CCM Slideshows: The Threepenny Opera

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CCM proudly presents The Threepenny Opera, running tonight, March 1, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

Learn more The Threepenny Opera here.

“[Stage Director Robin] Guarino fearlessly goes back to the musical satire’s socio-political roots in 1920s Berlin,” Jackie Demaline writes in her review for the Cincinnati Enquirer. “Everything about The Threepenny Opera carries out Guarino’s vision, as the cast prowl scenic designer John Arnone’s industrial set of catwalks, with the small orchestra (in costume) perched at the top. Musical director Roger Grodsky as always asks much and gets all from singers and musicians.”

Read Demaline’s full review here.

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A New Sneak Peek at the Scenic Design of ‘The Threepenny Opera’

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of 'The Threepenny Opera.'

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of ‘The Threepenny Opera.’

CCM’s acclaimed Mainstage Series resumes this week with Kurt Weill and Bertolt Brecht’s epic musical The Threepenny Opera. Today, we are happy to provide a preview of the show’s set, courtesy of Alexandra Kuntz, a sophomore in CCM’s Scenic Design program and Assistant to Guest Scenic Designer John Arnone on this production.

Learn more about this dynamic new production, which features set designs by Tony Award-winner John Arnone.

“Set in the mid-19th century, Macheath (otherwise known as ‘Mack the Knife’) runs the town with his rag tag band of ruffians and gets what he wants,” Kuntz explains. “His latest want just happens to be Polly Peachum, daughter of the Beggar’s Lord of London (Johnathan Jeremiah Peachum), who doesn’t take too kindly to Mack the Knife’s interest in his daughter. Doing anything to keep them apart, Peachum uses broads, bribes and blackmails to get Mack out of the picture, while Macheath’s life hangs in the balance.”

This production contains mature subject matter.

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The Epic Theatre of CCM’s ‘The Threepenny Opera’

Sophomore Hannah Zazzaro as Sukey Tawdry and junior Max Clayton as Macheath. Photography by Mark Lyons.

Sophomore Hannah Zazzaro as Sukey Tawdry and junior Max Clayton as Macheath. Photography by Mark Lyons.

CCM’s year-long Kurt Weill Festival resumes this month with a dynamic new production of the iconic musical The Threepenny Opera. Composed by Kurt Weill with book and lyrics by dramatist Bertolt Brecht (adapted into English by Marc Blitzstein), The Threepenny Opera weaves the riveting tale of notorious bandit and womanizer Macheath (“Mack the Knife”) and his seedy companions in London’s underworld. Weill’s innovative score invented a new form of musical theatre, leading the way for such shows as Chicago and Cabaret.

CCM’s Mainstage Series production of this jazz-infused musical is directed by Robin Guarino, with musical direction by Roger Grodsky, choreography by Patti James and scenic designs by Tony Award-winning guest artist John Arnone. The Threepenny Opera runs Thursday, Feb. 28, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

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CCM Welcomes Kurt Weill Foundation President For A Series of Talks On Nov. 15 and 16

Guest speaker Kim Kowalke.

Guest speaker Kim Kowalke.

CCM is delighted to welcome Richard L. Turner Professor of the Humanities at the University of Rochester and President of the Kurt Weill Foundation for Music Kim Kowalke for a series of talks this week in conjunction with the Mainstage production of Street Scene.

Kowalke will speak to students enrolled in CCM’s “Kurt Weill’s Music Theatre” course on the morning of Thursday, Nov. 15 and then present a free talk before the opening performance of Street Scene. This talk is open to the public and will last from 7:15 – 7:45 p.m. in the Baur Room of UC’s Corbett Center for the Performing Arts.

Kowalke will also present a Thinking About Music lecture on “What Makes Weill Weill” at 2:30 p.m. on Friday, Nov. 16. This talk will be held in the Baur Room and is also free and open to the general public.

A full schedule of related public events is listed below. Click here for more information on CCM’s 2012-13 Kurt Weill Festival.

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A Behind-the-Scenes Look at the Scenic Design of ‘Street Scene’

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CCM’s history-making production of Kurt Weill, Langston Hughes and Elmer Rice’s Tony-Award winning opera Street Scene opens tomorrow evening (Nov. 15) and runs through Sunday, Nov. 18 in UC’s Patricia Corbett Theater.

With its mammoth cast, this highly theatrical opera has something for everyone: rising melodic lines, lively American jazz phrases and even a few Broadway style dance numbers. It is a story of love, passion, greed and death – all set in front of a tenement building in 1946 Manhattan.

Today, we provide a behind-the-scenes look at how this tenement building came to life, courtesy of Scenic Designer Brian Ruggaber and the rest of Street Scene‘s production staff.

Street Scene is the latest installment in CCM’s 2012-13 Kurt Weill Festival, which is funded in part by the Kurt Weill Foundation for Music, IncMark Gibson conducts with stage direction by Steven Goldstein. Street Scene will be sung in English without supertitles.

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CCM Announces Updated Event Information for November and December 2012

Today, we are delighted to provide you with CCM’s updated schedule of major events for November and December 2012. All updated listings are highlighted in red.

All events listed below take place in CCM Village on the campus of the University of Cincinnati unless otherwise indicated. Admission is free to many CCM performances, although some events do require purchased tickets or reservations. Please see individual event information for details and ordering information.

All event dates and programs are subject to change. Visit ccm.uc.edu or contact the CCM Box Office at 513-556-4183 for the most current event information.

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Cincinnati Enquirer Previews CCM’s Kurt Weill Festival

This weekend, the Cincinnati Enquirer‘s Jackie Demaline provided an early look at CCM’s yearlong Kurt Weill Festival. You can read her preview here.

The festival resumes next month with a Mainstage production of Kurt Weill, Langston Hughes and Elmer Rice’s great American opera Street Scene, conducted by Mark Gibson with stage direction by Steven Goldstein. Street Scene runs Nov. 15 – 18 in UC’s Patricia Corbett Theater.

Visit CCM’s official Facebook page for a behind-the-scenes look at the production!

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CCM’s Resident Kurt Weill Expert Featured in New York Times

Railroads on Parade Program Cover

CCM’s resident Kurt Weill scholar, Associate Professor of Musicology bruce mcclung, was quoted in an Oct. 21 New York Times article on the discovery of a previously unknown recording of Weill’s “Railroads on Parade” composition from the 1939 World Fair.

Record collector Guy Walker discovered the recordings in 2007 and plans to release the music on CD this month, with liner notes by mcclung. Read the full New York Times article here.

CCM’s yearlong Kurt Weill Festival kicked-off earlier this month. You can learn more about that unprecedented series of events here.

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CCM Celebrates Iconic Composer Kurt Weill With Yearlong Festival

Theatre composer Kurt Weill in New City, ca. 1945 (photo: Engel). Image courtesy of the Kurt Weill Foundation for Music.

Theatre composer Kurt Weill in New City, ca. 1945 (photo: Engel). Image courtesy of the Kurt Weill Foundation for Music.

Beginning this month, CCM will celebrate the iconic work and enduring legacy of composer Kurt Weill with an unprecedented series of events. Opening on Friday, Oct. 19, and running through Tuesday, March 12, CCM’s Kurt Weill Festival will incorporate the renowned theatre composer into a broad range of both public performances and classroom exercises.

Perhaps best known for The Threepenny Opera and its opening ballad, “Mack the Knife,” Weill’s work has been championed by performers as diverse as Louis Armstrong, Bobby Darin, Nina Simone, The Doors, Judy Collins, Teresa Stratas, Dee Dee Bridgewater, Todd Rundgren, Tom Waits, Lou Reed and Sting.

CCM’s yearlong Kurt Weill Festival will include Mainstage opera and musical theatre productions, cabaret performances, collaborative concerts, master classes and more. Funded in part by the Kurt Weill Foundation for Music, CCM has never before hosted a festival of this magnitude.

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