CCM 48-Hour Film Festival Celebrates Fourth Year

Audience members filled UC's MainStreet Cinema to watch original, student-created short films during CCM's 48-Hour Film Festival.

Audience members filled UC’s MainStreet Cinema to watch original, student-created short films during CCM’s 48-Hour Film Festival.

On Friday, Nov. 17, 2017, the University of Cincinnati College-Conservatory of Music kicked off its fourth annual university-wide 48-Hour Film Festival, spearheaded by Richard Hess, Chair of the CCM Acting Department. This year’s festival attracted 100 participating students from across multiple UC colleges who came together in one weekend to create eight short films.

Participants included 45 students from the CCM Acting department, as well as students from CCM’s Electronic Media, Musical Theatre, and Theatre Design and Production programs. The festival also welcomed student participants from other areas of UC, including International Affairs, Biology, English Literature, Aerospace Engineering and more.

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The festival challenges students to quickly solve problems and the fast turnaround of the project helps eliminate the second-guessing often involved in creative work, says Hess. “There is so much that works against creativity at a large and busy school,” Hess adds. “The 48-Hour Film Festival is a perfect chance to say, ‘Yes, yes, yes!’”

“With your creativity, a space, a camera and some people interested in storytelling, you can make a beautiful short film together in a short period of time, and that’s glorious!”

Participants were divided into eight teams and were each required to incorporate a NASA T-shirt, a mini mirrored disco-ball ornament and the phrase “I was hoping you’d say that” into their films. Each unique film lasts approximately seven to eight minutes in length. From there, the potential for creativity is limitless.

In the event’s first year, filmmaker and actor Fraser Kershaw launched the festival with a screening of his documentary, Behind the Water. For the next 48-Hour Film Festival, CCM welcomed six film and theatre students from Kenyatta University in Nairobi, Kenya.

This year, CCM Musical Theatre alumnus Mickey Fisher, who worked on the CBS show Extant and is currently working on the upcoming NBC show Reverie, shared a virtual masterclass with participants on the making of short films.

The eight finished films in this year’s CCM 48-Hour Film Festival were screened at a packed house on Sunday, Nov. 19 in the MainStreet Cinema at UC’s Tangeman University Center.

Visit the festival website to watch the films from the 2017 CCM 48-Hour Film Festival.

Each year the festival offers awards to the students involved in the audience’s favorite films. This year’s Audience Awards go to:

OUTSTANDING DIRECTION
Olivia Passafiume, Where We Left Off

OUTSTANDING CINEMATOGRAPHY
David Lehn, Where We Left Off

OUTSTANDING EDITING
Lindsey Ballou, Umpha Koroma and Darius Dudley, Randy the Reference Guy

OUTSTANDING WRITING
Sarah Durham, Where We Left Off

OUTSTANDING ANIMATION AND GRAPHICS
Devon Whalen, Where We Left Off

OUTSTANDING COMPOSITION/SOUND DESIGN
Peter Glassmeyer and Steven Rimke, In and Out

OUTSTANDING PERFORMANCE BY AN ACTOR
Cameron Nalley, Where We Left Off

OUTSTANDING PERFORMANCE BY AN ACTRESS
Madeleine Page-Schmit, Where We Left Off

OUTSTANDING PERFORMANCE BY A FEATURED ACTOR
Reid Robison, Going Up?

OUTSTANDING PERFORMANCE BY A FEATURED ACTRESS
Jenny Yue Shi, Randy the Reference Guy

OUTSTANDING FILM
Where We Left Off
Produced by
Kellie Bartle & Sarah Durham

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Celebrate the Season at CCM with Annual Holiday Concerts

Bring family and friends to CCM to celebrate the season with annual Jazz, Feast of Carols and Cincinnati Children’s Choir holiday-themed concerts.

Swing into the season to the big band sounds of CCM’s hottest bands and coolest voices at the Jazz Holiday Extravaganza at 8 p.m. on Wednesday, Nov. 29. The concert features the CCM Jazz Orchestra and Jazz Lab Band with Musical Theatre students, led by music directors Scott Belck and Craig Bailey.

Later that week, the annual favorite Feast of Carols returns with performances at 2 p.m. and 5 p.m. on both Saturday, Dec. 2 and Sunday, Dec. 3.

A tradition that dates back decades, the Feast of Carols concert embraces a variety of holiday songs ranging from the classic and traditional to the contemporary. CCM’s Chamber Choir, Chorale and Concert Orchestra will be joined by the UC Men’s and Women’s Choruses, Cincinnati Children’s Choir and guest choirs from Walnut Hills High School, Bridgetown Middle School and the Southern Gateway Chorus for four performances of holiday favorites.

Conductors Earl Rivers, Brett Scott, Robyn Lana, Kevin Coker, Molly Getsinger, Jeff Ledgers, Anthony Nims and Chelsey Sweatman lead the choirs on stage and invite the audience members to join in for the spectacular “Fa-La-La” finale.

On Saturday, Dec. 9, the Cincinnati Children’s Choir’s Holiday Concert will feature all 450 members of the Choir, including CCM resident choirs and satellite choirs from across the Tristate area, performing holiday songs from around the globe. Robyn Lana conducts.

Only a limited number of seats remain for each of these performances! Please see individual listings below for ticket prices and additional information.

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Event Information

8 p.m. Wednesday, Nov. 29
• Jazz Series •
JAZZ HOLIDAY EXTRAVAGANZA
CCM Jazz Orchestra and Jazz Lab Band
Featuring student singers from CCM Musical Theatre
Scott Belck and Craig Bailey, musical directors
Swing into the season with the big band sounds of CCM’s hottest bands and coolest voices. You better be good…
Location: Corbett Auditorium
Admission: $15 general admission, $10 for non-UC students, UC students FREE
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2 and 5 p.m. Saturday, Dec. 2
2 and 5 p.m. Sunday, Dec. 3
• Prestige Event Series •
FEAST OF CAROLS
CCM Chamber Choir, Chorale and CCM Concert Orchestra, UC Men’s and Women’s Choruses, and Cincinnati Children’s Choir
Featuring guest choirs from Walnut Hills High School, Bridgetown Middle School and the Southern Gateway (Barbershop) Chorus
Earl Rivers, Brett Scott, Robyn Lana, Kevin Coker, Molly Getsinger, Jeff Ledgers, Anthony Nims and Chelsey Sweatman, conductors
Bring family and friends to CCM to welcome the 2017 holiday season with festive choral favorites performed by CCM’s, UC’s and CCC’s fabulous choirs and outstanding guest choirs.
Location: Corbett Auditorium
Tickets: $15-$20 for adults, $10-15 non-UC students, UC students FREE
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2 and 5 p.m. Saturday, Dec. 9
• CCM Ensemble-in-Residence •
HOLIDAY CONCERT
Cincinnati Children’s Choir
Robyn Lana, conductor
The 450 members of the Cincinnati Children’s Choir, including CCM resident choirs and satellite choirs from across the Tristate area, perform holiday songs from around the globe.
Location: Corbett Auditorium
Admission: $15 general admission, $10 for non-UC students, UC students FREE
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Purchasing Tickets
Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

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CCM Alumni Create Music Score for New Feature Film ‘Novitiate’

There is a gap for potential leaders in curating classical music for the film industry, says CCM Composition alumnus Tyler Bradley Walker (DMA 2010), who recently served as music supervisor for feature film Novitiate. Walker is striving to fill that gap and enlisted the help of fellow CCM Composition alumnus Christopher Stark (MM 2007) to score the music-heavy feature film.

Novitiate, which debuted nationally on Nov. 10, is about a 17-year-old girl who trains to become a nun as the Roman Catholic Church undergoes radical changes in the early 1960s. Maggie Betts directs the film, which stars Melissa Leo, Dennis O’Hare, Dianna Agron and Margaret Qualley.

Walker says it was a huge honor to work with Betts on this almost entirely female-driven film project. Following the director’s vision for the film, Walker used art songs by composers Gabriel Fauré, Arvo Pärt and John Tavener. He studied the script and provided multiple musical options to pair with specific scenes — collecting around 150 options of art music.

“For me, using art music extensively as source material is exciting and underutilized in film,” Walker says. “Stanley Kubrick understood this to great effect but it has never entirely caught on. Thus, it was exciting to learn how Maggie was envisioning the film through a multitude of art songs and how we could incorporate them tonally.”

There are about 14 classical pieces used as source music in the movie, in addition to Tennessee Waltz by Patti Page. Walker hired Stark to write the score and maintain a cohesive musical tone throughout the film.

“The overall tone of the score, for me, is one of spiritual introspection — regardless of how one defines spiritual,” Stark says. “The movie is very carefully constructed and methodically paced so that the audience has time to self-reflect. The music really tries to help create this atmosphere.”

Stark studied the techniques of Pärt and Tavener and composed themes that used their ideas infused with his own personal style.

“The director had very specific emotions in mind for the particular scenes and characters,” Stark says. “For example, early in the film, when the young nun is falling in love with God, [Betts] asked me to create music with a sweet, child-like, yet romantic feeling — almost like how someone feels when they fall in love in high school.”

A 2017 recipient of the John Simon Guggenheim Memorial Foundation fellowship, Stark regularly composes contemporary classical music for concerts. He recently returned to CCM for a guest artist recital with New Morse Code, which performed one of Stark’s works. Novitiate marks his first foray into film.

“Film music has to enhance the dialogue and imagery on the screen, so it’s supplemental by nature — you aren’t solely responsible for the audience’s attention,” Stark says. “With concert music, you have to provide all of the drama and interest, so the music is more involved and, hopefully, attention-grabbing.”

Walker began working in the music industry shortly after he graduated and was able to “cut his teeth” in all aspects of recording engineering and production. He is a “musical sommelier” who credits his studies and experiences for giving him an objectively extensive palette of musical knowledge, which is a huge advantage in the film industry, he says.

Walker and Stark work as part of Maven Music Supervision, a creative resource focused on curating, selecting, licensing and clearing music for film, television, video games and other visual media. They first met as students at CCM.

“Tyler was one of the first people I met when I started at CCM, and we have remained really close friends ever since,” Stark says. “We both really love listening to music and watching films, and we are constantly texting about what we are watching and listening to — along with our other buddy from CCM, Matt Heim.”

Walker remembers enjoying classes taught by Robert Zierolf, who served as the head of CCM Composition, Music history and Theory and as dean of the UC Graduate School before his retirement in 2014. Since graduating, Stark has remained close with CCM Composition Professor Michael Fiday.

“I have always admired him as a composer and he was such a supportive and thoughtful teacher while I was a student at CCM,” Stark says.

“Both Tyler and I learned so much music and technique while we were students at CCM, and we’ve been able to use those skills to do really varied and interesting things since graduating.”

Hear their work in Novitiate, released by Sony Pictures ClassicsTM, now playing in theaters nation-wide. Learn more about the film at sonyclassics.com/novitiate.

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CCM’s 150th Anniversary Mainstage Series Presents Leonard Bernstein’s ‘Candide’

CCM presents "Candide" Nov. 16-19 in Patricia Corbett Theater.

CCM’s innovative staging of this classic opera highlights the artistry of the college’s “stars of tomorrow” and Bernstein’s extraordinary score.

The University of Cincinnati College-Conservatory of Music (CCM) continues its Sesquicentennial Mainstage Series with Candide, presented in conjunction with the world-wide Leonard Bernstein at 100 centennial celebration. Conducted by Mark Gibson with stage direction by Emma Griffin, the opera runs Thursday, Nov. 16, 2017, through Sunday, Nov. 19, 2017, in CCM’s Patricia Corbett Theater.

Based on Voltaire’s biting satirical novella of the same name, Leonard Bernstein’s Candide follows a naïve young man as he searches for the meaning of life in a cruel and chaotic world. First performed on Broadway in 1956 and then revised in 1973, the comic operetta won the New York Drama Critics Circle Award and multiple Drama Desk and Tony Awards. The opera’s energetic overture and the aria “Glitter and Be Gay” quickly became classics in their own time.

CCM’s innovative new production of Candide uses a mysterious, one-room set design that inspires the theatricality of the show. The performance will guide audiences’ imaginations as they journey through Voltaire’s “best of all possible worlds” with verve and humor.

“CCM’s highly imaginative staging of this classic opera-musical is part of a long performance tradition of presenting Candide as a theatrically inventive show,” Griffin says. “In our production, we’ve given the performers a blank canvas with which to create a world of heightened theatricality and magical realism.”

The production’s cast includes students from CCM’s opera, voice, musical theatre and acting programs, who use various items that are at hand to transform themselves and their surroundings in order to tell the story.

Candide is a dark, funny satirical tale about the dangers of an unexamined world view,” Griffin says. “Pushing through the humor and the showbiz pizazz of the piece is the vital question: What do people do in times of cultural uncertainty?”

“Our answer is: We make joyful art, raucous and rich and strange, full of life and beauty.”

Explore the “best of all possible worlds” in CCM’s production of Candide, presented Nov. 16-19 in Patricia Corbett Theater. Tickets can be purchased in person at the CCM Box Office, over the telephone 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/candide.
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CANDIDE
(New York City Opera House Version)
By Leonard Bernstein
Book by Hugh Wheeler, after Voltaire
Lyrics by Richard Wilbur, Stephen Sondheim, John La Touche and Leonard Bernstein

By arrangement with Boosey & Hawkes, Inc., Sole Agent for Leonard Bernstein Music Publishing Company LLC, publisher and copyright owner.
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Creative Team

  • Mark Gibson, conductor
  • Emma Griffin, director
  • Katie Johannigman, choreographer
  • Thomas C. Umfrid, scenic designer
  • Oliver Tidwell Littleton*, lighting designer
  • Edward Mineishi*, sound designer
  • Ann Marie White*, dialect coach
  • Reba Senske, costume designer
  • Lydia Brown, vocal coach
  • William R. Langley*, chorus master
  • Pauline Humbert*, stage manager

* CCM student

Cast List

  • Brandon Scott Russell# as Candide
  • Rob Stahley^ as Candide
  • Heidi Middendorf# as Cunegonde
  • Shannon Cochran^ as Cunegonde
  • Chelsea Duval-Major# as Old Lady
  • Karis Tucker^ as Old Lady
  • Schyler Vargas as Maximilian
  • Rebecca Printz as Paquette
  • De’ron McDaniel as Pangloss
  • Jaqueline Daaleman, Landon Hawkins, Nick Heffelfinger as Voltaire
  • Clay Edwards as Baron
  • Mia Athey as Baroness
  • Logan Wagner, Grant Peck as Bulgarian Soldiers
  • Breanna Flores, Elle Zambarano as Westphalian Soldiers
  • Michael Hyatt as High Inquisitor
  • Natalie Shepard as Auto-da-fe Victim
  • Chandler Johnson as Governor
  • Kseniia Polstiankina as Pianist
  • Amy Joy Stephens, Briana Moynihan as El Dorado Sheep
  • John Siarris as Prefect of Constantinople

^Denotes performers on Nov. 16 and 18
#Denotes performers on Nov. 17 and 19

Performance Times

  • 8 p.m. Thursday, Nov. 16
  • 8 p.m. Friday, Nov. 17
  • 8 p.m., Saturday, Nov. 18
  • 2 p.m. Sunday, Nov. 19

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Candide are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID.

Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Customizable subscription packages are also available for CCM’s 2017-18 Mainstage Series.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/candide.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Opera Department Sponsor: Mr. and Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

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New Morse Code musicians Hannah Collins and Michael Compitello. Photo by Michiko Tierney.

Guest Artist New Morse Code Gives CCM Recital This Weekend

New Morse Code, a cello and percussion duo, perform the work of CCM alumnus Christopher Stark (MM Composition, 2007) in a free guest artist recital at 8 p.m. on Sunday, Oct. 29 at CCM’s Robert J. Werner Recital Hall.

The duo features Hannah Collins, cello, and Michael Compitello, percussion. The musicians are devoted to sharing bold and engaging performances of works by young composers. New Morse Code’s recital features music by composers Andy Akiho, Tonia Ko, Pulitzer Prize-winning composer Caroline Shaw and Stark.

In addition to developing new repertoire for concert programs, New Morse Code also creates music for larger interdisciplinary projects. In 2012, New Morse Code worked with a team of artistic collaborators from the Yale Schools of Music and Drama to create Basement Hades: Songs of the Underworld, which blurs the boundaries between concert, play and multimedia event. It was hailed as “stunningly moving” by the New Haven Review.

Together, New Morse Code musicians Collins and Compitello were finalists in the 2014 Concert Artists Guild Competition and recipients of a Classical Commissioning Grant from Chamber Music America with Stark.

After graduating from CCM, Stark pursued his doctoral studies at Cornell University. He now teaches at Washington University in St. Louis.

“Chris was one of the best students I’ve ever taught at CCM,” says CCM Composition Professor Michael Fiday. “He is especially good at integrating electronic sounds into an acoustic instrumental environment in an entirely convincing and compelling way. Professionally he’s one of our biggest success stories, garnering high-profile commissions and performances. Most recently he was awarded a fellowship from the John Simon Guggenheim Foundation.”

New Morse Code’s recital at 8 p.m. this Sunday, Oct. 29, is free and open to the public. Event information is below.

About New Morse Code
New Morse Code is devoted to bold and engaging performances of music worth sharing. Omnivorous, rigorous and inventive, Hannah Collins and Michael Compitello activate the unexpected range and unique sonic world of cello and percussion to catalyze and champion the compelling works of young composers.

To Collins and Compitello, collaboration involves drawing upon mutual influences while generating and refining material together over an extended period of time. Through close work with colleagues such as pianist-composer Paul Kerekes, steel pan virtuoso and composer Andy Akiho, Hawaiian composer and visual artist Tonia Ko, and Pulitzer Prize-winning violinist/vocalist/composer Caroline Shaw, New Morse Code generates a singular and personal repertoire which reflects both their friends’ creative voices and their own perspectives. Through its outreach initiative New Morse Kids, the duo has inspired young listeners with eye-opening performances and engaging presentations at the Norfolk Chamber Music Festival, Yale’s Morse Summer Music Academy, the ARTSExperience Festival at Hobart and William Smith Colleges, and the Educational Center for the Arts in New Haven. Michael Compitello is the Director of Percussion at Cornell University. Hannah Collins is a New York City-based performer and teaching artist. For more information, please visit newmorsecode.com, michaelcompitello.com, or hannahcollinscello.com.

 

About Christopher Stark
Christopher Stark is a composer of contemporary classical music deeply rooted in the American West. Having spent his formative years in rural western Montana, his music is always seeking to capture the expansive energy of this quintessential American landscape. Stark, whose music the New York Times has called, “fetching and colorful,” has been awarded prizes and commissions from organizations such as the John Simon Guggenheim Memorial Foundation, the Fromm Foundation at Harvard, Chamber Music America, the Orléans International Piano Competition and ASCAP. Named a 2017 “Rising Star” by the St. Louis Post-Dispatch, his music has been performed by such ensembles as Alarm Will Sound, American Composers Orchestra, Arctic Philharmonic, Buffalo Philharmonic, Los Angeles Piano Quartet, Left Coast Chamber Ensemble, Oberlin Contemporary Music Ensemble, Momenta Quartet, New Morse Code, FLUX Quartet and the Aspen Contemporary Ensemble.

In 2012, he was a resident composer at Civitella Ranieri, a fifteenth-century castle in Umbria, Italy, and in June of 2016 he was awarded a residency at Copland House. Recent highlights included performances at the 2016 Santa Fe Chamber Music Festival and at the Whitney Museum of American Art as part of the 2016 NY Phil Biennial. His score for the feature-length film, Novitiate, premiered at the Sundance Film Festival in January of 2017 and will be theatrically released in October of 2017 by Sony Pictures Classics.
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Performance Time

8 p.m. Sunday, Oct. 29

Location
Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Admission
FREE

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U-Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Studio Acting Series Presents Premiere of ‘The Earth is Flat’

This work by alumnus Todd Almond is a coming-of-age tale set at UC. Admission is free but reservations are required; tickets become available at noon on Monday, Oct. 30.

This work by alumnus Todd Almond is a coming-of-age tale set at UC. Admission is free but reservations are required. Tickets become available at noon on Monday, Oct. 30.

CCM opens its Studio Acting Series with the premiere of Todd Almond’s The Earth is Flat at 8 p.m. on Thursday, Nov. 2. Directed by CCM Acting Professor and Department Chair Richard Hess, the play runs through Saturday, Nov. 4 in CCM’s Cohen Family Studio Theater.

The Earth is Flat follows the story of a UC freshman named Ethan and his journey to self-discovery. Set in a UC dormitory, the play explores the universal awkwardness of the American college experience. The search for identity by those least prepared with answers resonates with unexpected comedy in this new play, which was commissioned by CCM Acting as part of the Cincinnati Playwrights Conference in 2016.

“Ethan struggles to discover what it means to step into a new life far from home as he enters college, after a personal family tragedy almost derails his life,” Hess says. “This bittersweet comedy will make your heart smile.”

“This play is important to UC and CCM because it follows a student’s journey to discover truth in a world that has fallen flat,” says CCM Acting student Olivia Passafiume, who plays the role of Jennifer in The Earth is Flat. “It explores grief, and what it means to have the rug pulled from under you during some of the most formative years of your life.”

“Most importantly, Todd Almond’s words give hope that no matter what you may believe, the power of human connection is eternal,” she adds.

Almond (BM Vocal Performance, BFA Acting 1999) is a composer, performer, lyricist and playwright. He starred alongside Courtney Love in the rock opera Kansas City Choir Boy, for which he also wrote the original book, music and lyrics. His original theatrical works include Girlfriend, Melancholy Play and musical versions of The Tempest and The Winter’s Tale, among others. Since graduating, Almond has returned to CCM to hold master classes and participate in the annual Cincinnati Playwrights Conference. Learn more about Almond on his professional website: toddalmond.com.

The Earth is Flat runs Nov. 2-4 in CCM’s Cohen Family Studio Theater. Admission is free, but reservations are required. Tickets become available at noon on Monday, Oct. 30. They often sell out quickly, so visit our guide to Studio Series tickets for tips and tricks to secure your seats.
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Performance Times

  • 8 p.m. Thursday, Nov. 2
  • 8 p.m. Friday, Nov. 3
  • 2 p.m. Saturday, Nov. 4
  • 8 p.m. Saturday, Nov. 4

Location
Cohen Family Studio Theater, CCM Village,
University of Cincinnati

Cast List

  • Jack Steiner as Ethan
  • Graham Lutes as Derek
  • Carissa Cardy/Meg Olson as Shelly
  • Olivia Passafiume/Madeleine Page-Schmit as Jennifer
  • Carter LaCava as Guy Who Looks Like Jeremy
  • Graham Rogers as Man Various
  • Paige Jordan as Woman Various

Tickets
Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 30. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Studio Drama Series Sponsor: Ms. Margaret L. Straub & Mr. Neil R. Artman
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Story by CCM graduate student Alexandra Doyle

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CCM Hosts Met Opera District Auditions This Saturday

Promising opera singers compete for a chance to “win the Met” and kick-start a major operatic career at the Metropolitan Opera District Council Auditions for Ohio. This free event will take place 9 a.m.-6 p.m. on Saturday, Oct. 28, in CCM’s Robert J. Werner Recital Hall.

Local audiences have the opportunity to sample operatic selections sung by some of Ohio’s most talented young singers throughout the day at this event!

Each year, the Metropolitan Opera holds National Council Auditions throughout the country and Canada in order to discover promising young singers, give singers from around the country a chance to be heard by the major opera companies of the United States and Canada, and find potential participants for the Lindemann Young Artist Development program, an opera training program sponsored by the Met. There are four rounds of competition — district, regional, semi-final and final. The Ohio district is one of 42 districts throughout the U.S. and Canada.

The winners of the Ohio district will advance to the regional auditions, held in Chicago in January 2018. The National Semi-Finals and Grand Finals Concert will take place in New York City at the Metropolitan Opera House in April 2018. Last year, four CCM alumni competed in the semi-finals: Jessica Faselt, soprano (MM Voice, 2016); Summer Hassan, soprano (MM Voice, 2014); Andrew Manea, baritone (MM Voice, 2016); and Cody Quattlebaum, bass-baritone (BM Voice, 2015) — who was chosen as a finalist in the national competition.

Out of the pool of incredibly advanced and polished singers, approximately 10 are chosen each year as finalists in the national competition, and from those, approximately five “win the Met.” The five Grand Winners receive $15,000 each, and many go on to successful careers as opera stars. The process of this rigorous and stressful competition was documented in The Audition, a film following the finalists of the 2007 auditions.

Past winners of the Metropolitan Opera National Council Auditions include Renee Fleming, Susan Graham, Samuel Ramey, Frederica von Stade and Deborah Voigt.

Learn more about the National Council Auditions at metopera.org/about/auditions/nationalcouncil/.

Event Time
9 a.m.–6 p.m. Saturday, Oct. 28

Location
Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Admission

Admission to the Metropolitan Opera District Council Auditions for Ohio is FREE. Reservations are not required.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

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