep in his past with his present life of piety. Each man finds himself tormented by his own obsession, and struggles to accept the natural progression of life and death when it is out of his control.

One of the design inspriations for CCM's new production of THE CUNNING LITTLE VIXEN.

One of the design inspriations for CCM’s new production of THE CUNNING LITTLE VIXEN.

Inspired by a serial comic strip printed in the local paper, Leoš Janácek uses music and dance to breathe life into the characters he saw on the page. DeGeorge said a muse in the form of a little wooden vixen, gifted from his wife 10 years ago, inspired his vision for CCM’s production of the opera.

The geometric nature of the figurine, which is featured on the program cover, is reflected in the masks worn and carried by the characters as they transform throughout the opera.

“One of the things that is most prevalent in this opera is the relationship between humans and animals. The actors come on stage as humans and they transform into animals in front of the audience,” DeGeorge said. “There’s a sort of formalism about this little creature that I love but there’s also a playfulness that embodies the spirit of this production.”

It’s that very spirit, the transformative essence and flow of cycles within the opera, that Janácek masterfully elicits in your ears. Janácek will mesmerize you with his lush harmonies and sweeping melodies, Hollywood strings, flittering elfin-like woodwinds solos, and powerful romantic brass, in this fantastical tale of the intimate relationship between man and nature.

Join us in CCM’s Corbett Auditorium, this April 8-10, to explore the human condition within the enchanted world of music and dance.

Leoš Janácek’s
THE CUNNING LITTLE VIXEN
An Opera in Three Acts
Critical revised version by Jiri Zahrádka
Used by arrangement with European American Music Distributors Company, U.S. and Canadian agent for Universal Edition Vienna, publisher and copyright owner.

The Creative Team

  • Mark Gibson, conductor
  • Vince DeGeorge, stage director and choreographer
  • Marie-France Lefebvre, musical preparation
  • Mark Halpin, scenic designer
  • Jeremy Dominik, lighting designer*
  • Oran Wongpandid, costume designer*
  • Kelly Yurko, wig & make-up designer
  • Kristen Budke, properties designer*
  • Susan Moser, choreographer
  • Michael Medina, stage manager*
  • John Murton, assistant conductor (Sunday matinee)*
  • Maria Fuller, rehearsal pianist*
  • Levi Hammer, rehearsal pianist*
  • Michael Medina, rehearsal pianist*

* CCM student

Performance Times

  • 8 p.m. Friday, April 8
  • 8 p.m. Saturday, April 9
  • 2 p.m. Sunday, April 10

Location
Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to The Cunning Little Vixen are $31-35 for adults, $20-24 for non-UC students and $18-22 for UC students with a valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/cunning-little-vixen.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

Opera Department Sponsor: Mr. & Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

CCM News
Photography from CCM's Nov. 2015 production of 'The Merry Widow' by Mark Lyons.

CCM Slideshows: Franz Lehár’s The Merry Widow

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CCM’s Mainstage Series resumes this evening through this Sunday, Nov. 22, with a delightful new production of Franz Lehár’s witty operetta The Merry Widow. Conducted by Aik Khai Pung with stage direction by Emma Griffin, this production of The Merry Widow will be sung in English with a translation by renowned American lyricist Sheldon Harnick. Tickets are still available for select performances.

Featuring a score that Stage and Cinema describes as “a rich musical mix of Viennese waltzes, Hungarian folk dances and French insouciance,” The Merry Widow is a sparking romp in which farce, romance and jealousy abound. Join us for a fantastical Parisian bar crawl, as the fate of an entire nation hangs in the balance!

Learn more about the creation of The Merry Widow‘s costumes by clicking here.

Performance Times

  • 8 p.m. Thursday, Nov.19
  • 8 p.m. Friday, Nov. 20
  • 8 p.m. Saturday, Nov. 21
  • 2 p.m. Sunday, Nov. 23

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Franz Lehár’s The Merry Widow are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID.

$12-$15 student rush tickets will become available one hour prior to each performance; limit two student rush tickets per valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/merry-widow.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News CCM Slideshows

CCM’s Mainstage Series Presents Franz Lehár’s ‘The Merry Widow,’ Nov. 19-22

CCM’s Fall 2015 Mainstage Series comes to a witty and whimsical conclusion with Franz Lehár’s comic operetta The Merry Widow, playing Nov. 19 – 22 in Patricia Corbett Theater.

Conducted by Aik Khai Pung with stage direction by Emma Griffin, this production of The Merry Widow will be sung in English with a translation by renowned American lyricist Sheldon Harnick.

'The Merry Widow' photography by Mark Lyons.

From left to right: Andrew G. Manea as Danilo and Nicolette Book as Hanna in CCM’s production of ‘The Merry Widow.’ Photography by Mark Lyons.

A glorious early-20th century operetta and forerunner to the modern musical, The Merry Widow tells the fizzy tale of star-crossed lovers and political shenanigans in a glitzy and idealized version of Paris. Madame Hanna Glawari, the widow of the wealthiest man in Petrovenia, is in Paris for the first time following her elderly husband’s demise. Concerned by the widow’s many suitors, Petrovenian Ambassador Baron Zeta assumes the role of matchmaker to ensure that Hanna’s wealth remains within the country, rather than fall into foreign hands. To set his plan in motion, the baron sends his secretary to fetch Hanna’s old flame, Danilo, from another party. Unfortunately, the baron becomes so obsessed with his own schemes that he fails to notice the affair between his wife and rival party member Camille.

What begins as a pleasant, professional party at the Petrovenian Embassy rapidly devolves into a drunken debacle by the time Hanna and her entourage arrive at the famous nightclub, “Maxim’s,” in the early hours of the morning.

“In some ways, it’s a very simple idea,” explains Griffin, an assistant professor of opera at CCM. “The Merry Widow is about the sort of things that happen when you’re 25 years old and you go to three parties over the course of a single night. The opera is about these beautiful people, which doesn’t diminish the love stories at the heart of The Merry Widow. Instead, it instills the show with a feverish and heightened romantic atmosphere.”

Griffin read 18 different translations of The Merry Widow before settling on Harnick’s adaptation, which is written in a decidedly American vernacular.

“Our voice and opera majors don’t always get much experience performing in American English, so this is an opportunity for our students to exercise some different muscles,” she explains. Bursts of spoken dialogue also give The Merry Widow the charming feel of musical theatre.

The hybrid sensibilities of this operetta are even reflected in the production’s sizable cast, which features students from CCM’s departments of opera, musical theatre and drama. With choreography by Patti James, who promises a can’t-miss can-can number, CCM’s Mainstage Series production of The Merry Widow is sure to be magical, colorful and – of course – delightfully merry.

Featuring a score that Stage and Cinema describes as “a rich musical mix of Viennese waltzes, Hungarian folk dances and French insouciance,” The Merry Widow is a sparkling romp in which farce, romance and jealousy abound. Join us for a fantastical Parisian bar crawl, as the fate of an entire nation hangs in the balance!

Performance Times

  • 8 p.m. Thursday, Nov.19
  • 8 p.m. Friday, Nov. 20
  • 8 p.m. Saturday, Nov. 21
  • 2 p.m. Sunday, Nov. 23

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Franz Lehár’s The Merry Widow are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID. $12-$15 student rush tickets will become available one hour prior to each performance; limit two student rush tickets per valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/merry-widow.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Community Partner: ArtsWave

CCM News

CCM Voice Student Andrew G. Manea Named Albert Rees Davis Scholar by the Singers’ Club of Cleveland

CCM graduate student Andrew Manea.

CCM graduate student Andrew Manea.

Late last year, CCM master of music in voice candidate Andrew G. Manea was named one of three Albert Rees Davis Scholars in the S. Livingston Mather Scholarship Competition sponsored by the Singers’ Club of Cleveland. A previous Albert Rees Davis Scholar, Manea received a $1,250 cash award.

Manea was one of 16 singers selected from 28 applicants to compete for five scholarships funded by the S. Livingston Mather Charitable Trust, the George L. Hackett Scholarship Endowment and the Albert Rees Davis Endowment Fund, Inc. You can learn more about all of the current scholarship winners by visiting www.singersclub.org/scholarship-winners.

Founded in 1892, the Singers’ Club of Cleveland presents a repertoire of traditional men’s choral music, bold commissioned works and modern compositions. In addition, the Club undertakes challenging pieces typically reserved for professional choruses. A cross section of Greater Cleveland, the members come from varied ages and backgrounds, all sharing a love for performing outstanding vocal music.

A baritone, Manea has performed numerous opera roles at Music Academy of the West, Palacio de la Opera in A Coruña, Spain, Castleton Festival and Cleveland Institute of Music. He sang the role of Father in CCM’s production of Engelbert Humperdinck’s Hansel and Gretel earlier this season.

Learn more about CCM’s remarkable students by visiting ccm.uc.edu/about/villagenews/students.

CCM News Student Salutes