CCM MFA Student Alan Hanson Wins iSquint and Stage Directions’ 2013 Lighting Design Competition

"Chess" runs Oct. 25 - 28 in UC's Corbett Auditorium. Photography by Mark Lyons.

“Chess” runs Oct. 25 – 28 in UC’s Corbett Auditorium. Photography by Mark Lyons.
Tickets on sale now! Visit ccm.uc.edu for more information. Photography by Mark Lyons.

We are thrilled to announce that CCM class of 2013 MFA Lighting Design student Alan Hanson has won the 2013 Student Lighting Design Competition organized by online entertainment lighting industry publication iSquint and theatre art and technology journal Stage Directions!

Hanson’s lighting design for CCM’s Fall 2012 Mainstage Series production of Chess took the title in this third annual competition, which offers a valuable prize package of lighting software and literature.

View a slideshow of Hanson’s award winning work on Chess here.

The Student Lighting Design Competition is sponsored by lighting technology companies City Theatrical, Nemetschek Vectorworks and Field Template Soft Symbols, and is judged by leading experts in the lighting design field and developers of the software entrants must use to create their design entries. Visit iSquint.net to learn more about this competition.

Congratulations to Alan on this exciting award!

CCM Jazz Welcomes Special Guest Steven Bernstein For Evening of James Bond Film Music on March 10

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CCM’s Jazz Ensemble and Jazz Lab Band welcome guest artist and guest composer Steven Bernstein for a concert that is guaranteed to be “Shaken, Not Stirred” at 007 p.m. on Sunday, March 10, in UC’s Corbett Auditorium.

“Special agents” from CCM’s award-winning Lighting Design program will help present this evening of James Bond film music with a dynamic and colorful twist. Scott Belck and Dominic Marino conduct.

“Shaken, Not Stirred” features Bernstein’s adaptations of composer John Barry’s iconic and legendary James Bond film scores. Barry, who died in January 2011 at the age of 77, scored 11 James Bond films between 1963 and ’87. He composed a number of other highly acclaimed film scores, including those for Dances with Wolves and Out of Africa, both Grammy Award winners.

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CCM Slideshows: The Threepenny Opera

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CCM proudly presents The Threepenny Opera, running tonight, March 1, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

Learn more The Threepenny Opera here.

“[Stage Director Robin] Guarino fearlessly goes back to the musical satire’s socio-political roots in 1920s Berlin,” Jackie Demaline writes in her review for the Cincinnati Enquirer. “Everything about The Threepenny Opera carries out Guarino’s vision, as the cast prowl scenic designer John Arnone’s industrial set of catwalks, with the small orchestra (in costume) perched at the top. Musical director Roger Grodsky as always asks much and gets all from singers and musicians.”

Read Demaline’s full review here.

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A New Sneak Peek at the Scenic Design of ‘The Threepenny Opera’

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of 'The Threepenny Opera.'

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of ‘The Threepenny Opera.’

CCM’s acclaimed Mainstage Series resumes this week with Kurt Weill and Bertolt Brecht’s epic musical The Threepenny Opera. Today, we are happy to provide a preview of the show’s set, courtesy of Alexandra Kuntz, a sophomore in CCM’s Scenic Design program and Assistant to Guest Scenic Designer John Arnone on this production.

Learn more about this dynamic new production, which features set designs by Tony Award-winner John Arnone.

“Set in the mid-19th century, Macheath (otherwise known as ‘Mack the Knife’) runs the town with his rag tag band of ruffians and gets what he wants,” Kuntz explains. “His latest want just happens to be Polly Peachum, daughter of the Beggar’s Lord of London (Johnathan Jeremiah Peachum), who doesn’t take too kindly to Mack the Knife’s interest in his daughter. Doing anything to keep them apart, Peachum uses broads, bribes and blackmails to get Mack out of the picture, while Macheath’s life hangs in the balance.”

This production contains mature subject matter.

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The Epic Theatre of CCM’s ‘The Threepenny Opera’

Sophomore Hannah Zazzaro as Sukey Tawdry and junior Max Clayton as Macheath. Photography by Mark Lyons.

Sophomore Hannah Zazzaro as Sukey Tawdry and junior Max Clayton as Macheath. Photography by Mark Lyons.

CCM’s year-long Kurt Weill Festival resumes this month with a dynamic new production of the iconic musical The Threepenny Opera. Composed by Kurt Weill with book and lyrics by dramatist Bertolt Brecht (adapted into English by Marc Blitzstein), The Threepenny Opera weaves the riveting tale of notorious bandit and womanizer Macheath (“Mack the Knife”) and his seedy companions in London’s underworld. Weill’s innovative score invented a new form of musical theatre, leading the way for such shows as Chicago and Cabaret.

CCM’s Mainstage Series production of this jazz-infused musical is directed by Robin Guarino, with musical direction by Roger Grodsky, choreography by Patti James and scenic designs by Tony Award-winning guest artist John Arnone. The Threepenny Opera runs Thursday, Feb. 28, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

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LISTEN: CCM’s ‘Kurt Weill Festival’ Featured on WVXU’s Around Cincinnati

Theatre composer Kurt Weill in New City, ca. 1945 (photo: Engel). Image courtesy of the Kurt Weill Foundation for Music.

Theatre composer Kurt Weill in New City, ca. 1945 (photo: Engel). Image courtesy of the Kurt Weill Foundation for Music.

Anne Arenstein discussed CCM’s year-long celebration of Kurt Weill with faculty members Robin Guarino and bruce mcclung on the latest edition of WVXU’s Around Cincinnati.

If you missed the broadcast, you can listen to audio of the entire interview here.

CCM’s Kurt Weill Festival resumes this month with the Mainstage Series production of Weill and Bertolt Brecht’s The Threepenny Opera (running Feb. 28 – March 10). This spring’s festival events will also include concert performances of Weill’s Kiddush (Prayer of Sanctification) and the a capella madrigal “Ho, Billy, O!” from the Weill musical Love Life. View a full schedule of festival events here. Learn more about The Threepenny Opera after the jump.

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CCM’s ‘The Time of Your Life’ Earns Two LCT Nominations

CCM presents 'The Time of Your Life.' Photography by Mark Lyons.

CCM presents ‘The Time of Your Life.’ Photography by Mark Lyons.

Panelists for the League of Cincinnati Theatres (LCT) have recognized CCM’s Mainstage Series production of The Time of Your Life with two LCT nominations, for Ensemble in a Play and for scenic design (Mark Halpin). Congratulations to everyone involved with this production!

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CCM Slideshows: The Time of Your Life

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CCM proudly presents William Saroyan’s Pulitzer Prize and Drama Critics’ Circle Award-winning drama The Time of Your Life, running tonight through Sunday in UC’s Patricia Corbett Theater. Tickets are on sale now.

You can read the Cincinnati Enquirer‘s preview of the show here and learn more about the production here.

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This week, CCM presents what the New York Herald Tribune dubbed “One of the most enchanting theatrical works imaginable.”

Poster for CCM's 'The Time of Your Life.'

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CCM’s Mainstage Series Offers ‘The Time of Your Life’ This February

An early look at the set for 'The Time of Your Life' by Scenic Designer Mark Halpin.

An early look at the set for ‘The Time of Your Life’ by Scenic Designer Mark Halpin.

CCM proudly presents a sprawling, elegant production of American playwright William Saroyan’s award-winning five-act play The Time of Your Life, running Feb. 6 (preview) – 10 in UC’s Patricia Corbett Theater.

Set in a run-down waterfront dive bar on the docks of San Francisco (“Nick’s Pacific Street Saloon, Restaurant and Entertainment Palace”) in October of 1939, The Time of Your Life is filled with colorful characters, love and the follies of humanity. CCM Associate Professor of Drama Diane Kvapil directs.

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