CCM Alumni Create Music Score for New Feature Film ‘Novitiate’

There is a gap for potential leaders in curating classical music for the film industry, says CCM Composition alumnus Tyler Bradley Walker (DMA 2010), who recently served as music supervisor for feature film Novitiate. Walker is striving to fill that gap and enlisted the help of fellow CCM Composition alumnus Christopher Stark (MM 2007) to score the music-heavy feature film.

Novitiate, which debuted nationally on Nov. 10, is about a 17-year-old girl who trains to become a nun as the Roman Catholic Church undergoes radical changes in the early 1960s. Maggie Betts directs the film, which stars Melissa Leo, Dennis O’Hare, Dianna Agron and Margaret Qualley.

Walker says it was a huge honor to work with Betts on this almost entirely female-driven film project. Following the director’s vision for the film, Walker used art songs by composers Gabriel Fauré, Arvo Pärt and John Tavener. He studied the script and provided multiple musical options to pair with specific scenes — collecting around 150 options of art music.

“For me, using art music extensively as source material is exciting and underutilized in film,” Walker says. “Stanley Kubrick understood this to great effect but it has never entirely caught on. Thus, it was exciting to learn how Maggie was envisioning the film through a multitude of art songs and how we could incorporate them tonally.”

There are about 14 classical pieces used as source music in the movie, in addition to Tennessee Waltz by Patti Page. Walker hired Stark to write the score and maintain a cohesive musical tone throughout the film.

“The overall tone of the score, for me, is one of spiritual introspection — regardless of how one defines spiritual,” Stark says. “The movie is very carefully constructed and methodically paced so that the audience has time to self-reflect. The music really tries to help create this atmosphere.”

Stark studied the techniques of Pärt and Tavener and composed themes that used their ideas infused with his own personal style.

“The director had very specific emotions in mind for the particular scenes and characters,” Stark says. “For example, early in the film, when the young nun is falling in love with God, [Betts] asked me to create music with a sweet, child-like, yet romantic feeling — almost like how someone feels when they fall in love in high school.”

A 2017 recipient of the John Simon Guggenheim Memorial Foundation fellowship, Stark regularly composes contemporary classical music for concerts. He recently returned to CCM for a guest artist recital with New Morse Code, which performed one of Stark’s works. Novitiate marks his first foray into film.

“Film music has to enhance the dialogue and imagery on the screen, so it’s supplemental by nature — you aren’t solely responsible for the audience’s attention,” Stark says. “With concert music, you have to provide all of the drama and interest, so the music is more involved and, hopefully, attention-grabbing.”

Walker began working in the music industry shortly after he graduated and was able to “cut his teeth” in all aspects of recording engineering and production. He is a “musical sommelier” who credits his studies and experiences for giving him an objectively extensive palette of musical knowledge, which is a huge advantage in the film industry, he says.

Walker and Stark work as part of Maven Music Supervision, a creative resource focused on curating, selecting, licensing and clearing music for film, television, video games and other visual media. They first met as students at CCM.

“Tyler was one of the first people I met when I started at CCM, and we have remained really close friends ever since,” Stark says. “We both really love listening to music and watching films, and we are constantly texting about what we are watching and listening to — along with our other buddy from CCM, Matt Heim.”

Walker remembers enjoying classes taught by Robert Zierolf, who served as the head of CCM Composition, Music history and Theory and as dean of the UC Graduate School before his retirement in 2014. Since graduating, Stark has remained close with CCM Composition Professor Michael Fiday.

“I have always admired him as a composer and he was such a supportive and thoughtful teacher while I was a student at CCM,” Stark says.

“Both Tyler and I learned so much music and technique while we were students at CCM, and we’ve been able to use those skills to do really varied and interesting things since graduating.”

Hear their work in Novitiate, released by Sony Pictures ClassicsTM, now playing in theaters nation-wide. Learn more about the film at sonyclassics.com/novitiate.

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CCM’s 150th Anniversary Mainstage Series Presents Leonard Bernstein’s ‘Candide’

CCM presents "Candide" Nov. 16-19 in Patricia Corbett Theater.

CCM’s innovative staging of this classic opera highlights the artistry of the college’s “stars of tomorrow” and Bernstein’s extraordinary score.

The University of Cincinnati College-Conservatory of Music (CCM) continues its Sesquicentennial Mainstage Series with Candide, presented in conjunction with the world-wide Leonard Bernstein at 100 centennial celebration. Conducted by Mark Gibson with stage direction by Emma Griffin, the opera runs Thursday, Nov. 16, 2017, through Sunday, Nov. 19, 2017, in CCM’s Patricia Corbett Theater.

Based on Voltaire’s biting satirical novella of the same name, Leonard Bernstein’s Candide follows a naïve young man as he searches for the meaning of life in a cruel and chaotic world. First performed on Broadway in 1956 and then revised in 1973, the comic operetta won the New York Drama Critics Circle Award and multiple Drama Desk and Tony Awards. The opera’s energetic overture and the aria “Glitter and Be Gay” quickly became classics in their own time.

CCM’s innovative new production of Candide uses a mysterious, one-room set design that inspires the theatricality of the show. The performance will guide audiences’ imaginations as they journey through Voltaire’s “best of all possible worlds” with verve and humor.

“CCM’s highly imaginative staging of this classic opera-musical is part of a long performance tradition of presenting Candide as a theatrically inventive show,” Griffin says. “In our production, we’ve given the performers a blank canvas with which to create a world of heightened theatricality and magical realism.”

The production’s cast includes students from CCM’s opera, voice, musical theatre and acting programs, who use various items that are at hand to transform themselves and their surroundings in order to tell the story.

Candide is a dark, funny satirical tale about the dangers of an unexamined world view,” Griffin says. “Pushing through the humor and the showbiz pizazz of the piece is the vital question: What do people do in times of cultural uncertainty?”

“Our answer is: We make joyful art, raucous and rich and strange, full of life and beauty.”

Explore the “best of all possible worlds” in CCM’s production of Candide, presented Nov. 16-19 in Patricia Corbett Theater. Tickets can be purchased in person at the CCM Box Office, over the telephone 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/candide.
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CANDIDE
(New York City Opera House Version)
By Leonard Bernstein
Book by Hugh Wheeler, after Voltaire
Lyrics by Richard Wilbur, Stephen Sondheim, John La Touche and Leonard Bernstein

By arrangement with Boosey & Hawkes, Inc., Sole Agent for Leonard Bernstein Music Publishing Company LLC, publisher and copyright owner.
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Creative Team

  • Mark Gibson, conductor
  • Emma Griffin, director
  • Katie Johannigman, choreographer
  • Thomas C. Umfrid, scenic designer
  • Oliver Tidwell Littleton*, lighting designer
  • Edward Mineishi*, sound designer
  • Ann Marie White*, dialect coach
  • Reba Senske, costume designer
  • Lydia Brown, vocal coach
  • William R. Langley*, chorus master
  • Pauline Humbert*, stage manager

* CCM student

Cast List

  • Brandon Scott Russell# as Candide
  • Rob Stahley^ as Candide
  • Heidi Middendorf# as Cunegonde
  • Shannon Cochran^ as Cunegonde
  • Chelsea Duval-Major# as Old Lady
  • Karis Tucker^ as Old Lady
  • Schyler Vargas as Maximilian
  • Rebecca Printz as Paquette
  • De’ron McDaniel as Pangloss
  • Jaqueline Daaleman, Landon Hawkins, Nick Heffelfinger as Voltaire
  • Clay Edwards as Baron
  • Mia Athey as Baroness
  • Logan Wagner, Grant Peck as Bulgarian Soldiers
  • Breanna Flores, Elle Zambarano as Westphalian Soldiers
  • Michael Hyatt as High Inquisitor
  • Natalie Shepard as Auto-da-fe Victim
  • Chandler Johnson as Governor
  • Kseniia Polstiankina as Pianist
  • Amy Joy Stephens, Briana Moynihan as El Dorado Sheep
  • John Siarris as Prefect of Constantinople

^Denotes performers on Nov. 16 and 18
#Denotes performers on Nov. 17 and 19

Performance Times

  • 8 p.m. Thursday, Nov. 16
  • 8 p.m. Friday, Nov. 17
  • 8 p.m., Saturday, Nov. 18
  • 2 p.m. Sunday, Nov. 19

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Candide are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID.

Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Customizable subscription packages are also available for CCM’s 2017-18 Mainstage Series.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/candide.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Opera Department Sponsor: Mr. and Mrs. Edward S. Rosenthal

Opera Production Sponsor: Genevieve Smith

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New Morse Code musicians Hannah Collins and Michael Compitello. Photo by Michiko Tierney.

Guest Artist New Morse Code Gives CCM Recital This Weekend

New Morse Code, a cello and percussion duo, perform the work of CCM alumnus Christopher Stark (MM Composition, 2007) in a free guest artist recital at 8 p.m. on Sunday, Oct. 29 at CCM’s Robert J. Werner Recital Hall.

The duo features Hannah Collins, cello, and Michael Compitello, percussion. The musicians are devoted to sharing bold and engaging performances of works by young composers. New Morse Code’s recital features music by composers Andy Akiho, Tonia Ko, Pulitzer Prize-winning composer Caroline Shaw and Stark.

In addition to developing new repertoire for concert programs, New Morse Code also creates music for larger interdisciplinary projects. In 2012, New Morse Code worked with a team of artistic collaborators from the Yale Schools of Music and Drama to create Basement Hades: Songs of the Underworld, which blurs the boundaries between concert, play and multimedia event. It was hailed as “stunningly moving” by the New Haven Review.

Together, New Morse Code musicians Collins and Compitello were finalists in the 2014 Concert Artists Guild Competition and recipients of a Classical Commissioning Grant from Chamber Music America with Stark.

After graduating from CCM, Stark pursued his doctoral studies at Cornell University. He now teaches at Washington University in St. Louis.

“Chris was one of the best students I’ve ever taught at CCM,” says CCM Composition Professor Michael Fiday. “He is especially good at integrating electronic sounds into an acoustic instrumental environment in an entirely convincing and compelling way. Professionally he’s one of our biggest success stories, garnering high-profile commissions and performances. Most recently he was awarded a fellowship from the John Simon Guggenheim Foundation.”

New Morse Code’s recital at 8 p.m. this Sunday, Oct. 29, is free and open to the public. Event information is below.

About New Morse Code
New Morse Code is devoted to bold and engaging performances of music worth sharing. Omnivorous, rigorous and inventive, Hannah Collins and Michael Compitello activate the unexpected range and unique sonic world of cello and percussion to catalyze and champion the compelling works of young composers.

To Collins and Compitello, collaboration involves drawing upon mutual influences while generating and refining material together over an extended period of time. Through close work with colleagues such as pianist-composer Paul Kerekes, steel pan virtuoso and composer Andy Akiho, Hawaiian composer and visual artist Tonia Ko, and Pulitzer Prize-winning violinist/vocalist/composer Caroline Shaw, New Morse Code generates a singular and personal repertoire which reflects both their friends’ creative voices and their own perspectives. Through its outreach initiative New Morse Kids, the duo has inspired young listeners with eye-opening performances and engaging presentations at the Norfolk Chamber Music Festival, Yale’s Morse Summer Music Academy, the ARTSExperience Festival at Hobart and William Smith Colleges, and the Educational Center for the Arts in New Haven. Michael Compitello is the Director of Percussion at Cornell University. Hannah Collins is a New York City-based performer and teaching artist. For more information, please visit newmorsecode.com, michaelcompitello.com, or hannahcollinscello.com.

 

About Christopher Stark
Christopher Stark is a composer of contemporary classical music deeply rooted in the American West. Having spent his formative years in rural western Montana, his music is always seeking to capture the expansive energy of this quintessential American landscape. Stark, whose music the New York Times has called, “fetching and colorful,” has been awarded prizes and commissions from organizations such as the John Simon Guggenheim Memorial Foundation, the Fromm Foundation at Harvard, Chamber Music America, the Orléans International Piano Competition and ASCAP. Named a 2017 “Rising Star” by the St. Louis Post-Dispatch, his music has been performed by such ensembles as Alarm Will Sound, American Composers Orchestra, Arctic Philharmonic, Buffalo Philharmonic, Los Angeles Piano Quartet, Left Coast Chamber Ensemble, Oberlin Contemporary Music Ensemble, Momenta Quartet, New Morse Code, FLUX Quartet and the Aspen Contemporary Ensemble.

In 2012, he was a resident composer at Civitella Ranieri, a fifteenth-century castle in Umbria, Italy, and in June of 2016 he was awarded a residency at Copland House. Recent highlights included performances at the 2016 Santa Fe Chamber Music Festival and at the Whitney Museum of American Art as part of the 2016 NY Phil Biennial. His score for the feature-length film, Novitiate, premiered at the Sundance Film Festival in January of 2017 and will be theatrically released in October of 2017 by Sony Pictures Classics.
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Performance Time

8 p.m. Sunday, Oct. 29

Location
Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Admission
FREE

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U-Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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CCM Studio Acting Series Presents Premiere of ‘The Earth is Flat’

This work by alumnus Todd Almond is a coming-of-age tale set at UC. Admission is free but reservations are required; tickets become available at noon on Monday, Oct. 30.

This work by alumnus Todd Almond is a coming-of-age tale set at UC. Admission is free but reservations are required. Tickets become available at noon on Monday, Oct. 30.

CCM opens its Studio Acting Series with the premiere of Todd Almond’s The Earth is Flat at 8 p.m. on Thursday, Nov. 2. Directed by CCM Acting Professor and Department Chair Richard Hess, the play runs through Saturday, Nov. 4 in CCM’s Cohen Family Studio Theater.

The Earth is Flat follows the story of a UC freshman named Ethan and his journey to self-discovery. Set in a UC dormitory, the play explores the universal awkwardness of the American college experience. The search for identity by those least prepared with answers resonates with unexpected comedy in this new play, which was commissioned by CCM Acting as part of the Cincinnati Playwrights Conference in 2016.

“Ethan struggles to discover what it means to step into a new life far from home as he enters college, after a personal family tragedy almost derails his life,” Hess says. “This bittersweet comedy will make your heart smile.”

“This play is important to UC and CCM because it follows a student’s journey to discover truth in a world that has fallen flat,” says CCM Acting student Olivia Passafiume, who plays the role of Jennifer in The Earth is Flat. “It explores grief, and what it means to have the rug pulled from under you during some of the most formative years of your life.”

“Most importantly, Todd Almond’s words give hope that no matter what you may believe, the power of human connection is eternal,” she adds.

Almond (BM Vocal Performance, BFA Acting 1999) is a composer, performer, lyricist and playwright. He starred alongside Courtney Love in the rock opera Kansas City Choir Boy, for which he also wrote the original book, music and lyrics. His original theatrical works include Girlfriend, Melancholy Play and musical versions of The Tempest and The Winter’s Tale, among others. Since graduating, Almond has returned to CCM to hold master classes and participate in the annual Cincinnati Playwrights Conference. Learn more about Almond on his professional website: toddalmond.com.

The Earth is Flat runs Nov. 2-4 in CCM’s Cohen Family Studio Theater. Admission is free, but reservations are required. Tickets become available at noon on Monday, Oct. 30. They often sell out quickly, so visit our guide to Studio Series tickets for tips and tricks to secure your seats.
____________________

Performance Times

  • 8 p.m. Thursday, Nov. 2
  • 8 p.m. Friday, Nov. 3
  • 2 p.m. Saturday, Nov. 4
  • 8 p.m. Saturday, Nov. 4

Location
Cohen Family Studio Theater, CCM Village,
University of Cincinnati

Cast List

  • Jack Steiner as Ethan
  • Graham Lutes as Derek
  • Carissa Cardy/Meg Olson as Shelly
  • Olivia Passafiume/Madeleine Page-Schmit as Jennifer
  • Carter LaCava as Guy Who Looks Like Jeremy
  • Graham Rogers as Man Various
  • Paige Jordan as Woman Various

Tickets
Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 30. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
____________________

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Studio Drama Series Sponsor: Ms. Margaret L. Straub & Mr. Neil R. Artman
____________________

Story by CCM graduate student Alexandra Doyle

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CCM Hosts Met Opera District Auditions This Saturday

Promising opera singers compete for a chance to “win the Met” and kick-start a major operatic career at the Metropolitan Opera District Council Auditions for Ohio. This free event will take place 9 a.m.-6 p.m. on Saturday, Oct. 28, in CCM’s Robert J. Werner Recital Hall.

Local audiences have the opportunity to sample operatic selections sung by some of Ohio’s most talented young singers throughout the day at this event!

Each year, the Metropolitan Opera holds National Council Auditions throughout the country and Canada in order to discover promising young singers, give singers from around the country a chance to be heard by the major opera companies of the United States and Canada, and find potential participants for the Lindemann Young Artist Development program, an opera training program sponsored by the Met. There are four rounds of competition — district, regional, semi-final and final. The Ohio district is one of 42 districts throughout the U.S. and Canada.

The winners of the Ohio district will advance to the regional auditions, held in Chicago in January 2018. The National Semi-Finals and Grand Finals Concert will take place in New York City at the Metropolitan Opera House in April 2018. Last year, four CCM alumni competed in the semi-finals: Jessica Faselt, soprano (MM Voice, 2016); Summer Hassan, soprano (MM Voice, 2014); Andrew Manea, baritone (MM Voice, 2016); and Cody Quattlebaum, bass-baritone (BM Voice, 2015) — who was chosen as a finalist in the national competition.

Out of the pool of incredibly advanced and polished singers, approximately 10 are chosen each year as finalists in the national competition, and from those, approximately five “win the Met.” The five Grand Winners receive $15,000 each, and many go on to successful careers as opera stars. The process of this rigorous and stressful competition was documented in The Audition, a film following the finalists of the 2007 auditions.

Past winners of the Metropolitan Opera National Council Auditions include Renee Fleming, Susan Graham, Samuel Ramey, Frederica von Stade and Deborah Voigt.

Learn more about the National Council Auditions at metopera.org/about/auditions/nationalcouncil/.

Event Time
9 a.m.–6 p.m. Saturday, Oct. 28

Location
Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Admission

Admission to the Metropolitan Opera District Council Auditions for Ohio is FREE. Reservations are not required.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

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CCM presents 'Seussical' through Oct. 29 in Patricia Corbett Theater. Photo by Mark Lyons.

Local Arts Critics Praise CCM’s ‘Seussical’

CCM’s Mainstage Series production of Seussical continues at 8 p.m. tonight, Oct. 25, at Patricia Corbett Theater! Local critics praised the musical, which runs through Sunday, Oct. 29 as part of CCM’s 150th Anniversary Celebration.

Directed by Vince DeGeorge with musical direction by CCM graduate student Luke Flood, Seussical was written by CCM alumnus Stephen Flaherty (BM Composition, 1982) and Lynn Ahrens. It is now one of the most often performed musicals in the United States, but CCM’s production “demonstrates that the tale can be presented in a fresh way, with ingenious direction and design,” writes Scott Cain of Talkin’ Broadway. Cain hails CCM’s mounting of Seussical as “truly one of a kind.” He writes:

“The story of love, loyalty, sacrifice and caring still comes through clearly in this new approach, and the program continues to showcase its talented pre-professional performers. The direction, design and dances are noteworthy and will make this production one to remember for some time.”

In his review of Seussical for The Sappy Critic, Kirk Sheppard declares: “It’s easily the best costume work I’ve ever seen.” He also praises the performances from CCM Musical Theatre students, the musical’s lighting design by CCM student Eric McCandless and wig and make-up design by professor Kelly Yurko. Read Sheppard’s full review online: new.thesappycritic.com/2017/10/21/review-seussical/.

Laurel Humes recommends to “move your caboosical to CCM’s Seussical” in her review for the League of Cincinnati Theatres. Humes writes: “The show pulls out all the stops: Broadway-worthy costumes, lighting, staging and standout performances. All what audiences expect from CCM.”

In her review for The News Record, Anne Simedinger praises the Seussical performances: “The entire cast had such contagious energy through the entire show, which kept audience members on the edge of their seats.” She adds:

“The vibrant colors in the props, costumes and lighting against the primarily black and white set paints the picture as the story unfolds. This is a production to not be missed.”

Experience Seussical for yourself before the show closes on Sunday, Oct. 29. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/seussical.
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SEUSSICALTM
Music by Stephen Flaherty
Lyrics by Lynn Ahrens
Book by Lynn Ahrens and Stephen Flaherty
Co-Conceived by Lynn Ahrens, Stephen Flaherty and Eric Idle
Based on the Works of Dr. Seuss
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Performance Times

  • 8 p.m. Wednesday, Oct. 25
  • 8 p.m. Thursday, Oct. 26
  • 8 p.m. Friday, Oct. 27
  • 2 and 8 p.m., Saturday, Oct. 28
  • 2 p.m. Sunday, Oct. 29

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Seussical are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID.

Student rush tickets will be sold one hour before each performance to non-UC students for $12 or $15, based on availability. UC students can receive one free student rush ticket with a valid ID, based on availability.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/seussical.

Customizable subscription packages are also available for CCM’s 2017-18 Mainstage Series.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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SEUSSICAL is presented through a special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com

CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Musical Theatre Production Sponsor: Elizabeth C. B. & Paul G. Sittenfeld

Musical Theatre Performance Sponsor: Northwestern Mutual

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Alumna Adrienne Danrich Gives CCM Recital This Weekend

CCM welcomes the return of alumna Adrienne Danrich (MM Voice, 1995) for a special 150th Anniversary guest artist recital at 2 p.m. this Sunday, Oct. 22 at CCM’s Robert J. Werner Recital Hall.

The soprano will perform a free recital “Of Legends and Contemporaries,” with accompaniment from Lydia Brown, piano; Marcus Küchle, piano; and Bill Willits, guitar. The program features works by Richard Wagner, Francis Poulenc and Sergei Rachmaninoff along with pieces by contemporary composers including Ricky Ian Gordon and Danrich herself.  Complete repertoire is below.

An award winning singer, writer, composer and educator, Danrich is a versatile artist based in New York City. She is most notably recognized for winning a Midwest Emmy for her performance and narration of This Little Light of Mine: The Stories of Marian Anderson and Leontyne Price, which she also created. In 2006, the Cincinnati Opera commissioned Danrich to write and perform the one-woman show, which has since been presented over 80 times across the United States and televised on PBS Milwaukee and Cincinnati’s WCET.

Experience Danrich’s artistry in person during her free recital this Sunday, Oct. 22 at CCM’s Robert J. Werner Recital Hall. Danrich’s return to her alma mater during CCM’s 150th Anniversary Celebration is not to be missed.

Learn more about Adrienne Danrich on her professional website: adriennedanrich.com

Repertoire
WAGNER: Dich, Teure Halle from Tannhäuser
POULENC: La Dame de Monte Carlo from Mefistofele
RACHMANINOFF: No prophet, I Op. 21, No. 11; Child, You Are Beautiful Like a Flower, Op. 8, No. 2; In My Garden at Night, Op. 38, No. 1; A-u!, Op. 38, No. 6
ARRIGO BOITO: L’altra notte in fondo al mare
Intermission
RICKY IAN GORDON: Daybreak in Alabama
DREW HEMENGER: Genius Child and Casual
GEOFFREY BURLESON: Shall We Gather by the River
ADRIENNE DANRICH & KAMALA SANKARAM: Anti-Social Media
ADRIENNE DANRICH & DAVE HALL: Strawberry and My Lady
ADRIENNE DANRICH: Forgiveness
ADRIENNE DANRICH & DAVE HALL: I Am Not Alone
MARGARET BONDS: He’s Got The Whole World in His Hands

Performance Time
2 p.m. Sunday, Oct. 22 

Location
Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Admission
FREE

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U-Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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