Ryan Garrett, Katie Langham and Owen Alderson in CCM's 'Speech and Debate' Photo by Richard E. Hess.

CCM’s Studio Series Presents the Dark Comedy ‘Speech and Debate’ Nov. 6-8

Owen Alderson, Ryan Garrett and Katie Langham in CCM's production of 'Speech and Debate.' Photo by Richard E. Hess.

Owen Alderson, Ryan Garrett and Katie Langham in CCM’s production of ‘Speech and Debate.’ Photo by Richard E. Hess.

CCM’s Department of Drama presents the regional premiere of Pulitzer Prize nominee Stephen Karam’s Speech and Debate as part of this fall’s Studio Series. Directed by CCM’s A.B., Dolly, Ralph and Julia Cohen Chair of Dramatic Performance Richard E. Hess, the production opens Thursday, Nov. 6, and plays through Saturday, Nov. 8.

Like all Studio Series productions, admission to Speech and Debate is free, but reservations are required. Tickets become available at noon on Monday, Nov. 3. This production features adult themes and is recommended for mature audiences.

According to Hess, Speech and Debate is “a 90 minute intermission-less romp through high school experienced by three socially awkward misfits. The play is a cry to be noticed from students on the fringe.”

“Both gender and sexual identity play a large role in this play.  [It’s] a recipe for comedy in dark and disturbing moments of angst,” Hess explains.

Sophomore Katie Langham discusses her experience playing the irreverent Diwata, a young woman who envisions her future on Broadway but can’t seem to get a part in the school play: “She keeps me on my toes and constantly surprises me. Playing this character is delightfully freeing because she’s so experimental in her own artistic life.”

“Each rehearsal is a time to play and explore, maybe regress back to the days of high school and re-discover adolescent feelings of precociousness, uncertainty and insecurity,” says Langham. It’s this attitude of discovery that makes the characters of Speech and Debate so authentic and engaging.

The play will take advantage of technology to enhance the storytelling. “A crucial plot element in the play is revealed in the very first scene,” Hess explains, “A computer conversation told entirely through projections when an 18 year old high school senior begins cruising on a gay chat line. This event sets the play in motion.”

About Richard E. Hess
Richard E. Hess has been the Chair of CCM Drama for the past 20 years. Recent directing credits at CCM include The CrucibleThe Laramie ProjectCoram BoyRENTYou Can’t Take It With You (ACCLAIM Award winner Outstanding University Play), Anon(ymous) (ACCLAIM Award winner Outstanding Play), Brigadoon (Cincinnati Entertainment Award for Outstanding Musical) and Tony Kushner’s Angels in AmericaPart One: Millennium Approaches (Cincinnati Entertainment Award for Best Ensemble Acting).

He made his New York directing debut at the Laurie Beechman Theatre on 42nd Street directing AN EVENING OF (Mostly) TRUE SONGS (with Andrea Burns), a new incarnation of Don’t Look Down, the music and lyrics of Adam Wagner, first seen in the Cincinnati Fringe Festival. Favorite directing credits at the Human Race Theatre Co., where he has been a resident artist since 1996, include RaceRedDoubtProofI Am My Own Wife and A Delicate Balance. He directed Miracle on South Division Street for the Human Race in September 2014.

Other credits include the Los Angeles staging of the one-woman show Besame MuchoO.K. That’s Enough (with Diana Maria Riva) and the smash hits The Pages of My Diary I’d Rather Not Read and The Catholic Girl’s Guide to Losing Your Virginity, both of which enjoyed sold out runs at the Hudson Theatre in Los Angeles. For five years Hess was the artistic director of Hot Summer Nights in Cincinnati, where he directed Violet (with Ashley Brown), Hello, Dolly! (with Pamela Myers), Godspell (with Shoshana Bean and Leslie Kritzer) and the premiere of We Tell The Story: The Songs of Ahrens and Flaherty, in collaboration with Stephen Flaherty.

He studied with the internationally acclaimed director Anne Bogart and members of the Saratoga International Theatre Institute (SITI Co.) in New York and Los Angeles for the past decade. He has worked with the KNOW Theatre, the Cincinnati Playhouse in the Park, the Chautauqua Institution, Cincinnati Symphony Orchestra, Cincinnati Pops and Cincinnati Opera Education. He is proud of fostering the new work of playwrights and has directed first productions of Richard Oberacker and Rob Taylor’s Don’t Make Me Pull This Show Over: Dispatches from the Front Lines of Parenting, Mark Halpin’s The Kid in the Dark, Ben Magnuson’s Four Minutes and Tom Korbee’s Will It Ever Stop Raining?

He made his debut as a playwright/creator in the Cincinnati Fringe Festival with (UN)Natural Disaster created with 13 actors and performed in an abandoned building in Over-the-Rhine. (UN)Natural Disaster was named the Producer’s Pick of the Fringe and subsequently re-mounted on the 2010 New York International Fringe Festival.

In June of 2011, Hess directed The Collapsible Space Between Us with the Dadaab Theater Project, comprised of five CCM Drama students, which was presented with eight refugees from the Dadaab Refugee Camp in Kenya for World Refugee Day sponsored by the United Nations in Nairobi, Kenya. He returned to Kenya as a Fulbright Scholar in 2014 and taught acting and directing at Kenyatta University in Nairobi and researched the creation of original works by creating KUMI NA MBILI (12), a stage show and a short film.

Hess was named Ernest Glover Outstanding Teacher at UC in 1999 and again in 2012 and was also named the ACCLAIM Award Theatre Trailblazer in 2009. He is an associate member of the Society of Directors and Choreographers (SDC).

Cast List

Ryan Garrett as Howie
Owen Alderson as Solomon
Katie Langham as Diwata
Sarah Davenport as Teacher and others
Colleen Ladrick as Reporter and others

Performance Times

  • 8 p.m. Thursday, Nov. 6
  • 8 p.m. Friday, Nov. 7
  • 2 & 8 p.m. Saturday, Nov. 8

Location
Cohen Family Studio Theater, CCM Village
University of Cincinnati

Reserving Tickets

Admission is free, but reservations are required. Tickets become available at noon on Monday, November 3. Visit the CCM Box Office or call 513-556-4183 to reserve. Limit two tickets per order.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors.

Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots. For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

Drama Studio Series Sponsor: Neil Artman & Margaret Straub

CCM News
Photography by Mark Lyons.

CCM’s ‘Legally Blonde’ Receives Rave Reviews

Photography by Mark Lyons.The critics are praising CCM’s current production of Legally Blonde – The Musical, which plays through a matinee performance on Sunday, Nov. 2!

In his review for the Sappy Critic, Kirk Sheppard writes, “Legally Blonde – The Musical is an energetic, satisfying show and CCM has brought all of the elements together continuing their reputation as one of the best musical theatre programs in the country.” Sheppard singles out the performance of senior Lawson Young (one of two CCM students playing Elle Woods in this double-cast production), going so far as to say, “Of the five [different] productions I’ve seen, she’s by far the best and that includes the national tour and the [Pittsburgh Civic Light Opera] last summer.”

David Lyman has similar praise for the production and for senior Sarah Bishop in his review for the Cincinnati Enquirer. “What’s really refreshing about this production,” he observes, “is that, as Elle, Sarah Bishop gives a measure of humanity that we rarely get to see. We see Elle develop a conscience and compassion and – heaven forbid – come to love a man to whom she never would have given the time of day at the outset of the show.”

The News Record‘s review praised the entire company, with Aidan Smith writing, “The humor offered by every cast member made this musical stand out, and it showed in the audience’s constant giggling.”

“Featuring strong performances, fun choreography, and a superb set design, this mounting is a true crowd pleaser,” Scott Cain observes in his review for Talkin’ Broadway.

In his review for Behind the Curtain Cincinnati, Rob Bucher calls CCM’s production, “a very fun and entertaining show. Excellent work.”

Rick Pender profiles Legally Blonde director/choreographer and CCM Professor of Musical Theatre Diane Lala in his “Curtain Call” column for Cincinnati CityBeat, observing that “the evidence of her success is currently onstage at CCM’s Patricia Corbett Theater.”

You have five more chances to catch this all-singing, all-dancing production… and tickets are still available!

Performance Times

  • 8 p.m. Thursday, Oct. 30
  • 8 p.m. Friday, Oct. 31
  • 2 and 8 p.m. Saturday, Nov. 1
  • 2 p.m. Sunday, Nov. 2

Location
Patricia Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets to Legally Blonde are $31-35 for adults, $20-24 for non-UC students and $18-22 UC students with a valid ID, with $12-$15 student rush tickets available for the Saturday matinee beginning at 1 p.m. on Nov. 1.

Customizable subscription packages are also available. Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/legally-blonde-mainstage.

Parking and Directions

Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Mainstage Season Production Sponsor: Macy’s

Mainstage Production Sponsor: Wells Fargo Advisors, LLC

Community Partner: ArtsWave

Legally Blonde: The Musical is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 | Phone: 212-541-4684 | Fax: 212-397-4684 | http://www.MTIShows.com

CCM News Student Salutes
Photography by Mark Lyons.

CCM’s Mainstage Production of ‘Legally Blonde’ Receives a 4.5 Star Rating from the League of Cincinnati Theatres

Senior Lawson Young as Elle and junior Chris Collins-Pisano as Emmett in CCM's production of LEGALLY BLONDE, playing Oct. 23 - Nov. 2, 2014. Photography by Mark Lyons.

Senior Lawson Young as Elle and junior Chris Collins-Pisano as Emmett in CCM’s production of LEGALLY BLONDE, playing Oct. 23 – Nov. 2, 2014. Photography by Mark Lyons.

We are tickled pink to report that panelists for the League of Cincinnati Theatres (LCT) have recognized CCM’s Mainstage Series production of Legally Blonde – The Musical with a 4.5 star recommendation.

Panelists loved the CCM production, with one individual reporting: “Going back to college for the opening night of CCM‘s Legally Blonde did not disappoint! The stage becomes a powerhouse of song and dance… Ohmigod you guys, just go see this show and have a lot of fun.”

Panelists praised Diane Lala’s “well designed and executed” choreography (“the highlight of the show”) and guest scenic designer/CCM alumnus Joe Leonard’s “spectacular” scenic design: “Sophisticated…transforms constantly and seamlessly.”

Lead actress Lawson Young as Elle, lead actor Chris Collins-Pisano as Emmett, and supporting actress Madeline Lynch as Paulette were all singled out for their outstanding performances, but panelists gave kudos to all the performers: “The real strength of this musical was the total ensemble singing and dancing their hearts out for the pure joy felt by the audience.”

Legally Blonde plays tonight through next Sunday, Nov. 2, in Patricia Corbett Theater. Tickets are on sale now. Learn more by visiting ccm.uc.edu/boxoffice/legally-blonde-mainstage.

About the League of Cincinnati Theatres
The League of Cincinnati Theatres was founded in 1999 to strengthen, nurture and promote Cincinnati’s theatre community. LCT provides its member companies and individual members with education, resources and services to enhance the quality and exposure of the theatre community in Cincinnati and increase community awareness, attendance and involvement. Learn more about the LCT here.

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Guest artists the Academy of Ancient Music. Photo copyright Marco Borggreve.

CCM Welcomes the Academy of Ancient Music for a Performance of JS Bach’s Orchestral Suites on Nov. 9

The Academy of Ancient Music. Photography by Patrick Harrison.

The Academy of Ancient Music. Photography by Patrick Harrison.

CCM welcomes the Cambridge-based Academy of Ancient Music (AAM) for a rare stateside performance at 5 p.m. on Sunday, Nov. 9, in Corbett Auditorium.

Under the direction of Richard Egarr, the acclaimed period-instrument orchestra will present JS Bach’s Orchestral Suites, showcasing the musical sophistication and expressive subtleties of the Baroque era composer.

The Orchestral Suites are a series of grand and graceful dances, paying homage to the French baroque style as championed by the ballet-obsessed King Louis XIV.

Written during Bach’s years in Leipzig, where he had a wider range of instruments at his disposal than ever before, the Suites revel in new sonorous possibilities and employ varied combinations of wind, brass, stringed instruments and timpani.

Watch the Academy of Ancient Music perform an excerpt from the Orchestral Suites below.

Hailed as the “finest period-instrument orchestra in the world” by Classic FM, the AAM’s residency at CCM is supported by the Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel.

Learn more about the Academy of Ancient Music’s upcoming visit to CCM courtesy of Catacoustic News here.

About the Academy of Ancient Music
For more than 40 years the Academy of Ancient Music has enriched the lives of thousands the world over with historically informed performances of baroque and classical music of the highest calibre. Founded in 1973 by Christopher Hogwood, the orchestra has since performed on all six inhabited continents and recorded an unrivalled catalogue of over 300 CDs.

In 2006 Richard Egarr succeeded Hogwood as Music Director, and has since led the orchestra on tours of Europe, Australia, the USA and the Far East. His notable recordings with AAM include JS Bach’s Brandenburg Concertos, Handel’s complete instrumental works Opp.1-7, music by the 17th century English composer Christopher Gibbons, and Birth of the symphony: Handel to Haydn, the first release on the orchestra’s in-house record label AAM Records.

The AAM’s artistic excellence has long been fostered by a range of guest artists. Pianist Robert Levin and singers Dame Emma Kirkby, Dame Joan Sutherland and Cecilia Bartoli were among those performing regularly with the AAM in the early days, and ongoing relationships with mezzo-soprano Sarah Connolly, counter-tenor Iestyn Davies and violinist Richard Tognetti lie at the heart of the AAM’s present-day artistic success.

The AAM’s 2014-15 season will take listeners on a musical Grand Tour, from Monteverdi’s L’incoronazione  di Poppea to Mozart’s magisterial piano concertos via Venice and the North African coast. International plans include a major tour of the United States and Canada, with performances at Washington DC’s Strathmore Center, Walt Disney Concert Hall in Los Angeles and Carnegie Hall in New York. Planned releases on AAM Records in 2014-15 include recordings of JS Bach’s Orchestral Suites and the 1727 version of the St. Matthew Passion.

The AAM is Associate Ensemble at London’s Barbican Centre and Orchestra-in-Residence at the University of Cambridge. Visit www.aam.co.uk to find out more. 

Repertoire
All works by JS BACH:

  • Orchestral Suite No. 4, BWV 1069 (c. 1725)
  • Orchestral Suite No. 2, BWV 1067 (c. 1738-9)
  • Orchestral Suite No. 1, BWV 1066 (c. 1725)
  • Orchestral Suite No. 3, BWV 1068 (1731)

Performance Time
5 p.m. Sunday, Nov. 9

Location
Corbett Auditorium, CCM Village,
University of Cincinnati

Purchasing Tickets
Tickets to the Academy of Ancient Music’s performance at CCM are $20 for general admission, $15 for non-UC students and free for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/academy-of-ancient-music. Visit ccm.uc.edu/boxoffice for CCM Box Office hours and location.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the campus of the University of Cincinnati. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.

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The Otto M. Budig Family Foundation: Season Presenting Sponsor and Musical Theatre Program Sponsor

ArtsWave: Community Partner

The Joseph and Frances Jones Poetker Fund of the Cambridge Charitable Foundation, Ritter & Randolph, LLC, Corporate Counsel: Visiting Artists Sponsor

CCM News
ArielQuartetPortraits

The Ariel Quartet’s Acclaimed CCM Concert Series Continues Tomorrow

From left to right: Amit Even-Tov, Jan Grüning, Alexandra Kazovsky and Gershon Gerchikov are the Ariel Quartet. Photography by Saverio Truglia.

From left to right: Amit Even-Tov, Jan Grüning, Alexandra Kazovsky and Gershon Gerchikov are the Ariel Quartet. Photography by Saverio Truglia.

The Ariel Quartet‘s CCM Concert Series continues at 8 p.m. on Tuesday, Oct. 21, with a program featuring the works of Menachem Wiesenberg, Robert Schumann and Maurice Ravel.

Grand Prize winners at the 2006 Fischoff National Chamber Music Competition and 2014 recipients of the prestigious Cleveland Quartet Award, the Ariel Quartet thrilled audiences with its first complete cycle of Beethoven’s String Quartets at CCM last season.

During the CINCYinNYC showcase week this May, the New York Times proclaimed that the Quartet has “a gift for filling the pristine structures of Classicism with fire.”

Janelle Gelfand called the Quartet’s season-opening performance with Menahem Pressler last month “inspiring” in her review for the Cincinnati Enquirer. You can read her full review of that performance here.

Repertoire

  • WIESENBERG: Between the Sacred and the Profane
  • SCHUMANN: String Quartet No. 2 in F Major, Op. 41, No. 2
  • RAVEL: String Quartet in F Major, M. 35

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CCMWinter2014PianoPerformances

World-Renowned Concert Pianist and Psychiatrist Richard Kogan Explores the Mind and Music of Chopin on Oct. 10

Guest artist Richard Kogan.

Guest artist Richard Kogan.

World-renowned concert pianist and psychiatrist Richard Kogan takes the stage at CCM at 7:30 p.m. this Friday, Oct. 10, for a celebration of the mind and music of Polish composer and virtuoso pianist Frédéric François Chopin.

Presented by the Friends of CCM and the Cincinnati Psychoanalytic Institute, this unique concert program combines the cherished works of Chopin with observations about the relationship between the composer’s mind, his creative motivations and his music. A frequent performer with cellist Yo-Yo Ma, Kogan is a Juilliard-trained pianist and an alumnus of Harvard Medical School.

About Richard Kogan
Richard Kogan has a distinguished career both as a concert pianist and as a psychiatrist. He has been praised for his “eloquent, compelling, and exquisite playing” by the New York Times, and the Boston Globe wrote that “Kogan has somehow managed to excel at the world’s two most demanding professions.” He has gained renown for his lectures and recitals that explore the role of music in healing and the influence of psychological factors on the creative output of composers such as Mozart, Beethoven, Chopin, Schumann, Tchaikovsky, George Gershwin and Leonard Bernstein.

He performed Gershwin’s “Rhapsody in Blue” and gave an address entitled “The Power of Music in Healing Mind and Body” at the 2009 World Economic Forum in Davos, Switzerland. He has recorded a DVD for Yamaha/Touchstar Productions entitled Music and the Mind. Yo Yo Ma wrote of this DVD, “I came away from this extraordinary lecture and performance deeply moved by a fascinating presentation that only Dr. Kogan, psychiatrist and concert pianist, can deliver.” Kogan has won the Concert Artists Guild Award and the Chopin Competition of the Kosciuszko Foundation and received the 2005 Artsgenesis Creative Achievement Award.

Dr. Kogan’s presentations are extraordinary, one-of-a-kind performances. He tells vivid stories about famous composers who suffered mental problems—frequent among highly creative people—while illustrating the composer’s work by exquisitely playing excerpts from their compositions. From composers such as Tchaikovsky, Gershwin, Schumann, Beethoven, Mozart, Chopin, Rachmaninoff and Leonard Bernstein, Dr. Kogan shares an insight and journey into some of the most creative minds, while humanizing medicine and bringing more of the person into medical practice. Dr. Kogan will open your ears and eyes to the symphony that is humanity, music and medicine.

Kogan is a graduate of the Juilliard School of Music Pre-College, Harvard College and Harvard Medical School. He completed a psychiatry residency and an academic fellowship at NYU. He has a private practice of psychiatry in New York City and is affiliated with Weill Cornell Medical College as co-director of its Human Sexuality Program. He is also co-chairman of the recently established Weill Cornell Music/Medicine Initiative.

Performance Time
7:30 p.m. Friday, Oct. 10

Location
Patrica Corbett Theater, CCM Village
University of Cincinnati

Purchasing Tickets
Tickets for this Prestige Event Series concert are $50 for general admission, $40 for Friends of CCM members. Event proceeds raised by the Friends of CCM support student Scholarships and travel for CCM’s “stars of tomorrow.” Cincinnati Psychoanalytic Institute’s sponsorships will benefit their core programs.

Tickets can be purchased over the telephone at 513-556-2100 or online at ccm.weshareonline.org/ws/opportunities/TheMindandMusicofChopin. A dessert reception will follow the program.

Parking and Directions
Parking is available in the CCM Garage (located at the base of Corry Boulevard off Jefferson Avenue) and additional garages throughout the UC campus. Please visit uc.edu/parking for more information on parking rates.

For detailed maps and directions, please visit uc.edu/visitors. Additional parking is available off-campus at the new U Square complex on Calhoun Street and other neighboring lots.

For directions to CCM Village, visit ccm.uc.edu/about/directions.
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CCM Season Presenting Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

This performance is presented by the Friends of CCM and the Cincinnati Psychoanalytic Institute.

CCM News
CCM faculty artists Awadagin Pratt and Soyeon Kate Lee. Photo by Andrew Higley.

CCM Presents a Joint Recital by Faculty Artists and Naumburg Gold Medalists Soyeon Kate Lee and Awadagin Pratt on Oct. 11

CCM faculty artists Soyeon Kate Lee and Awadagin Pratt. Photo by Andrew Higley.

CCM faculty artists Soyeon Kate Lee and Awadagin Pratt. Photo by Andrew Higley.

CCM proudly presents a one-of-a-kind joint piano recital featuring faculty artists and Naumburg International Piano Competition Gold Medalists Soyeon Kate Lee and Awadagin Pratt at 8 p.m. on Saturday, Oct. 11. The performance will also serve as the CCM debut for Lee, who joined the faculty in August as an Assistant Professor of Music in Piano.

In existence since 1926, the Naumburg Competition is one of the most distinguished competitions in the world. Lee took first prize in 2010. Pratt, an Artist-in-Residence, Professor of Piano and Chair of the Department of Piano at CCM, took the first prize in 1992.

CCM’s Naumburg Gold Medalists Piano Recital will provide a rare chance for piano lovers to hear two Naumburg Gold Medalists perform together in the stunning Robert J. Werner Recital Hall. Lee and Pratt will present a program featuring works of Albéniz, Ravel, Schubert, Bach-Busoni and Brahms.

Each artist will perform individual repertoire – including the pieces by Ravel and Bach-Busoni that they played during the Naumburg finals – followed by a special program for two pianos.

Lee’s appointment to the Department of Piano this fall now gives CCM the rare distinction of having two Naumburg Gold Medalists on faculty. Learn more by visiting ccm.uc.edu/about/villagenews/faculty/soyeun-kate-lee-joins-piano-faculty.

Repertoire

Soyeon Kate Lee

  • ALBENIZ: Iberia, Book 1
  • RAVEL: La Valse

Awadagin Pratt

  • SCHUBERT: Impromptu, Op. 90, No. 1 in C minor
  • J.S. BACH: Chaconne in D Minor, BWV 1004 (arr. BUSONI)

Plus surprises for two pianos!

Performance Time

8 p.m. Saturday, Oct. 11

Location
Robert J. Werner Recital Hall, CCM Village
University of Cincinnati

Purchasing Tickets

Tickets for this concert are $15 for general admission, $10 for non-UC students and free for UC students with valid ID.

Tickets can be purchased in person at the CCM Box Office, over the telephone at 513-556-4183 or online at ccm.uc.edu/boxoffice/naumburg-gold-medalists-concert.
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About Soyeon Kate Lee
Korean-American pianist Soyeon Kate Lee has been hailed by the New York Times as a pianist with “a huge, richly varied sound, a lively imagination and a firm sense of style,” while the Washington Post has lauded her for her “stunning command of the keyboard.” Her recent recital appearances include New York City programs at Carnegie Hall’s Zankel Hall and Weill Recital Hall, Merkin Concert Hall, Lincoln Center for the Performing Art’s Alice Tully Hall, Washington’s John F. Kennedy Center for the Performing Arts, Cleveland’s Severance Hall, the Ravinia Festival’s “Rising Stars” series, Auditorio de Musica de Nacional in Madrid – part of a 13-city tour of Spain, tour of the Hawaiian Islands, Krannert Center and Finland’s Maanta Music Festival.

Lee earned her Bachelor’s and Master’s degrees, and the Artist Diploma from the Juilliard School. While at Juilliard, she won every award granted to a pianist including the Rachmaninoff Concerto Competition, two consecutive Gina Bachauer Scholarship Competitions, Arthur Rubinstein Prize, Susan Rose Career Grant and the William Petschek Piano Debut Award. Learn more about Lee here.

About Awadagin Pratt
Born in Pittsburgh, Awadagin Pratt began studying piano at the age of 6. Three years later, having moved to Normal, Illinois, with his family, he also began studying violin. At the age of 16 he entered the University of Illinois where he studied piano, violin and conducting. He subsequently enrolled at the Peabody Conservatory of Music where he became the first student in the school’s history to receive diplomas in three performance areas – piano, violin and conducting. In recognition of this achievement and for his work in the field of classical music, Pratt recently received the Distinguished Alumni Award from Johns Hopkins.

In 1994 Pratt was awarded an Avery Fisher Career Grant. Since then, he has played numerous recitals throughout the US including performances at Lincoln Center, Kennedy Center, Dorothy Chandler Pavilion in Los Angeles and Chicago’s Orchestra Hall. His many orchestral performances include appearances with the New York Philharmonic, Minnesota Orchestra and the Pittsburgh, Atlanta, Baltimore, St. Louis, National, Detroit and New Jersey symphonies among many others. Summer festival engagements include Ravinia, Blossom, Wolftrap, Caramoor and Aspen, the Hollywood Bowl and the Mostly Mozart Festival in Tokyo.

In November 2009, Pratt was one of four artists selected to perform at a White House classical music event that included student workshops hosted by First Lady Michelle Obama and performed in concert for guests including President Obama. He has performed two other times at the White House, both at the invitation of President and Mrs. Clinton. Learn more about Pratt here.

About the Naumburg Competition
Established in 1926, the Naumburg international competitions have been described by the New York Times as “in its quiet way, the most prestigious of them all.” The Walter W. Naumburg Foundation continues in the pursuit of ideals set out by Walter Naumburg. His desire to assist the young gifted musician in America has made possible a long-standing program of competitions and awards in solo and chamber music performance, composer recordings, conducting and commissions. It was Mr. Naumburg’s firm belief that such competitions were not only for the benefit of new stars, but also very much for those talented young artists who would become prime movers in the development of the highest standards of musical excellence throughout America. The solo competition disciplines rotate from year to year, encompassing piano, violin and voice.
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CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

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