CCM Dean Peter Landgren has announced the appointment of Vince DeGeorge to the position of Assistant Professor and Joseph Weinberger Chair of Acting for the Lyric Stage, a faculty position shared by CCM’s Department of Musical Theatre and Department of Opera. DeGeorge first joined CCM as a Visiting Professor in the fall of 2013. His new appointment becomes effective on August 15, 2015.

CCM Assistant Professor and Joseph Weinberger Chair of Acting Vince DeGeorge.

CCM Assistant Professor and Joseph Weinberger Chair of Acting Vince DeGeorge.

“I would like to thank Dean Peter Landgren, Musical Theatre Chair Aubrey Berg and Opera Chair Robin Guarino for selecting me for this important post,” DeGeorge remarked on his new appointment. “I would also like to thank my colleagues at CCM for welcoming me so graciously. I am grateful and excited to begin this new challenge.”

DeGeorge made a considerable impact during his tenure as a Visiting Professor, directing and/or choreographing seven CCM productions during the last two seasons. Most recently, he served as director and choreographer on CCM’s acclaimed Studio Series production of Harvey Schmidt and Tom Jones’ rarely produced 110 in the Shade. “DeGeorge infuses action into a story which could easily be presented in a stagnant fashion,” theatre critic Scott Cain observed in his review of the musical for Talkin’ Broadway, ultimately calling the show, “a praiseworthy one, with strong direction and first-rate performances.”

Local audiences will not have to wait long to see DeGeorge’s next project for the CCM stage. This summer, in addition to directing a feature length film (entitled 18 Mornings), DeGeorge will serve as stage director for the Opera Studio Summer Workshop. He will then direct two productions during CCM’s 2015-16 performance season: a Studio Series production of William Hauptman’s musical Big River: The Adventures of Huckleberry Finn in October of 2015 and a Mainstage Series production of Leoš Janácek’s opera The Cunning Little Vixen in April of 2016.

An alumnus of CCM, DeGeorge (BFA Musical Theatre, 1992) recently completed his MFA in Directing and Public Dialogue at Virginia Tech. Following his graduation from CCM, DeGeorge performed as an actor and dancer in regional theaters across the country and was a member of the New York based contemporary dance company dre.dance under artistic directors and choreographers Taye Diggs and Andrew Palermo.

DeGeorge directed numerous works during his time in New York. Highlights include the musical revue Nashville, which he co-wrote and directed in 2009. The production won Nightlife, Bistro and Mac Awards that year. In 2011, DeGeorge directed New York City’s first fully staged production of The Exonerated to critical acclaim.

At Virginia Tech, DeGeorge directed and designed A Dream Play by August Strindberg, and productions of Chekhov’s The Vagabond and Three Sisters. He also developed, directed and designed The Jo Carson Project, a new musical based on the writings and theories of the Appalachian storyteller and playwright, Jo Carson.

During his studies at Virginia Tech, DeGeorge was also a company member of Building Home, a participatory theatre and music engagement project, led by Bob Leonard along with Jon Catherwood-Ginn. Building Home uses theater to foster healthy civic dialogue among the citizens of the New River Valley concerning pressing regional issues and planning for sustainable communities.

As a part of the Blacksburg Summer Arts Festival 2014, DeGeorge was engaged to design and build Life In The Trees – an art installation, purposed as both a gallery exhibition and the theatrical setting for two performance pieces, adapted and directed by DeGeorge as well.  While working on Life In The Trees, DeGeorge collaborated with Alaskan artist Kesler Woodard, as well as novelist Tom Gardner.

DeGeorge has spent the last 14 years researching and developing the Theatrical Awareness Practice, a somatic and experiential theater technique that trains the actor to live fully in their experiential mind/body. This practice consists of deeply researched and highly structured improvisational explorations that are designed to reacquaint the artist with the infinite intelligence and creative capacity of their own human body experience.

You can learn even more about Vince DeGeorge by clicking here. Please join us in congratulating him on his new appointment.

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