CCM Director of Development Sarah Mizelle

UC Alumna Sarah Mizelle Joins CCM’s Office of Development and External Relations

University of Cincinnati alumna Sarah Mizelle has been named CCM’s new Director of Development and External Relations. A graduate of UC’s Carl H. Lindner College of Business (MBA, 2011) and College-Conservatory of Music (MA Arts Administration, 2013), Mizelle begins her new position on Monday, May 22.

“We are thrilled to welcome Sarah back to the UC Foundation and CCM,” says Karen Tully, CCM’s Senior Director of Development and External Relations. “I had the pleasure of getting to know Sarah while she served as a graduate assistant in CCM’s Development and External Relations Office from 2009 to 2011. She quickly became a valuable member of our team, coordinating many of the outreach and special events sponsored by CCMpower, our volunteer fundraising organization. We are delighted to have her rejoin the CCM family.”

Mizelle returns to CCM with a decade’s worth of leadership experience in building strong school communities through student, alumni and donor engagement. She most recently served as Executive Director of the Madeira Schools Foundation, where she successfully oversaw a $600,000 capital campaign to build a new fitness center at Madeira High School. During her tenure, the Madeira Schools Foundation’s annual auction also achieved the highest gross profit since its inception in 1985.

Prior to her position at the Madeira Schools Foundation, Mizelle was Executive Director of the Friends of the School for Creative and Performing Arts (SCPA), an organization dedicated to securing resources that enhance SCPA’s creative environment and enable the development of each student’s artistic potential.

Mizelle worked in CCM’s Development Office during her time as a student in CCM’s Arts Administration graduate program. She also served as manger of social media marketing and public relations for a CCM summer festival in Spoleto, Italy, in 2011.

Mizelle received her BM in Music Education from Miami University, Oxford, in 2004. She has continued her involvement in music and the performing arts throughout her career, volunteering for such organizations as People Working Cooperatively (PWC) Ohio and Cincinnati Music Theatre. At Cincinnati Music Theatre, Mizelle served as vocal director for productions of The Music Man and Sunset Boulevard and artistic director for Crazy For You, each of which won an Orchid Award for Excellence from the Cincinnati Association of Community Theatres.

“The arts have been an enormous part of my life and have shaped who I am today,” says Mizelle. “I am beyond thrilled to return to CCM, an institution where the arts thrive everyday. I am proud to have the opportunity to further the mission of such a truly special place.”

Please join us in welcoming Sarah Mizelle back to the CCM family!

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CCM Spring 2017 composer-in-residence Tom Cipullo.

CCM Showcases the Music of Composer-in-Residence Tom Cipullo on April 12

CCM’s Guest Artist Series showcases the music of award-winning composer Tom Cipullo with a free concert performance on Wednesday, April 12, in the Robert J. Werner Recital Hall.

Described by Opera News as “a shrewd dramaturge as well as a compelling composer,” Cipullo will spend three days in residence at CCM, coaching singers, pianists and instrumentalists from April 10-12, 2017.

Cipullo’s residency will culminate in a public performance featuring 26 of CCM’s stars-of-tomorrow. The concert’s program includes Cipullo’s Insomnia for vocal quartet and piano; The Husbands for soprano, baritone and piano; Late Summer for soprano and piano and the Entr’acte from Glory Denied for cello and piano, as well as other works. View full concert repertoire online here

Tom Cipullo at the Liguria Study Center in Bogliasco, Italy. Photo by Hedwig Brouckaert.

Tom Cipullo at the Liguria Study Center in Bogliasco, Italy. Photo by Hedwig Brouckaert.

About Tom Cipullo
Hailed by the American Academy of Art and Letters for music of “inexhaustible imagination, wit, expressive range and originality,” composer Tom Cipullo is the winner of the 2016 Pellicciotti Opera Composition Prize from SUNY/Potsdam. He is also the recipient of a 2012 Guggenheim Fellowship, the 2013 Sylvia Goldstein Award from Copland House and the 2013 Arts & Letters Award from the American Academy.

Cipullo has received commissions from dozens of performing ensembles and singers, and he has received fellowships and awards from Yaddo, the MacDowell Colony, the Liguria Study Center (Italy), the Fundacion Valparaiso (Spain) and the Oberpfaelzer Kuenstlerhaus (Bavaria).

The New York Times has called his music “intriguing and unconventional,” and the Pittsburgh Post-Gazette has called him “an expert in writing for the voice.” Cipullo’s music is published by Oxford University Press and Classical Vocal Reprints and recorded on the Naxos, Albany, CRI, PGM, MSR, GPR, Centaur and Capstone labels.

Cipullo has composed orchestral works, solo piano pieces and a vast quantity of vocal music, including over 200 songs and several vocal chamber works. His song cycle Of a Certain Age won the National Association of Teachers of Singing (NATS) Art Song Award in 2008. Cipullo’s first opera, Glory Denied, has enjoyed numerous productions, and the Fort Worth Opera recording on Albany Records was cited by Opera News as among the best of 2014. Reviewers have hailed the work as “terrifically powerful… superbly written” (Fanfare), praising its “luminous score (Washington Post),” and noting “the dramatic tension was relentless (Opera News).” Cipullo’s second opera, After Life (libretto by David Mason), has been called “a finely wrought exploration of the role of art in times of grave crisis (Washington Post)” and “unfailingly inventive (Opera News).” Recorded on the Naxos label, After Life is the winner of the 2017 the Domenick Argento Chamber Opera Composition prize from the National Opera Association.

Cipullo received his Master’s degree in composition from Boston University and his B.S. from Hofstra University, Phi Beta Kappa with highest honors in music.

Performance Time
8 p.m. Wednesday, April 12

Location
Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Admission
Admission to this performance is FREE. Reservations are not required.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

CCM gratefully acknowledges the Philippe Fund for their generous support of Mr. Cipullo’s residency.

CCM News
Mezzo-soprano Quinn Patrick Ankrum joins CCM as Assistant Professor of Voice in August of 2017.

Acclaimed Mezzo-Soprano Quinn Patrick Ankrum Joins CCM Voice Faculty

Mezzo-soprano Quinn Patrick Ankrum joins CCM as Assistant Professor of Voice in August of 2017.

CCM Interim Dean bruce d. mcclung has announced the addition of acclaimed mezzo-soprano Quinn Patrick Ankrum, DMA, to the college’s roster of distinguished voice faculty members. Ankrum’s appointment as Assistant Professor of Voice becomes effective on August 15, 2017.

Celebrated for her strong lyric voice, sizzling coloratura facility and engagingly sincere personality, Ankrum has performed a wide variety of repertoire spanning the centuries from Claudio Monteverdi to John Harbison. She has sung with opera companies and orchestras throughout the United States, as well as with the National Orchestra of Mexico in Mexico City.

In the 2014-15 and 2015-16 seasons she demonstrated her versatility as she collaborated on the operatic, recital and concert stages with musicians in Missouri, Texas, New York, Florida and Kansas, along with international engagements in Toulouse, Paris, Mondavio (Italy) and Oban (Scotland). She will return to the U.K. this May where she will appear in a recital featuring the music of American composers at East of England Organ Day at the Royal Hospital School, Holbrook, as well as in a concert featuring the music of Rameau with the East Anglian Academy.

Ankrum is an advocate of contemporary composers. She recently premiered Romanian composer Vlad Burlea’s chamber piece “Oglinda” (Texas and Kansas 2016) and created the role of the Mother in the world premiere of J. Todd Frazier’s opera Breath of Life (Lubbock, Texas, 2015).  In addition, she co-premiered John Harbison’s chamber work Crossroads with colleagues at Texas Tech University (2013). She is the co-creator of Living Song Project with pianist and University of Oklahoma faculty member Elizabeth Avery, DMA. This unique database project promotes the art song and vocal chamber music of living American composers.

In addition to being an active performer and teacher, Ankrum takes an interest in musicians’ health and wellness. She is an Andover Educator trainee, and will be licensed to teach the course What Every Musician Needs to Know About the Body when she finishes her training.

Ankrum received degrees from Trinity University in San Antonio (BM, MAT), the University of Colorado at Boulder (MM) and the University of Rochester, Eastman School of Music (DMA), where she studied with Robert McIver. She was a Young Artist in the Glimmerglass Opera Young American Artists Program and the Baltimore Opera Studio, and participated in the National Association of Teachers of Singing Intern Program.

She has been a finalist and winner in numerous regional and national competitions, including the Metropolitan Opera National Council auditions (Rocky Mountain Region) and the National Association of Teachers of Singing Artist Awards competition (2nd place winner, 2006). She has served on the faculties of the State University of New York at Fredonia, Nazareth College (Rochester, New York) and Texas Tech University (Lubbock).

Please join us in welcoming Ankrum to the CCM family this fall!

Learn more about CCM’s illustrious faculty by visiting ccm.uc.edu/about/villagenews/faculty.

CCM News Faculty Fanfare
Old 'Thinking About Music' lecture logo.

CCM’s Thinking About Music Lecture Series Resumes On Friday, Jan. 27

Each semester, CCM welcomes distinguished experts for a series of free Friday afternoon musical discussions. This spring, the Thinking About Music lecture series will present four free public talks, beginning with a presentation on Arnold Schoenberg and the 1913 Scandal Concert by Vanderbilt University Professor of Musicology Joy H. Calico on Friday, Jan. 27.

Schoenberg caricature originally published in 'Die Zeit' on April 6, 1913.

Schoenberg caricature originally published in ‘Die Zeit’ on April 6, 1913.

Sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, these music theory and history discussions feature diverse topics presented by distinguished experts from all over the United States and are designed to engage participants’ imaginations and to consider music in new ways.

This semester’s guest lecturers also include University of Kentucky Professor Donna Kwon (Feb. 10), Case Western Reserve University Professor Francesca Brittan (March 3) and Bowling Green State University Professor Per Broman (April 7). See the listings below for more information on this semester’s presentation topics.

Since its inception in 1997, the Thinking About Music Series has presented over 130 lectures and one symposium by guests from a number of different colleges, universities, schools of music, foundations, institutes, museums and publications.

The subjects of the lectures have covered historical musicology, music theory and ethnomusicology, along with the ancillary fields of organology, dance, music business and law, cognitive psychology, and the philosophy, theology and sociology of music.
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2017 SPRING JOSEPH AND FRANCES JONES POETKER THINKING ABOUT MUSIC LECTURE SERIES

TAM guest lecturer Joy Calico.2:30 p.m. Friday, Jan. 27
ARNOLD SCHOENBERG AND THE 1913 SCANDAL CONCERT
Joy H. Calico, Vanderbilt University

On March 31 of 1913, Arnold Schoenberg conducted a concert in the Great Hall of Vienna’s Musikverein, which became known as the city’s most notorious scandal concert. The event was broken up by a melee, charges were filed and the subsequent court proceedings were reported in the press. This lecture analyzes the ways in which both the scandal and Schoenberg’s response to it sit at the nexus of fin-de-siècle anxieties about Central European concert life, the anti-noise movement and emerging copyright law.
Location: Baur Room
Admission: FREE
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TAM guest lecturer Donna Kwon.2:30 p.m. Friday, Feb. 10
STEPPING IN THE MADANG: SITE-SPECIFIC PERFORMANCE IN KOREAN DRUMMING AND DANCE
Donna Kwon, University of Kentucky

In Korean folk expressive culture, the outdoor village courtyard or madang is often conceived in opposition to the concert stage or mudae. In this presentation, Donna Kwon will discuss how the madang became central to the promotion of site-specific Korean drumming and dance. She will first discuss how this contributes to the expressive ecology of a place-based tradition in shamanist ritual forms of Korean drumming or p’ungmul. Then she will explore how the madang and site-specific performance concepts are applied by contemporary ch’angjak yeonhui groups. These groups consist of performers who are trained in Korean drumming and other traditional performing arts but who combine them into new works.
Location: Baur Room
Admission: FREE
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TAM guest lecturer Francesca Brittan.2:30 p.m. Friday, March 3
ELECTRIC BATON: SOUND, SCIENCE AND THE BIRTH OF THE PODIUM CONDUCTOR
Francesca Brittan, Case Western Reserve University

Hector Berlioz, among the first of the modern conductors, was a larger-than-life figure, at once magisterial, quasi-magical and military. Among the formative moments of his conducting career was a concert given at the height of the Exposition universelle (Paris, 1855), which established him as a musical leader of formidable power. Here he relied on a new wedding of music and technology — an “electric baton” — to wield the massive forces under his command. This talk examines the nature of his device and, more broadly, the ways in which telegraphy and electricity (both artificial and nervous) emerged as central to romantic notions of conducting.
Location: Baur Room
Admission: FREE
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TAM guest lecturer Per Broman.2:30 p.m. Friday, Apr. 7
BERGMAN’S MUSIC(IANS): MIRROR AND MEANING
Per Broman, Bowling Green State University

Ingmar Bergman’s love of classical music, especially that of J.S. Bach, is well known and is exhibited frequently in his films. Many films also feature musicians. In this presentation, Broman will analyze the role of these characters — who they are, what they do, how they behave and what they talk about — and argue that they are essential for understanding Bergman’s aesthetics.
Location: Baur Room
Admission: FREE
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Event Information
Unless otherwise indicated, all Thinking About Music lectures take place on Fridays at 2:30 p.m. in the Baur Room of CCM’s Corbett Center for the Performing Arts, which is located on the campus of the University of Cincinnati.

These events are free and open to the public. All event dates and programs are subject to change. Visit ccm.uc.edu for the most current event information.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

CCM’s Thinking About Music Series is sponsored by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel; along with support from Interim Dean mcclung’s Office, the Graduate Student Association and the Division of Composition, Musicology and Theory at CCM.

 

 

CCM News
CCM alumnus Nick Lipari during his time as a student at CCM.

CCM E-Media Alumnus Nicholas Lipari Assistant Edits Latest Star Wars Film, ‘Rogue One’

CCM alumnus Nick Lipari.

CCM alumnus Nick Lipari.

The force is strong with CCM alumnus Nicholas Lipari (BFA E-Media, 2012), who served as assistant editor on the latest film in the popular Star Wars saga, Rogue One! The blockbuster film opened on Dec. 15 with the biggest Thursday preview showing box office receipts of 2016, earning $29 million.

Although he may not be a Jedi (yet), Lipari is quickly making a name for himself in the film industry. “Nick is one of the youngest assistant editors in LA working at this level,” says CCM Professor of Electronic Media Kevin Burke. “The Assistant Editor works directly with the editor on the film,” Burke explains. Prior to his work on Rogue One, Nick served as the assistant editor on the recent live action adaptation of Disney’s The Jungle Book.

This success comes as no surprise to Burke, as Lipari took top prizes in several national competitions during his time at CCM. Lipari received a Student Production Award in the category of “PSA/Commercial” at the Ohio Valley Regional Emmy Awards in 2012, which recognized his work as writer, director, editor and visual effects designer for an independent production called SFRI Shoe Commercial. After graduating, he was also recognized by the National Broadcasting Society for his work on the opening sequence of a student-produced film, Last Night in Town.

Rogue One: A Star Wars Story is in theaters now. Learn more about CCM’s Division of Electronic Media by visiting ccm.uc.edu/emedia.

CCM Alumni Applause CCM News
CCM Professor Emeritus Oscar Kosarin.

In Memoriam: Emeritus Faculty Member Oscar Kosarin

CCM Professor Emeritus Oscar Kosarin.

CCM Professor Emeritus Oscar Kosarin.

We are saddened to report the passing of Professor Emeritus Oscar Kosarin, who served as Associate Professor of Musical Theatre at CCM from 1971 through 1985. Kosarin passed away on Saturday, Oct. 1, at the age of 98. He is survived by his wife, Dianne, daughter, Carli, and sons Kim and Oscar.

Initially taught piano by his mother, Kosarin also studied harmony and counterpoint with Boris Levenson, studied composition with Anis Fuleihan and Isadore Freed, and attended Leon Barzin’s conducting classes.

Kosarin began playing piano professionally at the age of 19, first performing with dance bands in night clubs before making the move to Broadway, where he also gained experience as a conductor, arranger and vocal coach. On Broadway, he conducted musicals such as Happy Time with Robert Goulet, Oh, Captain with Tony Randall, Fade Out, Fade In with Carol Burnett and Mr. Wonderful with Sammy Davis, Jr.

Kosarin was named to CCM’s faculty in the fall of 1971 as part of the expansion of the school’s still-nascent musical theatre degree program. Kosarin inaugurated his time at CCM by conducting productions of Bye, Bye Birdie, Brigadoon and A Funny Thing Happened on the Way to the Forum during the 1971-72 season. He cited Sweeney Todd, West Side Story and Sugar as three of his favorite musicals from his 14-year tenure at CCM.

Kosarin retired from CCM in the spring of 1985. During a farewell banquet held in his honor, CCM Drama Professor Diane Kvapil observed:

“He’s much loved by the students. He teaches them what’s special about them and how to use it. His colleagues will miss him because we worked well together.”

At the time of his retirement, Kosarin referred to his decision to teach at CCM as the smartest move he ever made, commenting:

“I had a great advantage in that [the students] were a group of people who really wanted to study. We had a wonderful relationship.”

In addition to his appointment at CCM, Kosarin also taught and directed musical theatre workshops at New York’s American Academy of Dramatic Arts and coached opera and musical comedy privately. He composed the ballet music for A Tree Grows in BrooklynPal Joey, Hazel Flagg and Canterbury Tales. He also composed music for films, including Virginia—Pursuit of Happiness, which won first prize at the Virgin Islands International Film Festival in 1975. In 1983, Prentice Hall published his book The Singing Actor: How to Be a Success in Musical Theatre and Night Clubs.

CCM’s upcoming production of A Chorus Line will be dedicated to the loving memory of Professor Kosarin. Our thoughts are with his family and friends during this time.

CCM News Faculty Fanfare

CCM Showcases the Songs of Tom Jones and Harvey Schmidt with a World Premiere

CCM continues its popular Studio Series with the world premiere of THEY WERE YOU, a musical revue showcasing the songs of Tom Jones and Harvey Schmidt. Devised and directed by Aubrey Berg, the Patricia A. Corbett Distinguished Chair of Musical Theatre at CCM, THEY WERE YOU plays Oct. 5-9 in the Cohen Family Studio Theater. Admission is free, but reservations are required.

The logo for THEY WERE YOU: The Songs of Tom Jones and Harvey Schmidt.Conceived and curated by Berg with musical arrangements by CCM faculty member Stephen Goers and choreography by alumna Katie Johannigman, THEY WERE YOU features songs from some of Jones and Schmidt’s most beloved musicals, including The Fantasticks, Celebration and 110 in the Shade. The production represents the first comprehensive revue of Jones and Schmidt’s work.

Jones, a Texas native, is widely known not only for his lyrics and librettos but also for his directing and acting chops. He directed a New York City revival of The Fantasticks in 2006, and also played the role of Old Actor in that production. He has written a screenplay for that show and a book called Making Musicals: An Informal Introduction to the World of Musical Theater.

Schmidt, also a Texan, attended the University of Texas at Austin to study art, but began to play piano as an accompanist for Jones during his time there. In addition to composing some of the world’s most beloved musicals, Schmidt has also continued to work as an illustrator for Life, Harper’s Bazaar, Sports Illustrated, Fortune and other publications.

The duo’s work together earned them several Tony Award nominations and the 1992 Tony Honors for Excellence in Theatre, as well as induction into the Songwriters Hall of Fame and the American Theatre Hall of Fame.

THEY WERE YOU is organized thematically, moving from “innocence” to “experience” through the course of the performance. Each song along the way showcases some universal emotion and lauds the resilience of humanity in the face of sorrow and disillusionment. The program promises favorites like “Try to Remember” from The Fantasticks and “My Cup Runneth Over” from I Do! I Do! alongside other songs from throughout the celebrated duo’s oeuvre.

Admission to THEY WERE YOU is free, but tickets are required. CCM’s Studio Series productions often sell out quickly, so visit our guide to Studio Series tickets for tips on how to secure your seats.

THEY WERE YOU: The Songs of Tom Jones and Harvey Schmidt
Lyrics by Tom Jones
Music by Harvey Schmidt
Aubrey Berg, director
Stephen Goers, musical director
Katie Johannigman, choreographer

Cast List:

  • Gabe Wrobel
  • Emily Fink
  • Stavros Koumbaros
  • Aria Braswell
  • Karl Amundson
  • Michelle Coben

Performance Times

  • 8 p.m. Wednesday, Oct. 5
  • 8 p.m. Thursday, Oct. 6
  • 8 p.m. Friday, Oct. 7
  • 2 & 8 p.m. Saturday, Oct. 8
  • 2 p.m. Sunday, Oct. 9

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Admission
Admission is free. Reservations are required. Tickets become available at noon on Monday, Oct. 3. Please visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor & Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

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Story by Alexandra Doyle and Curt Whitacre

CCM News