Stay Connected: CCMONSTAGE Online’s Latest Newsletter

Experience the artistry and expertise of our students, alumni, faculty and staff through our CCMONSTAGE Online e-newsletter. Our latest edition features performance videos, stories and other resources designed to help us stay connected.

UC plans to welcome back students to campus on Aug. 24 for the start of the fall semester. A thoughtful blend of in-person and virtual offerings, in addition to enhanced health and safety measures, will provide students with the best collegiate experience possible in this new era of living and learning. Learn more about UC’s Return to Campus.

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Get the latest news from CCM:

CCM Dance co-ops create pipeline from student to professional artist

The college’s co-op program connects students to professional ballet companies while they complete their BFA degrees, creating a pipeline that leads young artists to their future careers. Student Grace Mccutcheon and alumna Hannah Holtsclaw share how CCM Dance co-ops have impacted their careers so far. Read more.


WVXU and CCM Acting’s “O’Toole From Moscow” is available to stream on demand

Listen online to enjoy Rod Serling’s comedy about confusion between Russians and the Cincinnati Reds. Directed by CCM Professor Richard Hess, the radio play features a cast of CCM Acting students with narration by Serling’s daughter, Anne. Read more.


Internationally acclaimed stage director Greg Eldridge joins CCM’s opera faculty

Eldridge has worked across eight countries at some of the world’s most famous opera houses. His work has been praised by critics for its “thoughtful and effective” staging, with “detailed characterizations and considered through-lines” a hallmark of his directing style. Read more.


Theatre lighting and projection designer Steven Piechocki joins CCM’s theatre design and production faculty

An experienced designer and educator, Piechocki’s new appointment began on Aug. 15, 2020. As an educator, he is especially interested in projection and digital media production, and the integration of digital video, animation and motion graphics into event design and live performances. Read more.


Eight UC faculty recognized for excellence in mentoring undergraduate researchers

CCM Assistant Professor-Educator of Piano Andy Villemez was named one of this year’s outstanding research mentors. UC offers numerous opportunities for undergraduate students to participate in research and explore it as a possible career. Read more.


Arts for all: CCM offers mix of online, in-person electives in fall 2020

CCM offers dozens of different general studies and arts elective courses in fall 2020. These credit-granting courses are open to all UC students and cover a wide range of topics including dance, movies and media, music and theatre arts. Read more.


CCM Organ Professor spotlights C.B. Fisk Opus 148 Organ on “Around Cincinnati”

Cincinnati’s Christ Church Cathedral dedicated a new C.B. Fisk Organ Opus 148 in 2018. To learn more about this special instrument, WVXU’s Alexander Watson recently spoke with CCM Professor of Organ and Harpsichord Michael Unger and David Pike, head tonalist from C. B. Fisk Organ Builders. Read more.


CCM Sounds Design student wins Pat MacKay Diversity in Design Scholarship

BFA Sound Design student Alena Milos is a recipient of the 2020 Pat MacKay Diversity in Design Scholarship, presented by Questex’s Live Design International (LDI) in partnership with TSDCA and USITT. Live Design, a creative and technical resource for live design professionals, recently featured Milos in a Q&A published online. Read more.


FAQs and Online Resources

Please refer to our coronavirus resource website to help answer your frequently asked questions. This website is updated as new information develops, so please check back often. See more UC answers to your important questions.

For more information about the University of Cincinnati’s response to COVID-19, please visit uc.edu/publichealth.


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Alumnus recruits MLB stars and musicians for virtual rendition of ‘Take Me Out to the Ballgame’

Warm up for the start of the Major League Baseball season with a special virtual performance of “Take Me Out to the Ballgame” that showcases UC College-Conservatory of Music students and alumni with MLB players. The performance is available to watch online.

Alumnus Harrison Sheckler (BM Piano, ’19) brought 200 people together for the performance, which was professionally produced with help from former Cincinnati Reds pitcher Bronson Arroyo. The performance features singers and musicians from CCM and the Brooklyn College. Filling out the roster for the project are Bret Saberhagen (pitcher in the Royals Hall of Fame and 1985 World Series champion and former Met); Jim Day (FOX Red’s baseball announcer); Susan Roush Dellinger (author of “Red Legs and Black Sox” and granddaughter of Baseball Hall of Famer Edd Roush); Nick Martinez (pitcher for the Hokkaido Nippon Ham Fighters of Nippon Professional Baseball and former Ranger’s pitcher); Aristides Aquino (Red’s outfielder); Dale Scott (Former MLB umpire) and many others.

The video features 22 CCM students and alumni representing multiple areas of the college including violin, cello, clarinet, double bass, oboe, flute, piano, harp, horn and more. It also includes CCM Professor of Music (Tuba and Euphonium) Tim Northcut. It was produced by CCM Commercial Music Production alumni Armin Meyer and Grant Bayer, who are audio engineers at Cincinnati’s Zated Records. Many of these students and alumni also participated in Sheckler’s virtual performance of “You’ll Never Walk Alone.” CCM students and alumni involved in the “Take Me Out to the Ballgame” performance include:

  • Armin Meyer (BM Commercial Music Production, ’18)
  • Grant Bayer (BM Commercial Music Production, ’18)
  • Natalie Orth (BM Violin, ’20)
  • Jonathan Lin (BM Violoncello, ’18)
  • Carolyn Regula – former DMA Violoncello student
  • Peter Ryan (MM Violoncello, ’19) – current DMA Violoncello current
  • Sarah Minnemanm – current DMA Oboe student
  • Patrick Grimone (BM Oboe, ’19)
  • Taylor Overholt (BM Clarinet, ’19)
  • Collin Goff – current BM Music Education and Clarinet
  • David Goist (BM Violin, ’16; MM Violin, ’18)
  • Kanako Shimasaki – current DMA Violin student
  • Taylor Fleshman (BM Harp, ’18)
  • Evan Sacks-Wilner – current BM Tuba student
  • Li-han Eliza Tseng (DMA Violoncello, ’19)
  • Katie Riley – current BM Flute student
  • Ryan Penshorn – former BM Horn student
  • Eliza Edge (BM Horn, ’19)
  • Phillip Palmore (BM Horn, ’20)
  • Taiga Benito – current BM Double Bass student
  • Harrison Sheckler (BM Piano, ’19)
  • Tim Garner (BM Commercial Music Production, ’19)

The performance has earned media attention from the Cincinnati EnquirerWGN-TVBackstage and Spectrum News.

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A photo of the entrance to the CCM Atrium on UC's campus. Photo/UC Creative + Brand.

CCM Alumna Karen Zhang Wins Prestigious MTNA Teacher Fellowship

CCM alumna Karen Zhang (BM Piano Performance, ’16; MM Piano Performance, ’18) is the 2020 recipient of the Music Teachers National Association’s MarySue Harris Studio Teacher Fellowship. This $3,000 grant, funded by the MarySue Harris Endowment Fund, is presented annually to a recently graduated independent studio music teacher who demonstrates commitment to the music teaching profession and outstanding studio development.

Karen ZhangDuring her time at CCM, Zhang studied with CCM Professor of Piano Eugene Pridonoff and Associate Professor of Piano Soyeon Kate Lee. Zhang was a winner of CCM’s Van Cliburn Scholarship Competition and the Glenn Miller Society Scholarship Competition, as well as the first-place winner of the $9,400 prize at Three Arts Scholarship Competition. She also participated in the 2017 Pianofest, held in Hampton, New York. As a CCM master’s degree student, she was a graduate assistant in secondary piano.

After graduation, Zhang and her husband Jaesung Kim founded their Cincinnati-based piano studio, Musical Moments. Her students have been winners of numerous competitions, including the University of Kentucky’s Nathaniel Patch Piano Competition, OhioMTA Auditions Festival and the 88 Tri-State Piano Concerto Competition. Many of her students have also been recognized with Distinction-level certificates from the Associated Board of the Royal Schools of Music. Zhang has been invited to teach and perform in numerous pre-colleges and venues in Asia, including those in Seoul, Chengdu, Chongqing, Taishan and Beijing.

Zhang has also taught through the City Gospel Mission’s Whiz Kids Music Program, an after-school program that gives music classes and lessons to students in the Cincinnati area whose schools do not offer music classes. CCM Preparatory and Community Engagement connects collegiate students with teaching and mentoring opportunities through the CCM AfterSchool program, which has partnered with Whiz Kids, Cincinnati Public Schools and other education and community organizations.

About MTNA and MarySue Harris

MTNA is a nonprofit organization of some 20,000 independent and collegiate music teachers committed to furthering the art of music through teaching, performance, composition and scholarly research. Founded in 1876, MTNA is the oldest professional music teachers’ association in the United States.

MarySue Harris, a long-time MTNA member from Nebraska, has devoted her teaching career to nurturing young music students. Her commitment to pedagogy and the beginning music teacher led to her establishment of the MarySue Harris Endowment Fund.


Story by CCM Graduate Student Alexandra Doyle

Featured image at top: Memorial Hall, which is part of the CCM Village on UC’s campus. Photo/UC Creative + Brand.

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Long Beach Opera’s production of The Central Park Five. Photo credit: Long Beach Opera

CCM alumnus Leslie B. Dunner conducts Pulitzer Prize-winning opera ‘The Central Park Five’

Long Beach Opera’s production of The Central Park Five. Photo credit: Long Beach Opera

Anthony Davis’ opera won the prestigious prize after Dunner led the world premiere in June 2019

CCM graduate Leslie B. Dunner (DMA Orchestral Conducting, ’82) conducted the premiere of Anthony Davis’ The Central Park Five last June with California’s Long Beach Opera. In May, the opera won the 2020 Pulitzer Prize in Music.

Composed by Davis with a libretto by Richard Wesley, the opera was described by the jury of the prestigious award as, “a courageous operatic work, marked by powerful vocal writing and sensitive orchestration, that skillfully transforms a notorious example of contemporary injustice into something empathetic and hopeful.”

The Central Park Five’s musical style combines elements of jazz, hip-hop, blues and other historically African-American genres. The opera centers on the five African American and Latino teenagers who were unjustly convicted of a Central Park assault in the 1980s, but were exonerated through DNA evidence 13 years later.

CCM audiences may remember Dunner from his recent appearance on campus. In October 2019, Dunner returned to CCM to conduct the Philharmonia in its “CSI Halloween: Post-Mortem” performance. While on campus, Dunner connected with CCM conducting students over dinner and worked with them in studio class as well as in rehearsals to prepare for the performance.

An award-winning conductor with a glowing international reputation, Dunner is the Music Director of the South Shore Opera Company in Chicago and serves as the conductor of the Interlochen Arts Academy Orchestra, the World Youth Symphony Orchestra and the Interlochen Arts Camp.

Dunner began rehearsals for The Central Park Five shortly after his teaching and conducting work at the Interlochen Arts Academy ended for the 2018-19 school year. In an interview for Interlochen’s website, Dunner commented on the importance of telling the stories and struggles of black Americans through the lens of opera.

“Anthony Davis said something very interesting,” Dunner tells Interlochen. “He had an interview where he was asked what he thought was relevant with opera. Because the interviewer said, ‘Opera was becoming a dead medium.’ And Anthony replied, ‘No. It’s not a dead medium. It’s a dead medium for your stories. It’s not a dead medium for our stories because our stories have not been told in opera.’”

For Dunner, the story of the Central Park Five is very personal. “I grew up in the area where all of this took place,” Dunner tells Interlochen. “I lived eight blocks away. I used to go to that part of Central Park as a kid. All of what went on during that time I have been through.”

From the Central Park Five to today’s #BlackLivesMatter movement, stories of cultural, racial and socio-economic injustices regularly make headlines across the country. “The cycle is still being perpetuated,” Dunner tells Interlochen. “What happened to them should not be happening anymore. Yet it is still happening. That is the relevance. That’s why this was important.”

One month after Dunner led the world premiere of The Central Park Five at Long Beach Opera, another opera focused on wrongful convictions premiered at Cincinnati Opera. The stories of six people who were wrongfully imprisoned and then freed were told in Blind Injustice, a collaboration with CCM, UC’s Ohio Innocence Project (OIP) and the Young Professionals Choral Collective. Based on casework by the OIP and the book “Blind Injustice” by UC law professor and OIP Director Mark Godsey, the highly acclaimed opera was directed by CCM Professor of Opera Robin Guarino and featured several current and former CCM students in the cast.

Efforts to share diverse stories through the performing arts is not limited to tales of wrongful convictions and struggle. In February, Dunner conducted the Toledo Symphony in a program that highlighted classical musicians of color. Selections included excerpts from Nkeiru Okoye’s opera Harriet Tubman: When I Crossed That Line to Freedom, Duke Ellington’s The River Suite, André Previn’s Honey and Rue and William Grant Still’s Symphony No. 1, among other pieces. As Music Director and Interim Artistic Director of Chicago’s South Shore Opera, Dunner furthers the company’s mission to provide greater opportunities for professional artists of color, especially local black artists, in performances of classic and contemporary operas.

“We are just now coming to the foreground,” Dunner tells Interlochen. “So we are using this medium to tell our stories, and we are modifying the medium so that it’s relevant to our population, and that’s what’s interesting, and that’s what’s exciting, and that’s what I want to be a part of.”

Read Dunner’s full interview on Interlochen’s website.

Learn more about Pulitzer Prize-winning opera, The Central Park Five.

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A photo of the entrance to the CCM Atrium on UC's campus. Photo/UC Creative + Brand.

CCM Acting Faculty, Alumni and Students Embrace Local and National Digital Theatre

A photo of the entrance to the CCM Atrium on UC's campus. Photo/UC Creative + Brand.

Cincinnati Playhouse and the One-Minute Play Festival share creative monologues and short-plays featuring CCM Acting faculty, alumni and students

The pandemic isn’t stopping theatre artists from connecting and sharing their work. Although they can’t gather on stage or perform in front of an in-person audience right now, actors and directors are creating digital spaces to share theatre online.

CCM Acting Professor Brant Russell recently participated in two digital theatre efforts through Cincinnati Playhouse in the Park’s Monologues of Hope series and the national One-Minute Play Festival (1MPF).

“A bunch of us have refused to allow the lack of sanctioned or safe traditional theatre methods to hamper our practice. We can’t gather, we can’t even be near each other, but the need to make work still exists, and the audiences for it are there,” Russell says. “Zoom/digital theatre is a burgeoning practice, and I’m proud CCM is in the mix.”

The Playhouse’s series commissioned 10 local playwrights to write monologues on the theme of hope during the pandemic. Each monologue is performed by a local actor and shared on the Playhouse’s website and social media accounts. So far, the Monologues of Hope Series has shared nine new works, including Russell’s Play for Our Time and Hope Deconstructed by CCM Acting alumna Torie Wiggins (BFA, ’02).

In Play for Our Time, Russell travels back in time to the Yellow Fever outbreak of 1878 to get some advice from Cincinnati Chief Health Administrator Dr. Thomas C. Minor, portrayed by actor Barry Mulholland. The 19th-century doctor is a bit uncomfortable with Russell’s “rectangle device” (smart phone), but he manages to share some timely words of wisdom.

Wiggins’ Hope Deconstructed features actor Ernaisja Curry in a comedic monologue that examines how “we’ve been getting hope all wrong” by associating it with negativity. “Hope should be hopeful. It should sound hopeful; it should look hopeful. It should start in the eyes like smizing, then the rest of the face follows suit, then the tone of voice, then the positive words with a burst of energy,” the actor exclaims in the monologue.

Hope and creativity fuel these digital theatre projects and various online performances across the country. It is evident in the commitment of these teachers, students, actors, directors and theatre companies who are determined to stay connected and share their work in new ways.

“Theatre develops and strengthens community,” says CCM Acting student Anastasia Jacques. “Digital theatre and live performances over Zoom have made me feel so connected to people very far away.”

Jacques participated in the One Minute Play Festival’s (1MPF) Coronavirus Plays Project, which presented 625 plays via Zoom over 11 days. Russell directed 62 of the one-minute plays, which ranged in topic from “old married couples dealing with quarantine to pigeons deciding on whom they should poop,” he says.

Dominic D’Andrea is the Founder and Producing Artistic Director of the 1MPF, which is the country’s largest and longest consistently running community-engaged theatre project. Russell directed 1MPF plays when it came to Chicago in 2011 and wrote/directed for the IMPF when it came to Cincinnati in 2015. He cast CCM students for the project and passed his directing duties to a CCM Acting student the next year. A CCM Acting student has been directing for the Cincinnati 1MPF each year ever since, and Russell continues to write plays for it.

“We produce about 1,000 plays a year in 15-20 cities and communities, in real life. We just moved what we do online, so it wasn’t that hard for us,” D’Andrea says of the 1MPF Coronavirus Plays Project. “In this case we did a partnership with The Dramatists Guild of America and, for the first time ever, did an open call. We had about 1,300 emails and 625 useable plays from that. We offered the work up to our partnering orgs and alumni directors to stage some of it. So we built a little online coalition.”

Brant Russell directs CCM Acting students, alumni and other actors through Zoom in the 1MPF's Coronavirus Plays Project. Photo/1MPF

Brant Russell directs CCM Acting students, alumni and other actors through Zoom in the 1MPF’s Coronavirus Plays Project. Photo/1MPF

Russell and D’Andrea have known each other for around 15 years, dating back to when they met at the Lincoln Center Director’s Lab. When D’Andrea launched 1MPF’s Coronavirus Plays Project, he enlisted Russell to direct 62 of them.

D’Andrea estimates that a couple thousand audience members watched the plays through Zoom, and the project involved about 14 directors, 120 actors and 625 writers from 14 different countries.

Russell’s casts included Jacques as well as CCM Acting alumni Ella Eggold (BFA, ’19), Gabriella DiVincenzo (BFA, ’19) and Paige Jordan (BFA, ’20).

Jacques played various roles during the 1MPF project including a loving spouse, a poetic farmer and — her favorite — a doting New Jersey mother. This was the first digital theatre project she has worked on, but it won’t be the last. Jacques is planning to be a guest speaker on “Reliving Childhood,” a YouTube channel launched by CCM Acting students Carlee Coulehan, Sierra Coachman and Noah Buyak. “Reliving Childhood” centers around re-watching TV shows from the students’ youth, and the idea was brought to life when students were separated during quarantine.

“We are taught that live theatre is magical because the audience and the actors are in the same room breathing the same air, but I think it is important to recognize that storytelling is the best medicine — period,” Jacques says. “If we can’t breathe the same air at least we can see each other’s faces and see each other’s hearts.”


Featured image at top: The entrance to the CCM Atrium on UC’s campus. Photo/UC Creative + Brand.

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A photo of the entrance to the CCM Atrium on UC's campus. Photo/UC Creative + Brand.

Music at Home: Recent CCM graduates share senior recital performance video

The University of Cincinnati’s transition to remote learning put in-person public performances at the College-Conservatory of Music on pause, including senior recitals that graduating students typically present during the spring semester. However, harpist Anna Dunlap didn’t let that stop her from sharing a piece she planned to perform during her recital online.

Dunlap, who recently graduated with a Master of Music in Harp, planned to perform Marcel Tournier’s La lettre du Jardinier with fellow CCM student Sean McKay, who just graduated with a Master of Music in Trumpet. They were disappointed to lose the opportunity to perform the piece that they had already spent time practicing, so McKay suggested they present it digitally.

“Music, as it always does, provides comfort, joy and an escape from the more difficult times in life,“ says Anna Dunlap (MM Harp, ’20). “The arts are a vitally important part of everyone’s lives, so by sharing our music we are able to stay connected to our audiences, friends and colleagues.”

Dunlap, who studied with CCM Professor Gillian Benet Sella, is thankful that McKay was as excited about the performance video as she was. She was introduced to La lettre du Jardinier by her former teacher Kathleen Bride while she was an undergraduate student at Eastman School of Music.

“I never had the chance to program it there, so I was really happy about finding a friend to perform this piece with me here at CCM,” Dunlap says.

McKay, who studied with CCM Professor Alan Siebert, created the initial click track that the musicians used to record, then recorded the performances and edited the video. He says the recording part only took a couple of hours but that he probably spent around 4 hours editing the audio.

McKay is a self-taught video editor and used his experience as a performer, as well as the advice of experienced friends, for the audio recording and editing. He is using his free time during the pandemic to build a larger digital presence for himself as a freelance musician and educator.

“One of the biggest ‘silver linings’ that has come from this quarantine has been that I am moving in the right direction to expand my digital footprint, and that I have had a few opportunities to make music with friends,” McKay says. “I think that as musicians and students of music, we take for granted the simple and yet highly complex phenomena that is the experience of making music with other people.”

“I think that it is so very important for musicians to stay connected during this time, because each of us has a fire burning inside of us which drives our passion to make music; and when that fire is told to stay inside and stay healthy, that fire needs fuel to stay alive,“ says  Sean McKay (MM Trumpet, ’20). “These types of projects and collaborations with friends are what fuels our inner fire.”

Dunlap is using her time in quarantine to explore old hobbies like drawing and painting and she is staying connected with friends through video chats and virtual game nights. She is also working on new repertoire, updating her website and planning a virtual harp camp with a mentor.

She enjoys seeing the variety of creative ways musicians are continuing to perform and share music during this uncertain time. Dunlap is inspired by the orchestra videos, like the New York Philharmonic’s performance excerpt from Mahler’s Symphony No. 5 “Adagietto and the Dallas Symphony Orchestra’s performance of Ravel’s “Le jardin féerique” (The Fairy Garden) from Ma mère l’Oye (Mother Goose Suite).

From Broadway stars to prestigious professional orchestras to student musicians, performing artists across the world are determined to share their work in new ways. Recently on May 16, the Cincinnati Symphony Orchestra presented “Live from Music Hall,” which featured a performance of Mahler’s Piano Quartet and the world premiere of the first piece for The Fanfare Project by CSO Creative Partner Matthias Pintscher. The performance featured CCM professors Dwight Parry, oboe; Michael Chertock, piano; Ilya Finkelshteyn, cello; and CSO concertmaster Stefani Matsuo and principal viola Christian Colberg.

“Music is a beautiful thing. Music heals. Music sparks creativity and passion. Music helps people in so many ways. Music can change the outcome of a person’s whole day,” McKay says. “My favorite quote about music is from Aldous Huxley: ‘After silence, that which comes nearest to expressing the inexpressible is music.’ When words fail, music speaks. When people are hurt, music is there to heal and soothe.“


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CCM Students, Alumni Unite in Virtual Performance of ‘You’ll Never Walk Alone’

Alumnus Harrison Sheckler organized 300 musicians from around the world for the special concert

CCM alumnus Harrison Sheckler (BM Piano, ’19) united 300 musicians from 15 countries for a virtual performance of Rodgers and Hammerstein’s “You’ll Never Walk Alone” from CarouselThe performance is available to watch online.

Now a student at the Conservatory of Music of Brooklyn College, Sheckler spent over 200 hours promoting, organizing submissions and video editing the project. He collected tracks from countries all over the world, including the United Kingdom, Mexico, Canada, Germany, Spain, France, Vietnam, Israel, Australia, South Africa and more.

The video features 30 CCM students and alumni representing multiple areas of the college including musical theatre, composition, music education, violin, violoncello, double bass, oboe, flute, piano, tuba, horn and more. It was produced by CCM Commercial Music Production alumni Josh Meyer and Grant Bayer, who are audio engineers at Cincinnati’s Zated Records. CCM students and alumni involved in the performance include:

  • Jenny Mollet (BFA Musical Theatre, ’19)
  • Giselle Haas (BM Music Education, ’19)
  • Kanako Shimasaki – current DMA Violin student
  • Maciej Latawiec (Matthew) – current DMA Violin student
  • Li-Han Eliza Tseng (DMA Violoncello, ’19)
  • Maksym Mahlay – current BM Composition and Piano student
  • Carolyn Regula – former DMA Violoncello student
  • Isabel Dimoff (BM Violoncello, ’18)
  • Jonathan Lin (BM Violoncello, ’18)
  • Micah Donar (BM Violoncello, ’17; MM Violoncello, ‘19)
  • Peter Ryan (MM Violoncello, ’19) – current DMA Violoncello current
  • Kimber Elayne Sprawl (BFA Musical Theatre, ’14)
  • Natalie Orth (BM Violin, ’20)
  • Taiga Benito – current BM Double Bass student
  • Dan Qiao (MM Violin, ’17) – current DMA Violin student
  • Taylor Overholt (BM Clarinet, ’19)
  • Collin Goff – current BM Music Education and Clarinet
  • Katie Riley – current BM Flute student
  • Ray Haim (BM Music Education, ’18)
  • Sarah Minneman – current DMA Oboe student
  • Bryan Lyons (BM Oboe, ’97) – current DMA Oboe student
  • Patrick Grimone (BM Oboe, ’19)
  • Eliza Edge (BM Horn, ’19)
  • Griffin Botts (BM Horn, ’17) – current MM Horn student
  • Ryan Penshorn – former BM Horn student
  • Phillip Palmore (BM Horn, ’20)
  • Evan Sacks-Wilner – current BM Tuba student
  • Harrison Sheckler (BM Piano, ’19)
  • Josh Meyer (BM Commercial Music Production, ’18)
  • Grant Bayer (BM Commercial Music Production, ’18)

The performance has garnered media attention from Broadway World and Musical America Worldwide.

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CCM Celebrates Class of 2020

CCM is so proud of our graduates and of the faculty and staff who helped guide their success

After investing countless hours in classrooms, practice rooms, studios, workshops and rehearsal halls, the Class of 2020 is graduating from UC’s College-Conservatory of Music. Congratulations!

Photo of CCM Village as the cover for the Graduation Convocation program.

Click the image to download CCM’s 2020 Graduation Convocation program. Design by Mikki Graff.

The CCM community is inspired by the Class of 2020’s resilience during this unprecedented crisis and is proud to welcome this year’s graduates to our global network of alumni. Graduates join a network of thousands of UC alumni including artists, entrepreneurs, researchers, leaders and professionals around the world.

“I wish we could gather in Corbett Auditorium to recognize and celebrate all you’ve achieved,” CCM Dean Stanley E. Romanstein says. “I’d like nothing more than to shake your hand, to look you in the eye and say, on behalf of CCM’s faculty and staff, ‘Congratulations! Well done!’ Unfortunately, COVID-19 has relegated us to a virtual celebration.”

“Please know how proud we are of you and of what you’ve done,” Romanstein adds. “CCM’s reputation as a nationally ranked and internationally renowned institution rests with you. The faculty and I look forward to following your journey, wherever it may take you.”

In addition to CCM’s degree recipients, we also acknowledge this year’s student and faculty award recipients:

  • Outstanding Undergraduate Student Achievement Award: Melinda Hunt
  • Sigma Alpha Iota Scholastic Award for Outstanding Achievement: Adelaide Young
  • Ernest N. Glover Award for Outstanding Teaching: Tricia Sundbeck

CCM also celebrates five retiring faculty members who have dedicated themselves to continuing the college’s legacy as a leading training center for the performing and media arts:

  • Earl Rivers, professor of music and director of choral studies, 1973-2020
  • Dean Mogle, professor and head of costume design and technology, 1989-2020
  • Alan Siebert, professor of trumpet, 1990-2020
  • Mark Williams, professor of lighting design and technology, 2009-2020
  • Stephen Allee, professor of music, 2015-2020

We look forward to a time in which we can all come together again to mark these momentous milestones in person. Until then, please accept our digital congratulations on behalf of CCM’s faculty, staff, friends and alumni.

Congratulations to CCM’s Class of 2020!

View the list of CCM’s 2020 graduates.

You can also download the online version of the Graduation Convocation program booklet.


#UCGrad2020

UC President Neville G. Pinto invites the university community to participate in a two-day virtual graduation celebration on May 1-2, 2020. To mark this important milestone, UC Student Affairs and its Commencement Office has planned the following digital activities, which will be based in their Twitter account @StuAffUC and use the hashtag #UCGrad20.

A Day of GRAD-itude

Every hour from 9 a.m.-5 p.m. on Friday, May 1, Student Affairs will share a sampling of thank you messages from graduates as they show their GRAD-itude to those who have been a part of their journey to graduation.

Celebration Saturday

Commemorate your achievement by taking a walk down memory lane. From 9 a.m. to 5 p.m. on Saturday, May 2, Student Affairs will tweet every half hour to celebrate the day with you. Follow along for fun flashbacks, interactive polls, lots of great GIFs and a chance to tell us about your memorable moments at UC. If you happen to be online at 4:30 p.m., you’ll catch a message from President Pinto and then finish the festivities at 5 p.m. with a virtual cap toss.

Until we can see one another again in person, please stay in touch and and stay connected at alumni.uc.edu


Featured images of CCM’s 2019 Graduation Convocation by Jay Yocis 

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Cincinnati Enquirer: CCM Alum Writes Custom Songs During Pandemic

As performing arts centers around the world announce event cancelations due to the COVID-19 outbreak, musicians are finding new ways to share and create their art. The Cincinnati Enquirer recently featured how one UC College-Conservatory of Music alumnus is sharing his work through a unique business model.

Ryan Fine. Photo/Ryan Fine

Ryan Fine (BFA Commercial Music Production, ’17) is a Nashville-based performer, songwriter, pianist and producer who suddenly found himself with an empty calendar when performances were canceled. So, he started Fine-Tuned Custom Songs to create original works for music lovers during the pandemic.

Fine will create an original song based on what the customer wants. Customers can request songs for any occasion, specify the tone and style of music. Prices for the songs start at $50.

Read the full article.

Fine has been writing and producing custom songs for kids going through traumatic experiences with the Songs of Love Foundation since 2016. He was voted Best Instrumentalist of 2019 by readers of the Nashville Scene. As an artist he has over 275,000 streams on Spotify. Cincinnati audiences may remember his jazz pop group Ryan Fine & The Media, which performed a set at the Midpoint Music Festival in 2016. Learn more about Fine on his professional website.


Feature image at top: Ryan Fine at the piano. Photo/Ryan Fine

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Playbill Streams Broadway’s ‘Bandstand’ Musical Film on April 10

Playbill will stream the 2017 Broadway musical Bandstand, written by CCM Acting alumnus Richard Oberacker (BFA, ’93) and Robert Taylor, beginning tonight, April 10, 2020. The Tony Award-winning musical tells the story of World War II veteran Donny Novitski, who forms a band with fellow veterans and enters a national contest to become America’s newest musical sensation.

Richard Oberacker with CCM Acting Professor Richard Hess at a preview performance of “Bandstand” on Broadway.

The first Playbill Playback, a new series in which old and recent favorite musicals can be streamed on Playbill.com, Bandstand will be streamed for the first time on April 10 and will be available through April 17. A portion of the proceeds raised with the stream will go to The Actors Fund.

The Bandstand stream will also feature an interview with co-stars Laura Osnes, Corey Cott and Beth Leavel as well as director-choreographer Andy Blankenbuehler and co-creators Oberacker and Taylor.

In addition to Oberacker, alumni from across CCM are involved in this award-winning musical. Geoff Packard (BFA Musical Theatre, ’04) plays Wayne Wright, a trombonist in the veteran band; Max Clayton (BFA Musical Theatre, ’14) is in the ensemble; Greg Anthony Rassen (MM Orchestral Conducting, ’03) is the co-orchestrator, music supervisor and music arranger; and David Kreppel (BFA Musical Theatre, ’92) is the vocal music arranger.

Bandstand was the first theatrical production in history to be certified authentic by Got Your 6, an organization that advocates for authentic portrayal of the military across entertainment.

Learn more about the Bandstand stream on Playbill.

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