CCM Celebrates Class of 2020

CCM is so proud of our graduates and of the faculty and staff who helped guide their success

After investing countless hours in classrooms, practice rooms, studios, workshops and rehearsal halls, the Class of 2020 is graduating from UC’s College-Conservatory of Music. Congratulations!

Photo of CCM Village as the cover for the Graduation Convocation program.

Click the image to download CCM’s 2020 Graduation Convocation program. Design by Mikki Graff.

The CCM community is inspired by the Class of 2020’s resilience during this unprecedented crisis and is proud to welcome this year’s graduates to our global network of alumni. Graduates join a network of thousands of UC alumni including artists, entrepreneurs, researchers, leaders and professionals around the world.

“I wish we could gather in Corbett Auditorium to recognize and celebrate all you’ve achieved,” CCM Dean Stanley E. Romanstein says. “I’d like nothing more than to shake your hand, to look you in the eye and say, on behalf of CCM’s faculty and staff, ‘Congratulations! Well done!’ Unfortunately, COVID-19 has relegated us to a virtual celebration.”

“Please know how proud we are of you and of what you’ve done,” Romanstein adds. “CCM’s reputation as a nationally ranked and internationally renowned institution rests with you. The faculty and I look forward to following your journey, wherever it may take you.”

In addition to CCM’s degree recipients, we also acknowledge this year’s student and faculty award recipients:

  • Outstanding Undergraduate Student Achievement Award: Melinda Hunt
  • Sigma Alpha Iota Scholastic Award for Outstanding Achievement: Adelaide Young
  • Ernest N. Glover Award for Outstanding Teaching: Tricia Sundbeck

CCM also celebrates five retiring faculty members who have dedicated themselves to continuing the college’s legacy as a leading training center for the performing and media arts:

  • Earl Rivers, professor of music and director of choral studies, 1973-2020
  • Dean Mogle, professor and head of costume design and technology, 1989-2020
  • Alan Siebert, professor of trumpet, 1990-2020
  • Mark Williams, professor of lighting design and technology, 2009-2020
  • Stephen Allee, professor of music, 2015-2020

We look forward to a time in which we can all come together again to mark these momentous milestones in person. Until then, please accept our digital congratulations on behalf of CCM’s faculty, staff, friends and alumni.

Congratulations to CCM’s Class of 2020!

View the list of CCM’s 2020 graduates.

You can also download the online version of the Graduation Convocation program booklet.


#UCGrad2020

UC President Neville G. Pinto invites the university community to participate in a two-day virtual graduation celebration on May 1-2, 2020. To mark this important milestone, UC Student Affairs and its Commencement Office has planned the following digital activities, which will be based in their Twitter account @StuAffUC and use the hashtag #UCGrad20.

A Day of GRAD-itude

Every hour from 9 a.m.-5 p.m. on Friday, May 1, Student Affairs will share a sampling of thank you messages from graduates as they show their GRAD-itude to those who have been a part of their journey to graduation.

Celebration Saturday

Commemorate your achievement by taking a walk down memory lane. From 9 a.m. to 5 p.m. on Saturday, May 2, Student Affairs will tweet every half hour to celebrate the day with you. Follow along for fun flashbacks, interactive polls, lots of great GIFs and a chance to tell us about your memorable moments at UC. If you happen to be online at 4:30 p.m., you’ll catch a message from President Pinto and then finish the festivities at 5 p.m. with a virtual cap toss.

Until we can see one another again in person, please stay in touch and and stay connected at alumni.uc.edu


Featured images of CCM’s 2019 Graduation Convocation by Jay Yocis 

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CCM Announces Megan Steigerwald Ille as New Assistant Professor of Musicology

CCM Dean Stanley E. Romanstein has announced the addition of musicologist Megan Steigerwald Ille, PhD, to the college’s roster of distinguished faculty members. Steigerwald Ille’s appointment as Assistant Professor of Musicology – Educator begins on Aug. 15, 2020.

A portrait of new CCM faculty member Megan Steigerwald Ille.Steigerwald Ille is a musicologist whose research and teaching considers the intersections of operatic, popular and digital cultures in the 21st century in the United States and Canada. Her book-in-progress, Opera for Everyone: Experimenting with American Opera in the Digital Age, explores changing modes of spectatorship and performer labor in contemporary opera in the US through an in-depth ethnographic study of the LA-based experimental opera company called The Industry.

She has articles forthcoming in the Journal of the Society of American Music and The Opera Quarterly. Since 2018 she has served as a Postdoctoral Fellow of Digital Cultures in the American Culture Studies Program at Washington University in St. Louis.

Steigerwald Ille completed her PhD in Historical Musicology and a certificate in Ethnomusicology at the Eastman School of Music, University of Rochester.

“I am grateful to Musicology Search Committee Chair Jonathan Kregor and committee members Amy Beegle, Jenny Doctor, Scott Linford and Stephen Meyer for their work finding CCM’s next great musicology professor,” said Romanstein. “We look forward to welcoming Megan Steigerwald Ille to the CCM family.”

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

CCM’s world-class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-of-the-art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. Learn more at ccm.uc.edu

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CCM Announces Shelina Brown as New Assistant Professor of American Music

CCM Dean Stanley E. Romanstein has announced the addition of musicologist Shelina Brown to the college’s roster of distinguished faculty members. Brown’s appointment as Assistant Professor of American Music begins on Aug. 15, 2020.

A portrait of new CCM faculty member Shelina Brown.Brown holds an MA and PhD from UCLA’s Department of Musicology. Her primary research project centers on experimental vocal practices and cultural resistance within underground music scenes. Brown’s dissertation project, “Yoko Ono’s Experimental Vocality as Matrixial Borderspace: Theorizing Yoko Ono’s Extended Vocal Technique and her Contributions to the Development of Underground and Popular Vocal Repertoires, 1968-Present,” focused on Yoko Ono’s extended vocal techniques of the late 1960s and early 1970s that came to influence a range of counter-hegemonic vocalists throughout the late 20th century.

Brown’s methodological approach draws upon contemporary feminist psychoanalytical theories, adapting these for the purpose of musical analysis of vocality and gendered subjectivization. In this vein, her theoretical approach to music studies aims to bring feminist psychoanalysis into dialogue with posthuman thought, queer studies and critical race theory.

A Canadian national raised in Kyoto, Japan, Brown also holds a Master’s in Comparative Literature specializing in modern Japanese literature. Prior to commencing studies in musicology, Shelina was employed as a sessional lecturer of modern Japanese literature at the University of Alberta, Canada.

Brown’s article “Scream from the Heart: Yoko Ono’s Rock ’n’ Roll Revolution” has been published in Sheila Whiteley’s compilation, Countercultures and Popular Music (Ashgate, 2014). She is currently preparing an article, Of Insects and Interstices: Yoko Ono’s Experimental Short Film, Fly (1970) and the Synaesthetic Un-Mapping of the Abstract Female Nude,” which will be forthcoming in 2021. Brown has presented papers at annual meetings including SEM (Society for Ethnomusicology), IASPM (International Association for the Study of Popular Music), AAS (American Association for Asian Studies) and EMP (Experience Music Project).

A long-term participant in underground and independent music scenes, Brown has been active as a vocalist and instrumentalist in several new wave and garage rock bands over the past 10 years. She still maintains close ties to the Los Angeles underground, and looks forward to exploring music scenes across Ohio.

“I send my gratitude to our search committee comprised of Jonathan Kregor (chair), Stefan Fiol, Jeongwon Joe, Matthew Peattie and Shauna Steele for their work in finding CCM’s next great professor of American music,” said Romanstein. “We look forward to welcoming Shelina Brown this fall.”

About CCM

Nationally ranked and internationally renowned, the University of Cincinnati College-Conservatory of Music (CCM) is a preeminent institution for the performing and media arts. The school’s educational roots date back to 1867, and a solid, visionary instruction has been at its core since that time.

CCM offers nine degree types (BA, BM, BFA, MFA, MM, MA, AD, DMA, PhD) in nearly 120 possible majors. The synergy created by housing CCM within a comprehensive public university gives the college its unique character and defines its objective: to educate and inspire the whole artist and scholar for positions on the world stage.

CCM’s world-class facilities provide a highly creative and multidisciplinary artistic environment. In 2017, the college completed a $15-million renovation of its major performance spaces, ensuring that CCM’s facilities remain state-of-the-art.

The school’s roster of eminent faculty regularly receives distinguished honors for creative and scholarly work, and its alumni have achieved notable success in the performing and media arts. Learn more at ccm.uc.edu

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Musical Family Gives Living Room Performance of Beethoven String Quartet

A family of musicians stuck at home during the pandemic found a perfect venue for a chamber music performance — their living room. The four string players, including two UC College-Conservatory of Music students, performed the first movement of Beethoven’s String Quartet in D Major, Op. 18, No. 3 and shared it online for music lovers everywhere to enjoy.

The home concert features Cleveland Orchestra violinist Kathleen Collins and her children: Daniel Fields, a student violinist at CCM; Matthew Fields, a student cellist at the Schulich School of Music of McGill University; and Maya Fields, a student violist at CCM.

The performance received rave reviews from the family’s live-audience member, Cleo the dog. Tune into the performance on CCM’s YouTube channel.


Video provided by Maya Fields

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Cincinnati Enquirer: CCM Alum Writes Custom Songs During Pandemic

As performing arts centers around the world announce event cancelations due to the COVID-19 outbreak, musicians are finding new ways to share and create their art. The Cincinnati Enquirer recently featured how one UC College-Conservatory of Music alumnus is sharing his work through a unique business model.

Ryan Fine. Photo/Ryan Fine

Ryan Fine (BFA Commercial Music Production, ’17) is a Nashville-based performer, songwriter, pianist and producer who suddenly found himself with an empty calendar when performances were canceled. So, he started Fine-Tuned Custom Songs to create original works for music lovers during the pandemic.

Fine will create an original song based on what the customer wants. Customers can request songs for any occasion, specify the tone and style of music. Prices for the songs start at $50.

Read the full article.

Fine has been writing and producing custom songs for kids going through traumatic experiences with the Songs of Love Foundation since 2016. He was voted Best Instrumentalist of 2019 by readers of the Nashville Scene. As an artist he has over 275,000 streams on Spotify. Cincinnati audiences may remember his jazz pop group Ryan Fine & The Media, which performed a set at the Midpoint Music Festival in 2016. Learn more about Fine on his professional website.


Feature image at top: Ryan Fine at the piano. Photo/Ryan Fine

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CCM Announces Joe Miller as New Director of Choral Studies

UC College-Conservatory of Music Dean Stanley E. Romanstein has announced the addition of choral conductor Joe Miller, DMA, to the college’s roster of distinguished faculty members. A leading authority in the field of choral conducting, Miller is also a two-time graduate of CCM (MM, ‘92; DMA, ‘97). His appointment as professor and director of CCM’s lauded Choral Studies program begins on Aug. 15, 2020, pending approval of the University’s Board of Trustees.

A portrait of new CCM faculty member Joe Miller.Since 2006, Miller has served as conductor of two of the most renowned choral ensembles in the US: the Westminster Choir and the Westminster Symphonic Choir. He has also served as director of choral activities at Westminster Choir College of Rider University. In addition to his responsibilities at Westminster, Miller has been artistic director of choral activities for the renowned Spoleto Festival USA in Charleston, South Carolina, since 2007. He has also served as conductor of the Philadelphia Orchestra Symphonic Choir since 2016.

“CCM has a distinguished history of choral performance and conductor training, and our alumni occupy leadership positions throughout the world,” said Romanstein. “Joe Miller has worked with the world’s leading ensembles, conductors and artists and I am proud to welcome him back to CCM as a colleague. Joe has a firm grasp of the immense opportunities available to 21st century artists and he will serve as a worthy successor to our illustrious colleague Professor Earl Rivers, who retires this spring after a nearly 50-year tenure at CCM.”

“As an alumnus, I owe much to this great institution,” said Miller. “My education at CCM has provided deep roots that have enabled me to grow a diverse and wide-reaching career, and I am honored to help lead the next chapter of this fine institution. I am excited to partner with my new CCM colleagues to find new ways to connect the dots between our ever-changing technology-minded world and our need for shared human experiences.”

Miller’s appointment concludes a national search that began when Earl Rivers, CCM’s long-time director of choral studies, announced his plans to retire at the end of the 2019-20 academic year. “I am grateful to our search committee chair Mark Gibson and committee members L. Brett Scott, Gwendolyn Coleman, Robyn Lana, Marie-France Lefebvreand Daniel Weeks for their work finding CCM’s next great ensembles and conducting professor,” said Romanstein.

About Joe Miller

Miller’s recent seasons leading the Westminster Choir have included concert tours in Beijing, China and in Spain, as well as participation in the World Symposium on Choral Music in Barcelona and groundbreaking performances of Julia Wolfe’s Pulitzer Prize winning Anthracite Fields at the historic Roebling WireWorks as part of Westminster’s Transforming Space project.

After viewing a staged performance of Joby Talbot’s demanding Path of Miracles at the 2019 Spoleto Festival USA, D.C. Theatre Scene wrote, “Joe Miller is a fearless artist. His bold leadership and trust in these young singers enabled his choristers to forego the ‘stand and deliver,’ score-bound habits of their genre and ‘walk with him’ on this special journey. Not only did the singers need to memorize their parts, no mean feat, but follow his baton’s bid from any part of the auditorium and sing in any body position. Miller constantly challenged them in the process and inspired them to work confidently, well outside their comfort zone.”

The New York Times described the Westminster Choir’s 2014 Festival performance of John Adams’ El Niño as “superb” and wrote, “Meticulously prepared … the chorus was remarkable for its precision, unanimity and power.” The Wall Street Journal praised the same performance, crediting “the fine Westminster Choir and the Spoleto Festival USA Orchestra, under the direction of Joe Miller.” The Post and Courier wrote about their performance of Bach’s St. Matthew Passion, “This was an evening of near-flawless execution and many moments of ravishing beauty and power. It will go down as a highlight (maybe even THE highlight) of this year’s festival, and, I think, as the work with which Joe Miller established his credentials to lead an extended choral/orchestral masterwork, not just recreating Bach’s music but also putting his own interpretive stamp on the whole.”

Miller has made four recordings with the Westminster Choir. American Record Guide wrote about the choir’s newest CD, Frank Martin: Mass for Double Choir, “This is gorgeous singing … with perfect blend, intonation, diction, ensemble and musicality.” The Heart’s Reflection: Music of Daniel Elder was hailed by Minnesota Public Radio’s Classical Notes as “simply astounding.”  Miller’s debut recording with the ensemble, Flower of Beauty, received four stars from Choir & Organ magazine and earned critical praise from American Record Guide, which described the Westminster Choir as “the gold standard for academic choirs in America.”

As conductor of the Westminster Symphonic Choir, Miller has collaborated with some of the world’s leading orchestras and conductors, earning him critical praise. The New York Timeswrote about Symphonic Choir’s performance of Mahler’s Symphony No. 2 with the Cleveland Orchestra, “Joe Miller’s Westminster Symphonic Choir was subtle when asked and powerful when turned loose.” Recent seasons have included performances with the Philharmoniker Berliner and Sir Simon Rattle; The Philadelphia Orchestra and Yannick Nézet-Séguin; and the Simón Bolívar Symphony Orchestra of Venezuela and Gustavo Dudamel.

Prior to his time at Westminster Choir College, Miller served on the faculty of Western Michigan University, California State University and Whitman College. He is the 2016 recipient of the Maynard Klein Award for Distinguished Service to Choral Music, which is presented by ACDA-Michigan in recognition of artistic excellence and a lifetime of leadership in the field of choral music.

Miller received his DMA in Choral Conducting with a cognate in Voice from CCM in 1997. He received his MM in Choral Conducting from CCM in 1992. In 1987, he graduated cum laude from the University of Tennessee with a BS in Music Education and Voice.

About CCM Choral Studies

Recognized by US News and World Report as one of this country’s leading conducting programs, CCM’s Department of Choral Studies is widely known for its excellence in training conductors for successful, lifelong careers in the choral arts.

CCM’s Master of Music and Doctor of Music Arts programs provide professional-level experiences in rehearsals and performances, developing musicianship and technique, and acquiring knowledge of styles, performance practices and repertoire.

MM and DMA graduates of CCM’s Choral Studies programs are conducting and administrating highly successful professional, collegiate, symphonic, secondary, children’s and church choir programs throughout the world.

For more information about CCM, please visit us online at ccm.uc.edu.

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CCM's Dieterle Vocal Arts Center on the campus of the University of Cincinnati.

CCM Announces the Winners of Its 2020 Opera Scholarship Competition

NOTE: Winners List Updated on April 15, 2020

Twenty-six current and incoming students competed for five coveted full-tuition scholarships and $65,500 in additional awards during the University of Cincinnati College-Conservatory of Music’s 2020 Opera Scholarship Competition.

Since its inauguration in 1976, this annual competition welcomes current and incoming CCM voice students to compete for scholarships and cash prizes. A panel of judges composed of opera industry professionals selects each year’s class of prizewinners.

Six students won awards in this year’s competition, which was conducted virtually due to the COVID-19 pandemic. To maintain social distancing, each participating singer was asked to select two arias. Each singers’ assigned pianist then recorded a piano reduction of the chosen arias and provided audio files, which served as virtual accompaniment for the competing vocalists.

Singers were required to record their performance on their smart phones and submit their recordings back to CCM. These recordings were then shared with the competition’s panel of distinguished judges.

The Winners of CCM’s 2020 Opera Scholarship Competition

Michael Pandolfo, baritone, first-year Master of Music student from Fort Worth, Texas; studying at CCM with William McGraw
Prize: Full-tuition scholarship and the Corbett Award ($15,000)
The Corbett Award is supported by the Corbett Foundation in cooperation with CCM.


Teresa Perrotta, soprano, first-year Artist Diploma student from Orlando, Florida; studying at CCM with Gwendolyn Coleman
Prize: Full-tuition scholarship and the Italo Tajo Memorial Award ($15,000)
This award is supported by the Italo Tajo Memorial Scholarship Fund (established by Mr. Tajo’s wife Inelda Tajo) in cooperation with CCM.


Amber Monroe, soprano, first-year Artist Diploma student from Youngstown, Ohio; studying at CCM with William McGraw
Prize: Full-tuition scholarship and the Andrew White Memorial Award ($12,500)
This award is supported by the Andrew White Memorial Scholarship Fund in cooperation with CCM.


Brittany Logan, soprano, second-year Master of Music student and incoming Artist Diploma student from Garden Grove, California; studying at CCM with Gwendolyn Coleman
Prize: Full-tuition scholarship and the Seybold-Russell Award ($10,000)
This award is supported by the Seybold-Russell Scholarship Fund in cooperation with CCM.


Amanda Olea, soprano, first-year Doctor of Musical Arts student from Mexico City, Mexico; studying at CCM with Gwendolyn Coleman
Prize: Full-tuition scholarship and the John Alexander Memorial Award ($10,000)
This award is supported by the John Alexander Memorial Scholarship Fund in cooperation with CCM.


Christina Hazen, mezzo-soprano, second-year Master of Music student from Loveland, Colorado; studying at CCM with Gwendolyn Coleman
Prize: Norman Treigle Award ($3,000)
This award is supported by the Norman Treigle Opera Scholarship Competition Award Fund in cooperation with CCM.


The judges panel for CCM’s 2020 Opera Scholarship Competition included:

About CCM Opera

The Department of Opera at CCM boasts one of the most comprehensive training programs for opera singers, coaches and directors in the United States. Students at CCM work with some of the most renowned teachers and artists active in opera today.

CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions, which is widely considered to be the nation’s most prestigious vocal competition. In 2019, soprano Elena Villalón (BM Voice, ’19) was named a Grand Finals Winner at the competition while she was still finishing her undergraduate degree at CCM. CCM’s other recent Grand Finals Winners include Jessica Faselt (MM Voice, ’16) in 2018, Amanda Woodbury (MM Voice, ’12) and Yi Li (AD Opera, ’13) in 2014 and Thomas Richards (MM Voice, ’13) in 2013. At least two CCM singers advanced to the Upper Midwest Regional Auditions in this year’s Met National Council Auditions: artist diploma students Amber Monroe and Teresa Perrotta.

CCM singers also recently won awards in other prestigious national competitions. Jessica Faselt won a $10,000 award and Alisa Jordheim (DMA Voice, ’15; MM Voice,’ 10) won a $1,000 Encouragement award at the 2020 George London Foundation Awards Competition for young American and Canadian opera singers. Jasmine Habersham (AD Opera, 2015; MM Voice, 2013) won the silver medal in the 2020 American Traditions Vocal Competition. Edward Nelson (BM Voice, 2011; MM Voice, 2013) won first prize at the 2020 Glyndebourne Opera Cup. Perrotta also advanced to the finals of the 2020 Lotte Lenya Competition.

In addition, CCM Opera productions have received some of the National Opera Association Production Competition’s highest honors throughout the years, taking home six of the 18 non-professional prizes awarded in 2010 and four prizes in 2011.

CCM Opera graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, Metropolitan Opera (New York), Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy) and more.

CCM Opera is also part of Opera Fusion: New Works, a dynamic partnership with Cincinnati Opera that offers composer/librettist teams the opportunity to workshop an opera during a 10-day residency in Cincinnati.

Created in 2011 to foster the development of new American operas and generously funded by The Andrew W. Mellon Foundation, Opera Fusion: New Works has grown into a nationally recognized collaboration which is not only advancing the repertoire, but also serving as an inspiring example of a successful joint venture between an educational institution and a professional performing arts organization.

For more information about CCM, please visit us online at ccm.uc.edu.

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CCM Celebrates 2020 Faculty Retirements

As the 2019-20 academic year comes to a close, UC’s College-Conservatory of Music celebrates the careers of five retiring faculty members who have given nearly 124 years of combined service to the college. These members of the CCM family have dedicated themselves to continuing the college’s legacy as a leading training center for the performing and media arts:

  • Earl Rivers, professor of music and director of choral studies, 1973-2020
  • Dean Mogle, professor and head of costume design and technology, 1989-2020
  • Alan Siebert, professor of trumpet, 1990-2020
  • Mark Williams, professor of lighting design and technology, 2009-20
  • Stephen Allee, professor of music, 2015-20

Please join us in saluting their years of service to the CCM community!


Earl Rivers conducts CCM’s 2018 performance of J.S. Bach’s “St. John Passion” at Cincinnati’s Knox Presbyterian Church. Photo/Andrew Higley

Earl Rivers arrived at CCM as a DMA student in September 1970. During his first month at the college, he remembers joining other student conductors and the May Festival Chorus to welcome incoming Cincinnati Symphony Orchestra Music Director Thomas Schippers with a performance of Giuseppe Verdi’s Requiem at Music Hall. He has since presented numerous choral masterworks with students at CCM and throughout Greater Cincinnati.

“My favorite memories at CCM include the staged productions we accomplished of J.S. Bach’s St. John Passion and St. Matthew Passion, and of Honegger’s Joan of Arc at the Stake — all staged by talented student directors in CCM’s Opera Stage Directing Artist Diploma Program,” Rivers says. “These productions prepared CCM’s student singers, instrumentalists, conductors, and technical theatre majors to become leaders in the next generation of performers in staged productions of concert works and oratorios.”


Dean Mogle displays his costume designs for CCM’s 2016 production of “Swan Lake.” Photo/Becky Butts

After 31 years at CCM with nearly 150 costume design graduates and more than 300 supervised staged productions, Dean Mogle has too many memories to single out only a few. “The richness of student talent over the years has elevated all of us to new heights in training,” he says.

“I am most proud as our students take their rightful places in this country’s most prestigious theatre, opera and dance organizations, as well as Broadway, motion pictures and television productions,” Mogle adds. “Over the years, the incredibly dedicated professional staff and faculty have mentored each student toward their full potential and guided them into their chosen areas of this profession. Whether designing, assisting, managing, making or dressing, our students are admired by the profession for their talents, skills and dedication — hallmarks of CCM.”


Alan Siebert and Bryan Crisp snap a selfie behind-the-scene of Crisp’s Music On Purpose podcast. Photo/Bryan Crisp

Alan Siebert’s favorite memories of are watching students succeed, whether at a recital, conference or on stage. Over the years, he has celebrated students’ accomplishments near and far — in performances in Cincinnati as well as all over the world including Bangkok, Thailand.  He remembers trying to livestream a broadcast of students performing at the National Trumpet Competition in Texas when he and his wife were driving home from one of his own concerts. They pulled into the parking lot of a shopping center, sat in their car and watched the performance on his phone so they could cheer them on from afar.

“I also love performing with my former students,” adds Siebert, who recently reunited with former student Bryan Crisp (MM, ’05) to talk about his career on Crisp’s Music On Purpose podcast. “Whether it’s in a recital, orchestra or chamber music setting. It is always gratifying to see them years later and marvel at how well they have done, knowing that you had a small part in that development. I have had great colleagues and students at CCM and also many wonderful opportunities because of CCM.”


Mark Williams coordinated the BOOM! lighting display at CCM’s 2020 Moveable Feast. Photo/Quinn Villarreal

Mark Williams is the instructor and coordinator behind CCM’s annual BOOM! lighting showcase, a dazzling stage lighting and technical production display by students in his Moving Light Programming course. The event inspired the “Light Their Way” theme at CCM’s 2020 Moveable Feast fundraiser.

Former student Oliver Littleton (BFA, ’19) remembers taking Williams’ Moving Light Programming course and how it challenged him to examine his design process and use lighting technology in new ways. “The training from Mark’s course is something I use all the time in my work now,” said Littleton, who began working as a lighting design intern at Walt Disney World during his final year at CCM.


CCM faculty members Kim Pensyl, Stephen Allee, Craig Bailey and Scott Belck in Brazil during CCM’s residency with JALCO. Photo/Stephen Allee

A pianist, composer and arranger, Stephen Allee has spent more than 35 years working primarily as a jazz instructor as well as writing and performing for syndicated radio programs, network TV and motion pictures. Over the summer, he traveled with the CCM Jazz Orchestra to São Paulo, Brazil for an international residency with Wynton Marsalis’ Jazz at Lincoln Center Orchestra. CCM’s Department of Jazz Studies was named Jazz at Lincoln Center‘s inaugural College Affiliate, a distinction reserved for the country’s top-ranked jazz programs.

More recently, Allee worked with fellow CCM faculty member Rusty Burge and musicians Steve Houghton, Rob Dixon and Jeremy Allen to release BAHAD in January 2020. Allee wrote the title track of the record, which is available to stream online.

“My experience in the Jazz Studies Department at CCM has been nothing short of amazing,” Allee says. “Our students have grown by leaps and bounds, nurtured by the encouraging atmosphere in our department.”

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Playbill Streams Broadway’s ‘Bandstand’ Musical Film on April 10

Playbill will stream the 2017 Broadway musical Bandstand, written by CCM Acting alumnus Richard Oberacker (BFA, ’93) and Robert Taylor, beginning tonight, April 10, 2020. The Tony Award-winning musical tells the story of World War II veteran Donny Novitski, who forms a band with fellow veterans and enters a national contest to become America’s newest musical sensation.

Richard Oberacker with CCM Acting Professor Richard Hess at a preview performance of “Bandstand” on Broadway.

The first Playbill Playback, a new series in which old and recent favorite musicals can be streamed on Playbill.com, Bandstand will be streamed for the first time on April 10 and will be available through April 17. A portion of the proceeds raised with the stream will go to The Actors Fund.

The Bandstand stream will also feature an interview with co-stars Laura Osnes, Corey Cott and Beth Leavel as well as director-choreographer Andy Blankenbuehler and co-creators Oberacker and Taylor.

In addition to Oberacker, alumni from across CCM are involved in this award-winning musical. Geoff Packard (BFA Musical Theatre, ’04) plays Wayne Wright, a trombonist in the veteran band; Max Clayton (BFA Musical Theatre, ’14) is in the ensemble; Greg Anthony Rassen (MM Orchestral Conducting, ’03) is the co-orchestrator, music supervisor and music arranger; and David Kreppel (BFA Musical Theatre, ’92) is the vocal music arranger.

Bandstand was the first theatrical production in history to be certified authentic by Got Your 6, an organization that advocates for authentic portrayal of the military across entertainment.

Learn more about the Bandstand stream on Playbill.

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Enjoy a Classic Jazz Performance from CCM’s Video Archives

Although the theaters and concert halls at the University of Cincinnati’s nationally ranked and internationally renowned College-Conservatory of Music are temporarily silent, audiences can still experience world-class performances through CCM’s new CCMONSTAGE Online video series. This week’s release features a classic jazz performance from CCM’s video archives.

On May 22, 2011, the CCM Jazz Ensemble was joined by Grammy Award-nominee, National Endowment for the Arts Jazz Master and Kennedy Center “Living Legend of Jazz” Gerald Wilson (1918-2014) for an unforgettable evening of big band music. The concert also featured the talents of Mary Ellen Tanner (1946-2014), a renowned jazz vocalist who taught at CCM for many years.

An acclaimed composer, arranger and band leader of modern jazz who was in his 92nd year at the time of this recording, Wilson’s talent was legendary among jazz insiders. His classic compositions include “Blues for Count Basie” written for Basie while Wilson was in his band and “Blues for Yna Yna,” which was the second jazz waltz ever written.

“Gerald Wilson is a living legend and a part of the golden age of the big band as a writer, arranger and trumpet player,” CCM Professor and Jazz department head Scott Belck commented in 2011, adding that Wilson was also “one of the most interesting cats you will ever meet.” Wilson passed away in Los Angeles in September 2014.

Wilson’s groundbreaking compositions, intricate arrangements and immediately recognizable sound put him in a league of his own. In his prolific seven-decade career as composer and arranger, Wilson was behind some of the greatest names in jazz, including Duke Ellington, Count Basie, Ray Charles, Ella Fitzgerald, Benny Carter, Nancy Wilson and Bobby Darin. Beyond his jazz accomplishments, Wilson’s symphonic compositions were performed by the Los Angeles Philharmonic under the direction of Zubin Mehta. He even scored a top 40 pop hit with El Chicano’s 1970 version of his “Viva Tirado,” a song that has been recorded in at least 18 different versions, including a hip-hop rendition by Latino rapper Kid Frost.

This concert was originally streamed online with support provided by the Corbett Endowment for CCM and the Franklin L. Folger Trust. The performance was later broadcast on CET Cincinnati Public Television.

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Featured image at top: The CCM Jazz Ensemble in a March 2012 rehearsal. Photo/Dottie Stover/UC Creative Services.

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