CCM Sound Design Alumnus Wins Daytime Emmy for Disney’s Broadway Hits Broadcast

Theatre will always be Matt Kraus’ first love, but the CCM alumnus has made a name for himself by taking on diverse sound design opportunities in multiple mediums. He’s worked on theatrical productions with Liza Minelli and Kristen Chenoweth, and has also been involved in many live telecasts such as the Macy’s Thanksgiving Day Parade and NBC’s Jesus Christ Superstar live in concert.

Most recently, Kraus (BFA Sound Design, 2001) won a Daytime Emmy Award for Outstanding Sound Mixing for his work on the TV broadcast of Disney’s Broadway Hits at Royal Albert Hall. Directed by Jeff Lee, the production brought well-known Disney artists and beloved hits to the London stage.

The broadcast featured the BBC orchestra, led by Keith Lockhart, and nine Broadway vocalists including CCM alums Alton Fitzgerald (BFA Musical Theatre, 1986) and Ashley Brown (BFA Musical Theatre, 2004). It also included the West End cast of Aladdin, a children’s choir of 100 singers and award-winning composer Alan Menken. Kraus has worked on similar shows with Disney over the years but says that this production was much larger.

“The logistics were daunting, as we were loading into the iconic venue and performing all in the same day,” he remembers. “We prepared for months to make sure that once we arrived at Royal Albert Hall, we would have all the tools at hand that we’d need to do the show.”

“The hardest part was keeping the audio team on track to make sure that we kept up with the tight schedule and quality of the audio. All that while getting nine primary vocalists and a world-renowned orchestra comfortable and happy with the sound.”

Disney’s Broadway Hits at Royal Albert Hall aired to much acclaim internationally on SKY TV, Broadway HD and BBC Radio. Kraus says he has enjoyed his work with Disney Theatrical because the productions always bring together a talented team of artists, musicians and directors.

Kraus has worked on many live telecasts, including Macy’s July 4th Fireworks, Tony Bennet’s 90th Birthday Celebration at Radio City, The Wiz, Peter Pan, The Sound of Music and the 2016 International Jazz Day broadcast live from the White House. He has also been the audio coordinator on remote shoots of the Tonight Show, which has filmed all over the country. He’s worked on hundreds of high-profile events like iHeart Radio’s annual Music Festival in Las Vegas, a Gucci/H&M Fashion Show featuring Prince and Nicki Minaj, and Elton John’s 60th Birthday Celebration at St. John the Divine.

Kraus is now a nationally-known sound designer, but he still fondly remembers his time as a student at CCM. He recalls countless late nights drafting and finishing CCM tech rehearsals and finishing the long days with “a milkshake at UDF and a high five.” He credits CCM with molding him into the sound designer he is today.

“Current students should be open to all kinds of opportunities that may come their way,” Kraus advises. “It’s normal to be focused on one medium or design aspect, but there are so many rewards to becoming a well-rounded artist with diversified projects.”

“Theatre will always be my first love, but I’ve had some really amazing experiences working on concerts, live events and television.”

Learn more about CCM Sound Design at ccm.uc.edu/theatre/tdp/sound.

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CCM Alumni in 5 Tony-Nominated Productions

Update: Congratulations to CCM alumnus Stephen Flaherty (BM Composition, 1982), who wrote the music for Once On This Island — winner of the 2018 Tony Award for Best Revival of a Musical! Alysha Deslorieux (BFA Musical Theatre, 2012) plays the role of Andrea in the musical and Chris Fenwick (BM Piano, 2001) is the music supervisor.

Tony Awards LogoCCM alumni are involved in at least five productions that have been nominated in the 2018 Tony Awards, which air live on CBS at 8/7 central on Sunday, June 10.

John Riddle (BFA Musical Theatre, 2012) stars as Hans in Disney’s Frozen, the Broadway installment based off the hit animated feature film. Noah Ricketts (BFA Musical Theatre, 2014) also performs in the Frozen‘s ensemble. The musical has received three Tony nominations.

Joe Medeiros (BFA Musical Theatre, 2006) is in the ensemble for Edward Albee’s Three Tall Women, which received six Tony nominations.

Christine Cornish Smith (BFA Musical Theatre, 2013) is in the ensemble of the Broadway revival of My Fair Lady, which received 10 Tony nominations.

Alysha Deslorieux (BFA Musical Theatre, 2012) plays the role of Andrea in the Broadway revival of Once On This Island, which was nominated for eight Tony Awards. The musical features music by CCM alumnus Stephen Flaherty (BM Composition, 1982) with book and lyrics by Lynn Ahrens and alumnus Chris Fenwick (BM Piano, 2001) is the music supervisor.

Nick Belton (BFA Musical Theatre, 2002), Garrett Hawe (BFA Musical Theatre, 2009) and Kelly McCormick (MM Theatre Performance and Voice, 1996) are ensemble members in the Broadway revival of Carousel, which received 11 Tony nominations. Belton is also the understudy for the leading role of Billy Bigelow and McCormick is the understudy for the role of Mrs. Mullin.

The Tony Awards, hosted by Sara Bareilles and Josh Groban, will be broadcast live on CBS at 8/7 central on Sunday, June 10. Find out more by visiting tonyawards.com.

Are you a CCM alum with news? Stay in touch by sharing your story with us!

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CCM Alumnus Marcus Shields Returns As Visiting Assistant Professor of Opera Directing

UC College-Conservatory of Music Interim Dean bruce d. mcclung has announced the appointment of CCM alumnus Marcus Shields (MM, 2015; AD, 2017) to the position of Visiting Assistant Professor of Opera Directing. Shields’ appointment will officially begin on Aug. 15, 2018.

Shields is a New York City-based director who specializes in the presentation and performance of classical music and opera. His experience ranges from installation/performance art to fully produced theatre, blending his artistry as a pianist, singer, visual artist and director into works that probe the boundaries of genre.

He has served on the directing staff of the Lyric Opera Chicago, Atlanta Opera, Cincinnati Opera, Wolf Trap Opera and the Curtis Institute of Music. Directing credits include La Vida Breve with the Cincinnati Chamber Orchestra and Northern Kentucky University School of the Arts, and a touring production of The Bolcom Cabaret with engagements at the Neue Galerie in New York and the National Museum for Women in the Arts in Washington, DC.

Recently, Shields directed Bernstein’s Mass at Cincinnati’s May Festival, which attracted a sold-out crowd at Music Hall. At CCM he directed a semi-staged production of Arthur Honegger’s Joan of Arc at the Stake and the 2017 Mainstage Opera production of Mozart’s Idomeneo, which was praised by arts reporter Janelle Gelfand as “striking” and a “rare treat.” In the fall of 2018, Shields will direct Giacomo Puccini’s Tosca at New York City’s Madison Theater.

Recipient of the 2018 Stage Directing Fellowship at San Francisco’s Merola Opera Program, Shields holds a Master of Music degree in Voice and an Artist Diploma degree in Opera Direction from CCM. In 2017 he was a recipient of the Drama League Opera Directing Fellowship in conjunction with the Metropolitan Opera and Wolf Trap Opera.

On the announcement of Shield’s appointment, mcclung commented:

“CCM opera and voice students will benefit from Shields’ expertise as an opera director, visual artist and diction coach. His experience at San Francisco’s Merola Opera Program, Atlanta Opera and Chicago’s Lyric Opera promises to enrich CCM’s renowned opera program, ranked third in the country according to the most recent U.S. News and World Report ranking. I am grateful to the Search Committee Chairs Alan Yaffe and Robin Guarino for their collaborative effort on this successful search.”

Please join us in welcoming Marcus Shields to the CCM family!

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Stanley E. Romanstein Named Dean of University of Cincinnati College-Conservatory of Music

An accomplished leader in education and the arts as well as a UC alumnus, Romanstein’s appointment follows a national search for CCM’s next dean.

Kristi A. Nelson, senior vice president for academic affairs and provost at the University of Cincinnati, today announced the appointment of Stanley E. Romanstein, PhD, as Dean of the College-Conservatory of Music (CCM). Romanstein’s appointment becomes effective July 1, 2018, pending approval of the University’s Board of Trustees.

“I am delighted to welcome Stanley Romanstein back to his alma mater as Dean of UC’s College-Conservatory of Music,” said Nelson. “He is an outstanding organizational leader, entrepreneur and scholar, in addition to being a proud UC alumnus. I was most impressed with his passion for arts advocacy, his engaging interpersonal skills, and his forward-thinking and student-centric approach to education.”

Romanstein is an accomplished nonprofit executive with 22 years of leadership and management experience in education and the arts. He comes to CCM from Georgia State University’s Creative Media Institute, where he has served as a professor of practice/music and the arts for the past four years. He also serves as a principal at BLJackson Associates, a consulting firm that works with arts, humanities and education-focused nonprofits across the country. Romanstein was previously President and CEO of the Atlanta Symphony Orchestra, President and CEO of the Minnesota Humanities Center, Director of Development at the Frederick R. Weisman Art Museum at the University of Minnesota, Executive Director of the Baltimore School for the Arts and Baltimore School for the Arts Foundation, and Associate Professor and Chair of the Department of Music at St. Lawrence University.

“I have firsthand knowledge of CCM’s excellence in music and arts education and I am a proud beneficiary of those high standards. I am honored to have the opportunity to contribute to my alma mater’s continued success as its next dean,” said Romanstein. “CCM’s reputation as a leading performing and media arts school is 150 years strong, and that reputation continues to grow thanks to the talents and dedication of its faculty, staff, alumni, donors, volunteers and community partners. Working together, we will continue to nurture the talents of our students and inspire future generations of artists, teachers, creative thinkers, innovative problem-solvers and media-savvy arts entrepreneurs.”

Romanstein continued, “I have found ideal partners in President Pinto and Provost Nelson and I look forward to working with them to build on CCM’s history and successes while advancing CCM’s role within the university’s strategic direction, Next Lives Here.”

Romanstein’s appointment follows a national search begun in fall 2017. The search was led by the UC Provost Office and chaired by Greer Glazer, Dean of the College of Nursing.

Nelson expressed her gratitude to bruce mcclung, who has served as CCM’s interim dean since July 2016. “I would like to acknowledge the outstanding service of Dean mcclung,” said Nelson. “UC owes mcclung a huge debt of gratitude for his leadership during the past two academic years, culminating with CCM’s 150th anniversary celebration.”

About Stanley E. Romanstein
Stanley E. Romanstein, PhD, brings to his new role at CCM extensive experience as a visionary leader, entrepreneurial strategist, engaging communicator, passionate fundraiser and successful manager.

In November of 2014, Romanstein began his tenure as professor of practice/music and the arts at Georgia State University’s Creative Media Institute, where his work focused on building music industry collaborations. During this time, he also served as a principal at BLJackson Associates, a consulting firm based in Atlanta that works with arts, humanities and education-focused nonprofits across the country. The firm creates and implements tailored solutions to challenges in organizational strategy, governance and development/ fundraising.

Romanstein has 22 years of leadership and management experience in education and the arts. As President and CEO of the Atlanta Symphony Orchestra (2010-14), he strengthened the orchestra’s connection to the community through expanded concert offerings and a wide range of impactful education offerings. He also created and implemented a new business model that reversed a 12-year history of financial loss and positioned the orchestra for long-term sustainability and artistic achievement.

As President and CEO of the Minnesota Humanities Center (2001-10), Romanstein transformed the center from a small organization with a local focus to a highly regarded regional and national leader in its field. He also created and distributed acclaimed new media; this included a collection of four Somali folk tales taken from oral tradition and written down for the very first time, as well as an Emmy Award-winning documentary, Iron Range: Minnesota Building America.

Romanstein proved to be an enthusiastic and productive fundraiser at the Minnesota Humanities Center, Frederick R. Weisman Art Museum and the Baltimore School of the Arts. He attracted new local, regional and national funding to support the center’s $4 million annual budget, including support from the Minnesota State Legislature by establishing partnerships with the state’s four ethnic councils: American Indian, African American, Latino and Asian. As Director of Development at the University of Minnesota’s Frederick R. Weisman Art Museum (2000-01), Romanstein led what was, at the time, the highest grossing annual fund drive while laying the groundwork for the museum’s successful capital campaign. As Director of Baltimore School for the Arts (1996-2000), Romanstein positioned the school for a successful capital campaign as well as a facility renovation and expansion.

From 1987-96, Romanstein served as an associate professor and chair of the music department at St. Lawrence University, a highly selective liberal arts institution in New York. He refocused the department’s traditional music curriculum to emphasize interdisciplinary and multicultural perspectives and created meaningful connections with departments and colleagues across the campus.

Romanstein earned a Bachelor of Music Education degree, cum laude, from Carson-Newman College in 1976. He then came to CCM to earn a Master of Music in Choral Conducting in 1980 and a PhD in Music in 1990. He was a Fulbright Scholar in Israel in 1985-86 and in Japan in November-December 1998.

About the University of Cincinnati College-Conservatory of Music
Declared “one of the nation’s leading conservatories” by the New York Times, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world’s stage.

CCM’s world-class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-of-the-art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. More than 150 internationally recognized faculty members work with students from around the world, specializing in the areas of:

  • Composition/Musicology/Theory,
  • Electronic Media,
  • Ensembles and Conducting (Choral Studies, Commercial Music Production, Jazz Studies, Orchestral Studies and Wind Studies),
  • Keyboard Studies (Harpsichord, Organ and Piano),
  • Music Education,
  • Performance Studies (Strings, Voice and Woodwinds/Brass/Percussion) and
  • Theatre Arts, Production and Arts Administration (Acting, Arts Administration, Dance, Musical Theatre, Opera and Theatre Design and Production).

The largest single source of performing arts events in the state of Ohio, CCM presents nearly 1,000 major public performances each year, ranging from faculty and guest artist concerts to fully supported acting, dance, musical theatre and opera productions.

CCM is an accredited institution of the National Association of Schools of Dance (NASD), the National Association of Schools of Music (NASM) and the National Association of Schools of Theatre (NAST), as well as a member of the University/ Resident Theatre Association (U/RTA).

Learn more by visiting http://ccm.uc.edu.

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CCM Welcomes Kathleen Kelly as New Associate Professor of Opera Coaching

CCM Interim Dean bruce d. mcclung has announced the addition of Kathleen Kelly as the college’s new Associate Professor of Opera Coaching. An accomplished opera coach, conductor, pianist and teacher, Kelly’s appointment begins on Aug. 15, 2018.

Kelly currently serves as an associate professor at the University of Michigan’s School of Music, Theatre and Dance. She joined the faculty in 2015 as the school’s first coach/conductor of opera. While there, she conducted performances of Giulio Cesare, Così fan tutte, A Midsummer Night’s Dream, Dinner at Eight, the difficulty of crossing a field and L’heure espagnole/Gianni Schicchi, which won the American Prize in Opera Performance. She also led workshops for The Dream of the Red Chamber, Kept and Black Clown and oversaw the musical preparation for the university-wide performances of the new critical edition of Porgy and Bess.

Kelly was the first woman and first American named as director of musical studies at Vienna State Opera, where she oversaw the daily musical life of more than 50 ensemble singers in more than 50 operas from 2010 to 2013. She also curated a recital series in the opera house’s famous Mahlersaal and served as the series’ principal pianist. She was the recitative accompanist for new productions of The Marriage of Figaro and Don Giovanni, and assisted Maestro Franz Welser-Möst on new productions of Kát’a Kabanová and Z mrtvého domu.

Before moving overseas, Kelly served as the music director of the Houston Grand Opera Studio as well as the company’s head of music staff from 2006 to 2010. Highlights of these years include conducting her own chamber music arrangement of Hansel und Gretel in a remarkable production by Basil Twist, serving as pianist for the Eleanor McCollum competition and curating the HGOS recital series at Rienzi.

From 1997 to 2006, Kelly served as an assistant to the music director at the Metropolitan Opera, specializing in the works of Wagner, Strauss and Berg. During that time, because of her success as a prompter and musical assistant, she was the focus of a Wall Street Journal article and a Metropolitan Opera radio broadcast feature. From 2005 to 2008 Kelly was also the music director of the Berkshire Opera, conducting two productions each summer and overseeing the young artist program.

As a conductor, Kelly has led the 2018 Schwabacher Concerts at the San Francisco Opera’s Merola Program, Francesca Zambello’s critically acclaimed Ariadne auf Naxos at the Glimmerglass Festival (nominated for an International Opera Award), The Marriage of Figaro at Wolf Trap, the premiere of Emmerich Kálmán’s Arizona Lady at Arizona Opera, Carmen and Madama Butterfly at Opera Columbus, Hansel und Gretel at El Paso Opera and the Alexandria Symphony in Virginia. She also conducted the West Coast premiere of Ricky Ian Gordon’s A Coffin in Egypt, starring Frederica von Stade.

Kelly earned Bachelor of Music and Master of Music degrees in piano performance from Arizona State University and received a Fulbright Scholarship in Music to study at the Musikhochschule Lübeck in Germany.

She has performed internationally as a recital pianist, including performances at Carnegie Hall, the Kennedy Center, Vienna’s Musikverein and Tucson’s Desert Song Festival. Her recital partners have included Jamie Barton, Thomas Hampson, Renee Fleming, Christine Goerke, Albina Shagimuratova, Valentina Nafornita, Patrick Carfizzi, Michael Kelly, Jill Grove and Troy Cook.

Kelly has taught master classes in the United States and internationally, including at Interlochen Academy, CCM, Baylor University, Vanderbilt University, Arizona State University, Western Ontario University, Peabody Conservatory and Moscow Conservatory, among others. She is also a regular guest coach for Washington National Opera’s Domingo-Cafritz program, and works regularly with young artist programs nationally, notably at the Los Angeles Opera, the Chicago Lyric Opera, Houston Grand Opera, Wolf Trap Opera, Seattle Opera and in the CoOperative Training Program at Westminster Choir College.

Additionally, Kelly is gaining recognition as a writer of articles, translations and original texts. She has written lead program articles for Wolf Trap, Houston Grand Opera and Arizona Opera. For the Arizona Lady performances, she created a new trilingual adaptation of the libretto. She also wrote the text Texanische Liebeslieder, a song cycle by David Hanlon, which premiered in 2015.

Most recently, Kelly wrote a new English translation Hansel und Gretel for Tri-Cities Opera. She was also commissioned by Wolf Trap Opera to write the libretto for Listen Wilhelmina!, a children’s opera that premiered in May 2017.

Interim dean mcclung thanks the search committee, co-chaired by Alan Yaffe and Robin Guarino, and committee members Amy Johnson, Marie-France Lefebvre and Michelle Conda for their work on finding CCM’s new associate professor of opera coaching. He adds,

“Professor Kelly brings a wealth of experience and artistry both nationally at the Metropolitan Opera and internationally at the Vienna State Opera to CCM’s nationally ranked and internationally renowned opera program.”

Please join us in welcoming Kathleen Kelly to the CCM family!

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Jiaen Zhang.

Piano Student’s Perseverance Takes Her from Hit and Run to Graduation

Jiaen Zhang.

Jiaen Zhang.

After being seriously injured by a hit-and-run in fall 2016, Jiaen Zhang was afraid she wouldn’t be able to fully recover to become a professional pianist. Thanks to her dedication, and the support of faculty and friends, the CCM piano student overcame her injuries and walked proudly with the Class of 2018 at this year’s Graduation Convocation on April 28.

Around 10 p.m. on Sept. 8, 2016, Zhang finished practicing piano in CCM’s Memorial Hall and began her walk home. As she crossed Calhoun Street, she was struck by an SUV, which threw her 20 feet and knocked her unconscious.

She woke up with fractures in her right hand and thigh, brain trauma and bruises on her lung and liver. After multiple surgeries on her thigh and hand, Zhang remained at the UC Medical Center for 20 days in recovery. Her thigh healed rapidly, but her hand remained in a plaster cast for three months.

“The flexibility of the joints in my third finger was completely lost,” Zhang remembers. “I had to start at zero, trying to at least move my injured finger. It took me two weeks before I could move it a single inch.”

While she recovered, her classmates and teachers at CCM sent her “heart-warming” messages, including a card with more than 60 signatures. Interim Dean bruce mcclung and Piano Department Chair Michael Chertock kept Zhang’s family in China updated throughout the ordeal. CCM Associate Dean for Academic Affairs and Director of Graduate Studies Scott Lipscomb and the CCM College Office staff helped her make up missed classes so she would graduate on time. Zhang says her appreciation to them all “is beyond words.”

Chertock worked with Zhang to create a “back to piano” plan for her recovery. They began with simple pieces to rebuild the muscles in her injured hand. Chertock told her that the technical problems in her playing could be fixed with the right mindset.

“When you have the imagination and passion for music, your hands will find their own way to achieve whatever you want to do,” she says.

On Feb, 7, 2018 — year and a half after the hit and run — Zhang held her senior recital in CCM’s Robert J. Werner Recital Hall. She played a Mozart sonata, Alexander Scriabin’s Prelude and Nocturne for the Left Hand and Brahms’ challenging Op. 118. Chertock calls the recital a “heroic conclusion to a year and half of struggle.”

“She endured surgical screws in her right hand, multiple surgeries on her leg and a great deal of pain and scarring without the slightest trace of bitterness or anger,” Chertock says. “She rebuilt her piano playing and developed a style that is more broad, deeper into the keyboard and sustained.”

Zhang came to Cincinnati from her hometown of Guangzhou, China, to study at CCM. She says she was drawn to the college by its distinguished faculty and the artistry of its students.

“Since my first year here, I’ve learned a lot from the faculty and students,” she says. “In this environment, my studying and growth are not limited to only classrooms and lessons. It’s exciting to feel myself improve every minute. The friendly atmosphere encourages and reminds me to help my peers and people who haven’t had the advantage of studying music.”

Zhang was particularly fond of the piano repertoire class she took with instructor Andy Villemez, who recently won UC’s Outstanding Adjunct Instructor Award. The class gave her a broader understanding and knowledge of piano music, which helped her become more comfortable and confident when she gives lessons and presentations, she says.

“It taught me historical facts of piano music and how to better share this knowledge with audiences,” she says. “Rather than simply teaching my students how to play a nice sound, I can lead them to think about music in a more critical way by giving them the historical context of the pieces.”

She will continue studying with Chertock over the summer to prepare for her solo recital in China in September — it will be her debut in her home country after graduating from CCM with a bachelor of music in piano. After the recital, she plans to give piano lessons at a private music school in China.

“Jiaen’s calmness, courage and perseverance were ultimately able to overcome the reckless act that injured her,” Chertock says. “I will always remember her sincere desire to heal and refusal to live in despair.”

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Photography from CCM's Fall 2017 Mainstage Series production of 'Seussical' by Mark Lyons.

Become a Mainstage Subscriber and See Why CCM Was Voted “Best of Cincinnati”

Photography from CCM's Fall 2017 Mainstage Series production of 'Seussical' by Mark Lyons.

Photography from CCM’s Fall 2017 Mainstage Series production of ‘Seussical’ by Mark Lyons.

Audiences recently declared CCM “Best of Cincinnati,” but the best is yet to come with CCM’s 2018-19 Mainstage Series! New subscriptions are on sale now for CCM’s eight-part series of Acting, Dance, Musical Theatre and Opera productions.

Running from October 2018 through April 2019, CCM presents eight masterworks spanning the spectrum of theatre arts, including the best of comedic and dramatic acting, classic and contemporary musicals, great operas from master composers and innovative dance programs … all featuring CCM’s stars-of-tomorrow!

With new streamlined subscription packages, it’s never been easier to get the best tickets at the season’s best prices. Subscriptions are on sale now! Place your priority subscription order by Friday, Aug. 31, 2018, to take advantage of Subscriber-Only Week (Sept. 4-7, 2018).

To order subscriptions, download the new subscription order form or contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.

The complete 2018-19 Mainstage Series lineup is listed below. Titles and dates are subject to change – rights pending.
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CCM’S 2018-19 MAINSTAGE SERIES
Acting, Musical Theatre, Opera, Dance

"The Government Inspector" promo image by Mark Lyons.THE GOVERNMENT INSPECTOR
Adapted by Jeffrey Hatcher
From the original by Nikolai Gogol
Richard E. Hess, director

When the locals in a small Russian hamlet learn that an undercover government inspector is coming for a surprise visit, a case of mistaken identity sends the whole village spiraling into a world of panic and greed. Part farce, part slapstick and wholly entertaining, this timely and spirited adaptation of Nikolai Gogol’s classic play exposes the corruption of a provincial town with biting hilarity.

Performance Dates: Oct. 3 (preview), Oct. 4-7, 2018
Location: Patricia Corbett Theater

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"Guys and Dolls" preview photography by Mark Lyons.GUYS AND DOLLS
A Musical Fable of Broadway
Based on a Story and Characters of Damon Runyon
Music and Lyrics by Frank Loesser
Book by Jo Swerling and Abe Burrows
Diane Lala, director and choreographer
Roger Grodsky, musical director

Set in Damon Runyon’s mythical New York City, Guys and Dolls is the perfect musical comedy and a “golden oldie” from the Broadway season of 1950. Nathan Detroit is a gambler trying to find the cash to set up the biggest craps game in town while the authorities breathe down his neck. Meanwhile, his girlfriend and nightclub performer, Adelaide, laments that they’ve been engaged for 14 years. Nathan turns to fellow gambler Sky Masterson for the dough, and Sky ends up chasing straight-laced missionary Sarah Brown as a result. Guys and Dolls takes us from the heart of Times Square to the cafés of Havana, Cuba and even into the sewers of New York City, but eventually everyone ends up right where they belong.

Performance Dates: Oct. 19 and 21, Oct. 26-27, 2018
Note: A special gala performance of Guys and Dolls will be presented on Saturday, Oct. 20, in honor of CCM Musical Theatre’s 50th anniversary; special pricing applies.
Location: Corbett Auditorium

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"The Turn of the Screw" preview photography by Mark Lyons.THE TURN OF THE SCREW
Music by Benjamin Britten
Libretto by Myfanwy Piper, after a story by Henry James
Aik Khai Pung, conductor
Vince DeGeorge, director

Based on Henry James’ classic ghost-story novella, Britten’s compelling chamber opera presents the story of a governess charged with the care of two orphaned children at their absentee uncle’s country estate, where the ghosts of a former valet and his lover haunt the grounds. With a blend of 12-tone techniques, arresting motifs and stirring lyricism, the action moves with incredible fluidity, creating a chilling tale of sexual repression and the corruption of innocence. For mature audiences.

Performance Dates: Nov. 15-18, 2018
Location: Patricia Corbett Theater

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"Birthday Variations" preview photography by Mark Lyons.BIRTHDAY VARIATIONS
Jiang Qi, director

CCM Dance showcases an array of classic and contemporary works restaged and choreographed by CCM Dance faculty members. The thrilling highlight of the evening is Birthday Variations, set to music by Giuseppe Verdi and staged by guest artist Nicole Duffy Robertson, a répétiteur for the Gerald Arpino Foundation. The performance of Birthday Variations, an Arpino ballet, is presented with the permission of the Gerald Arpino Foundation and has been produced in accordance with the Foundation service standards established and provided by the Foundation.

Performance Dates: Dec. 6-9, 2018
Location: Patricia Corbett Theater

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"Our Country's Good" preview photography by Mark Lyons.OUR COUNTRY’S GOOD
By Timberlake Wertenbaker
Based on the novel The Playmaker by Thomas Keneally
Susan Felder, director

Set in Botany Bay in 1789, Our Country’s Good is a darkly comedic tale based on the true story of Australia’s first theatrical performance. A marine lieutenant decides to put on a play to celebrate the king’s birthday. He casts the play with convicts who populate an Australian prison camp. Few of them can read, let alone act, and the play is produced against a background of food shortages and barbaric prison punishments. Our Country’s Good is as an inspiring tribute to the transforming power of drama. For mature audiences.

Performance Dates: Feb. 13 (preview), Feb. 14-17, 2019
Location: Patricia Corbett Theater

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"Hunchback of Notre Dame" preview image by Mark Lyons.THE HUNCHBACK OF NOTRE DAME
Music by Alan Menken
Lyrics by Stephen Schwartz
Book by Peter Parnell
Based on the Victor Hugo novel and songs from the Disney film
Originally developed by Disney Theatrical Productions
Aubrey Berg, director
Stephen Goers, musical director
Katie Johannigman, choreographer

Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame begins as bells sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer, observes all of Paris reveling in the Feast of Fools, but he is held captive by his devious caretaker, the archdeacon Dom Claude Frollo. He escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful gypsy, Esmeralda. Quasimodo isn’t the only one captivated by her free spirit, though — the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the gypsies and it’s up to Quasimodo to save them all. The musical premiered as Der Glöckner von Notre Dame in 1999 in Berlin.

Performance Dates: March 7-10, 2019
Location: Corbett Auditorium

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"La Clemenza di Tito" preview photography by Mark Lyons.LA CLEMENZA DI TITO
(THE CLEMENCY OF TITUS)
Music by Wolfgang Amadeus Mozart
Libretto by Caterino Mazzolà
Jiannan Cheng, conductor
Robin Guarino, director

Mozart’s last opera seria displays some of his most memorable and marvelous arias! The story centers on Roman emperor Titus (Tito) who must choose a wife, but is unable to find a suitable match. In his search for an empress, Tito narrowly avoids an assassination plot instigated by his protégé Sesto and the former emperor’s daughter, Vitellia, who wants the throne for herself. Caught between his duty and his heart, the emperor must choose whether to rule with mercy or with an iron fist.

Performance Dates: April 12-14, 2019
Location: Corbett Auditorium

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CCM Dance preview image by Mark Lyons.CINDERELLA
Deirdre Carberry and Michael Tevlin, co-directors
Karen Russo Burke, choreographer

Celebrate spring’s arrival with a fully staged fairytale ballet choreographed by guest artist Karen Russo Burke, Artistic Director of the Dayton Ballet. A poor girl wishes to escape the authoritarian rule of her evil stepmother and stepsisters, so her fairy godmother gives her a ticket to the ball! The girl meets Prince Charming and they fall in love, but she vanishes when the clock strikes midnight. Set to music by Sergei Prokofiev, Cinderella is known for its jubilant melodies, lush scenery and graceful retelling of the timeless romance by Charles Perrault.

Performance Dates: April 26-28, 2019
Location: Patricia Corbett Theater

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Mainstage Series Subscriptions
The 2018-19 CCM Mainstage Series of Acting, Musical Theatre, Opera and Dance productions includes subscription packages for combinations of Eight Shows, Six Shows, Four Shows or Three Shows. Newly streamlined subscription packages make this process easier than ever before. Simply choose your shows and select whether you want seats in Section A (the best views) or Section B (the lowest prices)!

Subscription packages are on sale now, with packages ranging in price from $81-$192.

Place your priority subscription order by Friday, Aug. 31, to take advantage of Subscriber-Only Week (Sept. 4-7, 2018).

Single tickets go on sale beginning Sept. 10, 2018, but subscribing is the only way to guarantee your seats and your savings for CCM’s Mainstage Series!

To order subscriptions, download the new subscription order form or contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.

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2018-19 MAINSTAGE SERIES PERFORMANCE TIMES

THE GOVERNMENT INSPECTOR
Performance Times:

  • 8 p.m. Wednesday, Oct. 3 (preview)
  • 8 p.m. Thursday, Oct. 4
  • 8 p.m. Friday, Oct. 5
  • 2 p.m. Saturday, Oct. 6
  • 8 p.m. Saturday, Oct. 6
  • 2 p.m. Sunday, Oct. 7

Location: Patricia Corbett Theater

GUYS AND DOLLS
Performance Times:

  • 8 p.m. Friday, Oct. 19
  • 8 p.m. Saturday, Oct. 20 (CCM Musical Theatre 50th Anniversary gala performance; special pricing applies)
  • 1 p.m. Sunday, Oct. 21
  • 7 p.m. Sunday, Oct. 21
  • 8 p.m. Friday, Oct. 26
  • 2 p.m. Saturday, Oct. 27
  • 8 p.m. Saturday, Oct. 27

Location: Corbett Auditorium

THE TURN OF THE SCREW
Performance Times:

  • 8 p.m. Thursday, Nov. 15
  • 8 p.m. Friday, Nov. 16
  • 8 p.m. Saturday, Nov. 17
  • 2 p.m. Sunday, Nov. 18

Location: Patricia Corbett Theater

BIRTHDAY VARIATIONS
Performance Times:

  • 8 p.m. Thursday, Dec. 6
  • 8 p.m. Friday, Dec. 7
  • 8 p.m. Saturday, Dec. 8
  • 3 p.m. Sunday, Dec. 9

Location: Patricia Corbett Theater

OUR COUNTRY’S GOOD
Performance Times:

  • 8 p.m. Wednesday, Feb. 13 (preview)
  • 8 p.m. Thursday, Feb. 14
  • 8 p.m. Friday, Feb. 15
  • 2 p.m. Saturday, Feb. 16
  • 8 p.m. Saturday, Feb. 16
  • 2 p.m. Sunday, Feb. 17

Location: Patricia Corbett Theater

THE HUNCHBACK OF NOTRE DAME
Performance Times:

  • 8 p.m. Thursday, March 7
  • 8 p.m. Friday, March 8
  • 2 p.m. Saturday, March 9
  • 8 p.m. Saturday, March 9
  • 2 p.m. Sunday, March 10

Location: Corbett Auditorium

LA CLEMENZA DI TITO
Performance Times:

  • 8 p.m. Friday, April 12
  • 8 p.m. Saturday, April 13
  • 2 p.m. Sunday, April 14

Location: Corbett Auditorium

CINDERELLA
Performance Times:

  • 8 p.m. Friday, April 26
  • 2 p.m. Saturday, April 27
  • 8 p.m. Saturday, April 27
  • 2 p.m. Sunday, April 28

Location: Patricia Corbett Theater

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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

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