The Ariel Quartet’s Beethoven Cycle Concludes with Performances on March 25, 27 and 29

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Join us next week for the stunning conclusion to the Ariel Quartet’s Beethoven Cycle! The Ariel Quartet will finish its first complete tour of Beethoven’s string quartets with a trio of performances on March 25, 27 and 29.

To celebrate the occasion, we are delighted to present an excerpt of Beethoven’s String Quartet in F Minor Op. 95, “Serioso,” recorded live in CCM’s Corbett Auditorium in January of 2014. Watch the video embed below or view it on YouTube here!

Please see the schedule below for complete details.
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CCM Adds Naumburg Competition Winner Soyeon Kate Lee to Piano Faculty

CCM welcomes Assistant Professor of Music in Piano Soyeon Kate Lee to its faculty. Her appointment begins in August of 2014.

CCM welcomes Assistant Professor of Music in Piano Soyeon Kate Lee to its faculty. Her appointment begins in August of 2014.

Dean Peter Landgren today announced the appointment of pianist Soyeon Kate Lee to the faculty of CCM’s Department of Piano. First prize winner of the prestigious Naumburg International Piano Competition in 2010, Lee has been hailed by the New York Times as a pianist with “a huge, richly varied sound, a lively imagination and a firm sense of style,” while the Washington Post has lauded her for her “stunning command of the keyboard.”

Lee joins CCM as Assistant Professor of Music in Piano beginning in August of 2014. Her appointment gives CCM the rare distinction of having two Naumburg Piano Competition winners on faculty (CCM Piano Department Chair Awadagin Pratt also took first prize in 1992).

Lee has been rapturously received as guest soloist with the Cleveland Orchestra and the London Symphony Orchestra, as well as the Louisiana Philharmonic Orchestra, San Diego Symphony, symphony orchestras of Columbus, Bangor, Bozeman, Boca Raton, Wyoming, Bozeman, Cheyenne, Napa Valley, Scottsdale, Abilene, Naples, Santa Fe and Shreveport in the United States; the Daejeon Philharmonic Orchestra (South Korea), Ulsan Symphony Orchestra (South Korea), Orquesta de Valencia (Spain) and the Orquesta Sinfónica Nacional (Dominican Republic), including performances under the batons of Rafael Frühbeck de Burgos, Jahja Ling, Jorge Mester and Otto-Werner Mueller.

An active Naxos recording artist, her third CD featuring Liszt opera transcriptions was released earlier this year and she will return to the Glenn Gould Studio in Toronto for a two-CD recording of Scriabin’s piano works in April.

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NBC’s 2014 Olympic Coverage Features the Iconic Music of CCM Alumnus Randy Edelman

NBCSochiLogoTelevision viewers of the 2014 Winter Olympics in Sochi have a CCM alumnus to thank for the rousing theme music featured in NBC’s coverage of the games.

Beginning with the 1996 Summer Olympics in Atlanta, the NBC television network has used music originally composed by distinguished alumnus Randy Edelman (CCM ’69, HonDoc ’04) extensively in its televised sports broadcasts.

A prominent singer, songwriter, arranger and film scorer, Edelman has led a prolific career since concluding his studies at CCM and has regularly seen his film and television scores find a second life in NBC’s sports coverage. Below, you can listen to the closing credits soundtrack for NBC’s Olympics coverage, which features Edelman’s “World of the Heart” and “Finale.”

As the Los Angeles Times has previously reported, the heroic music used by NBC to promote upcoming Olympic competitions was originally the theme for the comedy-western television series The Adventures of Brisco County, Jr. You can view the original title sequence for that program (complete with Edelman’s score) below:

This theme has come to soundtrack NBC’s Olympic coverage for nearly 20 years and has also been used in the network’s coverage of Major League Baseball playoffs and other major sporting events.

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CCM Video: Electronic Media Students Present ‘Metamorphoses’ Trailer

To celebrate tonight’s opening performance of Mary Zimmerman’s Metamorphoses, we proudly present this movie-style trailer shot and edited by Electronic Media majors Tim Neumann and Dan Marque, starring Drama majors Bailie Breaux and John Lee Odom.

Based on the classic myths of Ovid, Metamorphoses runs Feb. 6 – 9, 2014. Guest artist D. Lynn Meyers directs. The production is intended for mature audiences.

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CCM Video: A Sneak Peek at CCM’s Scenic Design for ‘Metamorphoses’

CCM’s Patricia Corbett Theater recently underwent a dramatic metamorphosis of its own in anticipation of our upcoming production of Mary Zimmerman’s Metamorphoses. Today, CCM student Alexi Ortiz provides us with a time-lapse video of last weekend’s load-in, which includes an early look at Metamorphoses‘ much-talked-about on-stage pool.

Scenic Designer Dana Hall and Technical Director Christian Mikkelsen (both of whom are students at CCM) provide additional insight on this process to the News Record‘s Jake Grieco here.

Based on the classic myths of Ovid, Metamorphoses runs Feb. 5 (preview) – 9. Guest artist D. Lynn Meyers directs. The production is intended for mature audiences.

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CCM Video: The Ariel Quartet Presents ‘The Cycle’

In honor of tonight’s opening installment of the Ariel Quartet’s Beethoven Cycle, we proudly present an excerpt from the Quartet’s very first concert while in residence at CCM! Enjoy an excerpt from Beethoven’s String Quartet in F Major, Op. 135, recorded live in CCM’s Robert J. Werner Recital Hall on Sept. 11, 2012.

Also, be sure to pick up this week’s issue of CityBeat for an in-depth preview of “The Cycle,” courtesy of Anne Arenstein. The Jan. 22 issue of CityBeat is on newsstands now and is also available online here.

For more information about “The Cycle,” please visit http://ccm.uc.edu.

CCM Welcomes Guest Artists Gerald Finley and Julius Drake on Feb. 5, 2014

Guest artist Gerald Finley, baritone.

Gerald Finley, baritone, and Julius Drake, piano, bring their acclaimed recital tour of Franz Schubert’s song cycle Winterreise to CCM’s Corbett Auditorium at 8 p.m. on Wednesday, Feb. 5.

Below, watch Finley and Drake discuss the power and beauty of WinterreiseTickets for their Feb. 5 performance are on sale now.

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CCM’s Departments of Jazz Studies and Musical Theatre Present Duke Ellington’s ‘Nutcracker Suite’ and Holiday Concert on Nov. 24

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CCM’s Jazz Ensemble and Jazz Lab Band team up with CCM Musical Theatre dancers to present Duke Ellington’s Nutcracker Suite and Holiday Concert at 2 and 7 p.m. on Sunday, Nov. 24, in Corbett Auditorium.

This swinging seasonal favorite features stunning new choreography by Diane Lala and musical direction by Scott Belck and Dominic Marino. Back by popular demand, this powerful partnership presents two performances this season.

Duke Ellington recorded The Nutcracker Suite for the Columbia label in 1960, featuring jazz interpretations of well-known melodies by Tchaikovsky.

Of collaborating with Belck, Lala says, “When he asked if I wanted to do the Nutcracker Swing with him, I jumped at the chance. It is a great opportunity for our musical theatre students to be able to dance with such a wonderful band.” View an excerpt from last year’s concert below.

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CCM’s Britten Centenary Celebration Culminates with Birthday Concert on Nov. 22

Britten rehearsing 'A Midsummer Night's Dream,' Op. 64, in Jubilee Hall in 1960. Image courtesy of www.britten100.org

Britten rehearsing ‘A Midsummer Night’s Dream,’ Op. 64, in Jubilee Hall in 1960. Image courtesy of http://www.britten100.org

CCM commemorates the 100th anniversary of the birth of composer, conductor and pianist Benjamin Britten with a celebratory concert on Friday, Nov. 22.

Under the baton of Mark Gibson, Professor of Music and Director of Orchestral Studies, the CCM Philharmonia will present Britten’s orchestral showpiece The Young Person’s Guide to the Orchestra, narrated by special guest Santa J. Ono, President of the University of Cincinnati.

One of Britten’s best-known pieces, The Young Person’s Guide to the Orchestra, Op. 34 (1946), is a musical composition that was originally commissioned for an educational  documentary film called Instruments of the Orchestra, directed by Muir Mathieson and featuring the London Symphony. It is one of the three popularly used scores in children’s music education, along with Saint Saëns’ The Carnival of the Animals and Prokofiev’s Peter and the Wolf.

Audience members may recognize this showpiece from the 2012 Wes Anderson film Moonrise Kingdom. Music drawn from Britten’s opera for children, Noye’s Fludde, and his Young Person’s Guide to the Orchestra, played an integral role in the movie’s conception and can be heard throughout the film. Watch Anderson discuss Britten’s influence here.

The Young Person’s Guide to the Orchestra is not only one of Britten’s most played pieces but — in its original, 1940s film version — was a highly significant attempt to use the media of the day to introduce children to classical music. View a newly animated version of the showpiece below:

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The evening will also feature Britten’s Violin Concerto, Op. 15 (1939), a highly original piece that foreshadows the composer’s work on the famed opera Peter Grimes (1945).

In addition, the program includes Sir Edward Elgar’s Enigma Variations, the work that brought him to national prominence upon its production by Hans Richter at St. James’ Hall, London, in June of 1899. Like Britten, Elgar holds a place at the helm of his respective generation of British composers. Continue reading

ONECCM – The Path Forward

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Dear CCM Community,

The University of Cincinnati College-Conservatory of Music is excellent in so many ways – we have unparalleled faculty, the magnificent CCM Village, generations of successful alumni and so much more. CCM truly is a premiere performing and media arts institution. Continuing this excellence requires us to set our sights even higher. To do this requires us to ask ourselves challenging and probing questions, and we need your participation to be successful.

ONECCM – The Path Forward is our way of asking critical questions of each other and of leaving no stone unturned. We need your assistance and voice in this process, and we are asking for input from every willing faculty, staff and student of the college, of alumni, friends and community members. Our goal is to have 100% participation from CCM’s faculty and staff. ONECCM – The Path Forward will be the way we differentiate ourselves as a premiere performing and media arts institution.

For more information about ONECCM – The Path Forward, please visit ccm.uc.edu/about/oneccm. You can also complete the ONECCM Survey by clicking here:

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This survey will take no more than ten minutes and is your opportunity to have a voice in creating the Path Forward for CCM. There will be other opportunities to participate in focus groups later in the academic year. This is a participatory process and the survey data is being collected anonymously by our strategic partners. Thank you in advance for participating. Having as many voices as possible will create a robust vision for our future.

This is a critical moment in our history. Change is happening all around us, and CCM is adapting to those changes, so please assist us in this quest to become an even more excellent CCM.

Respectfully yours,
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Peter Landgren, Dean
Thomas James Kelly Professor of Music
College-Conservatory of Music
University of Cincinnati