CCM Productions Sweep Cincinnati Theatre Season Round-Ups

'Street Scene' photography by Mark Lyons.

‘Street Scene’ photography by Mark Lyons.

The League of Cincinnati Theatres (LCT) held its annual award ceremony on Monday, May 20, and we are happy to report that CCM productions took home an impressive six major awards for Excellence in Theatre!

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CCM Slideshows: The Magic Flute

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CCM’s acclaimed 2012-13 Mainstage Series comes to a close this week with a colorful new production of Mozart’s beloved comedic singspiel The Magic Flute. This production runs April 4–7 in UC’s Corbett Auditorium.

The Cincinnati Enquirer‘s Janelle Gelfand recently visited CCM to take a behind-the-scenes look at The Magic Flute‘s costumes, wigs and make-up designs. Watch her exclusive video preview here.

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Discussing ‘The Magic Flute’ Costume Designs with CCM Professor Dean Mogle

From left to right, Tara Deieso (who sings the role of First Lady in CCM's production of 'The Magic Flute'), Assistant Costume Designer Kaitlyn Munro, Professor Dean Mogle and Draper/Dressmaker Christie Peitzmeier.

From left to right, Tara Deieso (who sings the role of First Lady in CCM’s production of ‘The Magic Flute’), Assistant Costume Designer Kaitlyn Munro, Professor Dean Mogle and Draper/Dressmaker Christie Peitzmeier.

CCM Professor of Costume Design Dean Mogle recently gave CCM Public Information Assistant and Arts Administration student Sara Kissinger a behind-the-scenes tour of the costume shop, which is in full swing in these last crucial weeks before the opening of The Magic Flute. All photography by CCM Arts Administration student Shawn Kelly.

Sara Kissinger: Dean, thank you so much for inviting me to visit the shop today. The Magic Flute is an iconic work in opera repertoire – have you designed for this show before?

Dean Mogle: I have not designed a production of Flute before. The last time CCM did Flute was the 1986-87 season, before I joined the faculty.

SK: Did you have a specific concept for your design?

DM: There were two major influences on the design. The first is the 18th century influence, which is a nod back to when Mozart wrote the opera. This is the Queen of the Night’s world. It’s midnight: there are a lot of blues and everything is deep and dark and rich. The second influence is a sort of modified Egyptian style, which is Sarastro’s world. The costumes are warm colors – gold and bronze.

Dean Mogle shares the original costume rendering for the Queen of the Night.

Dean Mogle shares the original costume rendering for the Queen of the Night.

SK: What was the process of making the costumes like?

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CCM’s 2012-13 Mainstage Series Concludes With ‘The Magic Flute’

Jacqueline Echols as Pamina and Yi Li as Tamino in CCM's 'The Magic Flute.' Photography by Mark Lyons.

Jacqueline Echols as Pamina and Yi Li as Tamino in CCM’s ‘The Magic Flute.’ Photography by Mark Lyons.

CCM proudly presents Mozart’s beloved comedic singspiel The Magic Flute (Die Zauberflöte, 1791) from April 4–7 in UC’s Corbett Auditorium. The fourth most frequently performed opera worldwide, this production will be sung in German with English dialogue (with supertitles displayed). Mark Gibson conducts with stage direction by Steven Goldstein.

Composed by Wolfgang Amadeus Mozart with a libretto by Emanuel Schikaneder, this beloved opera offers something for everyone: a hero and heroine questing for true love, evil villains, a comical sidekick and a whole range of beastly creatures. According to Goldstein, The Magic Flute is a sort of vaudeville variety show of the 18th century. However, this iteration isn’t all about the slapstick comedy. “My charge to the performers,” Goldstein explains, “is for the comedy to come from somewhere genuine. There is a real play back and forth between light-heartedness and deep morality in Flute and our goal is to find the truth inside of it.”

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CCM Students Named Finalists in 2013 Lotte Lenya Vocal Competition

Congratulations to current CCM student Lauren Roesner (BFA Musical Theatre, 2013) and alumna Heather Phillips (BM Voice, MM Voice, 2002-08) on being named finalists in the 2013 Lotte Lenya Vocal Competition! Held annually by the Kurt Weill Foundation for Music and celebrating its 15th anniversary this year, the Lotte Lenya Competition is an international theater singing contest that recognizes talented young singer-actors, ages 19-32, who are dramatically and musically convincing in a wide range of repertoire, and emphasizes the acting of songs and arias within a dramatic context.

The Kurt Weill Foundation awards special prizes at the finals in addition to the top prizes and we are delighted to report that current CCM students Conor McDonald (MM Voice, 2014), Katie Wesler (BFA Musical Theatre, 2014) and Sofia Selowsky (MM Voice, 2014) were awarded Emerging Talent Awards. Current Artist Diploma candidate Charles Z. Owen (MM, 2012) received the 2013 Grace Keagy Award for Outstanding Vocal Promise.

Congratulations to our two finalists and our four award-winners!

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CCM Spring 2013 Calendar of Major Events – April and May Updates

Please note the following corrections and updates to CCM’s schedule of major events for the spring:

  • CCM’s Mainstage Series production of Mozart’s The Magic Flute (April 4 – 7) will be directed by Steven Goldstein.
  • The UC Men’s and Women’s Choruses and Cabaret Singers concert originally scheduled for March 6 (and cancelled due to last Wednesday’s inclement weather) has been rescheduled for 8 p.m. Wednesday, April 17, in UC’s Corbett Auditorium.
  • CCM’s Preparatory Department will present the Cincinnati Junior Strings’ Spring Concert at 3 p.m. on Sunday, May 12, in the Muntz Theater at UC Blue Ash. This concert is free and open to the general public.
You can always find the most up-to-date information on CCM’s calendar of events at ccm.uc.edu.
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High Praise for CCM’s Kurt Weill Festival

CCM presents 'The Threepenny Opera.' Photography by Mark Lyons.

CCM presents ‘The Threepenny Opera.’ Photography by Mark Lyons.

This weekend is your last chance to catch CCM’s acclaimed productions of both The Threepenny Opera (March 8 – 10) and the brand-new Kurt Weill revue Into a Lamplit Room (March 10).

The critics have had high praise for both productions, with CityBeat’s Rick Pender calling The Threepenny Opera “authentic,” “compelling” and “visually stunning” and Seen and Heard International‘s Rafael de Acha calling Into a Lamplit Room “heavenly!”

See what the critics have said for yourselves here:

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