CCM Summer hosts the Choral Conducting Master Class and Workshop July 10-14, 2017.

CCM Summer Hosts Choral Conducting Master Class and Workshop

UC’s College-Conservatory of Music provides a comprehensive approach to studying choral repertoire in the Choral Conducting Master Class and Workshop offered July 10-14, 2017.

Participants in the summer program will study gesture, score study, vocalization and musicianship skills necessary for choral conducting. Repertoire will include choral works by Bartók, Kodály, Orbán, Kocsár and Ligeti.

The workshop is led by guest faculty member Katalin Kiss, a professor of musicianship and conducting at the Kodály Institute of Liszt Academy of Music, Hungary. CCM faculty includes Associate Professor of Music Education Eva Floyd, who is a specialist in the Kodály approach of choral music education. She holds advanced degrees in choral conducting from the University of Kentucky and the Kodály Institute.

Kiss is an international expert on choral conducting and contemporary choral repertoire. She founded the world famous Ars Nova Vocal Ensemble in 1990, and has conducted them at more than four hundred international concerts, winning sixteen first prizes and seven Grand Prix prizes at international competitions, including Champion of World Choir Games title in 2008 (Graz, Austria) and 2014 (Riga, Latvia).

CCM’s 2017 Choral Conducting Master Class and Workshop is now accepting applications. The application deadline is April 15, 2017; enrollment for CCM Summer Programs is limited.

Visit ccm.uc.edu/summer/collegiate-adult/choral-conducting for application details and more information on the program.

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CCM Dance presents Masterworks and Beyond on April 13-15 in Patricia Corbett Theater. Photo by Will Brenner.

CCM’s 2016-17 Mainstage Series Concludes with Dance Masterworks and Beyond

UC’s College-Conservatory of Music concludes its 2016-17 Mainstage Series with Masterworks and Beyond, performed by the Department of Dance on Thursday, April 13-Saturday, April 15 in Patricia Corbett Theater. Co-directed by Dance Department Chair Jiang Qi and Associate Professor Deirdre Carberry, the performance features a mixed bill of contemporary and classical ballet.

Alongside a selection of traditional and new works, Masterworks and Beyond includes the world premiere of day of wakening over the sea of night, with choreography by CCM Assistant Professor André Megerdichian and music by CCM composition alumnus and accompanist Bradley Harris.

The program begins with George Balanchine’s masterwork Valse-Fantaisie, a classic ballet set to music by Mikhail Glinka. CCM’s performance is restaged by guest artist Viki Psihoyos, who works with the George Balanchine Trust to offer Balanchine Technique Workshops. Up next in Masterworks and Beyond is Flower Festival, with music composed by Edvard Helsted and choreography by August Bournonville. This one-act ballet is restaged by Qi and Carberry.

The program continues with two works that feature brand new choreography. CCM Associate Professor Michael Tevlin choreographs Revelries, a new traditional ballet performed with music by Gaetano Donizetti. Guest artist Roger Van Fleteren, who is the Associate Artistic Director and Resident Choreographer of the Alabama Ballet Company, choreographs “unRAVELed” a new contemporary ballet with music by Maurice Ravel.

The grand finale of the program is the world premiere of day of wakening over the sea of night. Inspired by Joseph Campbell’s mythological writings, this new work is a viscerally engaging, athletically mesmerizing landscape of contemporary dance. The piece features a reimagined stage space, which creates a shifted perspective, heightened by live musicians with a mystic world groove.

Masterworks and Beyond is a collection of diverse works, which showcase the versatility of the students and faculty in CCM’s Department of Dance. Tickets are available for purchase through the CCM Box Office.

Valse-Fantaisie is performed by permission of the George Balanchine Trust.

Performance Times
8 p.m. Thursday, April 13
8 p.m. Friday, April 14
2 & 8 p.m. Saturday, April 15

Please note: UC’s Nippert Stadium will also host an FC|Cincinnati game at 7 p.m. on Saturday, April 15, 2017. The full FC|Cincinnati Soccer game schedule can be found at www.fccincinnati.com/2017-schedule.

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Masterworks and Beyond are $27-31 for adults, $17-20 for non-UC students and $15-18 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/masterworks-and-beyond.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Dance Sponsor: Rosemary & Mark Schlachter

The Dance Department gratefully acknowledges the support of the Corbett Endowment at CCM
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Story by CCM graduate assistant Charlotte Kies

Photo by Will Brenner.

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CCM Presents Staged Version of Bach’s ‘St. Matthew Passion’

UC’s College-Conservatory of Music will showcase J.S. Bach’s monumental St. Matthew Passion at Cincinnati’s Christ Church Cathedral at 3 p.m. on Sunday, April 9. Conducted by CCM Director of Choral Studies Earl Rivers with stage direction from artist diploma candidate Andreas Hager, the performance features faculty artist Daniel Weeks and student aria soloists.

Known for its stunning choruses, interplay between recitative and aria and sublime storytelling, St. Matthew Passion has made an enduring mark in music history as a sublime example of a musical setting of the passion story. Thanks in part to a grant from the Cambridge Charitable Foundation, CCM’s staged performance illuminates the dramatic intensity of this Baroque masterwork, which retells the compelling story of the events leading up to the trial of Jesus, his crucifixion and burial.

“Bach was interested in the spiritual drama of the crucifixion, not only of Jesus but of society,” said Hager, a first-year artist diploma candidate in opera stage direction. “Our production explores the moral culpability we all face living in a complex world. From Judas to Peter to Pilate — no one can escape from the consequences of their choices.”

“Our production is spare and minimalist, allowing the full force of Bach’s music to take the forefront.”

The CCM Chamber Choir, Cincinnati Children’s Choir and CCM Philharmonia will combine forces to perform this massive work. To make this work come to life on stage, the CCM production emphasizes the piece’s storylines by designating arias to specific characters.

The story is presented by a narrator called the Evangelist, played by faculty artist Daniel Weeks, tenor, with student soloists as Jesus (Samson McCrady, bass-baritone), Pilate (Christian Pursell, baritone) and aria singers (Ashley Fabian and Jackie Stevens, sopranos; Reilly Nelson and Paulina Villarreal, mezzo-sopranos; Thomas J. Capobianco, tenor and Eric Shane Heatley and Joseph Mazzara, baritones).

CCM has a long history with St. Matthew Passion, which dates back to a February 1970 performance that featured alumna Kathleen Battle (MM Voice, 1971) singing the aria, “Aus liebe.” The college most recently performed the work in November, 2011. This staged performance, held at Cincinnati’s St. Peter in Chains Cathedral, was the first of its kind in the Midwest.

Join us for CCM’s latest production of this iconic masterwork. St. Matthew Passion will be performed at 3 p.m. on Palm Sunday, April 9 at Christ Church Cathedral, located at 318 East Fourth Street.

Performance Date
3 p.m. Sunday, April 9

Location
Christ Church Cathedral
318 East Fourth Street, Cincinnati, OH 45246

Purchasing Tickets
Single tickets are $15 general admission, $10 for non-UC students and FREE for UC students with valid ID.

Single tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online now through our e-Box Office! Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Directions
Christ Church Cathedral is located at the corners of Fourth and Sycamore Streets in Cincinnati, Ohio. For directions and additional information, please refer to http://cincinnaticathedral.com/belong.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Sponsored by the Cambridge Charitable Foundation

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CCM Slideshows: Mozart’s ‘Idomeneo’

Here is your first look at CCM Opera’s Mainstage production of Mozart’s Idomeneo. Directed by artist diploma student Marcus Shields, this heroic Greek tale runs Thursday, March 30-Sunday, April 2 in CCM’s Patricia Corbett Theater.

Hailed as Mozart’s first great opera seria, Idomeneo is a classic story of unrequited love, sacrifice and revenge. The plot focuses on a king who is lost at sea during his journey home from war. To survive, he strikes a deal with vengeful god Neptune, but the king is then faced with an impossible decision — to sacrifice his entire nation or his son.

This slideshow requires JavaScript.

View the slideshow above for your sneak peek of the production.

For more information on Idomeneo, read our press release and behind-the-scenes interview with lighting designer Oliver Littleton.

IDOMENEO
Composed by W.A. Mozart
Libretto by Giovanni Battista Varesco
Aik Khai Pung, conductor
Marcus Shields, director

Performance Times
8 p.m. Thursday, March 30
8 p.m. Friday, March 31
8 p.m. Saturday, April 1
2 p.m. Sunday, April 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets to Idomeneo are $31-35 for adults, $22-25 for non-UC students and $18-21 for UC students with a valid ID. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/mainstage/idomeneo.html.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

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Summer scenes on campus, CCM.

CCM Summer Hosts Opera Bootcamp for Singers, Conductors and Pianists

The UC College-Conservatory of Music combines its annual Opera Bootcamp and Opera Studio summer programs into a dynamic new program designed to develop career skills for conductors and singers alike. If you are an aspiring pianist, coach, stage director, conductor or singer, apply for the new Opera Bootcamp summer program, which occurs July 8-30 at CCM.

Training singers and conductors alongside each other builds a depth of understanding often not acquired until well into your professional career. In the three-week program, participants will mount two opera productions, Gianni Schicchi and Les mamelles de Tirésias, and one program of staged Mozart scenes and arias — all with orchestra and in their respective original languages. Both French and Italian language instruction will be offered to support the assigned repertoire.

Opera Bootcamp faculty includes internationally renowned professionals from CCM and visiting faculty members. CCM faculty includes Mark Gibson, Amy Johnson, Kathryn Lorenz, William McGraw, Andrea Tutt, Marie-France Lefebvre and professor emeritus David Adams. Visiting faculty members include Vernon Hartman, stage director; Steven Mosteller, coach; Joyce Miller, Italian language instructor; Jose Maria Condemi, stage director; Ken Weiss, coach; and Louis Pelletier, coach.

Professional biographies for each faculty member are available online at ccm.uc.edu/summer/collegiate-adult/opera-bootcamp/faculty.

All singers begin Opera Bootcamp with a two-day intensive on July 8 and 9, which includes training in traditional lyric stagecraft, Michael Chekhov acting technique, period movement, dances used in opera and career mentorship specific to the industry. These special sessions are led by Johnson, Tutt and Hartman. Conductors and pianists begin their Opera Bootcamp training on July 10.

This program is process oriented. It’s bootcamp! You are trained. The skills taught can be applied quickly and effectively to have great impact on your success as an artist.

CCM’s 2017 Opera Bootcamp is now accepting applications. The application deadline is April 15, 2017; enrollment for CCM Summer Programs is limited.

Visit ccm.uc.edu/summer/collegiate-adult/opera-bootcamp for application details and more information on Opera Bootcamp.

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Study Baroque Music in CCM Summer Program for Harpsichord and Cello

Keyboardists and cellists are invited to apply for the Continuo: Harpsichord and Cello summer workshop at UC’s College-Conservatory of Music. Led by CCM Assistant Professor of Keyboard Michael Unger, the program runs June 5-7, 2017.

“This will be our third summer offering the Continuo: Harpsichord and Cello workshop,” Unger said. “I am excited that cello and harpsichord students have the great opportunity to collaborate with each other, to learn about continuo and chamber music techniques, and to experiment with Baroque performance practice questions through the hands-on study of eighteenth-century repertoire.”

Participants will study with Unger, who is a multiple award-winning harpsichordist and cellist, and visiting faculty member Adriana Contino, an internationally acclaimed cellist from Anderson University.

During the three-day program, students will participate in solo chamber music coachings, group performance classes on Baroque technique and interpretation, and seminars on Baroque performance practice and continuo technique. Students will also have opportunities to perform in recitals on June 6 and 7.

CCM’s 2017 Continuo: Harpsichord and Cello workshop is now accepting applications. The application deadline is April 15, 2017; enrollment for CCM Summer Programs is limited.

To learn more about the Continuo: Harpsichord and Cello workshop, please visit ccm.uc.edu/summer/collegiate-adult/harpsichord-cello.

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Mezzo-soprano Quinn Patrick Ankrum joins CCM as Assistant Professor of Voice in August of 2017.

Acclaimed Mezzo-Soprano Quinn Patrick Ankrum Joins CCM Voice Faculty

Mezzo-soprano Quinn Patrick Ankrum joins CCM as Assistant Professor of Voice in August of 2017.

CCM Interim Dean bruce d. mcclung has announced the addition of acclaimed mezzo-soprano Quinn Patrick Ankrum, DMA, to the college’s roster of distinguished voice faculty members. Ankrum’s appointment as Assistant Professor of Voice becomes effective on August 15, 2017.

Celebrated for her strong lyric voice, sizzling coloratura facility and engagingly sincere personality, Ankrum has performed a wide variety of repertoire spanning the centuries from Claudio Monteverdi to John Harbison. She has sung with opera companies and orchestras throughout the United States, as well as with the National Orchestra of Mexico in Mexico City.

In the 2014-15 and 2015-16 seasons she demonstrated her versatility as she collaborated on the operatic, recital and concert stages with musicians in Missouri, Texas, New York, Florida and Kansas, along with international engagements in Toulouse, Paris, Mondavio (Italy) and Oban (Scotland). She will return to the U.K. this May where she will appear in a recital featuring the music of American composers at East of England Organ Day at the Royal Hospital School, Holbrook, as well as in a concert featuring the music of Rameau with the East Anglian Academy.

Ankrum is an advocate of contemporary composers. She recently premiered Romanian composer Vlad Burlea’s chamber piece “Oglinda” (Texas and Kansas 2016) and created the role of the Mother in the world premiere of J. Todd Frazier’s opera Breath of Life (Lubbock, Texas, 2015).  In addition, she co-premiered John Harbison’s chamber work Crossroads with colleagues at Texas Tech University (2013). She is the co-creator of Living Song Project with pianist and University of Oklahoma faculty member Elizabeth Avery, DMA. This unique database project promotes the art song and vocal chamber music of living American composers.

In addition to being an active performer and teacher, Ankrum takes an interest in musicians’ health and wellness. She is an Andover Educator trainee, and will be licensed to teach the course What Every Musician Needs to Know About the Body when she finishes her training.

Ankrum received degrees from Trinity University in San Antonio (BM, MAT), the University of Colorado at Boulder (MM) and the University of Rochester, Eastman School of Music (DMA), where she studied with Robert McIver. She was a Young Artist in the Glimmerglass Opera Young American Artists Program and the Baltimore Opera Studio, and participated in the National Association of Teachers of Singing Intern Program.

She has been a finalist and winner in numerous regional and national competitions, including the Metropolitan Opera National Council auditions (Rocky Mountain Region) and the National Association of Teachers of Singing Artist Awards competition (2nd place winner, 2006). She has served on the faculties of the State University of New York at Fredonia, Nazareth College (Rochester, New York) and Texas Tech University (Lubbock).

Please join us in welcoming Ankrum to the CCM family this fall!

Learn more about CCM’s illustrious faculty by visiting ccm.uc.edu/about/villagenews/faculty.

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