CCM Video: A Farewell in Song from the Musical Theatre Program’s Class of 2013

CCM Musical Theatre's graduating class of 2013.

CCM Musical Theatre’s graduating class of 2013.

The graduating seniors from CCM’s Musical Theatre program bid a heartfelt farewell to their time at the University of Cincinnati with a performance of Craig Carnelia’s “Flight” and Leonard Bernstein’s “Somewhere” (from the musical West Side Story) accompanied by Julie Spangler:

Learn more about CCM Musical Theatre’s recent graduates here!

CCM Season Presenting Sponsor and Musical Theatre Program Sponsor: The Otto M. Budig Family Foundation

Community Partner: ArtsWave

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CCM’s Stars of Tomorrow Present Annual Musical Theatre Senior Showcase This Thursday (7 p.m.), Friday (8 p.m.) and Saturday (8 p.m.)

CCM Musical Theatre's graduating class of 2013.

CCM Musical Theatre’s graduating class of 2013.

Cincinnati audiences will get a sneak peek at an original showcase created by the 2013 graduating class from CCM’s Department of Musical Theatre during the annual “Not Famous Yet” Showcase, which runs from March 28 (Friends of CCM benefit performance) through March 30 in UC’s Patricia Corbett Theater.

The March 28 benefit performance starts at 7 p.m. and features dinner by the bite and a post-performance celebration. Tickets for this benefit event are on sale now.

The March 29 and 30 performances take place at 8 p.m. and are free, but reservations are required.

Performance Times

  • 7 p.m. Thursday, March 28 — Friends of CCM Benefit
  • 8 p.m. Friday, March 29
  • 8 p.m. Saturday, March 30
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CCM’s Stars of Tomorrow Present Annual Musical Theatre Senior Showcase March 28-30

CCM Musical Theatre's graduating class of 2013.

CCM Musical Theatre’s graduating class of 2013.

Cincinnati audiences will get a sneak peek at an original showcase created by the 2013 graduating class from CCM’s Department of Musical Theatre during the annual “Not Famous Yet” Showcase, which runs from March 28 (Friends of CCM benefit performance) through March 30 in UC’s Patricia Corbett Theater.

The March 28 benefit performance starts at 7 p.m. and features dinner by the bite and a post-performance celebration. Tickets for this benefit event are on sale now.

The March 29 and 30 performances take place at 8 p.m. and are free, but reservations are required. Tickets for these free performances become available at noon on Monday, March 25.

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CCM Slideshows: The Threepenny Opera

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CCM proudly presents The Threepenny Opera, running tonight, March 1, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

Learn more The Threepenny Opera here.

“[Stage Director Robin] Guarino fearlessly goes back to the musical satire’s socio-political roots in 1920s Berlin,” Jackie Demaline writes in her review for the Cincinnati Enquirer. “Everything about The Threepenny Opera carries out Guarino’s vision, as the cast prowl scenic designer John Arnone’s industrial set of catwalks, with the small orchestra (in costume) perched at the top. Musical director Roger Grodsky as always asks much and gets all from singers and musicians.”

Read Demaline’s full review here.

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A New Sneak Peek at the Scenic Design of ‘The Threepenny Opera’

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of 'The Threepenny Opera.'

Assistant to the Scenic Designer Alexandra Kuntz provides these previews of ‘The Threepenny Opera.’

CCM’s acclaimed Mainstage Series resumes this week with Kurt Weill and Bertolt Brecht’s epic musical The Threepenny Opera. Today, we are happy to provide a preview of the show’s set, courtesy of Alexandra Kuntz, a sophomore in CCM’s Scenic Design program and Assistant to Guest Scenic Designer John Arnone on this production.

Learn more about this dynamic new production, which features set designs by Tony Award-winner John Arnone.

“Set in the mid-19th century, Macheath (otherwise known as ‘Mack the Knife’) runs the town with his rag tag band of ruffians and gets what he wants,” Kuntz explains. “His latest want just happens to be Polly Peachum, daughter of the Beggar’s Lord of London (Johnathan Jeremiah Peachum), who doesn’t take too kindly to Mack the Knife’s interest in his daughter. Doing anything to keep them apart, Peachum uses broads, bribes and blackmails to get Mack out of the picture, while Macheath’s life hangs in the balance.”

This production contains mature subject matter.

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The Epic Theatre of CCM’s ‘The Threepenny Opera’

Sophomore Hannah Zazzaro as Sukey Tawdry and junior Max Clayton as Macheath. Photography by Mark Lyons.

Sophomore Hannah Zazzaro as Sukey Tawdry and junior Max Clayton as Macheath. Photography by Mark Lyons.

CCM’s year-long Kurt Weill Festival resumes this month with a dynamic new production of the iconic musical The Threepenny Opera. Composed by Kurt Weill with book and lyrics by dramatist Bertolt Brecht (adapted into English by Marc Blitzstein), The Threepenny Opera weaves the riveting tale of notorious bandit and womanizer Macheath (“Mack the Knife”) and his seedy companions in London’s underworld. Weill’s innovative score invented a new form of musical theatre, leading the way for such shows as Chicago and Cabaret.

CCM’s Mainstage Series production of this jazz-infused musical is directed by Robin Guarino, with musical direction by Roger Grodsky, choreography by Patti James and scenic designs by Tony Award-winning guest artist John Arnone. The Threepenny Opera runs Thursday, Feb. 28, through Sunday, March 10, in UC’s Patricia Corbett Theater. Tickets are on sale now. This production contains mature subject matter.

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‘Seen and Heard International’ Reviews CCM’s ‘Street Scene’

Rafael de Acha reviews CCM’s historic production of Street Scene for Seen and Heard International, praising stage director Steven Goldstein‘s “unfaltering hand,” conductor Mark Gibson‘s “fervent leadership” and scenic designer Brian Ruggaber‘s “impressively life-like three-story set,” along with “Abbi Squires spot-on costumes, Amy Whitaker authentic wigs and make up, David LaRose’s summery lighting and Danny Jama’s hyper-realistic sound design. Usually unsung heroes, the diction coaching of Rocco dal Vera and the musical preparation of Sylvia Plyler amply equipped the cast with authentic accents and stylish musicality.”

You can read de Acha’s full review here.

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