CCM's Dieterle Vocal Arts Center on the campus of the University of Cincinnati.

CCM Announces the Winners of Its 2020 Opera Scholarship Competition

NOTE: Winners List Updated on April 15, 2020

Twenty-six current and incoming students competed for five coveted full-tuition scholarships and $65,500 in additional awards during the University of Cincinnati College-Conservatory of Music’s 2020 Opera Scholarship Competition.

Since its inauguration in 1976, this annual competition welcomes current and incoming CCM voice students to compete for scholarships and cash prizes. A panel of judges composed of opera industry professionals selects each year’s class of prizewinners.

Six students won awards in this year’s competition, which was conducted virtually due to the COVID-19 pandemic. To maintain social distancing, each participating singer was asked to select two arias. Each singers’ assigned pianist then recorded a piano reduction of the chosen arias and provided audio files, which served as virtual accompaniment for the competing vocalists.

Singers were required to record their performance on their smart phones and submit their recordings back to CCM. These recordings were then shared with the competition’s panel of distinguished judges.

The Winners of CCM’s 2020 Opera Scholarship Competition

Michael Pandolfo, baritone, first-year Master of Music student from Fort Worth, Texas; studying at CCM with William McGraw
Prize: Full-tuition scholarship and the Corbett Award ($15,000)
The Corbett Award is supported by the Corbett Foundation in cooperation with CCM.


Teresa Perrotta, soprano, first-year Artist Diploma student from Orlando, Florida; studying at CCM with Gwendolyn Coleman
Prize: Full-tuition scholarship and the Italo Tajo Memorial Award ($15,000)
This award is supported by the Italo Tajo Memorial Scholarship Fund (established by Mr. Tajo’s wife Inelda Tajo) in cooperation with CCM.


Amber Monroe, soprano, first-year Artist Diploma student from Youngstown, Ohio; studying at CCM with William McGraw
Prize: Full-tuition scholarship and the Andrew White Memorial Award ($12,500)
This award is supported by the Andrew White Memorial Scholarship Fund in cooperation with CCM.


Brittany Logan, soprano, second-year Master of Music student and incoming Artist Diploma student from Garden Grove, California; studying at CCM with Gwendolyn Coleman
Prize: Full-tuition scholarship and the Seybold-Russell Award ($10,000)
This award is supported by the Seybold-Russell Scholarship Fund in cooperation with CCM.


Amanda Olea, soprano, first-year Doctor of Musical Arts student from Mexico City, Mexico; studying at CCM with Gwendolyn Coleman
Prize: Full-tuition scholarship and the John Alexander Memorial Award ($10,000)
This award is supported by the John Alexander Memorial Scholarship Fund in cooperation with CCM.


Christina Hazen, mezzo-soprano, second-year Master of Music student from Loveland, Colorado; studying at CCM with Gwendolyn Coleman
Prize: Norman Treigle Award ($3,000)
This award is supported by the Norman Treigle Opera Scholarship Competition Award Fund in cooperation with CCM.


The judges panel for CCM’s 2020 Opera Scholarship Competition included:

About CCM Opera

The Department of Opera at CCM boasts one of the most comprehensive training programs for opera singers, coaches and directors in the United States. Students at CCM work with some of the most renowned teachers and artists active in opera today.

CCM students frequently advance to the final rounds of the Metropolitan Opera National Council Auditions, which is widely considered to be the nation’s most prestigious vocal competition. In 2019, soprano Elena Villalón (BM Voice, ’19) was named a Grand Finals Winner at the competition while she was still finishing her undergraduate degree at CCM. CCM’s other recent Grand Finals Winners include Jessica Faselt (MM Voice, ’16) in 2018, Amanda Woodbury (MM Voice, ’12) and Yi Li (AD Opera, ’13) in 2014 and Thomas Richards (MM Voice, ’13) in 2013. At least two CCM singers advanced to the Upper Midwest Regional Auditions in this year’s Met National Council Auditions: artist diploma students Amber Monroe and Teresa Perrotta.

CCM singers also recently won awards in other prestigious national competitions. Jessica Faselt won a $10,000 award and Alisa Jordheim (DMA Voice, ’15; MM Voice,’ 10) won a $1,000 Encouragement award at the 2020 George London Foundation Awards Competition for young American and Canadian opera singers. Jasmine Habersham (AD Opera, 2015; MM Voice, 2013) won the silver medal in the 2020 American Traditions Vocal Competition. Edward Nelson (BM Voice, 2011; MM Voice, 2013) won first prize at the 2020 Glyndebourne Opera Cup. Perrotta also advanced to the finals of the 2020 Lotte Lenya Competition.

In addition, CCM Opera productions have received some of the National Opera Association Production Competition’s highest honors throughout the years, taking home six of the 18 non-professional prizes awarded in 2010 and four prizes in 2011.

CCM Opera graduates have performed on the stages of the world’s greatest opera companies, including Cincinnati Opera, Metropolitan Opera (New York), Lyric Opera of Chicago, San Francisco Opera, Royal Opera (London), La Scala (Italy) and more.

CCM Opera is also part of Opera Fusion: New Works, a dynamic partnership with Cincinnati Opera that offers composer/librettist teams the opportunity to workshop an opera during a 10-day residency in Cincinnati.

Created in 2011 to foster the development of new American operas and generously funded by The Andrew W. Mellon Foundation, Opera Fusion: New Works has grown into a nationally recognized collaboration which is not only advancing the repertoire, but also serving as an inspiring example of a successful joint venture between an educational institution and a professional performing arts organization.

For more information about CCM, please visit us online at ccm.uc.edu.

CCM News Student Salutes

CCM Acting Class of 2020 Presents Virtual Senior Showcase

Watch a collection of five scenes showcasing the talents of CCM Acting’s Class of 2020

The Acting Department at the University of Cincinnati College-Conservatory of Music (CCM Acting) proudly presents its first Virtual Senior Showcase. Although the COVID-19 novel coronavirus prevented CCM Acting from holding its customary Senior Showcases for agents and casting directors in New York and Los Angeles this spring, the program’s new Virtual Senior Showcase allows industry insiders and the general public to see this year’s seniors in action.

The video showcase includes five scenes showcasing the talents of CCM Acting’s Class of 2020. Directed by Professor D’Arcy Smith, the A.B., Dolly, Ralph and Julia Cohen Chair in Acting at CCM, the showcase features students performing excerpts from TV programs, films and plays including “227,” “Pretty Little Liars,” “Pysch” and “Embers” along with an excerpt of “My So-Called Gay Life” written by CCM Acting student Abby Palen. A collaboration with CCM’s Electronic Media program, the CCM Acting Virtual Senior Showcase features the work of E-Media majors Caleb Smiley and Carlos Herriott II. Viewer discretion is advised; this video features strong language and mature content.

“Although we’ve transitioned to remote operations, we remain committed to our ongoing academic and artistic missions,” says Smith. “Our senior Acting students have put in countless hours preparing for their industry debuts in this year’s Senior Showcase and they deserve to have their time in the spotlight. They should be very proud of everything that they have accomplished, and we are happy to present this video snapshot of their talent for the entire world to enjoy.”

Get to know the graduating seniors by reading their professional summaries!

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CCM Voice Student Advances to Lotte Lenya Competition finals

CCM is delighted to announce that first-year artist diploma student Teresa Perrotta (MM Voice, ’19) reached the finals of the Lotte Lenya Competition, one of the most prestigious vocal competitions for young artists.

Composer John Corigliano and Teresa Perrotta at the French premiere of “The Ghosts of Versailles.” Photo/Gail Luna

A rising soprano, Perrotta won the Seybold-Russell Award at CCM’s 2019 Opera Scholarship Competition and advanced to the Upper Midwest Regional Auditions in this year’s Metropolitan Opera National Council Auditions. In December 2019, she made her international debut as Marie Antoinette in the French premiere of John Corigliano’s The Ghosts of Versailles at the Château de Versailles Royal Opera. She studies with CCM Voice Professor Gwendolyn Coleman.

Perrotta is one of 12 finalists in the 2020 Lotte Lenya Competition. These finalists were selected out of 282 applicants from 24 states after a preliminary video round and a semi-finals round in New York City. The finals were initially scheduled for May 2 at the Eastman School of Music, but the Kurt Weill Foundation, which holds the competition, is exploring other options in light of the current global health crisis.

Teresa Perrotta. Photo/Caitlin and Kevin Photography

Teresa Perrotta. Photo/Caitlin and Kevin Photography

CCM is often well-represented at the Lotte Lenya Competition. In 2017, Paulina Villarreal (DMA Voice, ‘18; MM Voice, ’15) won third prize, while Jasmin Habersham (AD Opera, ‘15; MM Voice, ‘13) and Lisa Marie Rogali (MM Voice, ’18) each received prizes of $3000. Talya Lieberman (AD Opera, ‘16) took Third Prize in the 2016 installment of this prestigious international theatre singing contest, while Lauren Roesner (BFA Musical Theatre, ‘13) won Third Prize in 2013 and alumna Caitlin Mathes (AD Opera, ’10, MM Voice, ‘09) won First Prize in 2011.

About the Lotte Lenya Competition

More than a vocal competition, the Lotte Lenya Competition recognizes talented young singer/actors who are dramatically and musically convincing in repertoire ranging from opera/operetta to contemporary Broadway scores, with a focus on the works of Kurt Weill. Since its inception in 1998, the Lotte Lenya Competition has grown into an internationally recognized leader in identifying and nurturing the next generation of “total-package performers” (Opera News) and rising stars in both the opera and musical theater worlds. The roster of prizewinners has likewise grown to over 100, many of whom have gone on to major performing careers. Visit kwf.org for more information about the Kurt Weill Foundation or the Lotte Lenya Competition.


Story by CCM Graduate Student Alexandra Doyle

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CCM Named ‘Best of Cincinnati’ by CityBeat Readers and Staff

Three productions with CCM connections were voted “Best of Cincinnati” by CityBeat readers and staff. CityBeat’s Best of Cincinnati 2020 issue is available online now!

CCMONSTAGE Play Series presented “The Curious Incident of the Dog in the Night-Time” in October 2019. Photo/Richard Hess

CCM’s production of The Curious Incident of the Dog in the Night-Time won “Best Play (Student/Community)” in the magazine’s readers poll. Directed by CCM Acting Professor Richard E. Hess, the play was presented in October as part of the CCMONSTAGE Play Series.

Blind Injustice, CCM’s co-production with Cincinnati Opera and UC College of Law’s Ohio Innocence Project, received a special Best of Cincinnati staff pick award as “Best World Premiere Opera to Open Your Eyes.” Directed by CCM Opera Professor Robin Guarino, the opera featured stories of six wrongly incarcerated people who were aided by the OIP.

Blind Injustice, CCM’s co-production with Cincinnati Opera and the Ohio Innocence Project, was presented in July 2019 at Music Hall’s Wilks Studio. Photo/Philip Groshong

CityBeat staff wrote: “Robin Guarino’s terrific staging of the sold-out series of shows in the Wilks Studio in Music Hall in July 2019 drew excellent performances from a gifted cast that included members of Cincinnati’s Young Professionals Choral Collaborative. The five performances sold out months in advance, as did a free presentation at Allen Temple A.M.E. Church in Bond Hill. Blind Injustice is proof positive that opera can bear powerful witness to the social issues of our time, as well as to the strength of the human spirit in the face of mindless injustice. May it be seen again and again and again, here and throughout the country.”

CCM students self-produced “The Flick” at Clifton’s Esquire movie theater in July 2019. Photo/Ella Eggold

CityBeat staff also recognized CCM students who produced and acted in a unique presentation of The Flick, a Pulitzer Prize-winning play by Annie Baker, at Clifton’s Esquire movie theater. The production was dubbed “Best Play Held in an Unconventional Setting.” CCM Acting alumni and current students Ella Eggold, Gabriella DiVincenzo, Graham Rogers, Leonard Peterson and Kristina Steinmetz acted and produced the play, which was stage managed by CCM Theatre Design and Production student Jennelle John-Lewis. CityBeat staff praised the production team’s efforts as “spectacular” and “outstanding.”

Congratulations to all of our friends and partners also featured in this special issue of CityBeat! Read more on CityBeat’s website or view a digital version of the issue.


Featured image at top: Best of Cincinnati graphic by Taylor Speed/CityBeat

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New York Times: WVXU and CCM Revive Rare Rod Serling Baseball Comedy

Rod Serling’s comedy about confusion between Russians and the Cincinnati Reds airs at 8 p.m. on March 25 on WVXU 91.7.

CCM and Cincinnati Public Radio station 91.7 WVXU have co-produced a long-lost baseball comedy by The Twilight Zone creator Rod Serling. Recently featured by the New York Times, the radio play titled O’Toole From Moscow airs on 91.7 WVXU at 8 p.m. this Wednesday, March 25, 2020

The New York Times describes the comedy as “a screwball romp, with a side of whimsy.” Read the full article.

O’Toole From Moscow is about confusion between Russians and the Cincinnati Reds at the height of the “Red Scare” over possible Communist infiltration of American institutions during the Cold War. Serling originally wrote the one-hour television play for NBC Matinee Theatre and it was only broadcast once on Dec. 12, 1955. The performance was not filmed or recorded.

O’Toole From Moscow was adapted for radio and produced by WVXU’s John Kiesewetter, who tracked down the original script with the help of Serling historians. He also met with Serling’s daughter, Anne, who is the program host and narrator on the radio play. CCM Acting students recorded the comedy, which was directed by CCM Professor Richard Hess, at Cincinnati Public Radio’s studio. Sammi Grant, a visiting master’s student from London’s Central School of Speech and Drama, tutored the cast so they would sound authentically Russian.

Hess hand-picked his lineup of eight student cast members for the radio play: Chandler Bates, Austin James Cleri, Matt Fox, Dustin Parsons, Jack Steiner, Frankie Chuter, Cameron Nalley and Lucas Prizant. The team also recruited Cincinnati Reds organist John Schutte, who provided the ballpark organ music for the broadcast. Read more about the making of this radio play on WVXU.

The “O’Toole From Moscow” team, from left: WVXU engineer Josh Elstro, Frankie Chuter, Matt Fox, Chandler Bates, director Richard Hess, Cameron Nalley, Jack Steiner, Austin James Cleri, Dustin Parsons, Sammi Grant and Lucas Prizant. Photo/John Kiesewetter

Long-time baseball fans will enjoy Serling’s script and hear references to some of baseball’s biggest stars of the 1950s including: Jackie Robinson, Willie Mays, Mickey Mantle, Yogi Berri, Stan Musial and Ted Kluszewski.

In O’Toole From Moscow a Russian consulate staffer named Mushnick is being sent back from New York to Moscow for re-education because of his high absences due to attending Brooklyn Dodgers games at Ebbets Field. So Mushnick and a muscular Russian security officer named Joseph Bishofsky hop a train and go as far west as their money will take them — to Cincinnati. Bishofsky panics in Cincinnati and goes to the Reds office to turn himself in, mistaking the baseball team for his Russian comrades. Mushnick bursts in to explain that Joseph – whom he calls “Joseph O’Toole” – is an outfielder wanting a tryout. The Reds give O’Toole a shot, and he ends up being a better slugger than Kluszewski – until the Russians find him.

Tune in to hear the O’Toole From Moscow broadcast on 91.7 WVXU at 8 p.m. this Wednesday, March 25. A live stream of the broadcast will also be available on the WVXU website.
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Students rehearse for CCM's TRANSMIGRATION Festival. Photos by CCM Acting student Jabari Carter.

TRANSMIGRATION Festival of Student Works Returns to CCM March 11-13

Admission to CCM’s TRANSMIGRATION Festival is free. Reservations are required. Tickets are available in person or over the phone through the CCM Box Office.

CCM presents six original, student-created works in the Acting Department’s TRANSMIGRATION Festival: (im)mature, Rotten Kids of Witchwood Pine, Phantasmagoria, Dirty Laundry, Entermission and HINT! A Play About Clue. Celebrating its 12th anniversary, the festival runs Wednesday, March 11, through Friday, March 13, 2020, throughout CCM Village.

TRANSMIGRATION gives CCM Acting students the freedom to produce an entirely new show from start to finish. The teams are tasked with writing, designing and producing a 30-minute piece of theatre all on their own. The shows are performed simultaneously and in non-traditional spaces throughout CCM’s Corbett Center for the Performing Arts. Attendees may customize their personal theater-going experience by viewing up to four shows of their choice throughout the evening. Show details are below.

“This is my third year in TRANSMIGRATION, and it has always been a highlight of my year. It’s always so fun and really works the muscle we need to create our own work,” said CCM Acting student Sydney Miles. “My personal favorite year and favorite role was my freshman year when I played a suitcase and travelled along with my pal, Cooper the Compass. With TRANSMIGRATION, anything can happen!”

Co-produced by CCM Acting Professors Richard Hess and Brant Russell, this unique festival has presented more than 60 original productions over the past 12 years. This year, junior Anastasia Jacques is the Associate Producer, and senior Chandler Bates is the Communication Manager.

(IM)MATURE
Remember grade school? The science fair. Getting picked last for kickball. Missing the bus. Cliques. Falling outs. Falling in love. Do you remember how you dealt with them? Did you shut down or grow up? What advice would you give your childhood self? The bus is almost here, hop on as we take a trip down memory lane and remember what it was like to discover new truths, redefine our obstacles and find out what maturity even means. As kids, all we want is to grow up. But as adults, all we want is to remember.
Cast: Zoe Cotzias, Rachel Jones, Lucas Prizant, Cameron Nalley, Ethan Murphy, Charles Gidney, Jason Pavlovich, Jake Weinheimer, Maddie Gaughn, Neuma Cohen-Denson, Mason Doyle
Location: Corbett Center Room 4755
Performance Times: 7 p.m. and 8:30 p.m.


ROTTEN KIDS OF WITCHWOOD PINE
As a group of students retreat to the woods, they stumble into a cursed forest called Witchwood Pine, a forest that manipulates your mind and traps you inside it. As they realize where they are and what the pine can do, they must discover what it takes to escape. Can you trust what you see?
Cast: Jabari Carter, Chandler Bates, Duncan Weinland, Reid Robison, Jack McElroy, AJ Civello, Shakoria Davis, Kay Waltermire, Ava Panagopoulos, Lydia Robison
Location: Corbett Center Room 4755
Performance Times: 7:45 p.m. and 9:15 p.m.


PHANTASMAGORIA
What is a phantasmagoria? A sequence of real or imaginary images, like those seen in a dream. This folk tale fever dream takes you on a ride through the subconscious of two sisters as they hang between life and death. Welcome to limbo. Welcome to Phantasmagoria.
Cast: Sierra Coachman, Cameron Mills, Lydia Noll, Michelle Jardine, Eli Lucas, Matt Fox, Olivia Buss, Emma Fitzgerald, Zoe Peterson, Abby Palen, Rachel Baker, Grace Eddy, Beza Kidane
Location: Corbett Center Room 4735
Performance Times: 7 p.m. and 7:45 p.m.


DIRTY LAUNDRY
There are some places that normal humans do not go. One of those is a laundromat at 4 a.m. on a Tuesday. Come visit our 24-hour laundromat, where career criminals go to wash away their dirty secrets. Tuesday after Tuesday, week after week, they’ve become an eclectic sort of clan. Aside from being loyal patrons, they all work as mercenaries for the owner. One day, when given assignments, some of the names on their lists look a little too familiar. What happens when the thing that goes “bump” in the night gets scared? Will this family of shady characters choose blood over money, or will they succumb to their fears? Step inside our laundromat, where you call some of the shots, but you may leave less clean than you came in.
Cast: Paige Jordan, Rin Wallace, Sydney Miles, Kayla Temshiv, Lily Olsen, Dustin Parsons, Noah Buyak, Malik Smith, Rachel Larson, Hunter Trammell, Morgan Piper, Jack Fogle
Location: Corbett Center Room 4735
Performance Times: 8:30 p.m. and 9:15 p.m.


ENTERMISSION
We are sad to announce that the Entermission we know and love is coming to a close. After years of dedication and imagination, it’s time to say goodbye to America’s most revolutionary attraction. But before it’s gone for good, you have one more chance to enjoy this timeless experience! Join Bells and Whistles one last time as they guide you through the love story of Humanity and Technology. Enjoy a laugh as you jump backwards in time, shed a tear as you step toward the future and witness the marvels that bridge the gaps in our lonely and fragmented world. With the help of your favorite advanced animatronics, enjoy the once in a lifetime opportunity of seeing tomorrow today. Take a seat, strap yourselves in and enter the mission!
Cast: Briley Oakley, Carlee Coulehan, Frankie Chuter, Leonard Peterson III, Gabe Nasato, Julianna Weis-Palacios, Kristina Steinmetz, Mateo Sollano, Kevin Naddeo
Location: Corbett Center Room 3705
Performance Times: 7 p.m. and 9:15 p.m.


HINT! A PLAY ABOUT CLUE
There has been a murder at the mansion. The guests are appalled: why would anybody want to murder the gracious host? Nobody quite knows what happened… except for the murderer, of course. Join us in retracing the truth. Will you be able to navigate the web of lies, betrayal and unrequited love in order to solve the crime?
Cast: Madison Pullman, Jack Steiner, Anastasia Jacques, Amanda Nelson, Liza Lagerstrom, Isabella Wagner, Austin Cleri, Gracie Schmidt, Ava Duvall, Ariel Shaw
Location: Corbett Center Room 3705
Performance Times: 7:45 p.m. and 8:30 p.m.


TRANSMIGRATION Performance Times

  • 7 p.m. Wednesday, March 11
  • 7 p.m. Thursday, March 12
  • 7 p.m. Friday, March 13

Location

CCM Village
University of Cincinnati

Admission

Admission is free. Reservations are required. Tickets are available in person or over the phone through the CCM Box Office. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.


Story by CCM Graduate Student Alexandra Doyle

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Student Choreographers Debut Dazzling New Works March 5-8

The CCMONSTAGE Dance Series presents the Student Choreographers’ Showcase on March 5-8, 2020. Tickets available online.

CCM dance majors present dynamic and diverse works from classical ballet to traditional jazz dance with music ranging from Bizet to Queen at the Student Choreographers’ Showcase, running Thursday, March 5-Sunday, March 8, 2020, at Cohen Family Studio Theater.

This year’s featured student choreographers are JonMarie Johnson, Kate DeLon, Madeline Kallay, Emily Glaccum, David Lopena, and Erika Shi.

“This year six student choreographers present a diverse and engaging look at movement, culture and the human experience,” wrote CCM Dance Chair Shauna Steele in her director’s note. “I hope you enjoy it as much as I have enjoyed working with them.”

Johnson’s Enraptured follows a classical format with a fresh look at ballet, set to music by Gabriel Fauré and Georges Bizet. Killer Queen, with choreography by DeLon, presents a contemporary rock ballet set to the iconic music of Queen. Kallay’s Seeking Clarity and Glaccum’s Compass create a dance landscape where “contemporary dance forges a path and seeks to attain both tangible and intangible knowledge,” Steele describes.

With Her, Lopena fuses his own contemporary movement aesthetic with classical forms of jazz technique. Shi’s (Un)seeing and (Un)feeling is a contemporary work set to music by Zammuto, Albert Mathias and Chrome Sparks.

View the program online. The Student Choreographers’ Showcase is approximately one hour and 30 minutes, including a 15-minute intermission. 

The CCMONSTAGE Dance Series presents the Student Choreographers’ Showcase on March 5-8, 2020, at CCM’s Cohen Family Studio Theater. Tickets are on sale now through the CCM Box Office; student and group discounts are available.

Performance Times

  • 7:30 p.m. Thursday, March 5
  • 7:30 p.m. Friday, March 6
  • 7:30 p.m. Saturday, March 7
  • 2 p.m. Sunday, March 8

Location

Cohen Family Studio Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Single tickets prices start at $15.50. Student discounts and group rates are also available.

Learn about additional ticket options for current CCM students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-box office.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


Dance Department Supporter: The Corbett Endowment at CCM

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CCM Presents Enchanting Musical ‘The Secret Garden’ on March 5-8

 

The CCMONSTAGE Musical Series presents this enchanting musical based on the beloved children’s story on March 5-8, 2020. Tickets are on sale now.

CCM presents award-winning musical The Secret Garden on March 5-8, 2020, at Corbett Auditorium. This enchanting classic of children’s literature is reimagined in musical style by Lucy Simon and Marsha Norman, and brought to life at CCM by Broadway’s Connor Gallagher with musical direction by Jeremy Robin Lyons.

A 2006 graduate of CCM’s BFA Musical Theatre program, Gallagher most recently created choreography for Broadway’s Beetlejuice, currently playing in New York. He returns to his alma mater to choreograph and direct CCM’s production of The Secret Garden, working with CCM Musical Theatre’s student stars of tomorrow.

The compelling tale of forgiveness and renewal centers on 11-year-old orphan Mary Lennox, who moves from India to Yorkshire to live with her reclusive uncle Archibald and his ailing son Colin. The estate’s many wonders include a magic garden which beckons the children with haunting melodies and the “Dreamers,” spirits from Mary’s past who guide her through her new life.

Winner of a Tony Award for Best Book of a Musical and a Drama Desk Award for Outstanding Book of a Musical, this “turn-of-the-century fairy tale” (Los Angeles Times) offers an enchanting evening of entertainment for the whole family! CCM’s production of The Secret Garden will last two hours, plus a 15-minute intermission.

The 2019-20 CCMONSTAGE Musical Series presents The Secret Garden on March 5-8, 2020, at Corbett Auditorium. Tickets are on sale now through the CCM Box Office; student and group discounts are available.

About Connor Gallagher
A 2006 graduate of CCM’s Musical Theatre program, Connor Gallagher is thrilled to re­turn to CCM to direct The Secret Garden. He most recently created choreography for the worldwide Broadway phenomenon Beetlejuice, currently playing in New York at the Winter Garden Theatre. Gallagher works extensively with the Walt Disney Company, most recently directing and choreographing a new adaptation of Disney’s Beauty and the Beast, based on the 2017 film. The production won the international Brass Ring Award and is currently running onboard the Disney Dream. He’s choreographed music videos for artists VINCINT, Stefan Benz and 2020 Best New Artist Grammy nominee Tank and the Bangas. Other selected credits include The Robber Bridegroom (Roundabout Theatre Company, 2016 Astaire Award), Found (Philadelphia Theatre Company), Camelot (Westport), the world-premiere stage adaptation of Disney’s Tangled (Disney Creative Entertainment), The Hunchback of Notre Dame (Ogunquit Playhouse), The Twelve (Denver Center), The 25th Annual Putnam County Spelling Bee (Bucks County Playhouse), The Fabulous Lipitones (Goodspeed), Vanity Fair (Shakespeare DC and San Francisco ACT), Dancing at Lughnasa (Two River) and more than a dozen shows for Theatreworks USA. Gallagher choreographed the hit musical adaptation of Elf, which has had more than a dozen touring companies since 2012, with sit-down runs at Madison Square Garden and the Kennedy Center. Gallagher has created choreography for Glidden Paint, Luxxotica Eyewear, Hanky Panky underwear, the Writers Guild Awards and the HIFA Festival in Zimbabwe. Gallagher is currently developing the new musical It’s The Bear, two new works with Disney Creative and an international arena show that will debut in 2021. Gallagher made his Broadway debut as a performer in Beauty and the Beast. Visit connorgallagher.com for more information.

The Secret Garden Billing Credits

  • Book and Lyrics by Marsha Norman
  • Music by Lucy Simon
  • Based on the Novel by Frances Hodgson Burnett

The Secret Garden” is presented by special arrangement with SAMUEL FRENCH, INC.

Creative Team

  • Connor Gallagher, director and choreographer
  • Jeremy Robin Lyons*, musical director
  • Joshua E. Gallagher, scenic designer
  • Evan Carlson*, lighting designer
  • Zach Buscher* and Seth Howard*, prop masters
  • Andrew Volzer*, production stage manager
  • Dean Mogle, costume designer
  • Marnee Porter*, wig and make-up designer
  • Zachory Ivans*, sound designer

* CCM Student

Cast List

  • Zoe Mezoff as Mary Lennox
  • Delaney Guyer as Lily
  • Madison Hagler as Archibald Craven
  • Sam Pickart as Dr. Neville Craven
  • Anna Chase Lanier as Martha
  • Kurtis Bradley Brown as Dickon
  • Jenna Bienvenue as Colin
  • Britta Cowan as Mrs. Medlock
  • Jamie Goodson as Mrs. Winthrop/Jane
  • Nick Berninger as Ben
  • Christian Feliciano as Fakir
  • Sofie Flores as Ayah
  • Mikayla Renfrow as Rose Lennox
  • Matt Copley as Captain Albert Lennox
  • Michael Canu as Lt. Peter Wright
  • Elijah King as Lt. Ian Shaw
  • Hank Von Kolnitz as Major Holmes
  • Veronica Stern as Claire Holmes
  • Jack Brewer as Major Shelley
  • Zoë Grolnick as Mrs. Shelley
  • Bailee Endebrock as Alice
  • Chip Hawver as William
  • Cassie Maurer as Betsy
  • David Littlefield as Timothy
  • Swings: Sasha Spitz and Cole Harksen
  • Dance Captains: Michael Canu and Bailee Endebrock

Performance Times

  • 7:30 p.m. Thursday, March 5
  • 7:30 p.m. Friday, March 6
  • 2 and 7:30 p.m. Saturday, March 7
  • 2 p.m. Sunday, March 8

Location

Corbett Auditorium, CCM Village
University of Cincinnati

Purchasing Tickets

Single tickets prices start at $35.50. Student discounts and group rates are also available.

Learn about additional ticket options for current CCM students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-box office.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


CCMONSTAGE Production Sponsors: Macy’s, Dr. & Mrs. Carl G. Fischer and Graeter’s Ice Cream

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Spring scenes on campus, CCM.

CCM Offers Arts Classes to all UC Students in Summer 2020

Spring scenes on campus, CCM.

UC’s College-Conservatory of Music offers general studies and fine arts elective courses during six different sessions in summer 2020. These credit-granting courses cover a wide range of topics and are open to UC and non-UC students alike.

Turn your laptop into a musical instrument and play with a virtual band or learn how to play piano in music performance classes. Learn about the technical elements of media production in electronic media classes. Study the music of The Beatles and Pink Floyd, examine the trending styles of today’s popular music or learn about the evolution of Japanese Pop, anime and video game music in music appreciation classes.

Select a session from the list below to view elective courses offered by CCM during the summer.

Full Academic Session: May 11-August 8

Group Piano for Non-music Majors (3 credits)
PIAN 1001-001; TR 10:10-11:05 a.m. and online
Breadth of Knowledge Areas: FA Fine Arts
Designed for those with little or no piano experience; teaches the fundamentals of reading music, playing by ear, using chord charts, and improving finger flexibility.


Music of the Beatles (3 credits)
FAM 2061-001; online
FAM 2061-002; online
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture and Ethics
The Music of the Beatles has made an impact in the whole world both musically and sociologically. The Beatles are considered one of the most influential bands of any era. Their music reflects the cultural and social revolution of the 1960s and serves as a model for understanding all subsequent popular music. This class will chronologically trace the development of the Beatles from their early days through the band’s dissolution. There will be analysis of selected compositions with regard to lyrics, harmony, song structure, instrumentation and arranging. This class will examine their groundbreaking production techniques, individual writing styles and the impact of their music on other musicians and social trends.


May-Mester (Session M): May 11-31

Jazz Appreciation (3 credits)
FAM 2051-001; online
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture and Ethics
A one-semester overview of America’s true art form: jazz. The course will introduce students to the various styles of jazz, its major performers, its history and origins and will also involve attending jazz performances at CCM or elsewhere.


Jammin’ with Laptops Online (3 credits)
FAM 2023-001; online
Breadth of Knowledge Areas: FA Fine Arts
In this course, you will play, record and make music with online instruments. There are three units, and each unit includes a distinctive music making session; Individual Session (Unit 1), Collaborative Session (Unit 2) and Creative Jam Session (Unit 3). In Unit 1, you will individually study the basic knowledge of music making, including identifying musical instruments, playing online instruments and recording the music that you played through the exercises. In the Midterm Exam, you will be asked to answer the basic knowledge that you have learned so far. In Units 2 and 3, you will form your laptop band with your online classmates to play and record music together. In Unit 2, you will collaborate with 1-2 classmate(s) to complete the assignment together. In Unit 3, you will collaborate with 2-4 classmates to create your own band under your instruction to direct your band members, and play for your band member’s music under their respective directions. In the Final Exam, you will be asked to answer all the materials that you have learned.


What’s Hot in Popular Music (3 credits)
FAM 2062-001; online
Breadth of Knowledge Areas: FA Fine Arts
This online course examines current popular music in its trending styles and genres. Students will critique selected songs from the weekly “Billboard” charts and various other media resources, including YouTube and digital download statistics, and consider both the hottest artists as well as promising up-and-comers. Students will develop skills for evaluating artistic intent with respect to lyrics, some basic literary techniques, melody, harmony, rhythm, song form and psychology, and with a look at cutting edge production techniques. Students will identify and compare unique composing and performing styles of today’s artists and identify links between the music business and societal trends. Weekly activity will include reading, viewing, and listening to examples online and completing assignments on Canopy.


First Half Term (Session D): May 11-June 23

American Music Online (3 credits)
FAM 2006-001; online
Breadth of Knowledge Areas: FA Fine Arts, HP Historical Perspectives
An online history of music in America c. 1620 to the present. Musical life as we experience it in the U.S. today is the product of a history that is in many ways unique, but never far from world-wide influences. This course surveys a wide variety of music along with the social, political and religious movements that have shaped American musical life right up to the present. It examines the contributions of numerous cultural groups, regional developments over four centuries and the ways music reflects values, aspirations and problems of the population. Course topics include musical genres, styles, personalities and trends. Musical examples, discussions, quizzes and videos are all online. No prior experience with music required.


Experimental Rock (3 credits)
FAM 2013-001; online
Breadth of Knowledge Areas: FA Fine Arts, TI Technology & Innovation
This course will provide a detailed overview of the tools, techniques and musical styles which had a tremendous impact on the aesthetic of various genres of rock music in the 1960s and ‘70s, the resonance of which can be observed in many mainstream and non-mainstream musical trends of the last 30 years. It will begin with an examination of multi-tracking tape machines: their development and techniques such as sound on sound, tape-delay and flange, which had become standard practice in studios by the late 1960s. This is followed by a technical overview of electronic instruments, specifically the synthesizer, whose development will be traced from the Theremin. Musical trends such as the 1950s avant-garde and Minimalism will serve as a bridge to examinations of seminal bands such as the Beatles, Pink Floyd, Kraftwerk, Can, Neu:, Brian Eno and the Talking Heads among others; the technical knowledge gained from the initial lectures on tape techniques and electronic instruments will be used to gain a deeper understanding of the music of these artists.


History of Rock and Roll 1
FAM 3031-001; online
Breadth of Knowledge Areas: FA Fine Arts, CM Effective Communication
Rock and Roll had humble beginnings in the Southeastern United States, but over time it developed into a force beyond mere entertainment that has defined youth culture on a global scale. Rock and roll culture is embedded in the fabric of youth identity. Rock and roll music is a commodity that young people use daily, often with an obsessive devotion. Marketing campaigns that target youth are so relentless that young people are under enormous media and social pressure to join the ranks of consumers. The goal of History of Rock and Roll is, therefore, threefold: 1. To provide for students a chronological survey that examines the relationship between the music, its most successful and colorful artists, the associated recording technology and the impact of the genre on American culture; 2. Through critical listening and reading, the course will provide students with useful, evaluative tools so that they can make historically informed and thoughtful decisions about the music they select and enjoy; 3. Finally, the course will encourage students to seek and appreciate new styles, and perhaps inspire those who seek a career as a pop music artist.


Music Appreciation Online (3 credits)
FAM 2005-001; online
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture and Ethics
An online course that introduces students to a wide range of music in the Western World, covering several historical periods, including our own time. Examines musical styles, musical terms, composers and other aspects of the music listening experience. Considers the historical and cultural context of musical activity and the way it has shaped the musical life from medieval Europe up to the present in our own communities. Students will discuss their own experiences with music and have the opportunity to attend a musical performance of their choice, near where they live, for class credit. Musical examples, discussions, quizzes, videos and film are all online. No prior experience with music required.


Summer A (Session A): June 1-July 5

Japanese Pop, Anime & Video Game Music (3 credits)
FAM 2050-001; online
Breadth of Knowledge Areas: FA Fine Arts, SCE Society, Culture and Ethics
You will learn the evolution of Japanese Pop, Anime and Video Game Music (post 1980) including anime theme songs, video game music and popular songs. Each topic will provide the composer’s biography, historical background and word-by-word translation of lyrics, and will investigate the cultural differences between Japan and America.


Integrated Media Production 1 for Non-Majors (3 credits)
EMED 1015-001; online
Breadth of Knowledge Areas: TI Technology and Innovation
Media convergence is a vital component of our new media culture. In new media there is a melding of production, design and message with user-experience. Integrated Media Production I is an introductory course, the first of a two-course sequence within the E-Media major or E-Media minor at CCM, that provides students with a theoretical and practical foundation in the intersecting worlds of digital media production, content development and new media design. This course is an overview of concepts and processes in convergent media production.


Second Half Term (Session E): June 24-August 8

Media in Your Life Non-Majors (3 credits)
EMED 1011-001; online
Breadth of Knowledge Areas: TI Technology & Innovation
Did you know that the typical American spends about 11 hours a day consuming media? Think about that for a moment. How long is a typical workday? How many hours a night do you sleep? Could it be, based upon time usage alone, that media consumption is the most important activity in our lives? Whether those comments frighten you or inspire you, the fact remains that the media industry plays an enormously important role in our individual lives, is vital to the success of every major industry and is foundational to the effective functioning of our representative democracy. Would you like to possess a more sophisticated understanding of the media production process and its artistic and theoretical underpinnings? Wouldn’t you like to know more about the latest digital production tools? Do you think you might want to pursue a media career? If you answered “yes” to any one of these questions, then Media in Your Life is exactly the right course for you.


Summer B (Session B): July 6-August 8

Integrated Media Production 2 for Non-Majors (3 credits)
EMED 1016-001; online
Breadth of Knowledge Areas: TI Technology and Innovation
Building on the concepts and production techniques introduced in Integrated Media Production 1, Integrated Media Production 2 explores the connections between digital media, content development and new media design in more depth. The course focuses on screen design issues relevant to the convergence of media assets, such as video and audio, with graphical assets in the communication of message. Topics include digital image production, GUI design, expanded Web design and production and digital aesthetics. Focal point, theme and design rightness are emphasized. There is instruction in industry-standard software tools, fundamental Web technologies and basic scripting languages.


Registration Details

UC students can register online by logging on to their Catalyst account at catalyst.uc.edu.

Non-UC students can begin the registration process by visiting uc.edu/pathways/nonmatric.html.

For information on course fees please refer to financialaid.uc.edu/fees/costs20.html

*The course information posted above is accurate as of Feb. 24, 2020. Consult the UC course offerings available at classes.catalystatuc.org/search/ for possible schedule changes.

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CCM presents Handel’s ‘Partenope’ on Feb. 20-23

The CCMONSTAGE Opera Series presents this witty romantic comedy from Feb. 20 through 23, 2020. Tickets available online.

CCM opera and voice students sing their way through mistaken identities and declarations of love and war in Partenope, with music by George Frideric Handel and libretto by Silvio Stampiglia. The opera, approaching its 300-year anniversary, tells the story of four rival suitors vying for the hand of Queen Partenope of Naples. Performances run from Thursday, Feb. 20 through Sunday, Feb. 23, 2020, at CCM’s Cohen Family Studio Theater.

Greg Eldridge directs this production and CCM master’s student Caleb Glickman conducts. The story centers on Queen Partenope and her surplus of potential husbands: the handsome Prince Arsace, the shy Prince Armindo, the volatile Prince Emilio and Eurimene, who is actually Arsace’s ex-fiancée Rosmira in disguise. Who will win the Queen’s heart? In his director’s note, Eldridge says audience members will be able to see glimpses of themselves in each of the characters in the opera.

“It is Handel’s ability to write music that at once humanizes his protagonists while underscoring their majestic or mythological natures that makes his work such a delight for directors, performers and audiences alike,” says Eldridge. “It is this relationship between characters, their emotions and each other that we seek to explore in this production.”

Partenope is Handel’s first comic opera; completed just two weeks before its premiere in 1730, it was such a departure from Handel’s successful opera seria works that the Royal Academy of Music rejected the opera. However, the public disagreed, and it had a successful seven-performance run during the premiere production, with revivals following in the next decade. After a lull in performances of over two centuries, it was premiered in the United States in 1988.

The 2019-20 CCMONSTAGE Opera Series presents Partenope on Feb. 20-23, 2020, in CCM’s Cohen Family Studio Theater. Tickets are on sale now through the CCM Box Office; student discounts are available.

Creative Team

  • Greg Elridge, director
  • Caleb Glickman*, conductor
  • Marie-France Lefebvre and Kathleen Kelly, preparing coaches
  • Nia Burns*, production stage manager
  • Mark Halpin, scenic designer
  • Kelly C. Howland*, lighting designer
  • Hakura Iihoshi*, sound designer

* CCM Student

Cast List

  • Claire Lopatka as Partenope
  • Nicholas Kelliher as Arsace
  • Grace Kiver as Armindo
  • Tyler Johnson as Emilio
  • Christina Hazen as Rosmira/Eurimene
  • Justin Burgess as Ormonte

Performance Times

  • 7:30 p.m. Thursday, Feb. 20
  • 7:30 p.m. Friday, Feb. 21
  • 7:30 p.m. Saturday, Feb. 22
  • 2 p.m. Sunday, Feb. 23

Location

Cohen Family Studio Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Single tickets prices start at $23.50; Student discounts and group rates are also available.

Learn about additional ticket options for current CCM students.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-box office.

Directions and Parking

CCM is located on the campus of the University of Cincinnati. Please visit ccm.uc.edu/about/directions for detailed driving directions to CCM Village.

Parking is available in UC’s CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.


CCMONSTAGE Production Sponsor: Macy’s and Dr. & Mrs. Carl G. Fischer

Opera Production Sponsor: Genevieve Smith

Story by CCM Graduate Student Alexandra Doyle

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