CCM Welcomes Filmmaker James Chressanthis For Master Class and Film Screening on Feb. 17

CCM welcomes special guest James Chressanthis on Monday, Feb. 17, 2014.

CCM welcomes special guest James Chressanthis on Monday, Feb. 17, 2014.

CCM’s Division of Electronic Media welcomes cinematographer James Chressanthis, ASCfor a master class and film screening beginning at 7:30 p.m. on Monday, Feb. 17, in CCM’s Robert J. Werner Recital Hall.

An award-winning filmmaker, Chressanthis will host a free public lecture with a question and answer session from 7:30 – 8:30 p.m. This will be followed by a free screening of his feature film directing debut, the Emmy-nominated No Subtitles Necessary: Laszlo and Vilmos.

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CCM’s Jazz Ensembles Collaborate with Matt Wilson’s Arts and Crafts Ensemble on Feb. 9

Guest artist Matt Wilson and his Arts and Crafts Ensemble join CCM's Jazz Ensembles in concert on Sunday, Feb. 9.

Guest artist Matt Wilson and his Arts and Crafts Ensemble join CCM’s Jazz Ensembles in concert on Sunday, Feb. 9.

Audiences can look forward to a fun, quirky and upbeat performance when CCM’s Jazz Ensembles join forces with renowned guest artist Matt Wilson and his Arts and Crafts Ensemble at 4 p.m. on Sunday, February 9, in Corbett Auditorium. Tickets are on sale now.

CCM Director of Jazz Studies Scott Belck and Instructor of Jazz Studies Dominic Marino conduct.

Voted the number one “Rising Star Drummer” in Downbeat magazine’s Critic’s Poll for five consecutive years, Wilson is an ambassador for the jazz community known for blending his creativity and sense of humor with a versatile musicality, engaging audiences and musicians alike.

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CCM Alumna Audrey Luna Wins Grammy for Best Opera Recording

Audrey Luna (center) as Ariel in the Metropolitan Opera's production of 'The Tempest.'

Audrey Luna (center) as Ariel in the Metropolitan Opera’s production of ‘The Tempest.’

Congratulations to CCM alumna Audrey Luna (MM ’03, AD ’05), soprano, on her Grammy win last night! Luna received a Grammy for Best Opera Recording for singing the role of Ariel on the Metropolitan Opera recording of Thomas Adès’ The Tempest.

Born in Salem, Oregon, the soprano studied with Barbara Honn during her time at CCM. You can read more about her Grammy win courtesy of Janelle Gelfand and the Cincinnati Enquirer here.

You can read Luna’s recent Opera News “Sound Bite” spotlight here.

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CCM Jazz Welcomes Special Guest Steven Bernstein For Evening of James Bond Film Music on March 10

JazzBondBanner

CCM’s Jazz Ensemble and Jazz Lab Band welcome guest artist and guest composer Steven Bernstein for a concert that is guaranteed to be “Shaken, Not Stirred” at 007 p.m. on Sunday, March 10, in UC’s Corbett Auditorium.

“Special agents” from CCM’s award-winning Lighting Design program will help present this evening of James Bond film music with a dynamic and colorful twist. Scott Belck and Dominic Marino conduct.

“Shaken, Not Stirred” features Bernstein’s adaptations of composer John Barry’s iconic and legendary James Bond film scores. Barry, who died in January 2011 at the age of 77, scored 11 James Bond films between 1963 and ’87. He composed a number of other highly acclaimed film scores, including those for Dances with Wolves and Out of Africa, both Grammy Award winners.

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CCM Presents Acclaimed Flutist Molly Alicia Barth and Guitarist Dieter Hennings In Concert This Week

CCM’s Guest Artist Series proudly presents Grammy Award-winning flutist (and CCM alumna) Molly Alicia Barth and acclaimed guitarist Dieter Hennings in concert at 8 p.m. this Thursday, Jan. 24, in the Cohen Family Studio Theater. Tickets to this performance are free. Reservations are not required.

Barth and Hennings’ Jan. 24 performance is scheduled to include a performance of CCM Associate Professor of Composition Michael Fiday‘s Five Haiku for alto flute and guitar, along with Philippe Hurel’s Loops, Juan Trigos’ From Partita, André Jolivet’s Ascèses, Herbet Vazquez’s El jardín del pasaje púrpura, David Lang’s Vent, Jean Micahel Damase’s Quatre Facettes and Toru Takemitsu’s Toward the Sea.

Grammy Award-winning flutist Molly Alicia Barth.

Grammy Award-winning flutist Molly Alicia Barth.

About Molly Alicia Barth
Described as “ferociously talented” by The Oregonian, Grammy-Award winning flutist Molly Alicia Barth is an active solo, chamber and orchestral musician, specializing in the music of today. As a founding member of the new music sextet eighth blackbird, Barth toured extensively throughout the world, recorded four CDs with Cedille Records, won a 2008 Grammy (“Best Chamber Music Performance”) and was granted the 2000 Naumburg Chamber Music Award, first prize at the 1998 Concert Artists Guild International Competition, the 1998/2000/2002 CMA/ASCAP Awards for Adventurous Programming, first prize at the 1997 Coleman Chamber Music Competition and first prize at the 1996 Fischoff National Chamber Music Competition.

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CCM’s ‘Chess’ Receives Four League of Cincinnati Theater Nominations

"Chess" runs Oct. 25 - 28 in UC's Corbett Auditorium. Photography by Mark Lyons.

“Chess” runs Oct. 25 – 28 in UC’s Corbett Auditorium. Photography by Mark Lyons.
Tickets on sale now! Visit ccm.uc.edu for more information. Photography by Mark Lyons.

CCM’s production of Benny Andersson, Björn Ulvaeus and Tim Rice’s Chess has earned four nominations from the League of Cincinnati Theatres (LCT)! The LCT also distinguished the rock musical as a recommended production: Outstanding Production (musical), Ensemble, Lead Actor (Julian Decker) and Lead Actress (Aubrey Ireland). Congratulations to the entire creative team!

Loosely based on the lives of chess grandmasters Bobby Fischer and Anatoly Karpov, Chess involves a romantic triangle between two top players (an American and a Russian) and the woman who manages one and falls in love with the other.

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Cincinnati Enquirer Reviews Opera Fusion Workshop Performance of ‘Champion’

The Cincinnati Enquirer‘s Steven Rosen was in attendance at Saturday’s public workshop of Champion, the new American opera composed by Terence Blanchard with a libretto by Michael Cristofer.

In his review of the performance, Rosen states, “Judging from the enthusiastic audience response, the opera may become a champion in more ways than one. One person asked, to general overall approval, if he would have to go all the way to Saint Louis to see the full opera, wishing Cincinnati Opera would itself stage it. (Several of the CCM students will be in the Saint Louis production.)”

You can read Rosen’s review in its entirety here.

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